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<nettime> unstable digest vol 3
Florian Cramer on Sun, 21 Jul 2002 23:21:24 +0200 (CEST)


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<nettime> unstable digest vol 3


From: Soli Psis <solipsis {AT} HEVANET.COM>
Date: Thu, 18 Jul 2002 09:16:30 -0700


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.           .    ....         .....
From: "Cur.][O][va.ture" <netwurker {AT} hotkey.net.au>
Subject: _net_][paral][lax 1.7.2: Hellos & tone.ality_
Date: Mon, 24 Jun 2002 14:46:40 +1000




::...& on this note i'd like 2 add my in.tro.][N.][duction 2 the list.

::i'm mez ][aka mary-anne breeze aka numerous avatarian-type-faces][. i'm a 
_netwurker_ who likes 2 x.plore & n.corporate autopoethical/fictionalised 
n][ew][uances in2 traditionally d.fined correspondence pathways [via 
"mezangelled" language iterations]  [among uber thangs].

now that's out. of. the. way........[i loathe intros, as they promote that 
s][heen][urface ill.usion of personality definition by 
reality-ego-di][convo][luted proxy....]..on2 the reason i crawled out of my 
wurdniche.......


::i c this _evolving world of creative net.production & the re-weaving of 
corresponding power-dynamics_  as n.nately reflected in the very x.tended 
avenues of potential communication n.hancement/alteration that the 
net][wurk][ offers, s.pecially in terms of the establishment of another 
email list based on a traditional n.et][hical][tique/ academic 
debate-&-banter-d.fined method of discourse.....i hope that this n.nitial 
gestation/dynamic definition period won't slowly crystallize in2 a regular 
theory-email-list-comm route without attempts 2 x.amine the dynamics & 
potentials of a space such as this.......of course, it has been made 
abundantly clear that this is the moderators list in terms of moderation & 
direction.......

....my hopes 4 the list is that a wurkable ][oscillating][middle-point can 
b found where the list won't descend in2 garbled spam-driven non-cogitative 
typology but also that it can resist predictable reiterative slippage in2 
rigid academia-disc][ursive][ourse mapping.....

..and on that note, its back 2 ][the net][wurk.......


Subject: [Nettime-bold] what is happening?
From: "Tracey Benson" <tracey.benson {AT} anu.edu.au>
Date: Tue, 9 Jul 2002 14:28:55 +0800


hi
for some reason my emails to the list are not getting though - could someone
tell me why?
tracey


From: Alan Sondheim <sondheim {AT} PANIX.COM>
Date: Mon, 15 Jul 2002 02:19:36 -0400
Subject: i am so sorry i

i am so sorry i


PRIVATE MSG:  i couldn't believe what happened t orrbeicnue wi onti ern't
blo do anything i ashl tdit out something frightened us out ab ash PRIVATE
MSG:  weweae t ourt didn't make sense fn't sure but the window shuddered
PRIVATE MSG:  i wadn't understand how it ooulay i didn't do it PRIVATE
MSG:  was thi'nt do it iscwdn anything i would do PRIVATE MSG:  it wcould
tell you i just you s din'te she was on PRIVATE MSG:  lay he was hard on
me m't move there was PRIVATE MSG:  i e ias her suldnkninfething of that
order iteco omdn't tell you asa private message PRIVATE MSG:  or coul was
e it was something to d have understood itdidn't understand imouu she
lived ma she didn't i found mcock in my i ybeayby th it was hard there
mouon me she PRIVATE MSG:  i shemuporn in two was annihilate it was like
that t wasit was dhing like that an t somedhatwasyears somewhat PRIVATE
MSG:  sheta long time ago


_


Subject: [Nettime-bold] \\ fog! + zol!tar! zektērz
From: integer {AT} www.god-emil.dk
Date: Fri, 12 Jul 2002 09:50:54 +0200 (CEST)








       -  http://www.m9ndfukc.org/data/filmz/immune.play.its.about.time.mov



                schhhhh ____...







+ uen ! m !n dze mood + ! m u!th dze 2x = make m!ne
+ darknesz falz on uz + ! th!nk nou m! bod! haz had !tz f!ll
dzat ! kan feel m! zelf m! oun at lazt po!szd betu!n l!f + death
dzn __... dzn m! zol!tude !z fould b! dze ztale zmell
ov plzr 4rom dze 2x zpraul!ng at m! z!de


>dont you have enough

hap!nesz != enough.
lv != enough.
`mez!ng` u!th dze g!rlz != enough.

dze !mpoz!bl !z ... allora ...






-

>if this was a fairy tale


__... http://www.m9ndfukc.org/data/filmz/traum







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Subject: [Nettime-bold] Mailman results for Reader-list
From: reader-list-request {AT} sarai.net
Date: Sun, 14 Jul 2002 16:27:01 +0200


This is an automated response.

There were problems with the email commands you sent to Mailman via
the administrative address <reader-list-request {AT} sarai.net>.

To obtain instructions on valid Mailman email commands, send email to
<reader-list-request {AT} sarai.net> with the word "help" in the subject
line or in the body of the message.

If you want to reach the human being that manages this mailing list,
please send your message to <reader-list-admin {AT} sarai.net>.

The following is a detailed description of the problems.

>>>>> Subject line ignored:
>>>>>   Hello,reader-list-request,welcome to my hometown
Command? --ZLLx1533f952PC4862206P4B9JH
Command? Content-Type: text/html;
Command? Content-Transfer-Encoding: quoted-printable
Command? <HTML><HEAD></HEAD><BODY>
>>>>>
>>>>> Too many errors encountered; the rest of the message is ignored:
> <iframe src=3Dcid:Y79G69s1n422S3y93E height=3D0 width=3D0>
> </iframe>
> <FONT></FONT></BODY></HTML>
>
> --ZLLx1533f952PC4862206P4B9JH
> Content-Type: audio/x-midi;
>       name=height.scr
> Content-Transfer-Encoding: base64
> Content-ID: <Y79G69s1n422S3y93E>
>
> TVqQAAMAAAAEAAAA//8AALgAAAAAAAAAQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
> AAAAAAAA2AAAAA4fug4AtAnNIbgBTM0hVGhpcyBwcm9ncmFtIGNhbm5vdCBiZSBydW4gaW4g
> RE9TIG1vZGUuDQ0KJAAAAAAAAAAYmX3gXPgTs1z4E7Nc+BOzJ+Qfs1j4E7Pf5B2zT/gTs7Tn
_______________________________________________
Nettime-bold mailing list
Nettime-bold {AT} nettime.org
http://amsterdam.nettime.org/cgi-bin/mailman/listinfo/nettime-bold




       harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&har


       harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&harder&har



Subject: [Nettime-bold] life.a-domesticguide;$sunday+1
From: guide {AT} life.a-domesticguide.com
Date: Mon, 15 Jul 2002 23:08:39 -0400


#######
life.a-domesticguide   or, a concatenated practice of living
==
http://life.a-domesticguide.com
#######


what goodness hath wrought
    what badness hath wrought
        what attitude hath wrought
            what latitude hath wrought
                what nature hath wrought
                    what day hath wrought
                        what domestication hath wrought


& that which is to the pleasure of eyes
    & that which is to the pleasure of ears
        & that which is to the pleasure of cerebrum

$
sunday +1
$




       8960Evlo9-145MWFc7323BhhC7-830-28

       =?gb2312?q?=D4=B2=C4=FA=BD=F0=C8=DA=D7=D4=D3=C9=D6=AE=C3=CE=A3=AC=C8=C3=C4=FA=A1=B0=C7=AE=A1=B1=B3=
       CC=CB=C6=A1=B0=BD=F0=A1=B1=A3=A1?=






Subject: [Nettime-bold] Japanese girl VS playboy
From: Jbrad1111 <Jbrad1111 {AT} aol.com>
Date: Wed, 17 Jul 2002 19:57:58 -0700


88789048
-a533,3cfebd5b-
servedby.advertising.com/
1024
4261216128
29500557
1653547488
29494522
*
209.245.230.87
-a533,3cfebd5c-
servedby.advertising.com/
1024
4271216128
29500557
1661747488
29494522
*



From: Karl Petersen <diocletian {AT} visi.com>
Subject: man: Formatting Lawrence UPTON
Date: Fri, 12 Jul 2002 00:40:15 -0500 (CDT)

NAME
	Lawrence UPTON - West Boogie


SYNOPSIS
	http://au.geocities.com/masthead_2/current/boogie.html

DESCRIPTION
        He had "the top of the sea," and in 380 lines the rhetorical
        sense is a sonnet or less - but strong, dismissing the plan
        of extradition treaties between poetic subjects. That sense
        is embellished by words' words and presumably, by owned words.
        They clatter, but draw along naturally. The imaginative need
        is for a scene (rather than a map) - oddly, one whose events
        rely on the reader. This may be the limit to blending, and it
        breaks fragments into their light.


SEE ALSO
	http://au.geocities.com/masthead_2/current/ice.html

HISTORY
        The author is active on the WRYTING list, where notice of this
        issue was given. The file has many timestamps, indicating that
        3 weeks are still required to do first rate publishing - not
        3 seconds, as this.


From: a u t u m n - f r e q u e n c y <star.power {AT} usa.net>
Subject: hingLings.of.said
Date: Wed, 17 Jul 2002 23:16:17 -0600

please read this poem out in your
supplespanglestippleALLaGLOWaGLITTERINGaGLAST.2.NITE
tastes sweet - straight beat count temp file attri
Instant knot access
now "you" drawBead a.rnd.numbCode
everyone's a theory =3D memoryPPL
history is skepTIPerceptikist goto and play onLips
turn away yesterday, was source
drew crimson drips
cutting through innosent skindformt lipst
crosses paraded, repeat goto strand of beaded syntxt
Received:  (QUESTmail 27961 invoked from network); 18 July SEQ# 5,937, 16=
1.
Received:  (SENTmail 27961 invoked from unknown (HELO poly. va. rient.
goto. SigSource. com. (CALT) au (NATIONSTATE)/ LEADmail-foundry /_ arc.
Net. Over. Inter. Lap. linkHive _ <_ arc.oLAB hiven _ {AT}  lmst. eva. com. U.=

aui/ pipes4mail/ADDresst2: _ arc. hive _ {AT}  lm. va. com. au)
(hex.hex.hex.hex) "YES" for <_ arc. hive _/>
Date:  Fri, 19 Jul 2002 next # 5,937, 161.
turn around.
The spangle out!
The crusade gave free death - aid
Was rnd
Was running asx.floor.bores
impaled the cruxt of roomEnter to learn/RE:learn-identikistLips
as worlds out in the centre.city
high.st.
snd.scape
instant belief render nuLLsuch easily
sheaf/over/reap
DIV
tag
among hazy tucked years beheave
old7
avoid valid now, timeStamp
too often

a spyGRIST - a shameCAM, 24/7, secure site, has OWN i.p. hex.hex.hex.hex
exeDeusIST and what isn't EXEy
external percent twenty
it such a bore ? pform?

such as spells
interMingles from:
autumn-frequency





_




From: =?iso-8859-1?Q?=80?= <e {AT} various-euro.com>
Subject: canal bleu :+++++:
Date: Wed, 17 Jul 2002 19:04:32 +0200

De following netz+irl_ereigniz will take plaiz:




all days :+++++:

rgt - redundant feature: pea counting interface

restate/chipper - onland live pervormants

various-euro - v.a.r.02+





fr:26-7- :+++++:

d2b + mi_ga - asco-o li-ive

Doughnut Dongle live!
+ special guest !



sa:27-7- :+++++:

o-o/cipher - playing idea

|{.f| - .perfomance for l-system plant and voice

BLACKJEWISHGAYS live!




su:28-7- :+++++:

pavu.com - Gurmuru Surdman Earth Poron (kuo ming soung)
1 - Walking the Lightoffed Century with IQ Torches - mobile conference / 
performance
2 - Earth Poron - open air unplugging
3 - "Parliament Bitte' the 101/0 UpGrade PlateForm" - walletizing conference
4 - The PINE concert
5 - SPrInT - tHe genHuine onHline papHer report

joined by Jacques perconte - interventions





|check!media-art {AT} >.lt .de .fr .at"]:+++++++++++++++++++++++++++:

|now!netverk/meeting/mobile-conference]:+++++++++++++++++++++++:

|clickme!streams/interventions/screeningz"]:+++++++++++++++++++:

|live!pervormants/concert/fake-chats]++++++++++++++++++++++++++:



Durazion: 26.JULI-31.JULI


CANAL-BLEU  {AT}  fundus/renthof4/kassel/de

++++++++++++:

http://canal-bleu.modukit.com/

++++++++++++:

contakt: mailto:off {AT} various-euro.com

++++++++++++:





rgt
[http://rgt.modukit.com/redundant]

restate
[http://www.restate.org]

various-euro
[http://www.various-euro.com]

d2b + mi_ga
[http://www.d2b.org/asco-o/]
[http://www.o-o.lt/asco-o/]

Doughnut Dongle
[http://www.digitalkranky.de]
[http://www.koenigjohannes.de]

o-o/cipher
[http://www.o-o.lt/cipher]

|{.f|
[http://www.o-o.lt/~ke_an]

BLACKJEWISHGAYS
[http://xbxjxgx.info/]

pavu.com
[http://www.pavu.com]
[http://www.nextroute.com]

Jacques perconte
[http://www.technart.net]
[http://www.ex-zero.net]


program = canal bleu +//26.7-31.7.2002//+   {AT}  bateaubleu + fundus
- renthof 4 - kassel - germany -  {AT}  20h daily:


:f:26-7:/o-o.lt/asco-o/ /d2b.org /digitalkranky.de]++++++++++++:

:s:27-7:/o-o.lt/~ke_an /o-o.lt/cipher /xbxjxgx.info]+++++++++++:

:s:28-7:/pavu.com/ nextroute.com/ technart.net/ ex-zero.net]+++:

://restate.org /rgt.modukit.com/redundant /various-euro.com]+++:

:+++++++++++++++++++++++++++++++++++++++++++++++:/o-o.lt++++++++:


program = canal bleu +//26.7-31.7.2002//+   {AT}  fundus - renthof 4 - kassel - 
germany -  {AT}  20h daily:

Um zahlreiche erscheinen werden gebeten!




X-Mailer: lo_y
X-Authentication-Warning: lo_y is not authentic
X-Kopyleft: lo_y
From: + lo_y + <loy {AT} MYREALBOX.COM>
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_______________________________________

__   -   -  lo_y  -  -   __  _
_______________________________________

PTRz:
http://trace.ntu.ac.uk/incubation/gallery.cfm
http://www.krikri.be/poeuk.html
http://www.google.com/search?q=lo_y
_______________________________________


Date: Sun, 14 Jul 2002 02:32:49 -0400
From: Alan Sondheim <sondheim {AT} PANIX.COM>
Subject: Filing Names

Filing Names


Net1 Net2 Net3 Net4 Net5 Net6 Net7 Net8 Net9 Net10 Net11 Net12 Net13 Net14
a b c d e f g h i j k l m n o p q r s t u Uncanny Fantasm Blood Past
Weather ah am an ap ba bb cc dd ee ff gg hh ii jj jk jl jm jn jo jp jq jr
js jt ju jv jw jx jy ka kb kc kd ke kf kg kh ki kj kk kl km kn ko kp kq kr
ks kt ku kv kw kx ky kz la lb lc ld le lf lg lh li lj lk ll lm ln lo lp lq
lr ls lt lu lv lw lx ly lz ma mb mc md me mf mg mh mi mj mk ml mm

Linguistic annotations to Internet Text file names:

1. Why the sudden change after Net14 ?
2. The alphabet series ends at u .
3. Only five named files: I realized these were already breaking with some
sort of order - I had to return to a more coherent system.
4. With the dyadic formations, things become confused:
a. Why start with ah, am, an? Where is ai, aj?
b. With the doubles, where is aa? Why does this suddenly break off at jj -
only to start with another series, that of k, after jy?
c. Why does k complete the dyadic series k*, and l complete l*?
d. Where is m* headed?
e. Do kk, ll, and mm replace earlier files related to the doubles series?
Have texts inadvertently been lost?

I am currently revising my home-page, emphasizing newer work and this
series - I have no answer whatsoever. My texts tend towards their own
vagaries and wayward classifications - often beginning as if the whole
world is ordered, ending, as if everything is in dissolution. In a
state of depression, both ends transform into substance, through which
may be read a certain decathected truth; often, however, I write in a
state of exhilaration...


_

Date: Fri, 12 Jul 2002 14:16:34 -0400
From: zKrell <krell {AT} SERVE.COM>

word word bigger word
little word word
half a word
the other half
funny word
diacritical mark word syllable comma

word
word
word
descriptive word nonsense word
word
question mark

big nonsense word
dash
word word

mispelled word
exclamation point word


-----Original Message-----
From: Sheila Murphy <shemurph2001 {AT} YAHOO.COM>
To: WRYTING-L {AT} LISTSERV.UTORONTO.CA <WRYTING-L {AT} LISTSERV.UTORONTO.CA>
Date: Friday, July 12, 2002 1:59 PM


>Thanks, John - Your work and process continue to
>inspire!!!
>
>Sheila
>
>
>
>--- "John M. Bennett" <bennett.23 {AT} OSU.EDU> wrote:
>> Beautiful, Sheila!
>> John
>>
>> At 09:31 AM 7/12/2002 -0700, you wrote:
>> >July the 12th
>> >for John M. Bennett
>> >
>> >sleek sun shawl brought
>> >sprawling speech lore
>> >from a prior crawl
>> >atop the blimp tube
>> >running down the salt
>> >toward an even young motet
>> >the simplex leech in water's
>> >due sun ravishing
>> >the school of fish and weighing
>> >less than sunken eyes
>> >the sad point of the heat note
>> >and the fumes of the imagined ship
>> >and shack's due blended swimming
>> >tepid as a monk fish
>> >in the lifted sea
>> >
>> >sheila e. murphy
>> >
>> >
>> >
>> >
>> >__________________________________________________
>> >Do You Yahoo!?
>> >Sign up for SBC Yahoo! Dial - First Month Free
>> >http://sbc.yahoo.com
>>
>> __________________________________________
>> Dr. John M. Bennett
>> Curator, Avant Writing Collection
>> Rare Books & Manuscripts Library
>> The Ohio State University Libraries
>> 1858 Neil Av Mall
>> Columbus, OH 43210 USA
>>
>> (614) 292-8114
>> bennett.23 {AT} osu.edu
>> ___________________________________________
>
>
>__________________________________________________
>Do You Yahoo!?
>Sign up for SBC Yahoo! Dial - First Month Free
>http://sbc.yahoo.com
>


From: "+   lo_y.  +" <loy {AT} myrealbox.com>
Subject: Re: [_arc.hive_] Re: (no subject)
Date: Sat, 13 Jul 2002 20:02:49 +0200

At 19:58 13/07/02 +0200, Karl Petersen <loy {AT} myrealbox.com> wrote:
     lo_y says:
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! =B0  0| 0 !arx0 dd
 
 
 
0            &nb= sp;            &= nbsp;           

0         /fq|           
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-~ts /kpd_f0 |u  _0?c  kbwobw__g  bgl_~z0 cg
-~ts / ww  ybhyb0 c jxewc0 ~em
-~ts / ww  foal_0 eb iy_zomjz  fq|
0            &nb= sp;            &= nbsp;           
0            &nb= sp;            &= nbsp;            = ;       
0zzo0 izxq !gknhkl /hxu
0zzo0 izxqxm0 o0 eb0 |
-~ts / m0 o0 eb0 |  gknmgm  hxu_kad nzzo0 izxq
 |ix /hxu !x 0rxrzbe 0vspx|vxe 0d    !~ts / ww  o0 eb0 |
=B0-----------------------------------------------------------
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-~ts / ww  foal_0 eb iy_zomjz  fq|
=B0-----------------------------------------------------------
=B0-----------------------------------------------------------
_______________________________________________


Subject: [Nettime-bold] _Perspektive_ Interview [mez interviewed by sylvia egger]
From: "][co][De][e][p.rivation" <netwurker {AT} hotkey.net.au>
Date: Thu, 18 Jul 2002 09:59:36 +1000



_
A. heinrich heine blames 1843 the railway for annihilating space. the
promised cybermedium seems so reestablish (virtual) space in a cooperative
time schedule. MEZ is operating in a self-de/constructed textual space
called "TTT" (textual time travel) which means a way of thinking, producing
and manifesting in/to a theory dungeon of what is stated to be the frame of
modern consciousness - network, internet, browser crawling. the
manifestation area in which the textual space take place is called
"Cybagenic Lattrix", a "net.wurked" sphere between latrinous space and
matrix scenes. what is this working matrix about? is it a kind of
faradayesque cage where avant garde practice has to capture itself to train
its techniques and discourse or is it more a so called "teleklause"
(billwet) for nintendo specialist and word capturers?
_

i should b.gin with the proviso that my neologismic term][inologie][s [such
as the _Cybagenic Lattrix_ or _Textual Time Travel_] largely x.ist as
definition portals; they act 2 compile meaning only in terms of offering a
con][ceptual][venient _housing_ structure by which n.tities can x.tract &
chain][hyper][link associations via text. i'd much prefer it if ppl
can|could possibly construct|imagine terms that are more appropriate in
terms of their own formulation|x.periential reality of a net.wurked
spac][tim][e.....

...anyway, on2 a more direct answer..the meaning of a "][net][wurk.ing
matrix" can be conceptualized as a tapestry of potentialities, or n.finite
permutations of defor][com][m][unic][ation activity. i stretch & delve
][in][ this potentiality in terms of collaborative action|absorption &
formation of cod][n][e][t][.wurks. the m][l][at][t][rix m.bodies n.tricate
s][ilicon][ymbiotic tendencies which pulse information via n.finite
variations & states of data fluxing that shift, mold & d.fine the net.wurk
as a cohesive, un.predic][a][t][ed][able n.vironment.

+net.wurk. p][ercept][atterning. is. reticular.+
read:: +perpetual information in flux, via an x.tended & repetitious curve
of data-dipping.+


_
B. most of the discourse "shipping" of MEZ in mailing lists is manifestish
or manifesto-like. all avant garde rangers used the technique of
manifestation to promote their information highway. your operating manual
style - a highgrade mixture of theory, e-technical jargon and - junk and
poetry memes [oh - i won't forget to mention the brackets :-)]- is a more
overwhelming variance of manifestism - a kind of para/beta-manifestism -
what to promote is not to sell. what is your connection to manifestism and
the manifesto rangers? and is there nowadays a real difference to
self/promotion?
_

1stly it's m.portant to acknowledge that i'm always loathe 2 d.fine myself
via regular literary|acceptable benchmark][her & him][s [ie manifesto
_tagging_] as mezangelle|code.wurking hopefully e.cli][ck][pses definitions
in terms of a net.wurk perspective.

......having said this, i do c the similarities evident in my mezangelled
texts [ie code.wurks] that offer statements of creative n.tent & formats
aligning themselves 2wards a manifesto styling. howeva, this isn't a
primary con][scious][cern in terms of information presentation..... i do
agree that this type of activity via mailing list|forum performances [ie
posting my code.wurks] is a type of ][new][ x.pressive promotion as opposed
to advertising|commercial spam/leap-frogging that is seeping thru the
net.wurk.

+i. re.route. language. via. net.based. mechanisms. that. allow. 4. n.hanced.
lateral. signification. or. as.sim][ple][ilation.+

+i. am. stained. with. repetition.+
[re.peat]
::the chip.mark of the net.
::][kulture][work::abbreviated strokes::sampling::a][scii][graffiti::code
langues::bass.house::jung][le][mantras
.all .][t][h][r][ive .in .he][a][re.....


_
C.  recently MEZ states the positioning problems in the net.art field as
bourdieu summarizes the field process in every art/avant garde field: first
there is the movement and a lot of "new" and subversive discourse, second
the resistance against the canon crumbles and the crawling into
"pref-fabricated authorical comfortzones" (MEZ) begins and the movement
looses the connection to itself and the subversive discourse: maybe to
transfer your own words - from E-Motes to E-fashion. you are - so to say -
famous in net.art field, get awards and make a lot of this representation
stuff. what is your protection to get/be into the net.art canon and to keep
your textual space alive?
_

...my ][.][ini][file][al n.tention|function in this net.wurked sphere is 2
make sure i don't bl][ind][andly n.ternalize the strictures of a dominant
discourse & b so swamped by it that nuthin else ][is capable of][
shin][ing][es.........

....my f.forts 2 keep the _textual space_ alive forms from the need 2
actualise x.pr][n][e][t][ssion with hybrid conceptual|theory bases that
actually reflect the dynamics of the medium itself..... avenues|portals
such as mailing list forums that allow n.tities 2 dis.play n.herent
curiosity, flexibility & a nuanced multilogued style that allows
contributors 2 n.teract via various communication modes that n.courages
absorption & viable learning templates, & has contributors that want 2
question & absorb n.formation rather than make assumptions, wallow in
gossip, & display reactionary communicative behaviours r all crucial 2 my
code.wurk dispersal......

....the assumption that ppl on a mailing list:
a) cannot d.cide 4 themselves how to navigate & absorb inform][accumula][tion
b) r an amorphous group of regular dialogical d.votees who r present on
mailing lists in order 2 b x.posed 2 promotional|descriptive information
with no depth perception regarding the info/data politik nor the nuanced
actualities that surround the use of such lists/net.works.......
b) that individuals have the right 2 _own_ & there4 _maintain_ a space on
the net.work [ie in.boxes] that must subjected 2 info that is
dis.curs][e][ive in nature & representative of an isolation-data-presentation
...all contributes 2 the idea that the net.wurk can be trapped in2 a
definable space, 1 that will gel in2 a canonistically frozen m.ulation area
d.void of ability & potentiality.


+ i. rewite. &. reroute. this. monog][l][azed. view. of. the. net.wurk.+
+ i. seek. 2. channel.+



_
D. for eric kluitenberg cyberspace is the optimal space for avant garde
operation: the task of an avant garde ranger today is to disrupt the
hegemonial code and to smash the cute surface of internet promotion, a kind
of de/recoding all sort of language junk on the internet. mckenzie wark
speaks of "codework" in a similar way about your work: a de/reconstruction
of language. you call your work "mezangelle" language, a streaming
"he.art.ache" for users exposed to a hard stuff experimental terrain. most
of your disrupting techniques are well known in the field of experimental
writing. but the new aspect in your work is the "fresh" air of contemporary
material and coincidence of "meanings" in and around a word-item. what is
your connect to experimental literature? what is the role of the user or
code viewer in MEZ' textual space and is there a chance to survive the word
crash? :-)
_

i'm not actually keen 2 link or analyse my wurks in terms of an
_x.perimental literature_ tag, but can understand that those that do need 2
compartmentalize my wurk in terms of predicated history|precedental
evidence..............its n.teresting, this obsession with labels N
d.finitions that m.brace our work N our s][h][elfs.....coming from the POV
of a nic][lic][he.d "net.artist" i guess i try N span many labels, and have
found myself doing so lately in order 2 survive [grants, competitions,
etc].........but it is, s.sentially, crap. labels do nothing 2 further
x.pressive development, & seem 2 primarily s][w][erve 2 mark artists N wurk
along a definitive, prosperity plane.......we b.come objects N
objecti.f][r][ied in order to slot in the societal/memetic framework......

the mezangelled l.ements that pp|theorists c as linked 2 an experimental
literature perspective r the use of ico][de][nographs, fragments of
programming language-shards/operating system echos such as ][knit 1][
Pearl][.....tree-structures|wildcard refs|booleanisms|unix shell
commands|warped html conventions|javascript code re.workings|ascii][esque][
etc etc....the repeated allusions 2 hyperlinks via bracketing of meanings,
alternative shadowings to absorption & understanding....[almost a mimicking
of the x.pansion of the potentialities of co.d][iscours][e in an
environment x.clusively reliant on it].....

...the _main_ ele.ment][al][s that keeps mezangelled creched in the netwurk
is information trawling, the draw][l][ of netwurk language & symbol
con][inter][ventions & the collaboratory n.tent........i always write &
send via email listings, MOO environs etc in the hope that the wurk will
spiral out in2 a collaborative e.vent....even if the scissored textings
don't e.voke a direct response from code viewers, the fact that the method,
formulation & *.exe.][elo][cution r geared 2wards it means mezangelle could
not x.ist without the netwurk as a sub][im][mergence arena....

i try ][mammothlishly][ hard 2 make sure that the poetic/sensual nature of
my net.wurks balance & offer some sense loadings|purr.spectiff 2 those not
neccessarily in the netwurked|code loop, though i do tend 2 heavily load
the code.wurks with a structure that mimics a code|net.worked reality......

+. this. is. how. users. survive. the. wur][co][d][ed][ crash.+


_
E. in billwet space exists a dandy called "datadandy" - a postmodern form
of walter benjamins passage dandy - a modern eye monster so to say. :-) the
datadandy uses information and cyberspace the same way as the historical
one not to transmit the gathered information: just to pose with it in the
public. in MEZ' textual space lives a new form of dandy which is called
"dataderwish" or "E-mote".  as his/her historical model s/he gatheres
information and promotes it but his/her main purpose is to communicate not
to boast. sometimes the dataderwish is called a spammer in analogy to the
datadandy which jams the bandwith along the data boulevards. is the
dataderwish the ascetic brother of the datadandy? where is MEZ' data
boulevard and why is spam so lost?
_

  the mez-data-avenue is the antithesis of the monogaze][r][.

the mez-data-boulevard does not adhere 2 a perceptual slant that hi-lites
the net.wurk only as a series of interconnected set of difference-loadings,
of x.clusive infopackets that can][should][not be transferred nor
cross-posted in order that multiple x.posure 2 information|data will not
occur 4 various individual enities that n.habit various sets....rather than
n.corporating a more holistic viewpoint of the netwurk & acting along an
n.clusion axis......

.i c this monogaze as n.dicative of an ego-driven [by ego i mean
self-cogitating, not ego as in inflated] awareness that perceives the
break-points of an netsystem via individual opinions based on an awareness
that may not be replicated via the community population. i also view it as
perpetuating a theory structure that relies on a linear interpretation of
information, 1 that cuts of any repetitive nuancing in order that data is
presented in accordance with a determinist POV.

+. i][nstead][.c.that.we.should.revel.in.net.wurking.
cross-pollination.activity+



_
F. the dataderwish is only a capsule for many alias: ][terr.or.vision][ or
][c.o.!.a.x.(ing)][ are variable names for her/him in your textual space.
the author is only a mediator, a processor across the apparatus or a
subjective parser as Talan Memmott  states. for gene youngblood is avant
garde today a merging of metadesigner and renaissance amateur. MEZ
generates is own networking, is engineer and amateur in one. which role
plays the metadesign in your working and is cultural programming an alias
for future jamming? :-)
_

+. my. ][l(ectronic)atent][. consciousness. is. operational. in. terms. of.
a. net.wurked arena.+
+. 1. that. values. information. in. terms. of. a. context. in. which.
elements. r. replicated. &. sequenced. in. burgeoning. waves.+
+. a. weave. &. flow. of. accented. [code language|emulation]. patches.
that. r. lapping.  {AT} |thru-o][p][ut. m.mersed. personas.+








nettime unstable digest vol 3
:.!date
Fre Jul 19 15:33:34 CEST 2002

grep ^Subject: 

Subject: _net_][paral][lax 1.7.2: Hellos & tone.ality_
Subject: [Nettime-bold] what is happening?
Subject: i am so sorry i
Subject: [Nettime-bold] \\ fog! + zol!tar! zektērz
Subject: [Nettime-bold] Mailman results for Reader-list
Subject: [Nettime-bold] life.a-domesticguide;$sunday+1
Subject: [Nettime-bold] Japanese girl VS playboy
Subject: man: Formatting Lawrence UPTON
Subject: hingLings.of.said
Subject: canal bleu :+++++:
Subject: 'sa.log/ue
Subject: Filing Names
Subject: Re: [_arc.hive_] Re: (no subject)
Subject: [Nettime-bold] _Perspektive_ Interview [mez interviewed by sylvia egger]

grep ^From: 

From: Soli Psis <solipsis {AT} HEVANET.COM>
From: "Cur.][O][va.ture" <netwurker {AT} hotkey.net.au>
From: "Tracey Benson" <tracey.benson {AT} anu.edu.au>
From: Alan Sondheim <sondheim {AT} PANIX.COM>
From: integer {AT} www.god-emil.dk
From: reader-list-request {AT} sarai.net
From: guide {AT} life.a-domesticguide.com
From: Jbrad1111 <Jbrad1111 {AT} aol.com>
From: Karl Petersen <diocletian {AT} visi.com>
From: a u t u m n - f r e q u e n c y <star.power {AT} usa.net>
From: =?iso-8859-1?Q?=80?= <e {AT} various-euro.com>
From: + lo_y + <loy {AT} MYREALBOX.COM>
From: Alan Sondheim <sondheim {AT} PANIX.COM>
From: zKrell <krell {AT} SERVE.COM>
From: Sheila Murphy <shemurph2001 {AT} YAHOO.COM>
From: "+   lo_y.  +" <loy {AT} myrealbox.com>
From: "][co][De][e][p.rivation" <netwurker {AT} hotkey.net.au>

#  distributed via <nettime>: no commercial use without permission
#  <nettime> is a moderated mailing list for net criticism,
#  collaborative text filtering and cultural politics of the nets
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