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- Date: Tue, 5 Feb 2002 20:03:04 -0500
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Table of Contents: AGORA 2002: NEW TECHNOLOGIES IN MEDIA LITERACY "ALAS" <alas@ath.forthnet.gr> Dorkbotlondon#3 "Saul Albert" <saul@twenteenthcentury.com> [transmediale] club transmediale.02 | NEWSLETTER #2 | Screenings club transmediale <club@transmediale.de> ( ( ( N O R A D I O ) ) ) "noweb" <info@noweb.org> TENT CITY III n30mural@speakeasy.net On view at Post Media Network February- Ma Michele Thursz <michele@michelethursz.com> for the Announcer "k" <kasprzak@videokill.com> Free Radio Linux - launching 03.02.02 honor <honor@va.com.au> sound art performance artclay <artclay@netsurfer.ch> [CSL] Incubation2 Conference on Writing & the Internet: Registration Alan Sondheim <sondheim@panix.com> Surveillance & Control: an event on surveillance technologies & new media art, M honor <honor@va.com.au> ------------------------------ Date: Fri, 1 Feb 2002 20:27:26 +0200 From: "ALAS" <alas@ath.forthnet.gr> Subject: AGORA 2002: NEW TECHNOLOGIES IN MEDIA LITERACY from Athens Digital Arts Festival "e-phos" =20 new tel: 003010-7520064-5 fax: 003010-7520064 www.filmart.gr this might interest many of you "Annual Mediterranean Regional Summit AGORA 2002" - Athens, Greece = 15-18 June Supervised by the Hellenic Audiovisual Institute Produced by European Childrens' Television Center www.3rd-ws.org Organized by Childrens' Media Development Focused on New Technologies in Media Literacy, AGORA 2002 aims to bring together some of the most prolific researchers, producers and innovators from the field of ICT and education, while providing unique = opportunities for synergies and investements in the fast developing marketplace of the Mediterranean basin. Enclosed find a synopsis of AGORA 2002 program, as well as details for participation, to a unique platform of possibilities for synergies and investments on the children's audiovisual environment of the = Mediterranean region. PROGRAM: AGORA 2002 kicks off the 15th of June with the MED=C9=D4=C5RRANEAN YOUTH = AND MEDIA OBSERVATORY one day conference. Members and partners of the MedObs' international network aim to influence the policies related to Youth and Media and to open to the Mediterranean basin new cooperations schemes on this field with the rest of the world. For more info on the MED OBSERVATORY and how to participate please = contact the MedOb coordinator and head of the steering committee, Mr. Rodolfos Maslias medobs@ectc.gr . In the following day, June the 16th, in collaboration with Italian = RAISAT Ragazzi, AGORA will host the CHILDRENS' CHANNELS FORUM. Thematic = channels for children from different countries all over the world will compare = their experiences and cooperate in order to create a real and useful network = to exchange products, projects and ideas. The forum will be complemented by = the workshop MONITORING EXPERIENCES ON TV PROGRAMS FOR CHILDREN in an = attempt to underline the necessities of both the researchers and the Media = Operators. For more info contact the TV Coordinator, Mrs. Vasso Kanellopoulou tv@ectc.gr . NEW TECHNOLOGIES IN MEDIA LITERACY will be the thematic axis of the = sessions scheduled for the third day, 17th of June. This part-conference, part-hands-on-lab will bring together electronic media producers and e-content programmers, researchers, digital artists, media tutors, media education designers, psychologists and children; anyone who is involved = in the making of a school for the future. For more info on the NEW TECHNOLOGIES IN MEDIA LITERACY and how to participate contact Mr. Yianni Skourogianni newtech@ectc.gr Another ECTC initiative that will be presented for illumination the 17th = of June in AGORA, is the MEDIA SUMMER SCHOOL. Conceived as a summer = training camp where old and new will meet, analogue and digital will infuse, the first Mediterranean school for children has been programmed to open its doors in 2004, at the village of Giffoni, Southern Italy. AGORA will = host the first of a series of preparatory workshops where new concepts, = ideas, desings and applications on interactive media education will be debated, = and discussed. For more info contact Mr. George Christakeas, mss@ectc.gr The last day of AGORA, 18th of June, is dedicated to Collaboration = Networks. On of the initiatives that will be presented and discussed.is the WORLD SPORTS EXPO FOR YOUTH 2004 project. WSE is a global exhibition to be organized in Athens in July and August 2004. The exhibition is to = feature visual, audiovisual and web-based creations addressed to children as = well as art creations produced by children. It will carry out an indicative mapping of the international situation and a wide-ranging and detailed presentation of global realities at an historic moment when the Olympic Games are returning to their birthplace. For more info on WORLD SPORTS EXPO FOR YOUTH 2004 and how to participate please contact Mrs. Eugenia Liroudia wse@ectc.gr . For info on booking a stand regulations at the AGORA market you may = contact management@ectc.gr . ------------------------------ Date: Sat, 2 Feb 2002 17:52:08 -0800 From: "Saul Albert" <saul@twenteenthcentury.com> Subject: Dorkbotlondon#3 it's.. A DORKBOT IN LONDON III this Wednesday, the 6th February starting at 7pm. please arrive on time-ish, the talks start pretty soon after 7. http://dorkbot.org WHAT IS DORKBOT people doing strange things with electricity. a kind of monthly meeting of people creating or with an interest in electronic art. admission is free, open to all and there is no affiliation or funding. WHERE IS DORKBOTLONDON (* VENUE CHANGE *) state51, rhoda street, off the top of brick lane, london e2 map (arrow marks the spot): http://www.streetmap.co.uk/streetmap.dll?G2M?X=533828&Y=182470&A=Y&Z=1 state51 is a factory surrounded by a metal fence and has 'state51' in big letters on the gate. this is just a temporary venue change - check the venue each month! WHAT WILL HAPPEN this month, three people will give short(ish) talks to an audience of about 40-50 people, showing some cool things or ideas they realised using electricity. Rolf Gehlhaar - chaos / antichaos : gestures, sounds & images nullpointer - Pixel-Map p Simon Wistow - games and generative music there are fewer talks than last time, not because we don't have enough people (the following, wed. march 13th dorkbot is already booked up with excellent speakers), but because we thought we'd experiment with leaving more time for ad-hoc demonstrations and general chatter and drinking. this is based on much appreciated feedback, keep it coming! the original dorkbot, dorkbotnyc will also meet at 7pm their time - check the website for more info: http://dorkbot.org/ WHERE WAS THE JANUARY DORKBOTLONDON we skipped a month due to predicted tiredness, pain and general absence following the new year. MORE INFO http://www.dorkbot.org/dorkbotlondon/ CHEERS see you there! ........................................................................ .........dorkbot: people doing strange things with electricity.......... ..........................http://dorkbot.org............................ ........................................................................ ------------------------------ Date: Sun, 3 Feb 2002 11:15:22 +0200 From: club transmediale <club@transmediale.de> Subject: [transmediale] club transmediale.02 | NEWSLETTER #2 | Screenings C L U B T R A N S M E D I A L E.02 5.- 17. Februar 2002 E _ Werk | Wilhelmstrasse (gegenüber Finanzministerium) | Berlin Mitte täglich ab 21:00 (Eröffnung am DI 5.2., ab 22:00) - --------------------------------------------------------------------------- RAHMEN PROGRAMM - - Screenings - --------------------------------------------------------------------------- >>>Diese Jahr hat sich der club transmediale endlich einen Rahmen gegeben!!!! Täglich zwischen 21Uhr und 22.30Uhr gibt es die Möglichkeit sich diesem Rahmen zu widmen, außer natürlich zum Eröffnungsabend am 5.2.2002 wo es gleich um 22 Uhr losgeht. - --------------------------------------------------------------------------- SCREENINGS - --------------------------------------------------------------------------- Wie im Bereich der DJs sind viele VJs auch Produzenten in einem anderen Format als die reine Clubperformance. Was für den DJ der Track ist, ist für >den VJ der Clip. Dieses Jahr erkunden wir daher die Weiten der Musikvideoclip-Produktion abseits der kommerziellen Musiksender. >>Mittwoch, den 6.2.2002 Wiederholung: Dienstag, den 12.2.2002 Abstrakte digitale Videolips zusammengestellt für das Sonic Acts Festival in Amsterdam von dem niederländischen Videokünstler und VJ minuszero aka Lucas Van der Velden. WALKING ON ICE (2001) - audio by frank bretschneider/ video by lia + revdesign HINTERGRUND(mogway remix) (2000) - audio by pluramon / video by eric bernaud DREAM (1999) - audio by curd duca / video by einar EXPOSED (1997) - audio by porter ricks / video by karen vanderbought PANTONE (2001) - audio by to rococo rot / video by sebastian kutscher DO DEKOR (2001) - music by jan jelinek / video by sebastian kutscher TELEMA (1999) - music by to rococo rot / video by sebastian kutscher GO! SPASTIC (2001) - audio by squarepusher / video by patrick o brien and shawn killebrew PLAISTOW FLEX OUT (2001) - audio by squarepusher / by mitch and pink THE EXPLODING PSYCHOLOGY (2001) - audio by squarepusher / video by kaspar daugaard and stefan mylleager BORAX (endorphins remix)(2001) - audio by speedy j / video by bong - ra + dlf SALT LAKE DESERT (2000) - audio by dettinger / video by dlf FENISCH (2001) - audio by phako / video by minuszero BOLNES (2001) - audio by eog / video by minuszero - - http:/www.sonicacts.com >>Donnerstag 7.2. pop hoch n kuratiert von Antje Weitzel und Mirjam Wenzel >>Wiederholung: Sonntag, den 17.2.2002 Aus einer anderen Richtung nähern sich dem Phänomen Musikclip Antje Weitzel und Mirjam Wenzel: "Der von verschiedenen Seiten und Interessengruppen unterschiedlichst besetzte Dummy-Begriff Pop bildet einen losen Zusammenhang zwischen den präsentierten Videoarbeiten, in denen Rollenmodelle und Identifikationsschablonen nachgezeichnet werden. Dabei spielen die Arbeiten weniger auf musikalischer als auf visueller Ebene mit dem genrespezifischen Repertoire, in dessen Zentrum neben werbewirksamer Selbstinszenierung, Lifestyle-Design und Trendthemen stehen. Die Videos bedienen sich dieser Szenarien, Attitudes und Rituale, brechen sie jedoch ironisch-humorvoll in der überzeichneten stereotypen Inszenierung. Gleichzeitig werden in dieser Brechung nicht nur der prototypische Fundus an Gesten, Posen und Abläufen kommerzieller Musikclips kommentiert, sondern auch das Pop-Business allgemein." Das Programm stellt künstlerische Videos neben Musikclips und überschreitet die Grenzen zwischen den verschiedenen Bereichen und Kontexten, in denen gegenwärtig Musikvideos produziert und rezipiert werden. Es umfaßt Arbeiten von Rosa Barba / mouse on mars, dare art.creative lab / little computer people, Falk Büttner / figurine, Tobias Bernstrup, Peaches, Undine Goldberg, Deborah Schamoni / chicks on speed, Oliver Husain, Michael Klöfkorn / Jan Delay / commercial breakup, Pink Productions, Jürgen Lege / Jereon Tel, Eve Hurforth, Phillip Menzel und wurde von Antje Weitzel und Mirjam Wenzel zusammengestellt. >>Samstag, 9.2. Berlin Clubvideo Teil 2 von visomat.inc Schon der erste Teil der Berlin-Clubvideo-Compilation hat uns allen Freude bereitet: Ein guter Überblick über die Stars der Berliner VJ-Szene. Nun, allen Gerüchten zum Trotz, Teil 2 bei club transmediale. Böse Zungen meinen, es sei ja diesmal nur die zweite Garde, aber wir sagen, es ist die andere Seite des Sahnehäubchens der Berliner VJs: Tappo Kontakt, Pfadfinderei, Frame Farmers, Codec und andere >>Mittwoch, den 13.2. Ambient Line 02 Nach Ambient Line 01 hier das zweite Videoscreeningprogramm zum Thema Club der transmediale 02. Die Beweisführung, daß der Club zu einem eigenständigem Ort digitaler Kunst geworden ist. Mit Arbeiten von: Maria Gusberti.notdef, Norbert Pfaffenbichler, ReMi, Bas van Koolwijk etc. >>Donnerstag, den 14.2. YUV Screeningprogramm Frau Weitzel und Frau Wenzel zeigen uns nicht nur pop hoch n, sondern auch folgendes: "Das Kürzel YUV bezeichnet die Licht- und Farbwerte eines Videobildes und beschreibt dessen Aufbau. Die unter diesem Kürzel präsentierten Konzeptvideos unternehmen eine vergleichbare Dekonstruktion: sie reduzieren das visuelle Arsenal auf soundgesteuerte Anordnungen von Farbflächen und Linien und unterstreichen den non-figurativen Charakter von elektronischer Musik. Im Unterschied zu Musikvideos, in denen die Performance von Bands, Stars und Menschenkörpern bildhaft angereichert werden, stellen sich die präsentierten Videos vor allem als Visualisierung eines konzeptionellen Textes dar. Eines Textes, der von menschenleeren Stadtlandschaften, audiovisuellen Empfangsstörungen, geometrischen Formkompositionen wie digitalen Codes erzählt und sich im Rhythmus von Beat und Schnitt beständig neu strukturiert. Die von diesem Text gespeisten Videoarbeiten beschreiben ein sowohl analog als auch digital generiertes Feld, das sich zwischen avantgardistischem (Trick-)Film der zwanziger Jahre und gegenwärtiger VJ-Culture aufspannt und somit eine visuelle Archäologie von elektronischer Musik ermöglicht.." Das Screening präsentiert Arbeiten von Phillip Geist / tied and tickled trio / Kpt. Michi.Gan, Salome Machidze (Goslab) / Nikakoi, Oliver Hardt & Sunah Choi / Albrecht Kunze, Rosa Barba / mouse on mars, HC Gilje, Lillevän / Rechenzentrum / Georg Zeitblom, Thomas Scheffer, Pietro Sanguineti / Markus Schneider, Sebastian Kutscher / Antonelli Electric, pReview / Georg Zeitblom, Tappo Kontakt / Phako, Oliver Hardt / lamé gold, Andreas Schimanski und anderen. Es wurde von Antje Weitzel und Mirjam Wenzel zusammengestellt - -- club transmediale.02 ||||||||||||||||||||||||||||||||||||||||||||| 05 - 17. february 2002 ||||||||||||||||||||||||||||||||||||||||||||| club@transmediale.de kastanienallee 34 10435 berlin fon ++49 (0)30 44 04 18 52 fax ++49 (0)30 44 04 58 27 |||||||||||||||||||||||||||||||||||||||||||| transmediale [go public !] international media art festival berlin 05. - 10 february 2002 find more information at http://www.transmediale.de _______________________________________________ the information list of transmediale international media art festival berlin transmediale: http://www.transmediale.de list-info: http://mailman.transmediale.in-berlin.de/mailman/listinfo/newsletter ------------------------------ Date: Tue, 5 Feb 2002 00:30:22 +0100 From: "noweb" <info@noweb.org> Subject: ( ( ( N O R A D I O ) ) ) ( ( ( N O R A D I O ) ) ) http://www.nomusic.org http://www.noweb.org : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : A U D I O P R O G R A M : [GMT+01:00][Mp3 Stream] N O W E B : : : : : : [connection @ http://www.noweb.org] : : : : : : This night !!!... 05/02/2002 - 21h30>09h30 (09:30pm>09:30am) Dj Punisher et son chien 12h non-stop Mp3 stream http://www.noweb.org/fly/punisher_noweb_7.gif N O M U S I C : : : : : : [connection @ http://www.nomusic.org] : : : : : : Teleconnect Audio Distant Live Stream : [connection @ http://www.nomusic.org] 12/02/2002 - 23h00 (11:00pm) *Duo Bille - La p'tite maison J.Pergolesi & P.Petitgenet from Strasbourg [FR] http://www.absurde.com/ptitemaison.htm http://www.noweb.org/fly/duo_bille_nomusic.gif Mobil Event Organization unofficial stream : 09/02/2002 21h30(09:30pm) *SOLI - party szczym & .txt from Berlin [GE] www.beatleprint.net/txt : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : ( ( ( N O M U S I C ) ) ) T O U R N A M E N T *Open Call to Players : Deadline: 26/03/2002 - -Audio Live only via Network - -Good internet access needed *N F O : http://www.noweb.org/nomusic/festival/ http://www.noweb.org/nomusic/festival/english.html *Submission : festival@nomusic.org *Contact : info@nomusic.org : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : - ----------------------------------------------------- u n s u b s c r i b e mailto:nonoweb@altern.org ------------------------------ Date: Tue, 5 Feb 2002 10:56:52 -0800 From: n30mural@speakeasy.net Subject: TENT CITY III TENT CITY III ARTIST'S RECEPTION AND FREE SOUP KITCHEN SATURDAY, FEBRUARY 9 FROM 6-10PM The Independent Media Center Gallery is proud to present The Tent City Campaign, a photographic exhibition by Petter Goldstine February 9 through February 28, 2002. This exhibit documents daily life during the time Petter spent living in Tent City III from April 1 to June 17, 2001. A homeless camp, Tent City III provides a community away from the streets, and is housed by churches throughout the neighborhoods of Seattle. The Independent Media Center Gallery is located at 1415 3rd Avenue in downtown Seattle. 206-328-9361. www.seattle.indymedia.org Hours of operation: Monday, Wednesday, Friday, and Saturday from 12pm-3pm Tuesday and Thursday from 5pm-8pm. ------------------------------ Date: Tue, 05 Feb 2002 11:17:59 -0800 From: Michele Thursz <michele@michelethursz.com> Subject: On view at Post Media Network February- Ma On view at http://www.michelethursz.com Post Media Network February- March Featured Artist Carlo Zanni #2 issue of Dialogue Claire Barliant interview with Carlo Zanni about zanni's Icon portraits Featured media Stanza "Soundscraper" series of six multi sound environments Mark Napier " Feed" Real time web digest. Streaming aesthetic content in a customized display. Cory Arcangel "Ram" 128 MEGS of the RAM 6/26/01 at 8:46pm interpreted into a 50x25 pixel 2 bit [4 grays] movie with an audio track of 16bit 44k audio. 11:58:06 in length. Download able Media Chaiki of nicknack.org "m-sonic" is a series of experimental interactive animations made for PDA, personal digital assistance. Users can play the animations on pocketPC with flash plug-in in the palm of their hand. Yael kanerak "Roam 1.0" is a first person exploration terrain. In the context of World of Awe, Roam provides an interpretation of the Sunset/Sunrisethe desert terrain where the traveler's hunt for the lost treasure takes place. Upcoming events: " ICON" @ Remote: Sunday March 3, 2002 "Freak Out Battle Scene" presented by curator Michael Williams WHITNEYBIENNIAL.COM: Opening: March 05, 06 ,07 2002 Concept Origin: miltos manetas *The Network, archive and More Portfolios showcase the artists on the network, the digital studio and the marketable physical and virtual objects. Represented artists: Cory Arcangel, Carlos Casado, Andy Deck, Angie Eng, Fakeshop, Katrin Grotepass, Yael Kanarek, Willy Le Maitre & Eric Rosenveig, Golan Levin, Michael Mandiberg, Kevin & Jennifer McCoy, Yucef Merhi, Sally Minker, Joseph Nechvatal, Michael Rees, Carlos Zanni, and the on-line exhibition of Mark Tribe "net.ephemera" located in portfolios ------------------------------ Date: Fri, 1 Feb 2002 15:56:38 -0500 From: "k" <kasprzak@videokill.com> Subject: for the Announcer + + + Year Zero One presents: the Splash Page Project Starting on February 1, 2002, Year Zero One is opening its splash page as an exhibition space for artists that will operate on a bimonthly basis. A roster of international net.artists have been invited to show their work in this forum. We are pleased to launch this venture with a piece by Mouchette: "Mouchette at the m.org.ue". Please visit http://www.year01.com to view the work. To see more of Mouchette's work, please visit her website at http://www.mouchette.org. The Splash Page Project is curated by Michelle Kasprzak. If you have a proposal for this space, please e-mail: splash@year01.com Year Zero One is an on-line artist run centre which operates as a network for the dissemination of digital culture and new media through web based exhibitions, an extensive media arts directory/bulletin, and the Year01 Forum - an electronic art journal. http://www.year01.com + + + ------------------------------ Date: Sat, 2 Feb 2002 20:04:12 +0000 From: honor <honor@va.com.au> Subject: Free Radio Linux - launching 03.02.02 FREE RADIO LINUX ON: r a d i o q u a l i a ((o)) http://www.radioqualia.net/freeradiolinux 03.02.02 -> 2003 0000 [ GMT ] 0100 [ Central European Time ] 1900 [ US Eastern Standard Time - 02.02.02 ] 0530 [ Indian Standard Time ] 1100 [ Australian Eastern Summer Time ] 1300 [ New Zealand Time ] The time is GMT 20:02, 02.02.02. In 4 hours time it will be February 3, and the fourth anniversary of the day the Open Source Initiative <http://www.opensource.org/> coined the term 'open source' as a label for freely published source code <http://www.opensource.org/docs/history.html>. To mark this occasion, r a d i o q u a l i a are launching the first net.radio distribution of the world's most popular open source software - the operating system, Linux. Free Radio Linux is an online and on-air radio station. The sound transmission is a computerised reading of the entire source code used to create the Linux Kernel, the basis of all distributions of Linux. Each line of code is read by an automated computer voice - a speech.bot utility built by r a d i o q u a l i a. The speech.bot's output is encoded into an audio stream, using the open source codec, Ogg Vorbis <http://www.vorbis.com>, and sent out live on the internet. FM, AM and Shortwave radio stations from around the world will also relay the audio stream on various occasions. The Linux kernel contains 4,141,432 millions lines of code. Reading the entire kernel will take an estimated 14253.43 hours, or 593.89 days. Listeners can track the progress of Free Radio Linux by listening to the audio stream, or checking the text-based progress field in the ./listen section of the website <http://www.radioqualia.net/freeradiolinux> ./ BACKGROUND : LINUX AND OPEN SOURCE Since Finnish programmer Linus Torvalds <http://www.cs.Helsinki.FI/u/torvalds/> started development of the operating system, Linux in 1991, the collaborative model of software development has reached profound new heights. Consisting of millions of lines of source code, Linux has been mutated, improved and sent spiraling off into new directions by literally thousands of programmers from all around the world. This is because Torvalds promoted a simple approach to the development of Linux: he made the code available for users of the operating system to read, view and alter. Sharing their ideas on the software and potential improvements was a core part of Torvalds' ethic. Due to the extraordinary success of Linux, the ethic of code sharing has reached new heights of popularity. Code sharing is no longer a process specific to computer science, rather it has become an ideology embraced by business, the computer using public, and a multitude of cultural, artistic and academic sectors. When Linux won one of electronic art's most prestigious prizes, the Prix Ars Electronica <http://prixars.aec.at/history/net/1999/E99net_01.htm> for .net excellence in 1999, Open Source completed its journey from a prosaic functional process to a phenomenon verging on art. ./ FREE RADIO MEETS FREE SOFTWARE In the hierarchy of media, radio reigns. There are more computers than modems, more phones than computers, and more radios than phones. Radio is the closest we have to an egalitarian method of information distribution. Free Radio Linux advocates that radio is the best method for distributing the world's most popular free software. Free Radio Linux is therefore be a networked broadcast system, transmitting on ether-net via open source audio codec, Ogg Vorbis and relayed on AM, Shortwave and FM frequencies, by a collection of ham radio amateurs and radio professionals. Free Radio Linux also continues the tradition of FM 'code stations' of the early-mid eighties. These stations were pirate broadcasters who distributed bootleg software programmes via radio transmitters, allowing early hackers with home computers, such as Sinclair ZX80-81s, Commodore 64s, and Acorns, to demodulate the signal through a modem and run the code. The modern day equivalent, Free Radio Linux, similarly enables anyone with notepad to transcribe the code and utilise it at his or her convenience. ./ TECHNICAL SPECIFICATIONS To listen to Free Radio Linux online, users must have: - - a computer - - an internet connection - - an MP3 Player - - the Ogg Vorbis codec MP3 players and the Ogg Vorbis codec can be downloaded from the ./listen section of the Free Radio Linux website: <http://www.radioqualia.net/freeradiolinux> Ogg Vorbis is compatible with Linux, Windows and Max OSX operating systems. - --------------> Ogg Vorbis + Icecast Free Radio Linux utilises Ogg Vorbis because it is one of the only open source streaming audio codecs available. Whereas, MP3 is a patented technology (owned by Fraunhofer IIS-A <http://www.iis.fhg.de/>, Thomson, and others ) Ogg Vorbis is a free, open, and unpatented. Encoding is enabled using the free Oddsock DSP plugin for Winamp. This encoder converts the live audio input from the speech.bot into a streaming Ogg Vorbis file. This file is then sent as a 'continuous stream' to the server. Free Radio Linux is served via a Icecast2 <http://www.icecast.org/> server for Unix, located at Montevideo <http://www.montevideo.nl/> in Amsterdam. This server is part of the Open Source Streaming Alliance <http://www.location1.org/ossa/ossa.html>. - --------------> Speech.bot Free Radio Linux is enabled by a speech.bot, which opens each individual page of the Linux kernel and converts the text to speech. Punctuation and special characters are read as Latin Unicode . For example '=' is read as 'equals sign'. ./ CREDITS Free Radio Linux is commissioned by Gallery 9/Walker Art Center <http://www.walkerart.org> with the support of the Jerome Foundation, USA. - - Streaming server provided by Montevideo Time Based Arts, Netherlands. - - website design by Vedran Gulin, mi2lab, Croatia. - - r a d i o q u a l i a would also like to thank : Robert Geus, Virtual Artists, Elizabeth Zimmerman/Kunstradio, Oliver Thuns/radiostudio.org, oddsock.org, Rene Leithof, Michael Jordan/Linux.org, Matthew Leonard/Radio NZ, XS4ALL, Dave Mandl/WMFU, Micz Flor, Ted Byfield, Susan Kennard/Radio 90, Georgie Knight, Chris Barker, Nik Gaffney, Mr.Snow, Jenny Marketou, and Steve Dietz. ./ INFO email: radioqualia@va.com.au ph: +44 20 76841859 URL: http://www.radioqualia.net.freeradiolinux __________________________________________ r a d i o q u a l i a ((o)) f r e q u e n c y s h i f t i n g p a r a d i g m s i n s t r e a m i n g a u d i o radioqualia@va.com.au http://www.radioqualia.va.com.au/ supported by virtual artists (VA) http://www.va.com.au ------------------------------ Date: Mon, 04 Feb 2002 11:19:20 +0100 From: artclay <artclay@netsurfer.ch> Subject: sound art performance sound art performance art clay, live electronic & found objects the Logos Foundation Kongostraat 35 B-9000 Gent, Belgium 14 febuary 2002 8 o=92clock pm more info: http://www.logosfoundation.org/lb/0202/lb0202kon.html#020214 (excuse for xpostings) - ------------------------------------------------>>>>>>>>>>>>>>>>>> two music.compositions & three sound.art pieces & an informative text: thin(g)k-music The pieces presented in the performance don=92t sound, they crack, break,= squeak, squeal etc. etc. etc. and in reaction against the hero worship so established at the prayer meetings of classical people known as concerts. and today in the crack between two centuries and during ultraglobal happysaddness life, i/you/we/them have found other solutions to the virtuous via the daily. example? ok: we turn the tv on and zap thru channels faster than superman flies to snatch louis lane, faster than paganini could skip across violin strings. our remote controls are our daily bread for which we pray. we, yes we, are no longer subject to time; we can freeze people, places and things. further: mute, blind and lam them (in the middle of a word(s) or (re)action), or even in a case of imaginary capitol punishment zap them into the oblivious realm of the black known as =91off=92. today we, including you, are fake, living as a= desktop alias. About this performance alias music alias possibility? ok: i concentrate on what lies around me, my house, my world. what? ok: the debris in the crack of the two centuries i stand stuck in. my coffee cups, my paper, my vinyl, my glass, my pavorotti, my megaphonics, etc. etc. etc. we ((the royal (ad)version)) don=92t need more highcultur anymore for that; no for we have our utensils, our collection of ofs. what? ok: our mind and our body:: wrapped up in easy consumer electronics. The thing thing electrified with a mike mixer thing thing brought to you by japan and continuing to communicate to all worldly per air waveform at high/low decibel, short/long & big/small wave thing thing. this idea continued on channel one through sixteen: Getting to the point/border, i/me present you/them the sound of non? sound(ing) thing(s) musics. microsounds amped up. feedback tuckedup into the coffee cup ketchup bottle dowap bebob burp thing with variations on this non?musical material non?art objects of various porous/nonporous objective (in terms of the daily) earthly items (sometimes) found at/in/on stores here/there/anywhere infecting us with gutter reduced supermarket prices. final comment, finally: listen=3Dlisten; dig=3Denjoy;= understand=3Dnonpossible; all=3D ||:click&pop:|| culture. and a final conclusion, finally: john cage has left us; lara croft wears fake polygons; nn is a total _____(s). And oh, did they mention it? censorship is global. be invited to listen & nonparticipate! artclay, zuerich, almost 2002 art clay biography lives in berlin + in basel. self taught irregardless of the possession of diplomas for music and languages. determined goals reached through indeterminate means, or as necessary or forced. due to contact with the works or persons on the following list, hopelessly bond to the twentieth and twentieth first centuries: leonardo da vinci, buckminster fuller, sun ra, john cage, marcel duchamp, billy name. works concerning the use of modern media including various genre for sound and image such as video, photography, music and performance. performance x-perience (in all media of own and not own compositions) here and there, worldly, international and @ home. instrumental virtuosity obtained on: flute, computer and the german language. has a home page: just one klick+klick away: http://home.sunrise.ch/artclay ------------------------------ Date: Mon, 4 Feb 2002 21:15:35 -0500 (EST) From: Alan Sondheim <sondheim@panix.com> Subject: [CSL] Incubation2 Conference on Writing & the Internet: Registration now open (fwd) - ---------- Forwarded message ---------- Date: Mon, 4 Feb 2002 08:49:19 +0000 From: Joanne Roberts <joanne.roberts@DURHAM.AC.UK> Reply-To: The Cyber-Society-Live mailing list is a moderated discussion list for those interested <CYBER-SOCIETY-LIVE@JISCMAIL.AC.UK> To: CYBER-SOCIETY-LIVE@JISCMAIL.AC.UK Subject: [CSL] Incubation2 Conference on Writing & the Internet: Registration now open http://trace.ntu.ac.uk/incubation We are pleased to announce that registration is now available for Incubation, the Second Conference on Writing and the Internet, to be held at The Nottingham Trent University, UK on 15th-17th July 2002. Main speakers include: Lizzie Jackson, Editor, Communities, BBCi Talan Memmott, winner of the trAce/Alt-X New Media Writing Award for his work "Lexia to Perplexia" and Robin Rimbaud, sound artist, on working with digital texts and sounds. Incubation2 is the second trAce International Conference on Writing & the Internet, and the premier international event for writers working on the web. In 2000 it attracted delegates from around the world, including America, Australia, Brazil, Canada, Holland, Norway, Slovenia and Sweden. 2002 promises to be even bigger. Incubation2 is not just a chance to hear some of the best writers working on the web today. It will provide a showcase for the writing of the future and offer a glimpse into the work of writers who use the internet to develop ground-breaking content: poetry with sound and images, personal histories, news, journalism, stories with multiple endings. This is writing on the web, for the web, and about the web. The conference is a significant opportunity for writers to extend their professional development, learn new skills, and interact with some of the leading writers and artists working online today. There will be opportunities to meet with writers who have made a significant contribution to this new form, as well as the chance for writers to show their own work and look at other people's. There will be skills-based workshops and feedback workshops, panel discussions, presentations, demonstrations and performances, and plenty of opportunity to network and meet those people you only ever knew online. An archive of pictures, sound recordings and comments about the previous Incubation conference in 2000 is also available. We hope we will be meeting you in July. http://trace.ntu.ac.uk/incubation trAce Online Writing Centre The Nottingham Trent University Clifton Lane Nottingham NG11 8NS ENGLAND Tel: ++44 (0)115 8486360 Fax: ++44 (0)115 8486364 Web: http://trace.ntu.ac.uk Email: trace@ntu.ac.uk ************************************************************************************ Distributed through Cyber-Society-Live [CSL]: CSL is a moderated discussion list made up of people who are interested in the interdisciplinary academic study of Cyber Society in all its manifestations.To join the list please visit: http://www.jiscmail.ac.uk/lists/cyber-society-live.html ************************************************************************************* ------------------------------ Date: Tue, 05 Feb 2002 10:49:34 +0000 From: honor <honor@va.com.au> Subject: Surveillance & Control: an event on surveillance technologies & new media art, March, Tate Modern FIRST ANNOUNCEMENT: SURVEILLANCE + CONTROL AT TATE MODERN Surveillance and Control A half-day conference in March http://www.tate.org.uk/modern/programmes/events.htm < sincere apologies to anyone who receives this twice, or receives this in error. Please forward this to anyone you think may be interested > TIMES AND DATES 1400 - 1830 [ GMT ] 1500 - 1930 [ Central European Time ] 0900 - 1330 [ US Eastern Standard Time ] 1930 - 0000 [ Indian / Culcutta Time ] 0100 - 0530 [ Australian Eastern Summer Time, 10 March] 0300 - 0730 [ New Zealand Summer Time, 10 March ] LOCATION Starr Auditorium, Level 2, Tate Modern, London, UK INTRODUCTION As part of Tate Modern's Interpretation and Education programme, a half day conference on surveillance technologies and new media art will be take place. SURVEILLANCE AND CONTROL considers widespread uses of electronic surveillance, analysing recent social and political developments, and asking how various surveillance technologies have impacted on new media art practice. Tickets £10 (£5 concessions) Bookings are now being accepted for this event. To book tickets to attend, please ring Tate Ticketing on: 020 7887 8888 or email <tate.ticketing@tate.org.uk>. ABOUT THE EVENT We are living in a medialised society. Surveillance devices are used increasingly to monitor physical space, while the operation of global interception systems show the vulnerability of electronic space. The increasing ubiquity of surveillance has radically transformed the relation between public and private spheres, as well as the very nature of political and technological control. This half day conference will probe recent developments in surveillance debates. Investigative journalist, Duncan Campbell and media theorist, Eric Kluitenberg look at issues such as the use of the English/American automated interception and relay system, Echelon, and the controversial Regulation of Investigatory Powers Act (RIPa), which updates UK law on the interception of communications. Presentations by artists, Marko Peljhan, Kate Rich and Julia Scher will ask how artists are responding to, or subverting the surveillance strategies employed by the commercial and governmental sectors. ABOUT THE SPEAKERS - - Julia Scher, USA Julia Scher is an artist, who’s work focuses on the subjects surveillance and cyber-sphere. Aiming at the exposure of dangers and ideologies of monitoring systems, Scher creates temporary and transitory web/installation/performance works that explore issues of power, control and seduction. She has lectured at Harvard University, Princeton University and Rutgers University. Online data: interview: http://www.rhizome.org/object.rhiz?2772 - - Marko Peljhan, Slovenia Marko Peljhan is a media artist and founder of the organisation, Projekt Atol, which runs Makrolab, an autonomous communications, research and living unit. Makrolab has been shown at documentaX in Kassel in 1997, on Rottnest Island-Wadjemup, Australia in 2000, and will be installed at Tramway in Glasgow, Scotland in 2002. Online data: http://makrolab.ljudmila.org/ - - Kate Rich, UK / Australia Kate Rich is a video engineer for BIT (Bureau of Inverse Technology). BIT develops data, tracking and visualisation devices for critical deployment, such as the SUICIDE BOX vertical motion recorder, the BIT PLANE miniature spyplane, and the BANG BANG camera network. Online data: http://bureauit.org - - Duncan Campbell, UK Scottish born Duncan Campbell is an investigative journalist, author, consultant and television producer specialising in privacy, civil liberties and secrecy issues. His best-known investigations have led to major legal clashes with successive British governments. In 1988, he revealed the existence of the ECHELON project, which has since 1997 become controversial throughout the world and especially in Europe. Online data: http://www.gn.apc.org/duncan Chair: - - Eric Kluitenberg, Netherlands Eric Kluitenberg is a writer, theorist and organiser of culture and technology events. He lives in Amsterdam and currently works for De Balie, Centre for Culture and Politics, where in 2001 he organised The Society of Control - a event showcasing artists' use of electronic observation technologies. Online data: De Balie: http://www.balie.nl WEBCAST This event will be presented live on the Tate website, as part of Tate’s Webcasting Programme. You can experience the event live online in audio and video using the Real Player. To find out more, visit: <http://www.tate.org.uk/modern/programmes/webcasting>. If you haven't experienced Tate Modern's webcasts before, please visit our technical help page: <http://www.tate.org.uk/modern/programmes/help.htm>. MORE INFORMATION: For more on this event, see: http://www.tate.org.uk/modern/programmes/events.htm or contact: Honor Harger, Webcasting Curator, Interpretation & Education, Tate Modern Email: honor.harger@tate.org.uk PH: (44) 020 7401 5066 For more information about Tate or getting tickets for the event: Tate Box Office Email: tate.ticketing@tate.org.uk PH: (44) 020 7887 8888 URL: http://www.tate.org.uk ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net--- End Message ---