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<nettime> The Weekender 088
The Weekender on Fri, 28 May 1999 18:53:01 +0200 (CEST)


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<nettime> The Weekender 088



   . The Weekender ...................................................
   . a weekly digest of calls . actions . websites . campaigns . etc .
   . post announcements & notes -> mailto:announcer {AT} simsim.rug.ac.be .
   . please don't be late ! delivered each weekend . into your inbox .
   . http://simsim.rug.ac.be/announcer/ for subscription info & help .
   . archive (separate msgs) http://www.egroups.com/group/announcer/ .
   ...................................................................


01 .                           . A r t p e a c e l i n k
02 . Peter Lunenfeld           . Micro Space/Global Time Symposium
03 . Clara Gari                . call for soundscape works
04 . miekal and                . u-act
05 .                           . Anna Oppermann in NY / 
                                 20 June -- 29 August 99
06 . John Drake                . the next 2600 T-shirt
07 . Fraser Gallery            . Art Seminars for Emerging Artists
08 . gast3                     . Exhibition comix from Serbia 
                                 at Gallery Lambiek
09 . Andreas Broeckmann        . Summer academy: Theatre and New Media, 
                                 Hellerau/ Dresden
10 . Ellen                     . P R E S E N T S
11 . chelsea {AT} gingerfreeman.com . Chelsea!!
12 . Kalina Bunevska           . Invitation
13 . valery grancher           . VALERY GRANCHER NEWSLETTER
14 . Jaka Zeleznikar           . drama.body.machine
15 . Reception                 . < audio:channel -2- > experimental 
                                 web audio art release (f)




   ................................................................... 01

Date:  Sun, 23 May 1999 14:49:23 +0200
From: Geert Lovink <geert {AT} xs4all.nl>
To: Multiple recipients of <announcer {AT} simsim.rug.ac.be>
Subject:  ann! ...  A r t p e a c e l i n k

A r t p e a c e l i n k
Artists for Nonviolent Alternatives

(516)286-0812
Advisor: Dore Ashton

"Returning violence for violence only multiplies violence, adding
deeper darkness to a night already devoid of stars."    --Martin Luther
King, Jr.

"Imagine that you are creating the building of human destiny with the
object of making men happy in the end, giving them peace and rest at last,
but that it was essential and inevitable to torture to death only one tiny
creature and to found that edifice on its unavenged tears, would you
consent to be the architect on those conditions?"  --Fyodor Dostoevsky,
Brothers Karamazov


Introduction: We affirm that murder and forcible expulsion of people are
crimes against humanity. Bombing, though, is not an effective nor
civilized way to solve conflicts and is no less criminal. It is bitter to
realize that at the end of the 20th century, after two world wars--the
most cruel and severe in the history of mankind--our civilization still
resorts to conflict resolution not through dialogue, but armed force. It
seems that no lesson was learned from this century's horrific experiences
and we are destined to fall once again into a vicious cycle of death and
destruction.

All of Europe is affected by the war in the Balkans. In addition to the
obliteration of Serb police and army sites in Kosovo, NATO has demolished
much of the civilian infrastructure of Yugoslavia. Hundreds of civilians
were killed, thousands wounded, and hundreds of thousands left jobless.
Bombed were television stations, oil refineries, chemical plants, electric
transmission facilities, major roadways, airports, hospitals, schools,
medieval monasteries, as well as numerous museums and monuments. Cluster
bombs, 25 percent of which fail to detonate, litter the terrain with land
mines for years to come.  This war can lead to political, social, and
ecological destruction of Europe and the rest of the world.


Proposal (Consisting of Two Parts):

1. Group Exhibition: Open to all media--painting, sculpture, photography,
video, installation, and computer generated art concerning the definitions
of human, humane, humanitarian/ism, humanity, humanize.

2. Collaborative Piece Artpeace:  each artist/writer/photographer who is
willing to participate shall contribute an art piece the size of his/her
hand. The amount of artwork received will determine the installation in
the space. The unified art piece will be linked together in the form of a
tree and continue to grow exponentially as artists from around the world
send in their contributions via mail or the internet.

Purpose:  The proceeds from the sales will be donated to an independent
humanitarian organization (to be determined) that does not take a military
position and that provides medical and other crucial aid to those who are
suffering as a result of this war: both Albanian and Serbian victims. This
exhibition, however, is intended to raise much more than money.  By
bringing together artists from different countries we would be creating a
dialogue and, therefore, taking significant steps towards the peace
process.


Participants: Visual artists/Writers who would like to participate in the
name of peace.

Current list of participants (subject to change and expansion): Lynne
Allen, Dore Ashton, Katya Blumenberg, Jennifer Croson, Emily Feinstein,
Ellie Ga, Auguste Garufi, Mikhail Gervits, Jeanine Hart, Robert Kalka,
Olga Kisseleva, Komar & Melamid, Jerry Lerner, John Lin, Beth
Livensperger, Ivan Lunguine, Tomas Mike, Omar Olivera, Howardena Pindell,
Alexandra Paperno, Susana Ruiz, Rebecca Sack, Drew Shiflett, Tatiana
Stolpovic, John Varoli...

Projected exhibition date: October 1999.

Contact persons:
Alexandra Paperno      (718) 643-9897      papern {AT} yahoo.com
Rebecca Sack          (212)928-2288       telakaaa {AT} aol.com





   ................................................................... 02

Date:  Mon, 24 May 1999 10:34:14 +0000
From: "Peter Lunenfeld" <peterl {AT} artcenter.edu>
To: Multiple recipients of <announcer {AT} simsim.rug.ac.be>
Subject:  ann! ...  Micro Space/Global Time Symposium

Micro Space/Global Time: An Architectural Manifesto

The future envisioned in the design and experience of a live/work space
for
the digital revolution. An exhibition and limited edition portfolio of
fine
art digital prints by internationallyacclaimed artists and architects,
presented by the MAK Center for Art and Architecture, L.A. and Muse [X]
Editions.

Symposium and opening reception | Tuesday, June 1, 1999 | 6:30-8:30 pm
MAK Center for Art and Architecture, L.A.
Schindler House | 835 N. Kings Road | West Hollywood, CA 90069
tel. 323.651.1510 | fax 323.651.2340 | email MAKcenter {AT} earthlink.net

Symposium:

Vito Acconci | Craig Hodgetts and Hsin-Ming Fung | Greg Lynn | Eric Owen
Moss | Peter Lunenfeld, moderator

Portfolio:

Vito Acconci/Acconci Studio, New York
Neil M. Denari/Neil M. Denari Architects, Los Angeles
Craig Hodgetts and Hsin-Ming Fung/Hodgetts + Fung Design Associates, Los
Angeles
Greg Lynn/FORM, Los Angeles
Thom Mayne/Morphosis, Los Angeles
Eric Owen Moss/Eric Owen Moss Architects, Los Angeles
Wolf D. Prix, Helmuth Swiczinsky, COOP HIMMELB(L)AU, Vienna
Andrea Zittel and Jonathan Williams, Los Angeles

Admission to the symposium is $10.00 (Students with a valid i.d. and
Friends
of the Schindler House $5)
Seating is limited.
Exhibition: June 2-July 11, 1999 | Wed-Sun from 11 am to 6 pm





   ................................................................... 03

Date: Mon, 24 May 1999 02:15:11 +0100
From: clcoclea {AT} lix.intercom.es (Clara Gari)
Subject: call for soundscape works

CALL FOR SOUND ART AND MUSIC WORKS RELATED TO SOUNDSCAPE

Symposium En Red 0  1999 is dedicated to Soundscape
Centre de Cultura Contempornia de Barcelona (Spain)
November 10th-12th 1999

Symposium En Red 0  1999 is dedicated to Soundscape. We call for sound art
& music works related
Selected works will be programmed in chill-out sessions providing a
platform for works produced from materials related to some aspect of the
Soundscape of the creators' environments. The
chill-out sessions will be devoted to the Soundscapes of Barcelona and
World Soundscapes (other cities and environments). Works of all aesthetic
tendencies will be welcome.

Deadline for reception of works: september 30th, 1999.
Formats admitted:  data CD-ROM with AIFF, SND (Mac) or Wave (PC) files- 16
bit, 44.1 KHz, CD-Audio and DAT.

Postal packages should be sent to:
Orquestra del Caos/En Red O
CCCB
Montalegre, 5
E-08001 BARCELONA

The results of these three days will be made into an audio CD-ROM
including
the theoretical contributions and extracts from the works programmed.

As of early October, extracts of the works selected will be on show at:

http://www.cccb.es/caos/soundscape
and
http://usuarios.intercom.es/coclea/soundscape


Organised by Orquestra del Caos. Cclea. AMEE.
With the collaboration of Arsonal, CCCB and ICUB

For more information, please contact:

Clara Gar
e-mail clcoclea {AT} intercom.es





   ................................................................... 04

Date: Mon, 24 May 1999 10:02:39 -0600
From: miekal and <dtv {AT} mwt.net>
Subject: u-act

U-ACT 99      June 20-27     99      8.00$ per day
DREAMTIME VILLAGE   http://www.net22.com/dreamtime/index.shtml
Contact      eric     akaphrates {AT} hotmail.com



What is U-Act 99
-self actualized culture and multimediation experimentation
-self actualized means that participation is expected     everyone is a 
teacher and student      or everyone a learner           what kind of 
participation?     help with cooking, cleaning and most
important          
offer to teach or facilitate your knowledge/skill to the group
-multimediaction experimentation is to combine media to maximize a
creative 
dynamic      i.e.  we choose a theme          each person interprets
that 
theme in a different media         after that we discuss the variation
of 
responses and what it means to do that exercise
-set of potentials actualized as circumstances create

JUNE 20
Please arrive in the afternoon. Well make dinner and an orientation and 
short meeting will happen after dinner. At the meeting well make a
schedule 
for the week.
OFFERINGS are activities that core people at Dreamtime village are
willing 
to make happen. People are encouraged to make more offerings. Well
choose 
what we want to do on Sunday evening.

JUNE 21-25
MORNINGS
breakfast 9-10:00
10-12:00    PERMACULTURE AND HYPERMEDIA VILLAGE PROJECTS
OFFERINGS:    stonework             propagating plants             
  harvesting edible and medicinal plants                  permaculture 
basics               papermaking

AFTERNOONS
12-2pm   lunch
2pm   SOCIAL LEARNING
Social Learning is learning from each other what people have to offer.
OFFERINGS      Music Instrument making      Group Writing       
Autofree 
design       Making Chimes           Hypertext      Wood turning

EVENINGS
5:30-7pm dinner
7pm ART/MUSIC & OR  Experiments in multimediaction
OFFERINGS:      condensed word mapping             language as art       
multimediaction experimentation          language as music

SATURDAY   JUNE 26
INPERFORMANCE
3pm    well assemble and report what happened during the week 
(informance) 
      performance is encouraged
6pm dinner
9pm dance party


(we have been invited to put on a mini street fair at the 1300 block of
Willy St in Madison to help save mona's art house, they will block off
the street & have a sound system set up.  I am hoping that we can bring
everyone from U-Act there for an afternoon of jams, performances, &
insurgency...Miekal)





   ................................................................... 05

Date: Mon, 24 May 1999 18:44:41 -0400
From: ute vorkoeper <106032.2574 {AT} compuserve.com>



PRESS RELEASE

Anna Oppermann: 'Being different (Why is she so different?)', 1970-1984
P.S.1, Long Island City, New York
June 20 - August 29

Open June 20, P.S.1 Contemporary Art Center presents Anna Oppermann's
expansive multi-media 'ensemble' 'Being different (Why is she so
different?)', 1970-1984 in its third floor archive gallery. This
installation marks the first New York presentation of works by the late
German artist (1940-1993), who was celebrated in international exhibitions
such as the Venice biennial (1980) and documenta (1977 & 1987), but never
exhibited in the United States during her lifetime.

Anna Oppermann's chosen term 'ensemble' describes not only the form of her
work, but also refers to the process of its construction. The ensembles
were created often over many years, growing from ordinary everyday found
objects, small still lives, flower or plant leaves, and words or phrases
taken from passing conversation. The resulting assemblages led the artist
to specific problems, which she approached by adding new observations,
comments, and findings. In the ensembles, each step of this artistic
process of perception, research, and interpretation is documented and
constantly rearranged.

Oppermann declared 'from the personal to the general' as a main tendency
in
her visual thought process. Over 60 large works by Anna Oppermann remain -
assembled from hundreds of little pieces based on themes such as 'being a
woman', 'being an artist,' 'being different,' 'love, eroticism, sex,' as
well the thematic areas 'oil on canvas', 'myth and enlightenment' or the
'economical aspect' (of making art).

'Being different (Why is she so different?)', 1970-1980 is not a
self-portrait, nor does it describe otherness as an identifiable trait.
Instead, this ensemble tells about the experiences of dissociation,
revealing otherness as something hidden, undiscovered, and impossible to
find. A central motif in the work is a sitting woman, whose face remains
obscured by her own hair. The figure is simultaneously hiding and left
out.
Paradoxically, she hides something to avoid being accepted without
managing
to avoid acceptance. The ambivalence of this gesture runs through the
whole
ensemble, which unfolds and  communicates the interrelationship between
isolation and deprivation.

One of the first large ensembles created by Oppermann and exhibited
publicly, 'Being different' was first shown in 1972 in the Hamburg
Kunsthalle, and was last shown fully assembled in 1986. This presentation
of the work at P.S. 1 will not only introduce Oppermann's work to the
American public, but also make this important ensemble from her early
oeuvre accessible for the first time in thirteen years.

The new installation of 'Being different (Why is she so different?' is
organized and curated by Ute Vorkoeper and Herbert Hossmann. The
exhibition
is presented in cooperation with the Goethe-Institute New York / German
Cultural Center.

Further informations:
P.S.1 Contemporary Art Center
22-25 Jackson Ave at 46th Ave
Long Island City, New York 11101
phone: 718-7842084 / fax: 718-4829454 / e-mail: mail {AT} ps1.org

Goethe-Institut New York
Program Coordinator
1014 Fifth Avenue
New York, NY 10028
Tel: 212.439.8682
Fax: 212.439.8705
e-mail: exhibit {AT} goethe-newyork.org





   ................................................................... 06

Date:  Tue, 25 May 1999 07:57:55 +0100
From: Matthew Fuller <matt {AT} axia.demon.co.uk>
To: Multiple recipients of <announcer {AT} simsim.rug.ac.be>
Subject:  ann! ...  the next 2600 T-shirt

I'm in the midst of putting together the artwork for the next 2600 T-shirt
and I need input on sourcing clippings.

The back of the t-shirt is made up of hacker related newspaper and
magazine
headlines from around the world.

If you have a favorite article, illustration or comic please send a clean
and contrasty scans in jpg format of just the headline and about 20% of
the
actual text of the article (which can be included in a torn and jagged
style).

DPI of 150 at actuall 1:1 resolution best. The smaller the file size the
better.

Please send to blackice {AT} pavilion.co.uk and don't post to this news group.

T-Shirts with the new design will be available within a couple of months.


Thanks

John Drake
blackice {AT} pavilion.co.uk





   ................................................................... 07

From: "Fraser Gallery" <frasergallery {AT} hotmail.com>
Subject: Art Seminars for Emerging Artists
Date: Sat, 22 May 1999 06:02:24 PDT

The Fraser Gallery announces "Success as an Artist," a seminar for
emerging 
artists designed to give practical information and advice towards a 
successful fine arts career. This five hour seminar will be offered
several 
times from August - December 1999 at a cost of $50 per person and (in
order 
to ensure quality) limited to 20 persons per session.

Please visit the website at
http://www.geocities.com/SoHo/5415/seminars.html
For further information on the topics to be covered.

Panelists include:
x Catriona Fraser: Award winning photographer and owner and director of
the 
Fraser Gallery.
x Michael O'Sullivan: Art critic and writer for the Washington Post.
x Ken Oda: Art critic, collector and former publisher of the Ken Oda Art 
Newsletter (KOAN).
x F. Lennox Campello: Award winning artist, curator and regional art
critic.
x Nancy Andrews: Washington Post photographer. The 1997  Photographer of
the 
Year and 1998 White House Photographer of the Year.
x Barbara Janusckiewicz: Award winning artist and award winning television 
producer of Creative Vision.
x Joe Shannon: Artist, former Hirshhorn Museum curator, art critic for Art 
News magazine, former faculty at the Corcoran School of Art and presently 
Maryland Institute College of Art faculty.

************************************
Fraser Gallery
1054 31st Street, NW
Washington, D.C. 20007
Tel/Fax: (202) 298-6450
http://www.geocities.com/SoHo/5415/
Hours: Tues - Fri 12:00 - 3:00 PM
Saturdays 12:00 - 6:00 PM
Or By Appointment





   ................................................................... 08

From: gast3 <GAST3 {AT} idfa.nl>

'The show must go on'

Exhibition comix from Serbia at Gallery Lambiek

Amsterdam, Thursday 3. June a compelling exhibition of recent comix from
Serbia opens at Amsterdam Gallery Lambiek. [Fifteen] Serbian comix artists
use their talents to tell about their everyday lives during wartime. A
thought provoking view of the impact of the NATO-bombs seen from the
perspective of ordinary Serbian civilians from Belgrado, Novi Sad,
Pancevo, Vrsac and Nis. The show must go on is also available for an
international audience at the Lambiek website: www.lambiek.net. Among the
those collaborating on The show must go on are comix artists of
international fame like Aleksandar Zograf ('Dream Watcher') and Zoran
Janjetov ('La jeunesse de John Difool, Les Technopres').

The show must go on is an initiative from 'Anti War Action Foudation for
Former Yugoslavia' (AWA), a non-profit organization that ever since the
civil war in former Yugoslavia started has been organizing financial and
moral support for cultural and peace movements in the area. AWA has done
so by organizing benifit concerts, festivals, dance parties and
exhibitions.

One of the central popular media which AWA puts to use to reach its goals
is comix. The 'Signed by war' project from 1994, for example, features
work from such world class artists like Enki Bilal, Lorenzo Mattotti,
Peter Pontiac and Peter Kuper.

AWA spokesperson Momir Stocic Moki is available for interviews and
additional information. Phone: 0031 - 6 -22461434 e-mail:  
minina {AT} worldonline.nl 





   ................................................................... 09

Date:  Wed, 26 May 1999 08:09:26 +0100
From: Andreas Broeckmann <abroeck {AT} v2.nl>
To: Multiple recipients of <announcer {AT} simsim.rug.ac.be>
Subject:  ann! ...  Summer academy: Theatre and New Media, Hellerau/
Dresden

Summer academy: Theatre and New Media

Theme 1999: interaction and reality

                          19. June - 11. July 1999
                            in Hellerau/ Dresden

http://www.theatermedien.hellerau.de

Workshop in perfomative and electronically-generated digital communication
techniques

                                    for:
                         students and professionals,
directors, choreographers, actors, dramatic advisers, media artists as
well
                    as performance and media theoreticans

    Concept: Dr. Martina Leeker/transARTES and Detlev Schneider
/Europische
                                              Werkstatt fr Kunst und
Kultur

         supported by the Bundesministerium fr Bildung und Forschung, Bonn

                     Venue:
 Europische Werkstatt fr Kunst und Kultur
 Hellerau e.V.
 Detlev Schneider
 Karl-Liebknechtstr. 56
 01109 Dresden
 tel: 0499/ 351/ 8807798; fax: -97
                                                Organisation office:
                                                Dr. Martina Leeker
                                                Goebenstr. 8
                                                10783 Berlin
                                                tel./fax.: 0499/ 30/
                                                21753077
Cooperation with:Kulturstiftung Dresden der Dresdner Bank,Siemens Dresden,
Medienwerkstatt Dresden, Schweizer Kulturstiftung Pro Helvetia

------------------------------------------------------------------------

                                 Convocation

The first summer academy for theatre and new media at the Festspielhaus
Hellerau in Dresden takes place from June 19. to July 11. The theme of
this
summer academy is interaction and reality. Organizers are the Europische
Werkstatt fr Kunst und Kultur Hellerau and transARTES of the cultural
travelroute Les Arts Vivants et lidentit europ*enne of the European
Commity Strassbourg. The summer academy is financed by the
Bundesministerium
fr Bildung und Forschung.

The assignment of the summer academy is the education of students and
professional: theatre directors, choreographers, actors, dramaturgs, media
artists, as well as theatre- and media scientists in the usage of
theatrical
and electronic-digital techniques of communication.

The summer academy opens in the night of june 19./20. with "Aether -
Trommeln
- Europa", a theatric-digital voyage by Penelope Wehrli. A symposium of
international theatre- and media scientists (20. - 22. 6. 1999) sees its
task in reconstructing interactive forms of theatre in the 20. century and
comparing these to the electronic-digital media of today and exploring
possible junctions between theatre and new media. In artistic-practical
workshops, lasting a fortnight each ( 24. 6. - 11. 7.), theatre- and media
artist will work together on "digital performances". Interactive
interfaces
are at the center of each workshops, challenging the interaction of
traditional theatre, as its strict separation between actors and audience
is
cancelled. The summer academy also offers two special workshops (4.-11.7.
1999) focusing on interactive videoinstallation and performance. The
summer
academy ends with work-in-progress demonstrations showing the results of
the
workshops and a final symposium (11. 7. 1999) featuring discussions on the
connection of theatre an digital media, giving special attention to the
artistic education with representatives of acting- and mediaschools.
  ------------------------------------------------------------------------

Application for the participation in the summer academy

A limited number of students, directors, choerographers, actors of all
genres, dramaturgs, media artists, as well as theatre- and media
scientists
can participate in the workshops (10 - max. 15 participants each
workshop).

Write application with declaration of a workshop to the Festpielhaus
Hellerau. The announcement is valid with remiitance of half of the charge.
The cost for the participation in the academy amounts to DM 1.500 or DM
900
for students and includes housing and catering.

Hellerau e.V.
Ktonr.: 410613 100
BLZ: 85080000
at: Dresdner Bank Dresden

All announcement must arrive by 10.6.1999.

The special workshops for experienced theatreartists require the same mode
of application. The expenses for these workshops amount to DM 700 (DM 500
for students) and do not include housing or catering, nor the right to
participate in the summer academy.

The price for participation in the symposium that is held from 19. - 22. 6
only, is DM 150 (DM 70 for students) and does not include housing or
catering. The price for participation in the symposium that is held from
19.
- 22. 6 only, is DM 150 (DM 70 for students) and does not include housing
or
catering.

Send applications for the participation in the summer academy, the special
workshops as well as the symposium to:

Europaeische Werkstatt fuer Kunst und Kultur Hellerau e.V.
Ricarda Huesgen
Karl-Liebknechtstr. 56
01109 Dresden
tel.: 0449/ 351/ 880 77 96 (mo thru thur: 9 a.m. - 2 p.m.)

        Workshop I               Workshop II             Workshop III
 Between sensation and     Situative and media -   Human - machines -
 signification             presence                improvisations
 Instructors:              Instructors:            ? Daniel Aschwanden/
 ? Christoph Falke/        ? Ruth Geiersberger/    choreografy
 direction                 performance             ? Claudia Bosse/
 ? Birgit Kempker/ author  ? David Rokeby/         direction
 and radio plays           digitale soundsystems   ? N.N. / media artist
 ? Horst Prehn/            ? Walter Siegfried/
 neurophysically based     situative art
 interactive installations

                                Workshop IV
 ? Peter Meining, Harriet Bge/ direction
 ? Jo Fabian/ direction
Special Workshop 1                       Special Workshop 2

Anna Saup: Interaktive videoinstallation Karen Kipphoff: Interaction with
/ dramaturgy of video-cutting and techniques of supervision
performance

  ------------------------------------------------------------------------

For more information, please visit our homepage:
www.theatermedien.hellerau.de
------------------------------------------------------------------------

copyright: Europische Werkstatt fr Kunst und Kultur Hellerau/ transARTES
                            Texts: Martina Leeker
                          Translation: Diana Weiss
                                Webpages, concept and design: Irina
Kaldrack





   ................................................................... 10

Subject: P R E S E N T S
Date: Tue, 25 May 1999 23:56:47 +0200
From: Ellen <ellen {AT} luna.nl>



Ellen, Architect of Change presents:

 ____  ____  _____ ____  _____ _   _ _____ ____
|  _ \|  _ \| ____/ ___|| ____| \ | |_   _/ ___|
| |_) | |_) |  _| \___ \|  _| |  \| | | | \___ \
|  __/|  _ <| |___ ___) | |___| |\  | | |  ___) |
|_|   |_| \_\_____|____/|_____|_| \_| |_| |____/


                  _  _       _______________________
                _(\)(/)_____/\_`_\ \/_______________\
               |`.)XX(=====/ /,---\*\----------------\
               |||`()_\____\// \ / \ \`.              \
                `| |        Y   \___\ \________________\
                  `|_________\  /   / /                /
                              \/___/_/________________/


Every day something new!
Active since May 14, 1999.

http://home.luna.nl/~ellen





   ................................................................... 11

Date: Wed, 26 May 1999 16:01:41 +0300
From: Chelsea <chelsea {AT} gingerfreeman.com>
Subject: Chelsea!!

Chelsea, the City of Contemporary Art & Architecture, located in Active
Worlds is pleased to announce a diverse variety of new work.  Artists
such as Magnus Bartas, Vanessa Beecroft, Tobias Bernstrup, Valery
Grancher, Annika Karlsson, Luisa Lambri, Miltos Manetas and Danae
Stratou with their corresponding air-studios are currently exhibited in
the city's center.  Institutional architectural space in Chelsea
includes work by internationally accredited architects such as Andreas
Angelidakis who formulated the master plan for Chelsea while
concurrently realizing multiple structures within the citys center.
Forthcoming structures by Panos Dragonas and Swedish based Ulrika
Karlsson. Other contributing architects and forums are the New York City
based Architectural Forum, SU11, headed by Ferda Kolatan, are just a
few.

For further information, details and access, please use the active link
below and/or contact Ginger Freeman, Founder. To remove your address
>from our edatabase, please type "UNSUBSCRIBE" in the subject and return
to sender.  Thanks.

..

http://gingerfreeman.com





   ................................................................... 12

Date: Wed, 26 May 1999 14:07:37 +0200
From: Kalina Bunevska <kbunevsk {AT} soros.org.mk>
Subject: Invitation

The Soros Center for Contemporary Art - Skopje, Macedonia
cordially invites You to attend the promotion of the exhibition

IT and I

Antoni Maznevski


Wednesday, 26.05.1999, 8p.m.
CIX Gallery
Orce Nikolov 109




   ................................................................... 13

Date: Wed, 26 May 1999 13:24:50 +0200
From: valery grancher <vgranger {AT} imaginet.fr>
Subject: VALERY GRANCHER NEWSLETTER

            V*A*L*E*R*Y*G*R*A*N*C*H*E*R*N*E*W*S*L*E*T*T*E*R

                            2*6*0*5*1*9*9*9

////////////////////////////////////////////////////////////////////////////////
////

                             "1 monde rel"

      La fondation Cartier pour l'art contemporain, Paris, France.

artists list:

A collection of robots, mise en scne by Diller + Scofidio
Beaurin Domercq
Chris Burden
Gwek Bure - Soh
Tacita Dean
Valry Grancher
Cai Guo-Qiang
Bodys Isek Kingelez
Matthieu Manche
Moebius
Panamarenko
Andrei Ujica

On internet:

http://www.fondation.cartier.fr
As an exploration of our perceptions of time and space today, the
exhibition, 1 monde rel, extends into the virtual space of the
Fondation Cartier web site. With a virtual fashion show of clothes
designed for a body in mutation by Matthieu Manche and the project
Longitude 38 by Valry Grancher, owner of a lunar concession situated on
the crater, Gassendi, the virtual works created on this occasion echo
the exhibition and abolish the borders between reality and imagination.
Reflecting a state of being tied to the medium of internet, the quality
of "here and now," the proposition of Gwek Bure-Soh, an artist of
Singaporean origin, explores the immediacy of images captured in real
time by quick cams, as well as the direct accessibility of radio and
television emissions from around the world through the web.
This exhibition on the web also offers documentation of Cai Guo-Qiangs
Projects for Extraterrestrials.




   ................................................................... 14

Subject: drama.body.machine
Date: Thu, 27 May 1999 16:07:59 +0200
From: Jaka Zeleznikar <jaka.zeleznikar {AT} kiss.uni-lj.si>

www art

 +-------------------------------------+

   drama.body.machine
   http://www.ljudmila.org/maska/dbm/

   by
       Igor Stromajer - body.machine

       "all about Eve ... going cyber"


   and
       Jaka Zeleznikar -  drama

       "Eliza-like first slovene
       virtual literary person
       that you can talk to"
       (bot - in Slovene only).



   http://www.ljudmila.org/maska/dbm/

 +-------------------------------------+





   ................................................................... 15

Subject: < audio:channel -2- > experimental web audio art release (f)
Date: Thu, 27 May 1999 19:19:27 +0200
From: Reception <reception {AT} artec.org.uk>

-------------------------------------------------------------------------
< audio:channel -2- >
http://www.channel.org.uk/audio
-------------------------------------------------------------------------
...a
     <dynamic space>
                      where
                             <audio artworks>
                             <experimental music>
                             <innovative web technologies>
                             <and critical ideas>
                                                           collide.....
-------------------------------------------------------------------------

Channel is pleased to announce the release of < audio:channel -2- >
featuring:

* <head>banger free downloadable software that transforms HTML code into
percussive sequences triggering predefined sound

* 'Self Build' by Stefan Szczelkun - a rare archive recording from the '25
Years of Scratch' event at the ICA, London

* historical documentation on the Scratch Orchestra from the London
Musicians Collective archive

* SOUND=SPACE, the pioneering multi-functional computer controlled
interactive environmental music and movement instrument

* 'Acoustic Cyberspace' by Erik Davies - a text exploring the unique
digital horizons of networked audio (to be followed by a dialogue with
Erik
Davies in June)

< audio:channel -2- > features an experimental web interface by Jason
Skeet
and an archived version of < audio:channel -1- > including Aphasic,
Resonance FM and the Society of Unknowns.

< audio:channel > has sold its soul to the plug-in devil and you will need
Quicktime 4 and Shockwave to enjoy the full media experience (resource
links are available on the first page)

-------------------------------------------------------------------------
forthcoming issues of < audio:channel > will include exclusive material by
:zoviet*france:, experimental interfaces by Greyworld and documents from
Datacide with Praxis tracks.

< audio:channel > feedback and submission ideas for web audio tools,
experimental projects, texts and links to: jason / david {AT} artec.org.uk
-------------------------------------------------------------------------

< audio:channel > commissions are being funded by the Arts Council of
England <http://www.artscouncil.org.uk>.  Jason and David would also like
to thank the London Musicians Collective <http://www.l-m-c.org.uk> for
their ideas contributions.

apologies if you have received this posting more than once....



channel . commissions . residencies . network projects . information .
debate . webcasts . channel

CHANNEL is is a unique home for collaborative and experimental networked
arts projects, debate and resources.

CHANNEL is funded by the Arts Council of England and managed by Artec who
provide production resources and artists' residency programmes.

For more information about Channel projects contact:
David Sinden, Artec t: +44 171 477 2775 / e: david {AT} artec.org.uk

<http://www.channel.org.uk>

channel . commissions . residencies . network projects . information .
debate . webcasts . channel

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