Fernando Llanos on Mon, 27 Jan 2003 18:59:07 +0100 (CET) |
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[nettime-lat] POCHA NOSTRA'S CYBER-PLACAZO: ON FRIDA LITE |
From: NAFTAZTC@aol.com Date: Mon, 27 Jan 2003 11:46:05 EST Subject: POCHA NOSTRA'S CYBER-PLACAZO: ON FRIDA LITE Frida lite or Fat-free da Calor, muchou calor. (An essay on Salma Hayek's fantasies) by GGP Dear reader/viewer/listener: When you see the movie "Frida," you are meant to have an epiphany: Frida is Mexico; Mexico is tortured, sexy and colorful; Salma Hayek is Frida; and therefore Salma isŠMexico. Frida is a film about Salma, not Frida; a journey through the Mexico you always wanted to see; a mindscape located inŠHollywood, Mexilandia; Magical Realism Lite catering to the demanding desires of the romantic gringo flaneur. In the fantastic Mexico of Frida, the film not the painter, you can experience the colorful and eroticized ego of Salma Hayek, an ex-soap opera actress who (after being stereotyped over and over again as a posmo-spitfire), herself had an epiphany: Frida is Mexico; Mexico is tortured, sexy and colorful; yo soy Frida; yo soy Mexico, amén. In the incredible Mexico of Frida, Salma's Mexico, you will witness come to live everything you've ever seen in her paintings but "enhanced" and "improved" by special effects, computer animation and Dolby sound; plus everything you've ever seen in the frescos of your local Chicano barrio and in the menus of your favorite nouvelle Mexican restaurant; all compressed and animated. It's visual high cuisine for the demanding global cultural tourist. If you come to Frida's Mexico you'll experience a 2-hour 3-d ride through the mindscape and erotic fantasies of Frida, I mean Salma; a jam-packed border fantasia with lots of desperado style; a universe populated by (choose from the following menu) talking skeletons, devil piñatas, burning beds, more food than in Como Agua para Chocolate, and Salma's designer breasts and scars entrapped in Cronenbergian desire; all dancing to the beat of tango- flamenco, huapango-pop and jarochabily. And if this weren't enough, you will peep through the window of the decadent period fiestas of the Mexican intelligentsia where gorgeous bisexual communist women discuss the political fate of the country and drink tequila with temperamental bohemians and fiery revolutionaries who rarely work. Si damas y caballeros. It's magical realism made in Hollywood, MTV teatro campesino; a high res. projection of gringo desire; a drunken turista dream in Saint Michael de Allende; puro tequila fever, Ajua! It'sŠit's definitely the hipest South of the borderŠnightclub. And for your own comfort, all political texts and unpleasant socialist propaganda have been erased by Salma's Department of Binational tourism. In 2003, amidst the war on terror and the tightening of the US-Mexico border, the viewer/voyeur can still dream of a Mexico without Zapatistas, migrant workers, drug dealers; way before Nafta, Macdonald's, and techno music spoiled the party, and in the process, get lots of ideas to decorate your house just like the Mexotic Coyoacan mansion you always wanted to have. I saw it last night. I went to the Mexican premiere of Frida in Mexico City. It was in English but with suave Mexican accents like mine. There were 20 of us in the movie house. Next morning the Mexican press said, "After all these years, Frida returns to Bellas Artes en inglés." But hell, we have to give it to "Salmita"ŠHer ego is much larger than Frida's. Though I wasn't too convinced by her pathos and bisexuality. Salma is just too, too, cute, contrived and artificial for my dark taste. But Julie Taymour knows her craft, no doubt. Luckily Banderas just appeared for less than 5 minutes to add cache to the venerable list of pan-Latino credits. "Tio, Banderas performing Siqueiros is like Bruce Willis performing Subcomandante Marcos, que no?"--Said my nephew." My mom loved it. After listening to my harsh criticism, she asked me what would I do if I were offered to direct a Frida movie? I answered:"Well, I would have a Kabuki Frida and a Sumo Diego, and invite Nagishi Oshima to direct it." Sorry. At this point I see no other way to redeem a la pobre Frida Sufrida! Ps: Fox is still waiting for the phone call from Washington. -December 2002, Mexico City ------ End of Forwarded Message _______________________________________________ Nettime-lat mailing list Nettime-lat@nettime.org http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-lat