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Announcer on Mon, 19 May 2003 19:34:20 +0200 (CEST)


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Table of Contents:

   Veranstaltungshinweis am 22.5.: Zwischen War-Blogs und Informations             
     till {AT} tillwe.de (Till Westermayer)                                               

   ATTACK!  Art and War in the Media Age                                           
     Oliver Ressler <oliver.ressler {AT} chello.at>                                       

   Video + Dance  {AT}  Merce Cunningham                                                
     Kurt Ralske <kranning {AT} miau-miau.com>                                            

   Interzone #0: Document(ary)                                                     
     Eric Kluitenberg <epk {AT} xs4all.nl>                                                

   Generator III - finissage                                                       
     "Marta Klonowska" <klon {AT} wrocenter.pl>                                           

   UNESCO Digital Arts Award 2003 at IAMAS - deadline July12th                     
     Oliver Grau <Oliver.Grau {AT} culture.hu-berlin.de>                                  

   event listing                                                                   
     <krista.lewis {AT} bmaa.gv.at>                                                       

   ZEROGLAB_INVITATION_FOR_THE_OPENING_OF_THE_BERGRO?= =?is
     "Karoly Toth" <are {AT} xs4all.nl>                                                   

   Mail Art                                                                        
     Monty Cantsin <xmontyxcantsinx {AT} yahoo.com.br>                 

   FLOSS in the developing countries (a study)                                     
     "Frederick Noronha (FN)" <fred {AT} bytesforall.org>                                 



------------------------------

Date: 15 May 2003 17:46:00 +0200
From: till {AT} tillwe.de (Till Westermayer)
Subject: Veranstaltungshinweis am 22.5.: Zwischen War-Blogs und Informations

## Nachricht vom 15.05.03 weitergeleitet
## Ursprung : /Mailinglisten/gj-debatte
## Ersteller: till.westermayer {AT} epost.de
Hinweis auf eine gemeinsame Veranstaltung der Heinrich Böll Stiftung  
(Referat Medienpolitik) und des Netzwerks Neue Medien

Thema: Zwischen War-Blogs und Informationsministerium. Medien und  
öffentliche Wahrnehmung nach dem Irak-Krieg.

Termin: Do, 22.5., 19 Uhr, Galerie der Heinrich Böll Stiftung, Hackesche  
Höfe, Berlin

Fragestellung: Kriege katalysieren oft mediale und technische  
Entwicklungen. Ziel der Diskussion ist es, aufzuarbeiten, wie sich das  
Verhältnis von Krieg, Medien und öffentlicher Wahrnehmung mit dem Irak- 
Krieg verschoben hat. Mehrere Beobachtungen bilden dabei die Eckpunkte  
der Debatte: die enge Verbindung von Militär und Unterhaltungsindustrie  
im Konzept des "eingebetteten Berichterstatters", die sich wechselseitig  
aufschaukelnden Inszenierungen des irakischen Informationsministers und  
der USA, aber auch die erstaunlich kritische und selbstreflexive  
Diskussion in den Medien über Medienberichterstattung, die zunehmende  
Bedeutung von Al-Jazerra und schließlich die Tatsache, dass sich mit dem  
erwachsen gewordenen Internet erstmals ein globaler alternativer Zugang  
zu unzensierten Informationen angeboten hat.

Auf dem Podium diskutieren:
- - Mira Beham (Publizistin, Wahrheitskommission Belgrad)
- - Markus Deggerich (berichtete für SPIEGEL online aus dem Irak)
- - Stefan Krempl (Journalist und Medienwissenschaftler)
- - Clemens Lerche (Redaktionsleiter Berlin politik-digital)
- - Hendrik Zörner (Deutscher Journalistenverband, Hauptstadtbüro)

Moderation: Till Westermayer, Netzwerk Neue Medien.

___________________________________________________________
Aus- und Eintragen, Archivfunktion und Urlaubsabmeldung:
http://www2.gruene-jugend.de/mailman/listinfo/liste-debatte
Bei Problemen bitte nicht an die Liste, sondern mailen an:
mailto:listenservice {AT} gruene-jugend.de
Informationen über andere Mailinglisten der GRÜNEN JUGEND:
http://www.gruene-jugend.de/mailinglisten/index.html


------------------------------

Date: Fri, 16 May 2003 19:04:46 +0200
From: Oliver Ressler <oliver.ressler {AT} chello.at>
Subject: ATTACK!  Art and War in the Media Age

ATTACK!
Art and War in the Media Age / Kunst und Krieg in den Zeiten der Medien

KUNSTHALLE Wien, Vienna

opening: May 22th, 2003, 7 pm
May 23th - September 21th, 2003
http://www.kunsthallewien.at


War is the major social issue that has pushed all others to the side 
since shortly after the turn of the millennium. Those who believed that 
more peaceful times would follow the end of the Cold War were forced to 
learn a lesson: War remains the father of all things, even though its 
appearance, its methods, its aims and its language of imagery are 
constantly changing.

Curators: Gabriele Mackert, Thomas Mießgang

Participating Artists:
A1_53167, Sergej Bugaev Afrika, Dejan Andjelkovic/Jelica Radovanovic, 
Apsolutno, Fiona Banner, Tobias Bernstrup/Palle Torsson, Nin Brudermann, 
David Claerbout, Guy Debord, Uros Djuric, Öyvind Fahlström, Peter Fend, 
Fodor, Renée Green, Richard Hamilton, Korpys/Löffler, Kuda.org, Sigalit 
Landau, Chris Marker, Hans Jörg Mayer, Gianni Motti, Adi Nes, Franz 
Novotny, Klaus Pobitzer, Oliver Ressler, Antonio Riello, Martha Rosler, 
Collier Schorr, Erasmus Schröter, Nedko Solakov, Nancy Spero, Herwig 
Steiner, Wolfgang Tillmans, Paul Virilio, Stephen Vitiello, Wang Du, 
Zhuang Hui


Oliver Ressler is part of the exhibition with the 2-channel video 
installation
THIS IS WHAT DEMOCRACY LOOKS LIKE!, 38 min, 2002

The video installation thematizes events of 1st July, 2001 surrounding 
an "anti-globalization demonstration" against the World Economic Forum 
in Salzburg.

further information:
http://www.t0.or.at/democracy


**********************************


Further upcoming presentations of the 1-channel video "This is what 
democracy looks like!":

A Space, Inner Space, Toronto (CAN), May 3rd - June 7th, 2003
http://www.aspacegallery.org
(a co-presentation with the Mayworks Festival)

Bochumer Videofestival (GER), May 16th, 2003

Die Normale - Festival des sozialpolitischen Films, Austrian Social 
Forum, Hallein (A), May 26th - 31, 2003, http://www.normale.at

Media Centar, Sarajevo (BIH), June 10th, 2003
(as part of the lecture by Marina Grzinic)


------------------------------

Date: Sat, 17 May 2003 01:54:40 -0400
From: Kurt Ralske <kranning {AT} miau-miau.com>
Subject: Video + Dance  {AT}  Merce Cunningham


RADICAL LOW
invites you to  

DANCE and NEW MEDIA  {AT} THE MERCE CUNNINGHAM STUDIO

Friday, May 23, 2003 at 9pm
Saturday, May 24, 2003 at 8pm

An evening of recent works by international artists
ASHLEY CHEN - choreography (France)
KURT RALSKE - real-time video (USA)
KOTA YAMAZAKI - choreography (Japan)
CHANTAL YZERMANS - choreography (Belgium)

At
The Merce Cunningham Studio
55 Bethune Street (11th floor)
New York, NY
For reservations + directions call: (212) 751-8872

//    The Program :

We are all grown up now (World Premiere)
Choreography/ Ashley Chen
 
RL1 (revisited) (Premiere)
Choreographed and performed
by Chantal Yzermans and Kota Yamazaki
Video / Kurt Ralske

Budapest (1997) 
Choreography / Chantal Yzermans
  
A SCORE ON THE CLOUD (World Premiere)
Choreography / Chantal Yzermans
Video / Kurt Ralske

Six of the performers are current or former members of the
Merce Cunningham Company

...
http://www.miau-miau.com
http://242pilots.org


------------------------------

Date: Sat, 17 May 2003 18:00:23 +0200
From: Eric Kluitenberg <epk {AT} xs4all.nl>
Subject: Interzone #0: Document(ary)

A   N   N   O   U   N   C   E   M   E   N   T


Interzone #0

Document(ary)

De Balie / Friday May 30 / Saturday May 31

Interzone is a new series of programs that De Balie intends to 
develop for the new program season, devoted to interdisciplinary 
explorations across the confines of existing artistic disciplines, in 
the cross-over areas of experimental cinema, media art, sound art and 
performance.

For this zero-edition of Interzone we have brought artists together 
who make explicit use of documentary materials in their work, while 
they have no intention to create an actual documentary. Taking this 
approach, it becomes inescapable that the artist has to articulate a 
different position towards the documentary materials, their origins 
and their context. How is this position defined? Why not rather make 
a straight documentary? What is the influence of the original 
material on the aesthetics of the work and the practice of the artist?

The entire program can also be followed live via the internet at:
http://www.balie.nl/live

________________


Friday May 30 & Saturday May 31 Grote Zaal

Walk-in Presentation from 13.00 hrs:

SÜDOSTPASSAGE (Southeast Passage. A journey to new Blank Spots on the Map)
Ulrike Ottinger
Ger, 2002, 364', digibeta, eng. subtitles

This (very) long documentary was originally created for the eleventh 
edition of the Documenta (2002), the mayor contemporary art 
exhibition organised every 5 years in Kassel, Germany. Ottinger is an 
acclaimed and highly idiosyncratic feminist fiction film director. 
For this project she pursued an almost ethnographic methodology. From 
her home town Berlin she made numerous journeys to travels to the 
former 'East'. These journeys took her amongst others to Odessa and 
Istanbul, but also to many unknown and little cared about places in 
the country-side. The film, more than 6 hours in length, can be seen 
as a personal travel diary.


George Legrady - An Anecdoted Archive from the Cold War
(Hungary, 1994)

In Legrady's work two different forms of writing history collide: 
Legrady's personal history as an émigré out of Hungary after the 
popular uprising of 1956 was crushed by Soviet army forces, is 
confronted with the official writing of history of the Cold War. 
Legrady subverts the official hierarchical construction of history. 
 From personal memorabilia, propaganda materials, films, and sound 
recordings he creates a personal anecdoted archive, a museum for his 
personal history.

http://www.mat.ucsb.edu/~g.legrady/glWeb/Projects/anecdote/Anecdote.html


Chris Marker - Immemory One
(France, 1997)

Marker engages the viewer in a subtle play. He presents an extensive 
archive of his personal life, his relationship to the things, the 
world (comparable to Legrady). This impression turns out to be 
misleading, however. Marker continuously moves between his actual 
personal history and a fictional existence; memories of events he was 
never part of, while making it apparent that they are truly his 
own.... The treacherous character of memory seems to be the starting 
point for his kaleidoscopic self-image. Marker seems to resist any 
authoritarian information-order and the illusion of universal history.

http://www.mediamatic.net/cwolk/view/2637

________________


Friday May 30 / Grote Zaal / 20.30 hrs:

Jon Wozencroft & Chris Watson "Weather Report"

Jon Wozencroft, founder of the Touch-label, graphic designer and 
video artist will present  video works that accompany two new 
soundscapes by Chris Watson.

Chris Watson makes sound recordings of rare animal species, natural 
phenomena and specific locations. Beside his work for a.o. the BBC, 
Watson, who in the past was involved with Cabaret Voltaire and the 
Hafler Trio, nowadays also produces works in the genre of 
"soundscapes". "Ol-Olool-O" is the name of a mountain range in the 
west of Kenya, which because of its position has a mayor influence on 
the climate conditions and thus on the animal life and the local 
population. The work, produced only with field recordings, is 
nonetheless marked by an exceptional dramatic tension.

"Vatnajökull" is named after the Vatnajökull-glacier in Iceland. 
Watson follows the journey of the ice to the sea and offers a 'view' 
into the various animal colonies and habitats on its way.

With solemn imagery, largely consisting of nature footage, Wozencroft 
creates a visual pendant of Watson's compositions.

http://www.touch.demon.co.uk/releases/TO15.html

________________


Friday May 30 / Kleine Zaal / 22.00 hrs

THE DANUBE EXODUS
Péter Forgács
Ned., 1998, 60', betacam, 60', eng. subtitles
The Hungarian  film maker Péter Forgács (Budapest, 1950) is one of 
the most prominent representatives of the so-called found footage 
film makers. In the travel report The Danube Exodus Forgács documents 
the Jewish exodus out of Hungary at the beginning of World War II.

ANGELOS' FILM
Péter Forgács
Ned., 1999, betacam, 60', eng.ond.
In ANGELOS' FILM Forgács uses amateur movies of the Greek marine 
officer and patrician Angelos Papanastassiou, who filmed the 
atrocities of the nazi's in his country, often while endangering his 
own life in the process

________________


Saturday May 31 / Grote Zaal

Walk-in Presentation from 13.00 hrs:

Ulrike Ottinger - Süd-Ost Passage

George Legrady - An Anecdoted Archive from the Cold War

Chris Marker - Immemory One

(descriptions: see above)

________________


Saturday May 31 / Salon / 16.00 hrs:

Discussion with participating artists in Interzone about the 
relationship between the documentary source material they use and the 
role these materials play in the final work of art.

With:
John Wozencroft
Gregor Asch (DJ Olive)
John Oswald

Chair: to be confirmed

Language: English

________________


Saturday May 31 / Grote Zaal / 20.30 hrs

John Oswald "Plexure", "Dab", and "Braziliaires"

Plunderphonics is the name Oswald gives to his music. His composition 
"Dab" is constructed from hundreds of sound fragments of Michael 
Jackson's "I'm Bad". The statement is that compositions that consists 
entirely of samples can be highly original works in their own right, 
there should be no restrictions to the use of samples. This position 
has made Oswald into a controversial composer and a spokesperson for 
the No Copyright movement.
"Plexure" is a staccato of oh's, ah's and yeah's. A flow of sound 
libraries of the last 30 years of popmusic history. "Braziliaires" is 
a radiophonic diary of a journey to Brasil, and deals provocatively 
with the relationships between cultures. In contradiction to the 
soundscapes almost all sounds are imitations of the original recorded 
sound materials.

http://www.plunderphonics.com/


Saturday May 31 / Grote Zaal / 22.00 hrs

DJ Olive "Composition #11" and "Perpetual Soundcheck"

DJ Olive is a turntablist, a composer and musician, who uses the 
turntable as his instrument. He calls his compositions Vinyl Scores. 
DJ Olive makes collections of recordings and stores these sound 
fragments on LP's as if they were his music scores.
As a DJ he creates open compositions by continuously making new 
combinations between archived sounds.

In "Composition #11", a palette of sounds of his immediate living 
environment, DJ Olive attempts to arrive at a personal 
interpretation. "Perpetual Soundcheck" takes the listener to the 
urban metropolis of New York; ranging from the pulsating urban sounds 
to a loud siesta.

http://qrot.net/we/

________________


Saturday May 31 / Kleine Zaal / 22.00 hrs

LONDON ORBITAL
Chris Petit, Iain Sinclair
GB, 2002, 76', betacam, eng spoken No subtitles

A hallucinating essay-film where the London ring-way (the M25) is the 
starting point for a delirious multitude of poetic and intellectual 
associations. The basis for the film was the book by the same title 
by Ian Sinclair, in which the writer tells about his journey on foot 
along the almost 200 kilometres long road and the multitude of 
observations and connections that emerged during the long march. 
Chris Petit's intention was not to make a film about this march, but 
to start from the trance-like state that the average car driver can 
be put in by the endless car drives along such a road.

________________


Program team:

Roland Spekle (St. Barooni)
Peter van Hoof (Cinema De Balie)
Eric Kluitenberg (De Balie New Media)

________________

Ticket sales and reservations:
Admittance evening programs: E 7,50, with reduction: E 5,00
Opening hours ticket box: during working days 13.00-18.00 hrs till 
the start of a program.
In the weekend 1 1/2 hours before start of the program.
Reserve by phone: +31-(0)20 - 55 35 100 during opening hours until 45 
minutes before the start of the program.

De Balie / Kleine-Gartmanplantsoen 10 / 1017 RR / Amsterdam
http://www.balie.nl



------------------------------

Date: Fri, 16 May 2003 15:02:38 +0200
From: "Marta Klonowska" <klon {AT} wrocenter.pl>
Subject: Generator III - finissage 

GENERATOR III

Exhibition of interactive installation=20
of Lech Twardowski
10-18 May 2003

Finissage
Saturday, 17 May 2003
10.00 pm
with GAMEBOYZZ ORCHESTRA PROJECT

in
Festspielhaus Hellerau
Karl-Liebknecht-Strasse 56
Dresden, Germany

- --------------------------
Organization:

Trans-Media-Akademie Hellerau
Dresden, Germany
and
WRO Center for Media Art
Wroclaw, Poland

- ---------------------------
Trans-Media-Akademie Hellerau
Karl-Liebknecht-Strasse 56
D - 01109 Dresden
Germany
www.body-bytes.de


WRO Center for Media Art
ul. Kuznicza 29a
50-138 Wroclaw
Poland
www.wrocenter.pl


------------------------------

Date: Fri, 16 May 2003 15:27:31 +0200
From: Oliver Grau <Oliver.Grau {AT} culture.hu-berlin.de>
Subject: UNESCO Digital Arts Award 2003 at IAMAS - deadline July12th

Dear friends and collegues,

We are happy to announce the

Digital Pluralism - UNESCO Digital Arts Award 2003 at IAMAS 
<http://www.iamas.ac.jp/unesco_award>
<http://www.iamas.ac.jp/unesco_award>
Please find our website and instructions for submissions in 10 languages 
at:

http://www.iamas.ac.jp/unesco_award
<http://www.iamas.ac.jp/unesco_award>
1.) AWARD: <http://www.iamas.ac.jp/unesco_award/e/prize.html>

The award is organized in collaboration between IAMAS 
<http://www.iamas.ac.jp> Gifu, Japan and the UNESCO Digi-Arts Portal 
<http://portal.unesco.org/digiarts>, Paris.
The award consists of a 10.000 USD money award & a 6-month 
artist-in-residence stay at the IAMAS <http://www.iamas.ac.jp>, 
Institute of Advanced Media Arts and Sciences and the International 
Academy of Media Arts and Sciences in Ogaki, Gifu Japan.

a) Award Money:

The total money award of USD10,000 is provided by the Higashiyama Fund 
set-up and managed by the National Federation of UNESCO Associations in 
Japan (NFUAJ) and given by the Director-General of UNESCO.

In addition, IAMAS provides a 6-months salary for the 1st price winner 
who will be invited as artist-in-residence to IAMAS. This salary is 
around 2,100,000 yen (~ 18.000.- USD) for 6 months (the exact amount 
will depend on the number of years' professional experience that the 
artist has had, for example, an artist with 2-6 years' experience will 
receive 350,000 yen per month, totalling 2,100,000 yen for 6 months).

The components of the Award are:

1st prize: USD 5,000 & 6 months artist-in-residency at IAMAS
2nd prize: USD 3,000
3rd prize: USD 2,000

b) 6-month Artist-in-Residency at IAMAS

IAMAS <http://www.iamas.ac.jp/E/index-html.html> will welcome the main 
award winner as artist-in-residence 
<http://www.iamas.ac.jp/intro/E/air.html> for 6 months. This is intended 
to give the young artist the chance to work in a very well equipped, 
high-tech environment where he/she can realise the chosen project and 
benefit from cultural exchange with IAMAS staff and students.

IAMAS will provide the artist with a monthly salary during this time 
(depending on the numers of years' professional experience up to 
2,100,000.- yen for 6 months) as well as travel expenses incurred when 
joining and leaving IAMAS. Furthermore, IAMAS will rent an apartment for 
the artist-in-residence. However, the artist is asked to pay for part of 
the rent.

The artist-in-residence will be at IAMAS from October 2003 until March 
2004. During this time, the artist will develop his/her work, based on 
his/her award-winning project proposal. The final artwork will be 
presented at the 5th World Forum for Media Art and Culture exhibition to 
be held in Ogaki, Japan in March 2004. This is when the award winner and 
his/her work will be introduced to the public


2.) HOW TO SUBMIT <http://www.iamas.ac.jp/unesco_award/e/howto.html>

Project proposals in the field of digital art (including web art, 
interactive art, media installation, digital music, performance or other 
media art forms) are accepted.

1. One project proposal per artist is accepted. The official language 
for all submissions is English.
2. The proposed project must not be an already finished artwork.
3. Total length of the project proposal: 5-7 pages, A4 format.
4. The project proposal must include: title, 500-word abstract, concept 
of the work, project description, technical description, drawings and 
set-up plan as well as a timetable for carrying out the work during the 
6 months as artist-in-residence at IAMAS.
5. A short biography (2-3 pages, A4) including education, career, 
exhibition list and list of activities as well as contact address 
(including telephone number and email address) and 2 passport photos are 
required.
6. All submissions must reach IAMAS by postal mail by 12 July 2003.
7. Download and sign the  entry form 
<http://www.iamas.ac.jp/%7Eiuko302/unesco/entryform.pdf> and send it 
along with your submission by postal mail to IAMAS:

IAMAS
Institute of Advanced Media Arts and Sciences
International Academy of Media Arts and Sciences
3-95 Ryoke-cho Ogaki City Gifu 503-0014 Japan
Phone. +81(0)584 75 6600 Fax. +81(0)584 75 6637
unesco_award {AT} iamas.ac.jp

<mailto:unesco_award {AT} iamas.ac.jp>

3.) SUBMISSION GUIDELINES <http://www.iamas.ac.jp/unesco_award/e/guide.html>

· The award focuses on supporting young, talented people involved in 
media art.

· The age limit for submitting artists is 35 years.

· The award will be given to project proposals, not to finished artworks.

· Project proposals should relate to the theme of the award.

· The main award winner's project proposal will be carried out at IAMAS 
during a special artist-in-residence period provided by IAMAS.

· We especially encourage submissions by artists from developing countries.

4.) OBJECTIVES OF THE AWARD 
<http://www.iamas.ac.jp/unesco_award/e/index.html>

In our increasingly diverse societies, it is essential to ensure 
harmonious interaction among people and groups with plural, varied and 
dynamic cultural identities as well as their willingness to live 
together" (UNESCO Universal Declaration on Cultural Diversity, 2 
November 2001)

But how does technology shape cultural identity and how has it changed 
the way we live together? Can digital technology promote dialogue 
between people from different cultures, creating a better, fairer and 
more peaceful world where cultural diversity and tolerance prevail? And 
how can an artist's vision and sensibility reflect and contribute to 
cultural diversity and digital pluralism?

These are the questions we want to address through the "Digital 
Pluralism - UNESCO Digital Arts Award 2003 at IAMAS". We encourage 
artists to reflect on the theme of cultural diversity, digital pluralism 
and social interaction, and to send project proposals for a media 
artwork that considers these topics and that can be realised during a 
6-month artist-in-residence period at the Institute of Advanced Media 
Arts and Sciences (IAMAS) in Gifu, Japan.

5.) JURY <http://www.iamas.ac.jp/%7Eiuko302/unesco/e/jury.html>

An expert jury, representing the 5 cultural regions as well as UNESCO 
and IAMAS has been assembled.
The jury members are:

Africa:
Ibrahima Ndiaye [Multimedia critic, Professor of Universite Cheikh Anta 
Diop de Dakar, Senegal]

Asia/Pacific:
Eliane Ng [Independent curator specialized in contemporary and new media 
art, China]

Latin America/Caribbean:
Diana Domingues [Professor and Researcher at the University of Caxias do 
Sul/ CNPq, Brazil]

Europe/North America:
Gerfried Stocker [Director of Ars Electronica, Austria]

Arab States:
Azza El-Hassan [Independent filmmaker, Palestine]

IAMAS:
Itsuo Sakane [Founding President of IAMAS]
Hiroshi Yoshioka [Professor of IAMAS]

NFUAJ:
Shigeru Okada [Secretary General of the National Federation ofUNESCO 
Associations in Japan]

UNESCO:
Tereza Wagner [Deputy team leader for the Digi-Arts Project, Paris 
Headquarters]

External supervisor of the jury:
Christa Sommerer [Associate Professor of IAMAS]

We are looking forward to receive your project proposals and to welcome 
you at IAMAS !
Best regards

Dr. Christa SOMMERER
UNESCO Digital Arts Award 2003 at IAMAS
Organizing and Program Committee

=================================
Dr. Christa Sommerer
Associate Professor
IAMAS Institute of Advanced Media Arts and Sciences
3-95 Ryoke-cho, Ogaki-shi, Gifu 503-0014, Japan
Tel/Fax: +81-584-75-6806 or -6808
Mobile: +81-90-5880-1801 or +81-90-8957-4524
christa {AT} iamas.ac.jp http://www.iamas.ac.jp/~christa
=================================

------------------------------

Date: Fri, 16 May 2003 16:59:25 -0400
From: <krista.lewis {AT} bmaa.gv.at>
Subject: event listing


May 29 - 31, 2003   
"dancing pixels"
 video edition austria/release 01
artistic and documentary videos curated and presented
by media/video artist and lecturer Gerda Lampalzer
5/29  at 6pm: THE BODY 1     at  8pm: THE BODY 2
5/30  at 6pm: THE SPACE 1    at  8pm: THE SPACE 2
5/31  at 6pm: THE MEDIUM 1 at  8pm: THE MEDIUM 2 
at the
AUSTRIAN CULTURAL FORUM
11 East 52 Street, New York City
Admission is free.
Program can be obtained online: www.acfny.org  or
in person at the front desk.  Tel. # 212.319.5300






------------------------------

Date: Sat, 17 May 2003 04:14:16 +0200
From: "Karoly Toth" <are {AT} xs4all.nl>
Subject: ZEROGLAB_INVITATION_FOR_THE_OPENING_OF_THE_UEBERGROUND_SALON_IN_ROTTERDAM

INVITATION FOR THE OPENING OF
THE ÜBERGROUND SALON IN ROTTERDAM

dear sir/madam,

we are very happy to invite you for the opening
of the first cultural überground salon in
rotterdam.

überground is a new art space and transcultural
playground in rotterdam, open for the public 
on a regular base for shows and salon events.

time: 18.30, saturday, 24 may 2003
place: ÜBERGROUND, gedempte zalmhaven 923, rotterdam
downtown rotterdam, near by the erasmus bridge, north side.
entrance = free
http://www.xs4all.nl/~are/samizdat/uberground/

theme of the salon: 
'computerfinearts.com, a netart collection, 1999-2003'

our guest this time: 
Mr. Doron Golan, art collector and artist 
from new york city, usa. 

Doron Golan-Goldstein was born in Haifa, Israel,
and has been living and working in New York since
1979. 
Doron has worked in dv, computer animation and
media. Since 1998 he has been working primarily
with quicktime streaming. 
Doron's works is concerned with cinematic and
digifi art presentation and engaged in
reproductions of contemporary social phenomenas.
Studied fine arts and comparative literature in
Haifa University, Israel, and fine arts at The
Free Academy of Den-Haag, and The Arts Student
League in NY. 
One person exhibitions include: M-13 Gallery and
Moving Image Gallery in NY. Group exhibitions
include: American Fine Arts Gallery, The
Alternative Museum, and the New York Digital Salon.
Doron is the founder of Computer Fine Arts - a
netart collection at: http://computerfinearts.com

- ---------------------------------------------------
überground is also the name of our samizdat 
magazine, which is published parallel with
our shows.

überground events deal with new media,
architecture and design, experimental art, theory,
performance, music, social issues, things on,
or over the edge.

hereby we also invite curators and artists to
organize events in the überground.

überground is organized by zeroglab rotterdam
web page: www.xs4all.nl/~are
phone +31 (0)10 2400390


------------------------------

Date: Fri, 16 May 2003 21:33:54 -0300 (ART)
From: Monty Cantsin <xmontyxcantsinx {AT} yahoo.com.br>
Subject: Mail Art



Casa do Mar: Arte Postal, Ecologia e Anarquia...
Por M.A.R. 16/05/2003 às 01:19 

Mostra Internacional de Arte Postal 





Convocatória - Mostra Internacional de Arte Postal 


"Água: Ouro Azul" 


Nesses tempos em que a vida e a comunicação pareciam transcorrer somente por uma tela, quando a maioria está submetida à desesperança, a Arte Postal se apresenta como instrumento de estímulo de nosso potencial criativo e de comunicação entre os seres humanos. 

Na Arte Postal participa quem quiser. Não há seleção nem jurados, não se comercializa a obra e o correio é utilizado como meio de envio. 

O Projeto Água tem como objetivo abrir um espaço de reflexão sobre o tema da convocatória; Seguir trabalhando em distintos âmbitos desde a proposta artística, articulada com os conhecimentos científicos e técnicos, de forma horizontal, autogestionada, baseada no respeito mútuo. 

Estão todos convidad {AT} s. 


Água: Ouro Azul 


Um elemento necessário para a vida se transformou em um NEGÓCIO. No Brasil, como em muitos países do mundo, a água já não é mais de quem habita este solo, mas das grandes empresas estatais e privadas. Essas empresas estão ocupando a gestão da água potável e da água mineral em todo planeta, e por outro lado, ganhando muito dinheiro. 

Todos temos direito à usufruir dos recursos naturais para assegurar nosso direito a vida, solidariamente aos demais seres e espécies, viventes que povoam o planeta e com as futuras gerações. A gestão da água deve estar nas mão de cada um de nós e se trabalharmos de forma individual e coletiva, poderemos concretizar essa utopia. 


Convidamos à enviar suas obras sobre o tema "Água: Ouro Azul". 

Técnica Livre: tamanho A4 (21 x 30 cm) máximo, podendo ser enviadas até dia 21 de julho de 2003. 

As obras levarão o nome do autor, endereço, telefone e e-mail. 

Local de entrega: "Casa do Mar" – Rua Doutor Zuquim, 564. Cep: 02035-020. São Paulo-SP Brasil 


Abertura da mostra: 01 de agosto de 2003, a partir das 19:00 horas, na "Casa do Mar". 

Com a presença da artista plástica argentina Alicia Zarate, uma das organizadoras da mesma mostra na FLA – Federação Libertária Argentina, em setembro de 2001. Alicia também estará expondo 8 obras de 110 x 75 cm, acrílico, com o título: "Láminas de historia argentina", que faz uma inter-relação da situação argentina com temas de dominação e exploração, abordagens do anarquismo. 


Maiores informações:  mar {AT} riseup.net ou  luah_mar {AT} hotmail.com ou  m_reboucas {AT} yahoo.com 

CONVOCATORIA AGUA : ORO AZUL 

Un elemento necesario para la vida se transformó en un NEGOCIO. En Brasil , como en muchos otros países del mundo, el agua ya no es más de quienes habitamos este suelo, sino de multinacionales. Esas empresas se están ocupando de la gestión del agua potable y del agua mineral en todo el planeta, lo cual, por supuesto, les brinda cuantiosas ganancias. Todos tenemos derecho a acceder a los recursos naturales para asegurar nuestro derecho a la vida, solidariamente con los demás seres y especies vivientes que pueblan el planeta y con las futuras generaciones. La gestión del agua debe estar en manos de cada uno de nosotros y si trabajamos en forma individual y colectiva podremos concretar esta utopía. 

WATER: BLUE GOLD 

The fight for the control and ownership of water will be the next goldrush. Every creature has the natural right to natural resources in order to assure the right to live but multinationals and corporations see it only as a tool for more profits, exploitation and domination. The management of water must be in the hands ol local people everywhere. This is part of the new battles against globalizaton. 

Invitamos a enviar su obra sobre el tema AGUA:ORO AZUL TECNICA LIBRE- Tamaño A4 (21 x30 cm) máximo -Vencimiento 21 de julio de 2003 Las obras llevarán al dorso nombre del autor, domicilio, teléfono, dirección electrónica. 

You are invited to send you artwork on the theme WATER:BLUE GOLD OPEN TECH. Maximum size A4 (21 x 30cm) - Closing date 21st july Works must have on the back name of artist, address, telephone number, e-mail. 

Lugar de entrega: Send to: "Casa do Mar" – Rua Doutor Zuquim, 564. Cep: 02035-020. São Paulo-SP Brasil 

Inauguración de la muestra: 01 de agosto de 2003, a partir das 19:00 horas, na "Casa do Mar". 

En estos tiempos en que la vida y la comunicación parecerían transcurrir solamente por una pantalla, cuando la mayoría está sumida en la desesperanza, el Arte Correo se presenta como instrumento de estímulo de nuestro potencial creativo y de comunicación entre los seres humanos. En Arte Correo participa quien quiera hacerlo. No hay selección, ni jurados, no se comercializa la obra y el correo se utiliza como medio de envío. El proyecto Agua tiene como objetivo abrir un espacio de reflexión sobre el tema de la convocatoria; seguir trabajando en distintos ámbitos desde la propuesta artística, articulada con los conocimientos científicos y técnicos; en forma horizontal, autogestionada, basada en el respeto mutuo. Están todos invitados. 

WATER: BLUE GOLD In times when life and communication seem to happen only on a screen, when most are steeped in hopelessness, MAIL ART becomes the instrument to stimulate our creative potential and for communication between human beings. In MAIL ART anyone who wants to can participate. There is no selection committee, works are not bought or sold and the works are sent by mail. The WATER PROJECT aims to create a space for re-thinking, a new area of interaction between art, the sciences, the environment and the people involved now and in the future. WATER will be our legacy to our children and their descendants. The quality of water is inextricably related to the quality of life. GOOD WATER QUALITY=GOOD QUALITY OF LIFE BAD WATER QUALITY=BAD QUALITY OF LIFE NO WATER=NO LIFE The accesability of good quality water must be democratic. We must not leave life-giving water in the hands of the market. If this continues to happen, water will be only for ! those who can buy it, thus co!
ndemning to illness and despair those who cannot pay the market price 




------------------------------

Date: Sat, 17 May 2003 14:13:38 +0530 (IST)
From: "Frederick Noronha (FN)" <fred {AT} bytesforall.org>
Subject: FLOSS in the developing countries (a study)


OneWorld Finland <http://www.maailma.net> and KEPA 
<http://www.kepa.fi/english/> organise an International Seminar on
Free/Libre and Open Source Software (FLOSS) in Developing Countries

Thursday, May 22nd , 2003

At The Swedish School of Economics and Business Administration - Hanken
<http://www.hanken.fi/hanken/eng/index.php?>

Auditorium Maximum, II floor
Arkadiank. 22, Helsinki.

Free/Libre and Open Source Software in Developing Countries - advantages and
obstacles

PROGRAMME

09.30 Opening of the Seminar

09.45 *Niranjan Rajani *(Researcher, Finland): Presentation of the report /
Free as in Education: Significance of Free/Open-Source Software for
Developing Countries/

10.15 *Edgar Villanueva Nunez* (Congressman, Peru): /
Legal and Other Experiences in Promoting FLOSS in Peru/

11.15 *Sinikka Sassi,* (Professor of network communication, Helsinki
University) &* Seppo Koskela *(Analyst, Helsinki University):
/Presentation of the Applied Linux Institute Project/

11.30/ Floor open for discussion/

*12.30. - 13.30 Lunch* (Available in Hanken Lunch Room, or surrounding
restaurants)

13.30 *Nico Coetzee* (Open Source Developer, South Africa):/
Sustainable ICT Development in Africa ^Ö How FLOSS can help NEPAD/

13.50 *Fredrick Noronha* (Journalist, India):/
LIBERATION TECHNOLOGY: What Free Software could do for Asia.../

14.20 *Cesar Brod *(/ /IT Manager, Brazil): /
Free Software and regional development/

14.40 *Claudio Cesar Carvalho de Almeida* (Brasilian Bank for Social and
Economic Development) /
Free Software as a Policy/

15.00 /Floor open for discussion/

/The Seminar is Free and Open for Public/

The Report

/Free as in Education:  //Significance of Free/Open-Source Software for
Developing Countries /

/*More information */

About the research project and the seminar itself:/
/ juha dot rekola at kepa dot fi/
/ timo dot mielonen at maailma dot net/
A/bout the Applied Linux Institute Project:
seppo dot koskela at helsinki dot fi/

The Speakers

The Peruvian Congressman,* *

*Dr. Edgar Villanueva Nuuez*
<http://www.congreso.gob.pe/congresista/2001/evillanueva.htm>

has recently become somewhat of a celebrity in the Free Software and Open
Source communities as a result of his legislative efforts
<http://www.gnu.org.pe/proleyap.html> favouring free software and his highly
publicized <http://www.linuxjournal.com//article.php?sid=6099>, well
informed and eloquent response
<http://www.aful.org/politique/perou/english/rescon_en.html> to a Peruvian
Microsoft executive's letter
<http://www.aful.org/politique/perou/english/alt2_ms_to_villanueva.html>
<http://www.gnu.org.pe/mscarta.html>.

*Niranjan Rajani *

is the main author of the research "Significance of Free/Libre Open-Source
Software for Developing Countries".


*Cesar Brod* <http://brod.univates.br/>

is presently the IT Manager in Univates University
<http://www.univates.br/>, and one of the coordinators of the Free Software
Project of the State of Rio Grande do Sul and a member of the Linux Around
the World initiative. Cesar Brod got first involved with GNU/Linux in 1993
when he needed a "Unix" that he could use in his computer in order to
emulate problems he was having in a System V based machine.

*Fredrick Noronha*

Goa (India)-based journalist, who is co-founder of Bytes For All
<http://www.bytesforall.org/> - a collaborative venture studying the use of
IT and Internet for development in South Asia, and also founder member of
India-Linux Users Group-Goa.

*Nico Coetzee*

a full time Open Source developer in South Africa, is always tinkering with
some obscure Open Source code, trying to make life a bit easier. It all
started in 1995, just shortly after the official launch of Windows 95. Since
then he has started to focus on Perl development, because "it's simply the
most flexible and easy to learn language out there...". In his research
capacity, he looked at the Open Source movement in Africa, as well as what
needs to change (from his perspective) in order for Africa to become a IT
world player.

- -- 
- -------------------------------------------------------------------------
Frederick Noronha (FN)        | http://www.fredericknoronha.net
Freelance Journalist          | http://www.bytesforall.org
http://goalinks.pitas.com     | http://joingoanet.shorturl.com
http://linuxinindia.pitas.com | http://www.livejournal.com/users/goalinks
- -------------------------------------------------------------------------
T: 0091.832.2409490 or 2409783 M: 0 9822 122436
- -------------------------------------------------------------------------


------------------------------

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