| nettime-l on Tue, 10 Jul 2001 13:25:47 +0200 (CEST) |
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| [Nettime-bold] Re: <nettime> Announcements [17] |
You wrote: > >Table of Contents: > > July 4th Adbusters Culture Jam in DC > Jonathan Prince <jonathan@killyourtv.com> > > bauhaus radio reader > Ralf Homann <ralf.homann@medien.uni-weimar.de> > > Esther Dyson calls for GLOBAL PARTIES OF THE INTERNET > "Paul Hilder" <paul.hilder@opendemocracy.net> > > Anoyances are temporary, improvements are permanent > proyectos.macg@worldmailer.com > > [ot] [!nt] \n2+0\ > integer@www.god-emil.dk > > Public Talk on IT, Cooperation and Conflict Across Boundaries > "geert lovink" <geert@xs4all.nl> > > i love u "plovdiv" july issue 2001 > Redaktion <response@i-love-u.ch> > > signwave auto-illustrator b0.4-r19 > support@auto-illustrator.com > > Ariel Sharon petition > "nohave <--i-->" <no.have@web.de> > > Adelaide Festival of Ideas - this weekend > amanda@adelaidefestival.net.au > > via Geert Lovink > "carey young" <carey_young@hotmail.com> > > announcement > z@apiece.net > > Mark Amerika Retrospective > Kristine Feeks <kristine@altx.com> > > Science & Technology award > "Pirelli INTERNETional Award's Technical Committee 2001" <info@pirelliaward.com> > > Cybernovella > "Elayne Zalis" <elaynez@email.msn.com> > > fwd: 'free party' vids wanted > Sean Healy <evolver@loud.org.au> > > Re: <nettime> Announcements [x3] > Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp> > > > >------------------------------ > >Date: Thu, 5 Jul 2001 09:54:22 -0400 >From: Jonathan Prince <jonathan@killyourtv.com> >Subject: July 4th Adbusters Culture Jam in DC > > >http://KillYourTV.com/dcculturejam > >We had too much fun :-) > >jonathan >- -- > >.. >Jonathan Prince >jonathan@killyourtv.com >http://KillYourTV.com - rants/quotes/links >http://Photographica.org - a meta/photoblog >........................................................ >'Technology could save the World from itself, > providing it is properly used' Buckminster Fuller > > >------------------------------ > >Date: Fri, 06 Jul 2001 05:07:36 +0200 >From: Ralf Homann <ralf.homann@medien.uni-weimar.de> >Subject: bauhaus radio reader > >BAUHAUS RADIO READER – CALL FOR PAPERS > >The Bauhaus in Weimar is the first university in Germany which has >founded a Faculty of Media. Visual and auditive media are getting the >same attention and the dispute on media is dealing with art, theory and >technology. The chair for Experimental Radio, which was established in >1999, is the only one in Germany which teaches radio in the context of >fine arts. This artistic practice is understood as an open field which >supports interdisciplinary approaches, in the range from aesthetic >operations, newest technological developments and even political >activism. >The request of the Bauhaus Radio Reader is to give the students the >opportunity for a self-determined recess on international discourses. >There is a special emphasis on texts which locate radio in arts, in the >culture of streaming media or which help the students to analyse the >history and development of radio. The Radio Reader is first of all meant > >for the Bauhaus radio department and could be turned into a real book if > >we all think that it is worth presenting it to a publishing house. Other > >schools can of course use the reader too. The collection of essays >should be copy left so that everyone can use it and it works more as an >open source for the dispute which allows additions and inconsistence. >A board of editors who overview by virtue of their outstanding knowledge > >and experience in the field of radio, art and media theory will be >adressed to sample the texts. The selection will run by a small >email-list and for further discussion collected at >news://radiostudio.org/reader.discuss >The Radio Reader should be seen a small, informal (xerox) follow-up >of the Semiotext(e) publication Radiotexte, edited in 1992 by Neil >Strauss. There is no contemporary radio reader available at the moment >which reflects what happened to radio in the nineties. It could therefor > >be good to discuss together which key texts there are these days which >deal with "broad radio", a re-invention of radio in the age of digital >technologies, electronic music hype, the Internet, mp3, the further >spreading of micro, free and pirate radios and the rave/club scene and >net.radio of course. We could also include a few examples such as B92 >but also Ruanda (where radio played a very dubious role). Then there is >of course the >section of classic radio texts (which keep on being rediscovered) >and examples how artists deal with radio. > >Below-mentioned editors have already agreed: > >Josephine Bosma, >Hank Bull, >Ralf Homann >DeeDee Halleck >Douglas Kahn >Tetsuo Kogawa >Geert Lovink >Pit Schultz >Dirk Snauweart >Friedrich Tietjen > >p.s. > >during the second yearly festival type=radio~border=0² - space to move - > >(2nd july - 8th july 2001 - http://pingfm.org ) at bauhaus-university >there will be a chat discussing the reader. > >p.s.2: > >friday: 06.07, 10:00 - 19:00 CET >lectures about >10:00 micz flor, mama; campsite, content management, open soucrce >14:00 mama, zagreb; >15:00 micz flor, praha; >16:00 dfm rtv int, amsterdam; introduction >17:00 elisa rose, gary danner, station R.O.S.E., frankfort/main >18:00 ASCII on radio 100, amsterdam; >20:00 T03K; lag >saturday: 07.07, afternoon >performance: sasker scheerder, josephin bosma, amsterdam > > >------------------------------ > >Date: Fri, 6 Jul 2001 18:20:34 +0100 >From: "Paul Hilder" <paul.hilder@opendemocracy.net> >Subject: Esther Dyson calls for GLOBAL PARTIES OF THE INTERNET > >Dear all, > >to let you know: we @ openDemocracy have just published a big interview with >Esther Dyson. URL here: > >http://www.opendemocracy.net/forum/document_details.asp?CatID=12&DocID=482 > >Eastern European icon? Right-wing NWOer? Peripatetic meme of self-organising >networks? Corporate stooge? She's been called many things. > >But what's really interesting is that she's now calling for global political >parties for ICANN. She's all for the elected at-large membership but she >thinks it needs to be more broad-based and accountable - and structured! > >Quite a change for this former chair of the EFF, who thought in '94 that the >net would wither away political parties and replace them with loose, ad-hoc >affiliations... is she right or wrong? Is ad-hoccery not scaleable into >global democracy? lots of questions... > >Ask her questions onsite about the idea or anything else, and she'll >respond. Speak to power! - or at least, to one of the root servers of the >power network... > >Paul >___________________________________________ > >Paul Hilder >openDemocracy >http://www.openDemocracy.net > > >------------------------------ > >Date: 6 Jul 2001 10:02:41 -0700 >From: proyectos.macg@worldmailer.com >Subject: Anoyances are temporary, improvements are permanent > > > > >Museo Carrillo Gil >June 27th - August 5th, 2001 >Mexico City > >"Las molestias son temporales, las mejoras permanentes" (Anoyances are >temporary, improvements are permanent) is a curatorial experiment in which >10 artists will develop pieces during the process of lighting installation >on the Museum's third floor. > >This event is an exploration in the Museum space which proposes another >perspective as opposed to the white cube as the referential context for art. >In this case, the works are exposed and integrated to the natural movements >and matters of every day life, thus providing a vision interrupted by noise >and dust in a simultaneous change of context. > >The project, which is a collaboration between Museum, artists and workers, >imitates the process of art on the web, whose elements are in constant >transformation. In this case, each agent is altered by the activities of >each one of the other actors in their temporary cohabitation. > >Participating artists: Sofía Táboas, Pedro Reyes, HCRH, Acamonchi, José León >Cerrillo, Atlético, Miguel Calderón, Ismael Merla, Tamaño.com, Stefan Brüggemann. > >This project was curated by Mario García Torres. > > > >1.enconstruccion#ID:924mario garcia torres13.5.2001http://www.enconstr >uccion.orghttp://www.enconstruccion.org http://www.enconstruccion.orgh >tp://www.enconstruccion.orghttp://www.enconstruccion.orghttp://www.enc >onstruccion.org_las molestias son temporales, las mejoras permanentes_ >text and articles about: enconstruccion.org (full text search on veryb >usy.org publications) nothing found. -sorry exhibitions / events for: > > > > > > >Get your free email with GroupWeb Worldmailer at >http://www.worldmailer.com. Send and receive e-mail >from any computer with a web browser. > > >------------------------------ > >Date: Tue, 3 Jul 2001 17:40:34 +0200 (CEST) >From: integer@www.god-emil.dk >Subject: [ot] [!nt] \n2+0\ > > > > > > >o the quivering wing of affectation. o the tumult in my soul. > >do find self unwilling + unable to indulge that >inkompetent + lazy + korporat fascist exploiters >e.g. ircam serfs wish. > >for simply - they not the parallel brain cells have >my meaning to kompute [may explain their present position + gender] >so be it. my eyes tear less lest one knows the truth in them. > >forward this + all of my transmissions to your master as desired - you may so do. >i may post to this state funded forum as i well wish when wish how i wish. >as every one else so may do. > >simply because your masters have decided how you must live one should not.must not.will not >conclude + automatically others obligated are korporat fascist slaves like you become. >fin - else 100 martian elephants on me shall walk and now. > >[you lose] > > >i lokate self at simply.superior coordinates to decide >that which my desires satisfies - not you. >making your memories stick. not you. > >my suggestion to konsum 01+ kalmant is. have a seat and admire me. > >it would a monumental victory be - for all french citizenz - if you >the unwashed amalgam at ircam became as superb as i and stopped throwing >their money into the atmosphere. > >to Francois.Dechelle@ircam.fr - you are a testament to the great scientifik >m9nds of our day monsieur. i salute your astonishing career - gaze up at the >luminous cosmos and deklare. o that you may be god. > >friendly. nn > > > > > > >Emmanuel Rio - and what may thou be. a kloned sheep +? > tis unforgivable. for this the pyramids were raised +? > velikovskian katastrofism. > > > > > > > > >Francois Dechelle <Francois.Dechelle@ircam.fr> > >>Emmanuel Rio wrote: >>> >>> Hello, >>> >>> I complain about the behaviour of integer@www.god-emil.dk on the >>> jmax list, since he/she/they fill the list with undoubtedly very >>> interesting messages which have however no relation with our topic, and >>> which are most of time ununderstandable. I'm really tired of these silly >>> mails which are very courageously addressed to syndicate@ircam.fr, >>> lev@ircam.fr or freesound@ircam.fr, and I propose the exclusion of this >>> mail sender (and all the phantom ones which will certainly appear >>> afterwards), and the erasure of all the messages still remaining on the >>> archive ( http://www.ircam.fr/listes/archives/jmax/maillist.html ). >>> What about you? >>> >>> Emmanuel Rio >>> >>> -- >>> +---------------------------------------+ >>> | Emmanuel Rio | >>> | R&D Engineer | >>> +---------------------------------------+ >>> | Projet Listen - http://listen.gmd.de/ | >>> | Département Acoustique des Salles | >>> | IRCAM - http://www.ircam.fr/ | >>> | 1, Place Igor Stravinsky | >>> | 75004 PARIS | >>> +---------------------------------------+ >>> | mailto:Emmanuel.Rio@ircam.fr | >>> | tel : +33 1 44 78 48 26 | >>> | fax : +33 1 44 78 15 40 | >>> +---------------------------------------+ >> >> >>The amount of messages adressed to the list by integer@... does >>not respect the list policy, that I have adressed to the list and >>that I recall below. I kindly asked some time ago integer@... to >>limit the number of posts and to use the list nato@ircam.fr, which has >>been created for this purpose. As you have noticed, this has remained >>without effect. >> >>Furthermore, recent messages from integer@... do not respect the >>[OT] header in subject. >> >> >>François Déchelle >> >> >> >> >>Reminder of jMax list policy, posted Thu, 16 Nov 2000: >> >>. Hello, >>. >>. Due to recent abuses of the list, the mailing list jmax@ircam.fr will now >>. obey the following policy: >>. - list posting is closed, i.e. posting to the list is restricted to list >>. members. If you have not subscribed to the list, you cannot post to the list. >>. - subscribing to the list will be moderated. >>. >>. The list jmax@ircam.fr is dedicated to the jMax software. Off-topic posts >>. are allowed, as long as they remain in limited amount and they concern >>. things that are slightly related to jMax. Off-topic posters are kindly >>. asked to add an [OT] tag in subject. >>. >>. This changes are immediate. You are invited to check that the address >>. that you use for posting is the same as your subscribing address. If >>. these addresses don't match, your posts will be rejected. >>. > > > > > > > > >------------------------------ > >Date: Sat, 7 Jul 2001 07:41:10 +1000 >From: "geert lovink" <geert@xs4all.nl> >Subject: Public Talk on IT, Cooperation and Conflict Across Boundaries > >From: "matzner" <matzner@ssrc.org> >Sent: Friday, July 06, 2001 11:43 PM >Subject: Public Talk on IT, Cooperation and Conflict Across Boundaries > > > Dear Collegue, > >Here is an announcement of a public talk to be held in Berkeley the week >after next. Please pass it on to anyone whom you think it might interest, >especially in the Bay Area. > >Best, > >Deborah Matzner > >- ---------------------------------------------------------------------------- >- ------------------------------------ >"Information Technologies, Cooperation and Conflict Across Boundaries" >A discussion with John Seely Brown, Chief Scientist, Xerox Corporation; >Whitfield Diffie, Distinguished Engineer, Sun Microsystems; and Saskia >Sassen, Ralph Lewis Professor of Sociology, University of Chicago >Monday, July 16th, 6:00 to 8:00 p.m. The Toll Room, Alumni House, UC >Berkeley Campus (south side, east of the Haas Pavilion) > >This talk is organized by the Social Science Research Council's program on >Information Technology, International Cooperation, and Global Security >(ITIC) in conjunction with its Summer Research Collegium being hosted at the >University of California, Berkeley. > >The ITIC program, a part of the SSRC's new initiative to address information >technologies using social science, is directed by the ITIC Committee chaired >by Dr. Sassen and consisting of: > >Hayward Alker, School of International Relations, UCLA; John Seely Brown, >Chief Scientist, Xerox Corporation; Dorothy Denning, Computer Science >Department, Georgetown University; Dieter Ernst, East-West Center; Jane >Fountain, JFK School of Government, Harvard University; Linda Garcia, >Communication, Culture, and Technology program, Georgetown University; Dina >Iordanova, Centre for Mass Communication Research, University of Leicester; >Margaret Keck, Political Science, Johns Hopkins University; Robert Keohane, >Political Science, Duke University; Rohan Samarajiva, Department of >Technology, Policy, and Management, Delft University of Technology; Nigel >Thrift, School of Geographical Sciences, University of Bristol; Steven >Weber, Political Science, UC Berkeley; and, Barry Wellman, Centre for Urban >and Community Studies, University of Toronto. > >The program is staffed by director Robert Latham and program assistant >Deborah Matzner. For further information, see www.ssrc.org/iticgs or >contact Deborah at matzner@ssrc.org. > >Deborah Matzner >Information Technology, International Cooperation >and Global Security >Social Science Research Council >810 Seventh Ave. >New York, NY 10019 USA >tel: 212-377-2700 ext. 440 >fax: 212-377-2727 > > > > >------------------------------ > >Date: Sat, 07 Jul 2001 15:21:07 +0200 >From: Redaktion <response@i-love-u.ch> >Subject: i love u "plovdiv" july issue 2001 > >http://www.i-love-u.ch http://www.i-love-u.tv > >dear loverz > >Copyleft Attitude : the Free Art license > > >Free Art license >[ Copyleft Attitude ] > >version 1.1 > >Preamble: see at http://www.artlibre.org >With this Free Art License, you are authorised to copy, distribute and >freely transform the work of art while respecting the rights of the >originator. >Far from ignoring the author's rights, this license recognises them and >protects them. >It reformulates their principle while making it possible for the public >to make creative use of the works of art. Whereas current literary and >artistic property >rights result in restriction of the public's access to works of art, the > >goal of the Free Art License is to encourage such access. > >The intention is to make work accessible and to authorise the use of its > >resources by the greatest number of people: to use it in order to >increase its use, to create newconditions for creation in order to >multiply the >possibilities of creation, while respecting the originators in according > >them recognition and defending their moral rights. > >In fact, with the arrival of the digital age, the invention of the >Internet and free software, a new approach to creation and production >has made its appearance. It also encourages a continuation of the >process >of experimentation undertaken by many contemporary artists. > >Knowledge and creativity are resources which, to be true to themselves, >must remain free, i.e. remain a fundamental search which is not directly > >related to a concrete application. Creating means discovering the >unknown, >means inventing a reality without any heed to realism. >Thus, the object(ive) of art is not equivalent to the finished and >defined art object. >This is the basic aim of this Free Art License: >to promote and protect artistic practice free from the rules of >themarket economy. > > > > >July issue 2001: "plovdiv" > >monthly appearing e-zine for multimedia art, >monthly changing subject, no-commerce platform for cyber-artists, >photographers, screen-designer, e-musicians, movie-makers, >comic-developers... > >visit http://www.i-love-u.ch http://www.i-love-u.tv > >our snailmail: >i love u ezine >kellergaesslein 7 >CH-4051 Basel >Switzerland / Europe > >die redaktion see editorial at http://www.i-love-u.c > >To unsubscribe, write mailto:response@i-love-u.ch (subject: unsubscribe) > >Next month's theme: > >vorspiel. > >feel free to join us and to send contributions to response@i-love-u.ch > > >------------------------------ > >Date: Sun, 8 Jul 2001 01:49 +0100 >From: support@auto-illustrator.com >Subject: signwave auto-illustrator b0.4-r19 > > > a > u > t > o > i > l > l > u > s > t > r > a > ot > r > teb > 0a > r-4. > on91 > semocw > bhtiw > -tliu > ucni > cib > eb > iz > e > r > s > p > l > i > n > e > s > . > d > o > w > n > l > o > a > d > i > t > n > o > w http://www.auto-illustrator.com/ b0.4-r19 > > >------------------------------ > >Date: Sun, 8 Jul 2001 17:27:20 +0200 >From: "nohave <--i-->" <no.have@web.de> >Subject: Ariel Sharon petition > >hello all; >under following adress is the Petition for International >Investigation >Committee on Ariel >Sharon's crimes against humanity to Mrs. Mary Robinson, UN >High Commissioner >for Human Rights, which has just been recently circulated. >the adress is: >http://www.petitiononline.com/warcrime/petition.html >_______________________________________________________________________ >Der Aktien-Service, der für Sie aktiv ist! Automatische Berechnungen, >Mail-Benachrichtigung. Für Ihre Bedürfnisse! http://boerse.web.de/ > > >------------------------------ > >Date: Mon, 9 Jul 2001 16:13:22 +0930 >From: amanda@adelaidefestival.net.au >Subject: Adelaide Festival of Ideas - this weekend > > > > >For the interest of people who happen to be in Adelaide, Australia this >weekend?! ... > >- ---------------------- Forwarded by Amanda McDonald Crowley/Adelaide Festival on >09/07/2001 15:10 --------------------------- > > >adunn@adelaidefestival.net.au on 09/07/2001 11:02:07 > >To: Alison Dunn/Adelaide Festival@Adelaide Festival, Amanda McDonald > Crowley/Adelaide Festival@Adelaide Festival >cc: >Subject: > > > > > > > >r e c o n c i l i a t i o n * w a t e r * p o p u l a t i o n * a d d i c t i >o n * i n t o x i c a t i o n > >Don't miss the Adelaide Festival of Ideas 2001 12 - 15 July > >big issues...great speakers.....provocative discussion > >Details of all the evening sessions are below -- for full biogs on the speakers >and tickets to the evening sessions go to www.adelaidefestivalofideas.com.au > >here's the evening program.... > >Thursday 12 July at 8pm, Adelaide Town Hall >RIP: Reconciliation In Paralysis? >Sir Ronald Wilson (opening address) >Rick Farley Jackie Huggins >Mbuelo Mzamane Jacob Rumbiak >Chair: Phillip Adams > >************************************************** >Friday 13 July at 8pm, Adelaide Town Hall >Good Drugs, Bad Drugs: >The human face of addiction >Nicholas Cowdery Alfred Mc Coy >Virginia McGowan Sadie Plant >Sulak Sivaraksa >Chair: Peter Sellars > >************************************************ >Saturday 14 July at 8pm Elder Hall >Has science abolished God? >Rodney Brooks Raimond Gaita >Owen Gingerich Bishop Shelby Spong >Margaret Wertheim >Chair: Paul Davies > >************************************************ >Sunday 15 July at 5pm Elder Hall >The 21st Century: >How much water, how many people? >Tim Flannery Raimond Gaita >Regina Schwartz Vandana Shiva >Mary White Warren Wood >Chair: Julie McCrossin > >thank you, and hope to see you at the Adelaide Festival of Ideas > > > >Alison Dunn >Marketing Director >Adelaide Festival >email: adunn@adelaidefestival.net.au >105 Hindley Street Adelaide 5000 >Australia > >www.adelaidefestival.org.au >www.adelaidefestivalofideas.com.au > > > > >------------------------------ > >Date: Mon, 09 Jul 2001 10:31:17 -0000 >From: "carey young" <carey_young@hotmail.com> >Subject: via Geert Lovink > >Hi, > >Geert recommended I send this info to you / the list > >Carey > >- ------- > >The Communications Department > > > >14 July - 12 August > >Anthony Wilkinson Gallery >242 Cambridge Heath Road, Bethnal Green, London E2 9DA >tel +44 20 89802662 / fax +44 20 8701286531 / >info@anthonywilkinsongallery.com > > >Matthew Arnatt Art Club 2000 >Bernadette Corporation Stanley Donwood & Tchock >Liam Gillick Richard Hawkins >Imprint 93 Gareth Jones >Jeff Koons Mark Lombardi >the Medea group Martha Rosler >®™ark Alex Veness >Carey Young > > curated by >Alex Farquharson > > > >“At one time artists had only to whisper into the ear of the King or Pope to >have political effect. Now they must whisper into the ears of millions of >people”. > Jeff Koons > > >The Communications Department presents a range of ways artists respond to >the omnipresence / omnipotence of corporate images. > >The word ‘Lifestyle’ evokes branded lives, as if marketers have succeeded >where avant-garde artists, who sought a fusion of art and life, failed. Like >art, brands now communicate through every available media onto every >available surface - the conventional billboard or magazine ad is to modern >marketing techniques what painting or sculpture is to contemporary art. At >the same time, like much ambitious art of the last century, the big brands >have moved in on all aspects of our public and private lives and values, be >it education, government, spirituality, welfare, health, the arts, public >space, the environment, identity, subculture, political resistance. The >most successful have acquired the aura of universal abstract truths: Coke, >we know, is ‘the real thing’, and Diesel’s ‘for successful living’ (Liam >Gillick attempts to paint true Coke brown in his neo-Platonic wallpainting >“Inside now, we walked into a room with Coca-Cola walls”). > >What is left for the artist to do, and what space is there left to occupy? >Are corporations the master communicators today, in the way that artists >were when they were in the service of monarchs and the church? Is it >possible to act outside brand influences, or can their messages and systems >be re-appropriated and détourned? Are artists able to clear the >smokescreens? Where do art, advertising and activism begin and end, and what >are their ‘relational aesthetics’? > >Some artists in the Communications Department appear seduced by the >brilliance and sophistication of the most innovative brands, leaving viewers >to decide for themselves whether their appropriations and alliances are a >form of political critique, or deconstruction of what are conventionally >regarded as the differences between art and advertising. In the trajectory >running from Jeff Koons to Art Club 2000 to Bernadette Corporation and Carey >Young, the distinctions between the conceptual practices of artists and >those of corporate image-makers seem entirely eroded, suggesting that the >notion of the avant-garde is now coporately owned. The Communications >Department features Koons’s late 80s Art Magazines Ads, AC2K’s mid 90s >fashion shoots (Gap etc), and Bernadette’s on-going fashion magazine ‘Made >in the USA’. > >Young creates a new work for the show - a 'visioning workshop' held between >a leading business strategist and the gallery directorship, with the aim of >imagining new market possibilities for the gallery by questioning existing >assumptions about art and the artist. The work, which will be for sale >during the show, will exist in the gallery as the videoed documentation and >detritus of the meeting. > >®™ark are a legally constituted corporation acting as an umbrella company on >the Internet for anti-corporate activists, matching ‘culture jamming’ >proposals with funders and implementors. Stanley Donwood and Tchock have >turned EMI’s exhaustive marketing report on the success or otherwise of >their promotional artwork for Radiohead into embossed gallery wallpaper. >Martha Rosler’s film ‘Chile on the road to NAFTA’ adopts the aesthetics of >the road movie to ask what is free about international free trade alliances. >Alex Veness* shows paintings commissioned from commercial artists working >in Export Processing Zones in China of photographs of workers performing >menial tasks on the yachts and estates of the super affluent in Antigua. > >The Medea group plot the covert web of corporate and political alliances >determining the flow of global capital (and, in addition, the art world’s >own networks), on promotional display panels. Imprint 93’s ready-made, an >extraordinary VIP list for ‘Die Young Stay Pretty’ at the ICA, is a sign of >how the corporate ethos is beginning to be applied to the marketing of art >in public venues - gone are the days of press officers; the phenomenon of >Communications Departments in galleries and museums implies that art itself >doesn’t communicate, or that institutions would rather it didn’t. > >The ubiquity and persuasiveness of brands, and the question of what space is >left for the artist, are perhaps most concisely considered by two of the >least socio-political works in the Department: Richard Hawkins’s collage of >Marky Mark at pelvic level wearing Calvin Kleins surrounded by a 19th >century print of a romantic seascape; and a small floor sculpture consisting >of the white underwear elastics of every one of Gareth Jones’s Calvin >Kleins. These physically modest works suggest new formal / private / >symbolic identities for this powerful brand that weren’t in the advertiser’s >script. > > >Carey Young’s work is supported by Xerox, East England Arts and Year of the >Artist > >*late addition - name not on card > > >_________________________________________________________________________ >Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > >------------------------------ > >Date: Mon, 09 Jul 2001 23:19:24 -0400 >From: z@apiece.net >Subject: announcement > >ladies and gentlemen, > >the institution of life.a-domesticguide has been, >since the date of august 27 of the year 2000, and on each seventh day >thereafter, dutifully providing guidance. > >the snakus household - authors of the guidance - will, in the midst of >heat and humidity, take a vacation for recuperation and >self-maintenance for a period of 2 x 7 days, while mr. knightley works >hard to finalize his book of remorse. > >the institution of life.a-domesticguide would therefore invite acute >minds to continue our cause of service, >during the absence of the snakus household. > >your contribution will be much appreciated by the receivers of this >fatherly gossip and motherly mumbling. > >please follow >http://life.a-domesticguide.com/html/action.lasso?-response=submit.lasso >to shed your light for two subsequent dates. > >a mechanism has been deployed that your input will be outputted verily >on the date that the appropriate guidance is to be delivered. > > >very truly yours > > >life.a-domesticguide.com > > > > > >------------------------------ > >Date: Mon, 09 Jul 2001 22:34:34 -0500 >From: Kristine Feeks <kristine@altx.com> >Subject: Mark Amerika Retrospective > >IMMEDIATE RELEASE > > >ACA MEDIA ARTS PLAZA IN TOKYO ANNOUNCES LARGE-SCALE RETROSPECTIVE OF NET >ART WORKS CREATED BY AMERICAN INTERNET ARTIST MARK AMERIKA > >BOULDER, Colorado, July 2, 2001 -- Digital artist, novelist and web >publisher Mark Amerika, Founding Director of the Alt-X Online Network, >will have his first Japanese retrospective at the ACA Media Arts Plaza in >Tokyo, Japan. "Avant-Pop: The Stories of Mark Amerika" showcases much of >the early work Amerika pioneered during the dot.com Nineties. The >exhibition will launch on July 1, 2001 and run through September 10, 2001. > >Amerika, who was recently named a "Time Magazine 100 Innovator" as part of >their continuing series of features on the most influential artists, >scientists, entertainers and philosophers into the 21st century, is the >creator or principial investigator of many Internet art projects including >GRAMMATRON, PHON:E:ME, HOLO-X, ALT-X, and the recent How To Be An Internet >Artist, all of which will be featured in the "Avant-Pop" exhibition in >Tokyo. A complete catalogue of essays and interviews with Amerika will >appear online in both English and Japanese translation. > >According to Amerika, "The notion of an Avant-Pop cultural practice >evolved from my early work with artists, writers and critics in both >America and Japan, so it's only fitting that my first major show in Tokyo >would reflect this transnational cultural phenomenon and its effect on >both digital art and literature." > >As part of the "Avant-Pop" exhibition, Amerika will be invited to Tokyo by >the Graphic Arts Society of Japan where he will present his work to the >general public. > >Tracing Amerika's rapid emergence into the contemporary art world, web >mavens, art critics, historians and web surfers the world over have seen >his multi-media narratives work their way into various art and writing >scenes while being distributed through a wide array of formats including >hypertext, 3-D VRML environments, mp3 concept albums, ebooks, Palm Pilots, >live digital dramaturgy, and highly-acclaimed published novels. > >His GRAMMATRON project (http://www.grammatron.com) was developed while he >was a Creative Writing Fellow and Lecturer on Network Publishing and >Hypertext at Brown University. Released in June 1997, it is one of the >most widely accessed art sites on the World Wide Web and in 2000 was one >of the first works of Internet art to ever be selected for the prestigious >Whitney Biennial of American Art. > >Amerika was recently appointed to the Fine Arts faculty at the University >of Colorado at Boulder where he has been developing a cutting-edge Digital >Art curriculum. He is presently producing a new cross-media narrative >project, FILMTEXT, that will be a hybridized online/offline "story >experience" created as a net art site, a museum installation, a multimedia >ebook, and a series of live performances. One version of FILMTEXT will >appear in another upcoming retrospective of his work at the ICA in London >later this year. > >The "Avant-Pop: The Stories of Mark Amerika" exhibition will be available >to the public at http://plaza.bunka.go.jp/amerika.html, as of July 1st, and is >sponsored by the Computer Graphics Society of Japan and the Agency for >Cultural Affairs in Japan. > >The show is being curated by noted Net Art curator You Minowa. > >For more information on this retrospective exhibition please send email to > >mcmogatk@po.sphere.ne.jp > >For information on Mark Amerika or to schedule interviews please send >email to > >Kristine@altx.com > > > > > > > > >------------------------------ > >Date: Thu, 05 Jul 2001 20:50:48 +0200 >From: "Pirelli INTERNETional Award's Technical Committee 2001" <info@pirelliaward.com> >Subject: Science & Technology award > >We are writing you because you are either a friend of ours, a Netizen, a scientist >or a geek :-) > >We are proud to announce the upcoming launch of the VI edition of the Pirelli >INTERNETional Award (http://www.pirelliaward.com). > >This year, the overall prize has increased to 80,000 Euros (more than US$65,000), >for the first international multimedia competition entirely carried out on the >Internet, on-line since 1996. > >Having browsed your Web pages, we believe that you certainly have the means to >participate in the VI edition of the Pirelli INTERNETional Award, and, in order >to maximize your chances of winning, we invite you to contact us. > >Being sponsored by a multinational company (which allows you to participate totally >free of charge), our mission is to promote the spread of scientific and technological >culture. > >This year, the subjects for multimedia submissions are: > >EDUCATIONAL MULTIMEDIA: for the best multimedia product directed at, or coming >from, any educational institution from grade school to university. >Specifically, there are two subcategories: >- - a 15,000 Euros prize for the best scientific or technologically inclined multimedia >work that contributes to the spread of knowledge at any level: this prize is >OPEN to every citizen, organization or business of the world. >- - a 15,000 Euros prize for the best scientific or technologically inclined multimedia >work that comes from an educational institution: this prize is RESERVED to any >educational institution from grade school to university; > >ENVIRONMENT MULTIMEDIA: >- - a 15,000 Euros prize for the best multimedia product that either describes >the environment or serves to safeguard it: this prize is OPEN to every citizen, >organization or business of the world; >- - a 15,000 Euros prize for the best multimedia publishing product (Web magazine, >article, essay, book.) on the subject of the environment: OPEN to every citizen, >organization or business of the world. > >SPECIAL JUNIOR AWARD: a 10,000 Euros prize for the best multimedia product, on >any of the above subjects, presented by any candidate born after December 31st >1980. > >ADDED PRIZE: additional 10,000 Euros conferred by the Jury to the best of the >above awarded submissions. The winner of the 2001 Pirelli INTERNETional Award >will therefore receive a total of 25,000 Euros. > >Looking forward to your participation, we remain, > >Yours Faithfully > >- ------------------------------------------------ >Technical Committee 2001 >Pirelli INTERNETional Award > >c/o Pirelli, Rome Office >Foro Romano, 3 >00186 Rome, Italy > >e-mail: info@pirelliaward.com >phone ++39 06 69517610 >fax ++39 06 69517608 >http://www.pirelliaward.com > >Netiquette: Being Internet-based, we naturally follow the rules of the Net: we >have neither bought, nor acquired in any way other than browsing the Web your >public e-mail address. We are not bulk-mailing, we are just addressing those >potential participants considered worth contacting. If you are not interested >in our cultural initiative, please simply Reply with the word "REMOVE" in the >subject line, and you will no longer hear from us; in this event, we are sorry >for the intrusion. On the other hand, if you would like more information on >the Award, please do not hesitate to contact us. > > > >------------------------------ > >Date: Mon, 9 Jul 2001 11:19:09 -0700 >From: "Elayne Zalis" <elaynez@email.msn.com> >Subject: Cybernovella > >This is a multi-part message in MIME format. > >- ------=_NextPart_000_002F_01C10868.F925A760 >Content-Type: text/plain; > charset="iso-8859-1" >Content-Transfer-Encoding: quoted-printable > >(Please excuse cross-postings.) > >A revised version of my cybernovella, 'Virtual Excursions: Miami / = >L.A.,' is online at http://www.beyondwriting.com. I would welcome your = >comments. > >Elayne Zalis, elaynez@beyondwriting.com > > > > >- ------=_NextPart_000_002F_01C10868.F925A760 > > >------------------------------ > >Date: Tue, 10 Jul 2001 11:20:38 +1000 >From: Sean Healy <evolver@loud.org.au> >Subject: fwd: 'free party' vids wanted > >From:"anna spanna" <sagaponic@yahoo.com> >hiya.. > >two bits for u freeeparty ppl out there.. > >undercurrents [http://www.undercurrents.org ] > >is making a moovie about the viral spread of free party kulcha thruout >europe, oz, and america.. anybody out there with footage of some kickin >doofs, or could do an interview for us, pls let us know : >anna@beyondtv.org or mickfuzz@rocketmail.com > >and one about WIKIS.. > >- ---------------------------n23news------------------- >- --- they know wutt is wutt - but dey yud-yud yadda yud ---- >- ---*they jus yud* edition------------------------->>>>>>> > > >*positive project : network 23 help undercurrents to make a film on free > >party culture >can you help? ><http://www.network23.org/projects/prj_freeparty_film.htm/> >*positive project 2: distributonomy.org : useful services for a clear >thinking on-line community >Media Project - <http://www.distributonomy.org> >- ------------o)---------------- >This project has been a long time coming - it's huge. Apparently the BBC >are >up to something similar and it's going to be about 6 episodes. > >I think the way the underground version can be better is by talking to >people that we actually involved in the whole root of it. It's easy to >find >punters who were swept up in the Rave and free party explosion. Some of >the >pioneers are easy to find that Colston-Talyor or whatever his name is >probably has an agent. > >There have been some good books as well. Altered States and a new age >traveller book had good chapters on the early free party/traveller >cross-over. We'll try to get some background text information on the web > >site.... > >Now things have moved on a bit - free parties are pretty commonplace in >the >UK and have lost a bit of the rebellious nature. It will be good to >document >this. > >But Is it a victory for common sense or does the fact that the parties >have >to be small and sensible mean that a lot of the energy and power to >"free >people's minds" has gone? >please comment on this..... ><http://cgi.magicmoon.force9.co.uk/network23/messages/100.html> > > > >Free festivals are extremely rebellious in Europe. Have a look at what's > >happening in France at the moment here. But some of the original spiral >pionneers who brought the music and movement to Europe are so disgusted >by >the lack of environmental respect of some ravers that they want to >disassociate themselves from the whole scene. > >So are the French authorities justified in outlawing freeparties if the >people involved can't clear up after themselves? >Or are they taking advantage of negative media coverage of some events >that >end up a mess, and then outlawing all free gatherings despite the fact >that >most of them leave no trace of rubbish and end safely? >please comment on this..... ><http://cgi.magicmoon.force9.co.uk/network23/messages/100.html> > >This summer sees a massive tour of the USA of free party sound systems >and >culture. What will happen here? Will the virus finally take root in a >big >way [outside of the SFBay area] in the States? The Rave movement is >massive >but up to now has been a parody of "Kandy Ravers", a more commercial, >shallower, more innane approach to the whole deal. > >Can free parties save AmeriKKKa from a future of increasing fuel >irresponsibility and international seperatism/exploitation? >Will the tour of the US this summer make Candy ravers wake up and >overthrow >the miliarist society of which they are a product? >Tune in next month or more importantly use the comment board > ><http://cgi.magicmoon.force9.co.uk/network23/messages/100.html> > >- --------------o)--------------- >Media/ Internet Project- > >Distributonomy.org > >Introduction: >It's an online community providing useful communication tools. > >It's a project that runs really close to the heart of what network 23 >org >was created to try to do. A fully interactive communication channel. >Communication should be able to create a response in the person >receiving >it - and when that happens, it's great if they can come right back with >their own message. So this is exactly what Message and discussion boards >do. >But this project takes the concept into something that is presented in a >bit >of a nicer way. They've organised a Festival using this system and it >really >seems to work pretty well! The way it's written makes it really >accessible >to others as well. > > >The main project is <http://www.distributonomy.org> It's a completely >volunteer run and maintained and provides mailing lists, webspace, and >interactive forums for those interested and involved with alternative >culture. The most exciting part of distributonomy.org, in my opinion are > >the wikis, which are collections perl-driven cgi pages which can be >world >edited, so that ANYONE reading a page on a wiki can add to it or change >content or make new pages. (Now how's that for an autonomous website?) > >There are two wikis: > >The Festival Wiki-- ><http://festival.distirbutonomy.org> > >The Mission Statement Wiki (which would be of more interest and >importance >to n23 folks, as the festival wiki was rather specific to a particular >purpose of organization) > ><http://www.distributonomy.org/gathering/january/statementwiki> > >I really think wikis are a radical new way to autonomize the web. They >are >very new developments (started up only a couple years ago) but have been > >mostly used in technology and coding related fields. I think it's time >n23 >learned how autonomous they can be. > >- -------------------o)----------------- > > > > > > >------------------------------ > >Date: Thu, 05 Jul 2001 16:14:58 +0900 >From: Yukihiko Yoshida <yukihiko@sfc.keio.ac.jp> >Subject: Re: <nettime> Announcements [x3] > >Hello list, > >I had an mistake in my mail. > >> http://www.marthadancers.org NewPage > www.marthagrahamdancers.org Currect. > >Please keep in touch and supprt them > >Best Wishes from TOKYO > >Yukihiko YOSHIDA > > >> Their websites: >> http://www.marthagrahamcenter.com Old Page >> http://www.marthadancers.org NewPage >> http://www.danceinsider.com/ >> You can see some infomation and the processes of trouble >> http://www.danceinsider.com/ >> >> ===== the text which released one year ago ======= >> Dear Friends and Colleagues >> >> The future of Martha Graham's body of work, universal in its scope is in grave >> danger, and faces the very real prospect of extinction. We, the dancers of the >> Martha Graham Dance Company and many of the dancers who preceded us, believe >>. >>. > >snip-[please refer to last announcer] > >------------------------------ > ># distributed via <nettime>: no commercial use without permission ># <nettime> is a moderated mailing list for net criticism, ># collaborative text filtering and cultural politics of the nets ># more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body ># archive: http://www.nettime.org contact: nettime@bbs.thing.net > _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold