Florian Cramer on Tue, 14 Dec 1999 02:02:18 +0100 (CET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
<nettime> Re: Tilman-RFC #1: net art history 1993 - 1996 |
Am Sat, 11.Dec.1999 um 18:24:31 +0100 schrieb Tilman Baumgaertel: > One month ago I mailed out a proposal to inform me about early net art > projects. It resulted in the following list of projects and art works that > happened between 1993 and 1996. Some of them were suggested to me by email, > other came from my own - not very good - memory. I am quite surprised to see that your timeline starts as late as in 1993. Again, we can argue whether "net art" (i.e. net art in a broader sense than the particular school of "Net.Art") is identical with "World Wide Web art". My opinion obviously differs. Since you speak of "net art" and not of "Internet art" in particular, I would certainly include BBSes into this history. Even without BBSes, I would clearly root the beginnings of Internet art activities in such manifestations as the "alt.artcom" newsgroup (established by the editors of the Canadian "Art Com" journal whose editors also published the Mail Art source book "Correspondence Art in 1985), the "Postmodern Culture" e-journal with the "PMC-talk" listserver and Crackerjack Kid's Networker's Telenet Link around 1991. In my memory of these days of the Internet - or EARN/Bitnet, respectively -, these were the _only_ arts-related forums in global computer networks. For net culture, the discussions in "PMC-Talk" were at least as significant as those in Nettime became later. alt.artcom Quotations/resources "In 1991 there were roughly two dozen mail artists with PCs and modems, mostly Americans, who could access one another through information superhighways like internet, bitnet, CompuServe and America Online." Chuck Welch <http://www.actlab.utexas.edu/emma/Gallery/telenetlink.html>) "Artists are using computer networks, and it is impacting not only their methods of dialogue and distribution, but their creative process and aesthetic output. In the cyberspace of computer networks, still so pervasively ASCII and ANSI, art works are not necessarily about visual images but instead communications -- many investigate interactivity, collaboration, interface, connectivity, and the relationship between artist, art work, and viewer." Anna Couey, Cyber Art: The Art of Communication Systems, Matrix News, Volume 1, Number 4, (July 1991) 1980 ARTEX Robert Adrian X Conferencing system on I. P. Sharp APL Network used for art projects 1986 Artcom forum in The Well BBS Carl Eugene Loeffler and others SF Bay Area routed into the Usenet as alt.artcom (and still existing today), includes electronic distribution of Art Com journal articles 1987 TAM Ruud Janssen Amsterdam Mail-Art BBS (now in the World Wide Web: <http://www.geocities.com/Paris/4947/>) 1990, summer Panscan Conference on ECHO BBS (later echonyc.com) Mark Bloch New York City production of a collaborative E-Mail poem (text at <http://www.echonyc.com/~panman/epoem.html>) 1990 Matrix Artists Network BBS Toronto, Canada 199? TAM by Ruud Jansen Tilburg/Netherlands 1990, June 17 PMC-Talk launch of "postmodern culture" mailing list in the Internet and on ERAN/Bitnet University of Virginia 1990, Fall Postmodern Culture First issue of the Internet e-journal University of Virginia 1991, February 6 Le Musée Standard by La Société de Conservation du Présent Graphical BBS based on the French-Canadian Minitel standard Montréal, Québec (Conceived and programmed by the conceptual art group SCP, this proto-Website contained - among others - computer-generated poetry and "Notre Médium: Le Système", a sophisticated system of pictograms.) 1991, June Networker Telenetlink by Crackerjack Kid (a.k.a. Chuck Welch) Sao Paolo Biennal 1991 R.A.T. Mail Art Archive by Charles Francois Liège/Belgium Mail Art BBS 1992 Global Mail by Ashley Parker-Owens Information/announcement sheet on Mail Art and related activities, published on "The Well" via gopher and E-Mail 1994, February Spoon Lists by Spoon Collective Mailing lists on cultural theory 1994 Fast Breeder London BBS operated by Matthew Fuller, Graham Harwood et.al. 1994 The Seven by Nine Squares/Neoism Online Berlin BBS from March 1994-March 1995 Web Site since March 1995 relaunched as <http://www.neoism.org> in January 1996 ... I am sure there are many more... Florian -- Florian Cramer, PGP public key ID 6440BA05 Permutations/Permutationen - poetry automata from 330 A.D. to present: <http://userpage.fu-berlin.de/~cantsin/index.cgi> # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net