Cosmin Costinas on Thu, 29 Sep 2011 13:23:00 +0200 (CEST) |
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[Nettime-ro] Spacecraft Icarus 13: Narratives of Progress from Elsewhere |
Spacecraft Icarus 13: Narratives of Progress from Elsewhere 9 Octoberâ23 December 2011 Opening: 8 October 2011, 20.00 hrs BAK, basis voor actuele kunst Lange Nieuwstraat 4, Utrecht www.bak-utrecht.nl BAK, basis voor actuele kunst proudly presents Spacecraft Icarus 13: Narratives of Progress from Elsewhere, a group exhibition that includes a number of artistic positions by international artists from different generations reflecting upon alternative visions for the future and models for political and cultural change that have emerged in response to the new conditions of the post-Cold War era. The exhibition, with works by Neil Beloufa, Patty Chang and David Kelley, Alejandro Jodorowsky, Mikhail Kalatozov, Kiluanji Kia Henda, Federico Herrero, Yasuzo Masumura, Omar Meneses, Cristina Lucas, Mauro Restiffe, Glauber Rocha, Apichatpong Weerasethakul, and Lin Yilin, is curated by outgoing BAK curator Cosmin CostinaÅ. âIcarus 13,â the name of the first space journey to the sun led by an Angolan mission, is the subject of Kiluanji Kia Hendaâs 2007 photographic series of the same name. The Angolan mission comes off as absurd, perhaps more because of the improbable image of the African nationâs flag in space than because of its inhospitable destination. But in Hendaâs photos, the set of the âmissionâ is not a set at all, but is rather comprised of real places throughout AngolaââIcarus 13â is in fact an unfinished mausoleum built by the Soviets during the Cold War era, when Angola was one of the battlefields in a proxy war between the two superpowers. The work speaks volumes about dreams of progress, disillusions, and resistance efforts that have characterized the post-independence decades in Angola; it also sheds light on the course of many other countries that fell outsideâor were caught in the middle ofâthe dueling blocs of the Cold War. The geopolitical shifts of the past 20 years have removed many of the certainties about the direction along which progress was imagined, fracturing previously dominant articulations into a kaleidoscope of narratives, visions, constructions, and discourses, often ambivalent and ideologically hybrid. In addition to âIcarus 13,â there is another key imageâa skeleton in the exhibitionâs closetâthat hovers over the narratives unfolding in Spacecraft Icarus 13. It is an allegory of Europe from 1924, part of a series of sculptures representing the five inhabited continents that are placed along the columns in the main hall of Utrechtâs Post Office. This representation stems from an era when Europe was confident about its historical march towards ever-greater progress and world domination (the figure of Europe is holding its hands firmly on the globe), but at the same time sought an uncivilized ahistorical âOtherâ to offset its own progress. During the exhibition, the Utrecht Post Office will close down as part of a nationwide program of privatization, part of the dismantling of the welfare state model that has been the very pride and the main argument for the Westâs self-representation as the beacon of prosperity during the Cold War era. The Westâs amnesia about this fact is comparable only to its historical blindness in embellishing this slow but steady process of decayâand the transition to neoliberalismâas a sign of a new and different kind of progress. But the path of this version of progress is not very clear, and the distribution of winners and losers across the globe even less so. Public program: Cinematic Narratives from Elsewhere Accompanying the exhibition is a film-based public program of screenings, lectures, and discussions that presents alternative accounts of the impact of socio-political changes brought about by western-driven discourses of progress and modernity in the âThird World.â The program is curated by Christina Li. 8 October 2011, 14.00â18.00 hrs, Bypasses to Modernity, with Wang Hui (Professor, Department of Chinese Language and Literature, Tsinghua University, Beijing), Nick Deocampo (filmmaker, film historian, and director of the Center for New Cinema, Manila), and Luis Ospina (filmmaker, Cali, Colombia) 22 October 2011, 11.00â19.30 hrs, Against Amnesia and Apathy, film screening, Lav Diaz, Melancholia (2008) 5 November 2011, 14.00â17.00 hrs, Excavating a Cinematic Future, with May A. Ingawanij (Research fellow, University of Westminster, London) and Keiko Sei (founder of Myanmar Moving Image Center (Yangon, Burma), writer and curator, Bangkok) 19 November 2011, 14.00â17.00 hrs, The Political Carnivalesque, with film screening, Glauber Rocha, Entranced Earth (1967) and a lecture by Wendelien van Oldenborgh (artist, Rotterdam) 3 December 2011, 14.00â17.00 hrs, Revisions of African Representation, film afternoon curated by Kiluanji Kia Henda (artist, Luanda) The program is subject to change; please go to: www.bak-utrecht.nl or www. formerwest.org to get up-to-date information. Reservations are required; please send an e-mail to: info@bak-utrecht.nl to reserve a seat. Venue for public program activities: Het Utrechts Archief Hamburgerstraat 28 3512 NS Utrecht (around the corner from BAK) The research exhibition Spacecraft Icarus 13 and the accompanying public program are organized within the framework of the project FORMER WEST, an international research, education, publishing, and exhibition undertaking (2008â2014), www.formerwest.org. BAK opening hours: WednesdayâSaturday 12.00â17.00 hrs Sunday 13.00â17.00 hrs For further information, please contact: BAK, basis voor actuele kunst Lange Nieuwstraat 4 3512 PH Utrecht t: +31 (0)30 2316125 f: +31 (0)30 2304866 e: info@bak-utrecht.nl _______________________________________________ Nettime-ro mailing list Nettime-ro@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ro --> arhiva: http://amsterdam.nettime.org/