Syndicate: The School of Sound

[Epesound <Epesound@aol.com>]

 THE SCHOOL OF SOUND, a four-day symposium exploring the use of sound with
 moving images, will be held in central London from the 16th - 19th  April
 1998.  The Academy of Media Arts (KÅ¡ln) is helping us to promote this event by
 giving us your E-Mail address.  Should you wish to receive further information
 and an application, contact us at Epesound@aol.com or telephone/fax +44
 (0)171-586-3056.
 
 The symposium will take a comprehensive look at the structure and evolution of
 the modern soundtrack, investigating the creative processes which culminate in
 the synthesis between sound and the moving image. Aimed at producers,
 directors, writers, editors, composers, animators, multi-media artists and all
 those who suspect that the soundtrack can be infinitely more than merely a
 tedious post-production necessity, the School will present a rare amalgam of
 intellectual debate directly linked to the audio-visual and entertainment
 industries.  
 
 In a programme of special sessions devoted to post-production, music
 composition, animation and multimedia, a panel of the most influential and
 inventive practitioners and educators in the business will explain their
 concepts for creating soundtracks. 
 
 
 Featuring
 
 Walter Murch
 Oscar winning editor/sound designer whose credits include The English Patient,
 Apocalypse Now, The Godfather trilogy, The Conversation and THX-1138
 
 David Lynch 
 An exclusive videotaped interview with the director of Lost Highway, Twin
 Peaks, Wild at Heart and Eraserhead
 
 Manfred Eicher
 Music Producer and President of ECM Records
 
 Mike Hodges
 Film maker, director of Get Carter, Flash Gordon and Black Rainbow
 
 Michel Chion
 Composer, theorist, filmmaker and author of Audio Vision: Sound on Screen
 
 The Quay Brothers 
 Animators/directors of Street of Crocodiles, The Comb and This Unnameable
 Little Broom; directors of the live-action feature Institute Benjamenta
 
 Simon Fisher Turner
 Noise and music composer whose credits include Blue and The Garden of England
 by Derek Jarman and Nadja produced by David  Lynch
 
 Keith G
rical fiction, documentary and animation,
 Illuminations/Koninck.  Credits include Institute Benjamenta and London