[Nettime-bold] Re: <nettime> Announcements [22]

[nettime-l@bbs.thing.net]

You wrote:

>
>Table of Contents:
>
>   call for participation: videoarchaeology_2001                                   
>     "Arthur Fournier" <ajfournier@hotmail.com>                                      
>
>   ZKM Newsletter 6/01                                                             
>     redaktion@zkm.de                                                                
>
>   Your Group/Org/Collective Listed in Rogue States                                
>     s|a|m <sam@media.com.au>                                                        
>
>   Bush Push Flash Bash                                                            
>     Gilberto Cutrupi <gcutrupi@ams.greenpeace.org>                                  
>
>   Arkzin-Zagreb: Broadcasting 01-Brian Holmes                                     
>     "geert lovink" <geert@xs4all.nl>                                                
>
>   Cybersalon: Educating in Pixels                                                 
>     richard barbrook <richard@hrc.wmin.ac.uk>                                       
>
>   Cybersalon: A Berlin - London Encounter- cultural free spaces                   
>     richard barbrook <richard@hrc.wmin.ac.uk>                                       
>
>   MAGIKA ROMA (OUT NOW!)                                                          
>     aliensinroma <aliensinroma@aliensinroma.com>                                    
>
>   Invitation au 2eme salon du livre en ligne                                      
>     invitation@planetexpo.fr                                                        
>
>   Bush Push Flash Bash                                                            
>     Gilberto Cutrupi <gillo@ams.greenpeace.org>                                     
>
>   =?iso-8859-1?Q?L=27et=E0?= dell'Oro online                                      
>     Andrei Siclodi / Kunsthalle Tirol <siclodi@kunsthalle-tirol.at>                 
>
>   Engage! IMC Radio (from the EU protests in Goteborg, Sweden)                    
>     Gerbrand Oudenaarden - Engage! TM <gerbrand@oudenaarden.nl>                     
>
>   1000+1 Netzkunstprojekte / verybusy.org                                         
>     =?iso-8859-1?Q?=22Stephan_=28Spiv=29_Schr=F6der=22?= <mail@spiv.de>             
>
>   Extended Deadline cast01: Living in Mixed Realities June 15, 2001               
>     cast01@netzspannung.org                                                         
>
>   Re: nettime-l-digest V1 #332                                                    
>     komninos zervos <k.zervos@mailbox.gu.edu.au>                                    
>
>   The Daniel Langlois Foundation Announces Grant Recipients for 200 1             
>     Angela Plohman <aplohman@fondation-langlois.org>                                
>
>   ENLIST IN ENATIONS                                                              
>     Lee A Wells <leeawells@earthlink.net>                                           
>
>   Drivescroll screen saver available                                              
>     Greg Sidal <gregsidal@yahoo.com>                                                
>
>   Emigre #58: Manifest for the Design Economy                                     
>     "geert lovink" <geert@xs4all.nl>                                                
>
>   Media Circus 2001 - Melbourne AU                                                
>     s|a|m <sam@media.com.au>                                                        
>
>   Spasm                                                                           
>     "Kenji Siratori" <white-b@d4.dion.ne.jp>                                        
>
>   <nettime>  __Kill The President.org__                                           
>     Ryan Gibson <Ryan.Gibson@frogdesign.com>                                        
>
>
>
>------------------------------
>
>Date: Thu, 07 Jun 2001 15:44:22 
>From: "Arthur Fournier" <ajfournier@hotmail.com>
>Subject: call for participation: videoarchaeology_2001
>
>dear nettimers...
>
>
>THIRD INTERNATIONAL
>VIDEO/MEDIA_ART_FESTIVAL
>VIDEOARCHAEOLOGY_2001: archaeology_of_desire
>sofia, bulgaria, 15 - 30 november 2001
>
>videoarchaeology_2001 is curated by zhivka valiavicharska/bg and boris 
>kostadinov/bg; co-curators ilina koralova/bg, iliyana nedkova/bg/uk, arthur 
>fournier/us, andreas spiegl/at.
>
>In 2001, video-archaeologists will explore the hidden and evident
>strata of the body, desire, and sensual world in relation to issues
>of globalization and new technologies. We will question and re-frame
>boundaries of the forbidden and the allowed in the context of global
>power relations and newly recognized sensibilities.
>
>- --> DEADLINE FOR SUBMISSIONS: August 31, 2001
>get an application and additional info at www.cult.bg/va
>please, address all questions to ho_art@mailbox.as
>
>- --> send materials to Boris Kostadinov, 21 Patriarch Evtimii St,
>Sofia 1000, Bulgaria
>
>[###]
>
>
>_________________________________________________________________
>Get your FREE download of MSN Explorer at http://explorer.msn.com
>
>
>------------------------------
>
>Date: Thu, 07 Jun 2001 16:49:10 GMT
>From: redaktion@zkm.de
>Subject: ZKM Newsletter 6/01
>
>Der ZKM_Newsletter erscheint 1 x monatlich mit Ausstellungsankündigungen, Linktipps und Termin-Hinweisen vom und aus dem ZKM. Wenn Sie ihn künftig nicht mehr bekommen möchten, antworten Sie einfach auf diese Mail mit dem Wort "abbestellen" in der Betreffzeile.
>
>
>
>° Aktuelle Ausstellungen
>
>        - > Olafur Eliasson : »Surroundings Surrounded«
>        - > Sylvie Fleury : »49000«
>        -   > ars viva
>
>° Ausstellungsvorschau
>
>        - > Paysages-passages
>        - > CUBE
>        - > Keith Haring: »Heaven & Hell«
>        - > CTRL [SPACE]
>
>° Veranstaltungen
>
>        - > Z_KinoMittwoch im ZKM
>        - > Die Landschaft entwerfen | Imaginer le paysage
>        - > urban.dis.urban
>        - > Die akustische Welt im Kopf: Nichtlineare Dynamik, Wahrnehmung und die
>              Biophysik des Gehörs
>        - > Digital Video - Die Demokratisierung des Kinos?
>
>°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
>
>° Aktuelle Ausstellungen
> 
>
>- - > Sylvie Fleury: »49000«
>     02.06.-26.08.2001
>
>+++ Die Genferin Sylvie Fleury ist bekannt für ihre Inszenierungen des Glamour der Mode sowie der Luxusartikel der modernen Warenwelt. Wirken ihre Werke auf den ersten Blick wie eine deutliche Bestätigung der Wertmaßstäbe der Konsumgesellschaft, so leistet Fleury jedoch immer eine subtile Kommentierung des schönen Scheins.
>Die Auswahl der über 60 präsentierten Arbeiten umfaßt neben einigen Klassikern aus den 90er Jahren im wesentlichen Werke der letzten zwei Jahre, u.a. raumbezogene Ensembles, die eigens für das Museum für Neue Kunst | ZKM entworfen wurden.
>
>http://on1.zkm.de/mnkmnl/stories/storyReader$10
>
>
>- - > Olafur Eliasson: »Surroundings Surrounded«
>     31. 05. - 26.08.2001
>
>+++ Im Zentrum der Arbeit des in Dänemark geborenen isländischen Künstlers Olafur Eliasson
>steht die Auseinandersetzung mit Faktoren der menschlichen Wahrnehmung im technologischen Zeitalter auseinander.
>Das ZKM stellt in dieser Personale, die sich über die gesamte Ausstellungsfläche in Lichthof 8 und 9 erstrecken wird, das reichhaltige Werk dieses jungen Künstlers mit früheren sowie mit speziell für diese Ausstellung geschaffenen Werken dem Publikum vor. Eliasson war 1999 auch bei der Biennale von Venedig und 2000 als nominierter Künstler beim Preis für junge Kunst der Nationalgalerie Berlin vertreten.
>
>http://on1.zkm.de/zkm/stories/storyReader$1805
>
>- - > ars viva 00/01 : Kunst und Wissenschaft
>    19. 05. - 27. 07.2001
>
>+++ Unter dem Thema »Kunst und Wissenschaft« präsentiert Ausstellung »ars viva«, die jährlich die Förderpreisträger des Kulturkreises der deutschen Wirtschaft vorstellt, Arbeiten von Hörner| Antlfinger, Christoph Keller, Natascha Sadr Haghighian, Jeanette Schulz.
>
>http://on1.zkm.de/zkm/ausstellungen/arsviva
>
>
>°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
>
>° Ausstellungsvorschau
>
>- - > Paysages-passages
>    22. 06. - 01.07.2001
>
>+++ Robert Cahen und das Architekturbüro »R&Sie.D/B:L« präsentieren in dieser Ausstellung aktuelle künstlerische Formen der Auseinandersetzung mit der Landschaft, einem der zentralen Themen der bildenden Kunst.
>
>http://on1.zkm.de/zkm/stories/storyReader$1945
>[ZKM]
>
>
>- - > CUBE
>    27.06. - 01.07.2001
>
> 
>+++ Eine multimediale Installation von Holger Mader, Alexander Stublic, Thomas Troge und Heike Wiermann.
>
>http://on1.zkm.de/zkm/stories/storyReader$1949
>
>
>- - > Keith Haring: »Heaven & Hell«
>     09| 2001 - 01| 2002
>
>[MNK | ZKM]
>
>
>- - > CTRL [SPACE]
>    12. 10. 2001 - 02| 2002
>
>+++ Die Ausstellung setzt sich mit Rhetoriken der Überwachung auseinander. Gastkurator: Prof. Thomas Y. Levin [Princeton University, USA]
>
>
>°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
>
>° Veranstaltungen
>
>- - > Z_KinoMittwoch im ZKM
>    ab dem 06. Juni 2001 wöchentlich
>
>+++ Mit diesem Termin etabliert das ZKM eine neue Veranstaltungsreihe, die sich thematisch an den stattfindenden Ausstellungsprojekten orientiert und darüber hinaus eine langfristige Auseinandersetzung mit dem Medium Film und dessen Entwicklung und Perspektiven im Kontext der neuen Medien dokumentiert.
>[In Kooperation mit der Kinemathek Karlsruhe]
>
>http://on1.zkm.de/zkm/stories/storyReader$1941
>
>- - > Die Landschaft entwerfen | Imaginer le paysage
>    19. - 22. Juni 2001
>
>+++ Landschaft, Architektur und Stadt interagieren, gehorchen jedoch spezifischen Veränderungsprozessen und folgen unterschiedlichen Modellen und Moden. Landschaft »schreiben«, »fixieren«, »medialisieren« und »entwerfen« sind die Schwerpunkte des vom
>Centre Culturel Français Karlsruhe und der Fakultät für Architektur der Universität Karlsruhe in Zusammenarbeit mit dem ZKM konzipierten deutsch-französischen Austausches.
>
>http://on1.zkm.de/zkm/stories/storyReader$1891
>
>- - > urban.dis.urban
>      26. Juni 2001
>
>+++Neue und Re-Kompositionen von u.a. Nara Shin, Pei-Yu Shih, David Maiwald,
>Markus Schmitt, Helga Pogatschar, Sandeep Bhagwati, die um die Auseinandersetzung mit urbanen Lebensräumen im neuen Jahrtausend kreisen.
>[Eine Veranstaltung des Instituts für Neue Musik Karlsruhe in Zusammenarbeit mit dem ZKM | Karlsruhe, dem "festival a*devantgarde münchen", und dem Institut LernRadio an der Hochschule für Musik Karlsruhe.]
>
>http://on1.zkm.de/zkm/stories/storyReader$1950
>
>- - > Die akustische Welt im Kopf: Nichtlineare Dynamik, Wahrnehmung und die
>     Biophysik des Gehörs
>     28. Juni 2001
>
>+++ Vortrag von Prof. Dr. Manfred Euler, Institut für die Pädagogik der Naturwissenschaften an der Univ. Kiel (IPN)
>[Eine Veranstaltung des Instituts für Grundlagenforschung am ZKM]
>
>http://on1.zkm.de/zkm/stories/storyReader$1952
>
>- - > Digital Video - Die Demokratisierung des Kinos?
>    29. Juni 2001
>
>+++ Im Rahmen des »2. Deutsch-Französischen Kurzfilmrendezvous«, das vom 26. bis 30. Juni 2001 in Straßburg, Mainz und Karlsruhe stattfindet, diskutieren am ZKM deutsche und französische Medienkünstler, Filmemacher, Filmproduzenten und Filmtheoretiker Praxis und Theorie der digitalen Revolution.
>Teilnehmer: Philippe Germain (Agence du Court Métrage, ParisBarbara Häbe (ARTE) [angefragt],  Jean-Charles Sinapi (ARTE) [angefragt], Prof. Michael Saup (supreme particles, Hochschule für Gestaltung Karlsruhe), Jan Speckenbach und Birk Weiberg (www.keyframe.org, Berlin) sowie Todd Verov (Bangor Films, Boston / Berlin).
>
>http://on1.zkm.de/zkm/stories/storyReader$1953
>
>- - > Die gesamte Veranstaltungsübersicht des Monats Juni:
>
>http://on1.zkm.de/zkm/stories/programm
>
>°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
>
>///////  / |< ||| | Zentrum fuer Kunst und Medientechnologie
>///////  / |< ||| | Center for Art and Media
>///////  / |< ||| | Institut für Netzentwicklungen
> K A R L S R U H E   (Germany)
>
> Lorenzstr. 19
> 76135 Karlsruhe
> Tel.   +49 721 8100-1200
> FAX:   +49 721 8100-1139
>
> email: redaktion@zkm.de
> http://www.zkm.de/
>
> ZKM Homepage in English
> http://on1.zkm.de/zkm/e
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
>
>
>------------------------------
>
>Date: Sat, 09 Jun 2001 00:13:38 +1000
>From: s|a|m <sam@media.com.au>
>Subject: Your Group/Org/Collective Listed in Rogue States
>
>Hi,
>
>We are putting together a Contacts Directory for active/progressive media-cultural organisations/groups to be included in Rogue States - the Media Circus Reader (www.antimedia.net/mediacircus)
>
>So, if you are connected with a group you think is appropriate, please drop me a direct email.
>
>Thanks, Sam.
>
>
>
>
>
>
>
>====================================
>The criteria are fairly clear: a "rogue state" is 
>not simply a criminal state, but one that 
>defies the orders of the powerful who are, 
>of course, exempt. (Chomsky)
>
>
>
>------------------------------
>
>Date: Fri, 8 Jun 2001 16:23:16 +0200
>From: Gilberto Cutrupi <gcutrupi@ams.greenpeace.org>
>Subject: Bush Push Flash Bash
>
>Hi all, here at Greenpeace we've been quite busy recently showing our
>concerns for the recent position of the US administration on Climate Change
>and missile defense.
>
>We thought that maybe an interesting way to promote the campaign was to
>give some edgy creative input to it. And we called it "Bush Push Flash
>Bash".
>
>We are asking all the flash/shockwave developers who want to contribute to
>the campaign to do a short animation that we'll promote from greenpeace.org
>(we'll include the credits...).
>
>For details about the animation (you guessed the subject, right? ;-) go to
>http://cybercentre.greenpeace.org/t/s/991930676/index_html
>
>For questions, e-mail me.
>
>Ciao,
>Gillo
>
>
>------------------------------
>
>Date: Sat, 9 Jun 2001 09:25:58 +1000
>From: "geert lovink" <geert@xs4all.nl>
>Subject: Arkzin-Zagreb: Broadcasting 01-Brian Holmes
>
>From: "dejan krsic" <dejan.krsic@zg.tel.hr>
>Sent: Saturday, June 09, 2001 9:15 AM
>Subject: Broadcasting 01
>
>WHAT HOW AND FOR WHOM
>ARKZIN:COM:MUNICATIONS
>net.culture club [MAMA]
>announce initial event of the BROADCASTING PROJECT [dedicated to Nikola
>Tesla] & [artEfacts] ongoing series of lectures
>
>Brian HOLMES
>BROADCAST CULTURE AND RECIPROCAL FUTURES
>10_06_01_sunday. 20:00h
>Net.culture club [mama], PreradoviÊeva 18, Zagreb, Croatia
>
>Brian Holmes is an art critic, cultural theorist and political activist,
>living in Paris, France. He writes for Parachute Magazine (Montreal) and
>Springerin (Vienna), contributes frequently to nettime, and is a member of
>the French activst group Ne Pas Plier (Do Not Bend).
>
>His lecture in Zagreb, entitled "Broadcast Culture and Reciprocal Futures,"
>explores the possible roles of art practices in the political conflict, now
>emerging on a world scale, between a neoliberal media populism based
>essentially on broadcast technologies and feedback information, and an
>alliance of self-organized, self-educating associations, increasingly able
>to transform free-market technologies into instruments of democratic
>exchange over the shape of the very near future. Images of one of the more
>recent episodes in the political confrontation - the FTAA summit in Quebec,
>Canada - will provide a closer look at a few artistic practices that
>weren't discussed on TV.
>
>next on "Broadcasting project": Hans Ulrich OBRIST, 12_06_01_tuesday
>and Diedrich DIEDRICHSEN, Iara BOUBNOVA, Renata SALECL, Viktor MISSIANO...
>/exact dates will be announced/
>
>BROADCASTING PROJECT [exhibition, performances, concerts, lectures,
>workshops, live & media events ... on various locations in the city and
>cyberspace, fall/winter 2001.]
>Broadcasting project moves in opposition to the oppression of monologue and
>centralised patriarchal infotainment. Key questions are communication and
>mediation. Succes of mediated communication depends on the conditions under
>which the exchange takes place - those conditions are not primary
>technological but social, economical, culural, political...
>... stressing the concepts of communication-as-art and
>art-as-communication, we want to continue promotion, public presentation
>and media intervention of socially relevant art practice...
>Broadcasting project is envisioned as anenergizing, electryfying series of
>events that will provide powerful surplus of energy to the stalled  Zagreb
>social/cultural/arts scene...
>Life and inventions of Nikola Tesla represent historical reference, and
>theoretical trigger is found in Bertolt Brecht's txt "The Radio as an
>Apparatus of Communication" [1932]
>
>"...radio is one-sided when it should be two-. It is purely an apparatus
>for distribution, for mere sharing out. So here is a positive suggestion:
>change this apparatus over from distribution to communication. The radio
>would be the finest possible communication apparatus in public life, a vast
>network of pipes. That is to say, it would be if it knew how to receive as
>well as transmit, how to let the listener speak as well as hear, how to
>bring him into a relationship instead of isolating him."
>Bertolt Brecht, "The Radio as an Apparatus of Communication" (1932)
>
>contacts:
>whw@mi2.hr
>
>Project supported by:
>Ministarstvo kulture RH
>OSI Arts & Culture Network program
>OSI Cultural Link program
>
>............................................................
>Dejan Krsic
>Arkzin d.o.o.
>Ilica 176/1
>HR-10000 Zagreb
>Croatia
>http://www.arkzin.com/munist/manifesto
>
>
>
>
>------------------------------
>
>Date: Sat,  9 Jun 2001 20:52:44 +0100 (BST)
>From: richard barbrook <richard@hrc.wmin.ac.uk>
>Subject: Cybersalon: Educating in Pixels
>
>Cybersalon:
>
>Educating in Pixels:
>What role should universities play in new media education?
>
>Wednesday 13th June 2001
>@ the ICA, the Mall, London SW1
>
>£8 / £5 (conc.)/ £4 (ICA members)
>
>part 1:
>
>
>
>With the growth of the Net, are higher education institutions providing  the
>best education in the appropriate practical and theoretical skills? Do
>students benefit from taking the new courses in new media? What do
>employers think about the capabilities of people who have completed media
>studies degrees?
>
>This cybersalon seeks to investigate the increasing importance of
>universities in new media education. How far should their courses be
>focused on providing the design and programming skills needed to get a  good
>job? How can their degrees address the wider socio-historical and  aesthetic
>issues which all students need to know?
>
>Because of the rapid pace of economic and technological evolution within
>the Net, even the most successful new media courses are always in danger  of
>losing their edge. How can this threat be addressed? How can universities
>adapt to constant change while maintaining academic standards? How can
>teaching be about how to learn as well as what to learn?
>
>What skills do new media businesses want from graduates - and how are  they
>ensuring they get them? Some companies are defining their own labour  needs
>and training their workers themselves. Should they be forging tighter  links
>with university courses? Do such collaborations undermine the space for
>critical thought within higher education? What is the role of the
>government in the expansion of new media teaching? Should the state  simply
>provide more money for the universities - or should ministers be deciding
>the sort of new media courses which are needed in this country?
>
>Whether you are a student or teacher, worker or employer, or simply
>interested in the future of higher education in England, come to hear our
>panellists debate the issues - and make your own contribution to this
>important debate.
>
>Speakers include
>
>Douglas Rushkoff (cyber-writer and teacher at New York University)
>
>Sophia Drakopoulou (Cybersalon, CMP Westminster)
>
>Chris Yapp (ICL)
>
>Chaired by Andrew Dewdney (South Bank University, DA2)
>
>
>Part 2 (£1.50/free):
>
>Selection of films and digital expressions from the CMP Westminster degree show
>
>Space.fm DJs and VJs Sanfrandisco light up the bar
>
>Live webcast and more info on:
>
>
><http://www.cybersalon.org>
>
>
>
>------------------------------
>
>Date: Sat,  9 Jun 2001 20:52:48 +0100 (BST)
>From: richard barbrook <richard@hrc.wmin.ac.uk>
>Subject: Cybersalon: A Berlin - London Encounter- cultural free spaces
>
>Cybersalon
>A Berlin - London Encounter- cultural free spaces
>
>Mondy 11th June
>
>Cinema 1
>The ICA
>
>7pm
>
>£4/£3 (conc.)/£2 (ICA)
>
>
>A number of small & cheap cultural media spaces have sprung up in  Berlin
>helping digital artists support themselves. This has created a  beneficial
>environment for independent media collectives to start up. Public  support
>for artists in Berlin contrasts starkly with the small amount available  to
>digital artists in London.
>
>In the late 1990s London's Clink Street  then Hoxton/Brick Lane had an
>informal focus of activity, community and support  networks. With a lack of
>places like Backspace, the balance of focus is now  weighed in favour of
>the business defined new media industry. With high rents  and equipment
>costs, digital artists are financially being forced to orientate  their
>creativity more towards commercial output.
>
>speakers-
>
>from Berlin:
>
>
>Pit Schultz (Mikro) , Diana McCarthy (Mikro), Tara Herbst (B.lab), Erik
>Stein  (boot.lab), Nicolas Siepen (b_books), Natascha Sadr Haghighian
>(botschaft e.V.),  sebastian luetgert (rolex)
>
>
>from London:
>James Stevens (Deckspace, Backspace, consume.net), Mark  Fitzpatrick
>(Cybersalon) and Roya Jakoby.(girlfish.net)
>
>
>
>
>
>------------------------------
>
>Date: Sun, 10 Jun 2001 14:27:24 +0200
>From: aliensinroma <aliensinroma@aliensinroma.com>
>Subject: MAGIKA ROMA (OUT NOW!)
>
>AAVV - ALIENS IN ROMA 2.001 (MAGIKA ROMA)
>
>The “mutant mixed fried” is back: to illustrate his alien origins, they
>admonish. Folk and world music, roman electronic, yellow-red and
>chauvinist, paganeoist. Philosophy of musical action, natural and
>"magik", politically eversive, introduced by the tribute to the  “divine
>
>Totti Gò” (Recycle) and followed by a series of exact identity
>vindications, lucid and ludic: from the myth of Orfeo (Luigi Tecno),
>transporting Bahia odours and citing the visionary and bohemien madness
>of  Dino Campana, to Giordano Bruno, Simon Magus, James Frazer, Luther
>Blisset, the roman police inspector "Monnezza" and Ninetto Davoli.
>Romanity and alien virus, a disc that is much more than an example,
>however succeeded, of modern folklore: completely out of clichés,
>musical political and cultural, consolatory provincial and
>pseudo-intellectual. It's a "political" album but without the unbearable
>
>rhetoric, serious and  reactionary of our left. It's an album of
>unbiased and ironical illumination. The re-calls to Stockhausen,
>Campana, to magik, nature and the ancient calendar established by
>Romolus; to Giordano Bruno "l’Apostata", to the heretik Simon Magus,
>David Hume, Orpheus, Bacchus and to sex (and she-wolf, in latin, means
>also prostitute) are signs and tradition of a different point of view,
>and so alien, then re-elaborated and showed by every artist involved
>according his own manner and inspiration, but always in a chaotically
>coherent way. From the nù-house tones of Iwo Jima to the Rodion and
>Entartetekunst techno, the sufi mystik of Tez, the cut-n-paste of
>Recycle and Mir, or like the Cloaca maxima of Margoo. Beautiful is the
>grapic of the booklet and the digipak is kicking too. A great record, in
>
>substance: and the aliens are among us, let me say, thanks to God....
>
>
>After the intergalactik success of "Luther Blissett - The Open Pop Star"
>
>ALIENS IN ROMA 2.001
>
>present
>
>MAGIKA ROMA
>a Roman Cybermetik Carnaval
>
>OUT NOW!
>
>Format: CD Digipak
>Tracks: 22
>Running Time: 78 minutes
>Artists: Recycle, Rodion, Davide Lombardi, Stefano Di Carlo, Iwo Jima,
>Manga, TeZ, Furia Elettrica, Margoo, Giorgio Gabber, Orkestra
>Postfordista, MIR, Sata Laeta, Luigi Tecno, Slow Motion, Entartetekunst,
>
>Larsen Lombriki, The Sentinels
>
>The new chapter of Aliens In Roma never ending saga clamorously unveils
>the "alien" origins of the people son of the "She-Wolf", mother of all
>romans, presenting, in a "paganeoist" style, old and new adepts of the
>magik-roman kult.
>
>>From the divine "Totti Gò" (the most popular football hero of Rome) to
>the mythik "She-Wolf", passing through the red planet, the little magik
>alien wolves in Roma invite all the (in)human people on planet Earth to
>re-discover the ancient kalendar established by Romulus (the Great) 2
>"magikally" step the sense of time, in total symbiosis with the sacre
>natural "mysteries", together with all his magikal auspices rites that
>made immortal the pagan soul of the "eternal city"...
>
>"quando extasit Roma, extasit mundus"
>Venerabilis DJ Mo'Beta
>
>The special digipak outlet contains also a multi-coloured "Magik
>Booklet" to re-cover with the help of graphik and kut-up texts all the
>stages of this "Roman Cybermetik Carnaval"
>"CybermetiK" is a new phase of the electronic popular communication in
>re-appropriating the magik, hermetik and mythik traditions: from
>Omero to Luther Blissett, and beyond, toward new rituals, new utopias.
>
>"There is a natural magick which reflects and reveals the divine order
>of nature” Giordano Bruno (R.I.P.)
>
>Magik-roman sounds found by HUGO FOLK
>sequenced by RADICAL JESUS
>edited and mastered by PETRONIUS @ Studio PIACIONIUS
>Graphic & Design by Paolo Bruno Margoni @ Angusto Studio
>produced by Aliens In Roma 2.001
>distributed by Audioglobe, italian independent discographik distribution
>
>Tel. 055-652741 Fax 055-6503960
>
>Aliens In Roma is a Temporary Autonomous Network formed by "a strange
>race of techno-mutants" born in 1997 with the release of the universally
>
>acclaimed compilation-manifesto "Aliens In Roma".
>
>NO COPYRIGHT
>
>The album is NO COPYRIGHT for magik re-uses
>
>MAGIK SOUNDTRACKS
>
>RECYCLE - Totti Gò(d)
>Directy from the Olympic Stadium of Rome, the tribute to the divine
>"Totti Gò", modern idol of a(na)rchaik(al) popular believes, open the
>magik dances. Primus Inter Pares.
>
>RODION - Tubilustrium
>Re-sound the sacre tubes forged by the god Vulcano in honour of Minerva,
>
>the wife of Mars, goddess of war and electronic music. Feriae Marti.
>
>DAVIDE LOMBARDI - Life From Mars
>The mythik origins of "martian" Rome re-visited in a panspermik,
>astro-biologik point of view from the music tecno-mystik of Davide
>Lombardi. From the red planet to the foundation of the Caput Mundi
>re-vival the mystery of cosmic orgonik embrace between the god Mars and
>the vestal virgin Rhea Silvia. Where is Christ?
>
>STEFANO DICARLO - Ludi Romani
>Nothing more "divine" for ancient people that the "game". Especially for
>
>magik-romans, able to transform the Olympik Show in a Circus Maximum.
>The Ludi Romani (inspired by the old great Ludik Games), sound-tracked
>by Stefano Di Carlo with the contribute of the mythik "Monnezza" (aka
>the cuban actor Tomas Milian very popular in Rome for his cult
>interpretation of the roman trash police inspector Nico), witness like
>art is, since ever, a game: the free game of imagination. Panem et
>circenses!
>
>IWO JIMA - A Fabulous Source
>Rome, the historic road that magik-romans opened many times: a mythik
>crossroad, a composite intermixture of the most disparate races and
>cultures, a world for the major part still undiscovered, a fabulous
>source where to draw the water of acquaintance. A trip "on the road" to
>the roots of history on afro-latin-roman step. Regina viarum (all the
>ways come to Rome)!
>
>MANGA - Navigium Isidis
>Sightseeing Rome among pyramids, obelisks and pussycats in love, to
>re-discover the unveiled mysteries of Queen Isis, the supreme egyptian
>goddess, venerated by  magik-roman people with a solemn spring
>procession from which is derivated the roman "car naval". Honour to the
>Great Mother. Una Quae Es Omnia.
>
>GIORGIO GABBER Vs. ORKESTRA POSTFORDISTA - Fuori I Leoni!
>The colisseum okkupied by the gladiators Giorgio Gabber and Orkestra
>Postfordista explods into a triumphal march of joyous war. Power to the
>Pop!!!
>
>TEZ - Paganalia
>There was a time where men lived in harmony with the whole world,
>sharing what the nature gave them spontaneously, ruled only by the
>mystery, the supreme mystery, the port of all wonders. To that time, the
>
>Golden Age, TeZ dedicate a natural tekno-pagan magik soaked of sufi
>mystik. Sower To The People!
>
>FURIA ELETTRICA - Lupercalia
>The most famous magik-roman festival of sex and love, celebrated in
>honour of Faunus-Lupercus (altar-ego of the greek Pan) and the mythik
>She-Wolk, mother of all romans, inspired the tribal free-soul-jazz suite
>
>of Furia Elettrica. Homo Homini Lupus!
>
>SLOW MOTION - Bona Dea
>This ancient female magik-roman ritual, dedicated to the fertility of
>all the "Good Goodess" of nowadays, included our beloved Mother Earth,
>re-vival thanks to the ambient-trance atmospheres of Slow Motion. Cistae
>
>Mysticae.
>
>MIR - Ninetto D(i)avoli Remix
>The tribute to a forgotten hero of the "Core de Roma" (Roman Hearth) -
>Ninetto Davoli - and also to one of the Great AliensInRoma Masters (Pier
>
>Paolo Pasolini). Scire est reminisci. Where are you, Roma?
>
>ENTARTETEKUNST - Lemuria
>The festival of Lemuria, dedicated to the Lemures - "wandering shadows
>of timeless dead men" - established by Romulus to appease the soul of
>his twin brother Remus, that himself violently killed, here is
>re-evokated by the tecno-acoustik laments of Entartetekunst collective
>to try the contakt with the spirits of our glorious forefathers. In
>girum imus nocte et comsumimur igni.
>
>SATA LAETA - AUGUStales
>Dedicated to the ancient Oracles - the Sibylles, sects of àugures
>white-dressed with the golden fret, the Augustales that, following the
>legions into the conquered lands, erected prophetik temples - the
>divinatory music, magik-step, of Sata Laeta (latin word for "Happy New
>Generation") re-connect to the kosmo-harmonik conception of the
>forgotten magik-roman society. Carpe Diem!
>
>LARSEN LOMBRIKI - Meat, Natural Food
>According to the sonic "dis/orders" proposed by the roman Rotor Audio
>Club, the Larsen Lombriki spin-off read over again from a techno-magik
>perspective, at the time of the mad cow and Genetically Modified
>Organismes, the ancient ritual use of "eating gods" with the sacral
>consumption of the divinity. Pinguia carnae.
>
>GIORGIO GABBER - Veneralia
>Love and sex again, protagonists of the Veneral rite re-evokated by the
>ethno-techno-pop fanfara of the fantomatik Giorgio Gabber with the
>contribute of an old roman popular heroine. Deus Sex Machina!
>
>LUIGI TECNO - Karlos Negro
>The myth of Orpheus re-visited in a cyber-folk style by the mysterious
>collective Luigi Tecno together with the bohemien poetry of Dino
>Campana. From China (with ardour) to the bahian forests passing through
>the magik door of Vittorio Square in Rome. De Magicis Meis.
>
>RODION - Sol Invictus
>The kult of Mithra, a vedic god very popular in the old magik Roma,
>practiced into various underground sites, bring back to the origins of
>Christmas, before the advent of Christ. To the young roman techno talent
>
>Rodion, the task of revealing the arcanum. Dies Natalis.
>
>MARGOO - Cloaca Maxima
>Dedicated to the god Stercuts, the god of shit, and to the mother of all
>
>sewers, the conscience of the city, monstruos cradle of death but also
>of re-generation, the "big  evacuation" played by Margoo become an
>exhilarant magik-roman politik satira. Stercus Delatum!
>
>THE SENTINELS - Magna Roma
>The tribute to the most (in)famous of magik-roman gods, Liber-Bacchus,
>animator of one of the most scandalous rituals of whole ancient world
>(Bacchanalia) by The Sentinels: an overcoming folk-ska soundtrax, an
>invite to let flow the rivers of alcohol and let invade our selves by
>the magik drunkenness, because "the wine of roman castels is better of
>this dirty, motherfuckin', society..."
>
>RECYCLE - Gratias Amor
>Surprise ending with the trip-magik-hop version of a super-classic of
>roman popular music. Acta est fabula.
>
>And tricolour will be!!!!
>
>FORZA MAGIKA ROMA
>
>info:               aliensinroma@aliensinroma.com
>press dept:     hugofolk@aliensinroma.com - sleena@tiscalinet.it
>distribution:    audioglobe@audioglobe.it
>promotion:      kizmaiaz@audioglobe.it
>orders:           mailorder@audioglobe.it - shop@audioglobe.it
>
>
>------------------------------
>
>Date: Mon, 11 Jun 2001 02:14:00 -0400
>From: invitation@planetexpo.fr
>Subject: Invitation au 2eme salon du livre en ligne
>
>Bonjour,
>
>Nous avons la joie de vous inviter au deuxième salon du livre sur internet, qui ouvrira ses portes du 11 au 16 Juin sur le site http://www.planetexpo.fr . 
>
>Sur leurs stands virtuels, une centaine de maisons d'édition, de sites internet et d'associations vous feront découvrir leur activité et vous présenteront leurs nouveautés, leurs auteurs, leur ligne éditoriale... et bien plus encore !
>
>C'est plus de 100 auteurs qui se dévoileront à vous grâce à ces stands, parmi lesquels Alain Beaulieu, Laurent Botti, Françoise Bourdin, Muriel Cerf, Jean-Pierre Gattégno, Marek Halter, Marvine Howe, Christian Lehmann, Jean Orizet, Pierre Pelot, Voutch ... Venez découvrir leurs univers, leurs oeuvres et leurs passions, dialoguez avec eux sur leurs forums et lors des débats qu'ils organisent !
>
>Ce salon sera le premier véritable lieu de discussion francophone autour du livre, des auteurs et de la littérature. Des centaines de débats et d'événements auront lieu ! Tous les jours des forums, des rencontres et des interviews seront annoncés sur l'agenda du salon !
>
>Accédez depuis le portail aux nombreux services du salon : communiqués et agendas des maisons d'éditions et des auteurs, fiches de communication, jeux, sondages ...
>
>Venez découvrir cet espace de rencontre autour du monde du livre !
>
>En espérant avoir le plaisir de votre visite, nous vous souhaitons un très bon salon !
>
>L'équipe de Planetexpo
>
>http://www.planetexpo.fr
>
>
>------------------------------
>
>Date: Mon, 11 Jun 2001 13:44:28 +0200 (CEST)
>From: Gilberto Cutrupi <gillo@ams.greenpeace.org>
>Subject: Bush Push Flash Bash
>
>Hi nettimers,
>as you probably noticed @ greenpeace there's a lot going on to raise
>awareness about the US positions on Star wars and Climate Change
>
>We thought that maybe an interesting way to promote the campaign was to
>give some edgy creative input to it. And we called it "Bush Push Flash
>Bash".
>
>We are asking all the flash/shockwave developers who want to contribute to
>the campaign to do a short animation that we'll promote from
>greenpeace.org (we'll include the credits...).
>
>For details about the animation (you guessed the subject, right? ;-) go to
>http://cybercentre.greenpeace.org/t/s/991930676/index_html
>
>For questions, e-mail me.
>
>Ciao,Gillo
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 12:15:28 +0200
>From: Andrei Siclodi / Kunsthalle Tirol <siclodi@kunsthalle-tirol.at>
>Subject: =?iso-8859-1?Q?L=27et=E0?= dell'Oro online
>
>Dear Ladies and Gentlemen,
>Dear Friends of the Kunsthalle Tirol,
>
>The project “L´Età dell´Oro / The Golden Age by Alba D´Urbano & Nico
>Reichelt is on display at the exhibition “MoneyLust: Modell Banking” in
>the Kunsthalle Tirol until July 8th, 2001. Feel free to visit the
>project online and participate in an exchange project. We invite you to
>to a virtual visit of the installation under:
>
>http://www.durbano.de/letadelloro
>
>With best wishes from
>
>Alba D´Urbano & Nicolas Reichelt + the KHTeam
>
>
>- --
>
>KUNSTHALLE TIROL
>Autobahnauffahrt Hall Mitte
>6060 Hall in Tirol, Austria
>T +43 5223 523 220
>F +43 5223 523 229
>info@kunsthalle-tirol.at
>http://www.kunsthalle-tirol.at
>
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 23:17:46 +0200 (CEST)
>From: Gerbrand Oudenaarden - Engage! TM <gerbrand@oudenaarden.nl>
>Subject: Engage! IMC Radio (from the EU protests in Goteborg, Sweden) 
>
>Engage! Tactical Media will produce a live radio show to cover the upcoming EU 
>summit, the counter summits, and the protests. The netcast is part of the 
>Sweden Independent Media Center.
>
>Site: http://www.engagetv.com
>Studio phone number: +46 31 743 99 09
>Studio email: newsdesk@engagetv.com
>
>Engage! Tactical Media from The Netherlands will set up a radio studio in the 
>IMC Sweden building in Goteborg, and broadcast live radio 24 hours per day on 
>Thursday June 14th, Friday the 15th and Saturday the 16th of June. Activists 
>and other EU critics are encouraged to phone in or walk into the radio studio 
>to tell their story.
>
>The protests against the EU summit are part of the 'summer of resistance' in 
>Europe. Other summits taking place are: non-Worldbank Meeting in Barcelona, G8 
>in Genova, Climate Summit in Bonn, WEF in Austria, and the Border Camps in 
>several countries.
>
>The radio signal may also become available on FM in several cities. We're 
>looking for pirate stations and open channels to relay the Engage! Radio signal.
>
>Activists are welcome to phone the studio to report live from demonstrations. 
>We want to know what's going on. How many people are there? What do the banners 
>and signs say? What are your demands? How do the authorities react? 
>
>We will also be focusing on the countersummits, to provide a thorough critical 
>analysis of what's going on in the European Union these days. 
>
>Selected interviews and reports will become available for on-demand listening 
>at the Sweden IMC website @ sweden.indymedia.org
>
>Engage! Tactical Media is a non-profit company based in The Netherlands. We do 
>activist and cultural media projects. http://www.engage.nu
>
>Related websites about the protests in Goteborg:
>
>http://www.j15.org
>http://www.gbg2001.org
>http://motcraft.net/gbg2001
>http://www.sac.se
>
>http://sweden.indymedia.org
>
>Thursday June 14, @ 09:30AM - Sunday June 17, @ 06:00PM
>http://www.engagetv.com
>
>
>------------------------------
>
>Date: Thu, 07 Jun 2001 04:24:35 +0200
>From: =?iso-8859-1?Q?=22Stephan_=28Spiv=29_Schr=F6der=22?= <mail@spiv.de>
>Subject: 1000+1 Netzkunstprojekte / verybusy.org
>
>
>*** Netzkunstsuchmaschine seit 98 www.verybusy.org
>
>
>Hallo Liste,
>
>nach etwas weniger als 2 Jahren verzeichnet die autonome Suchmaschine für 
>Netz und Medienkunst www.verybusy.org fast 1000 durch User eingetragene 
>Netz/medienkunstr-Projekte (935) und eine immense Anzahl von Instutitionen, 
>E-zines, Festivals etc.
>
>Alle Listenneulinge möchte ich einladen, ihre Netzkunstprojekte bei 
>www.verybusy.org kostenlos zu registrieren und Anbieter von "per Hand" 
>gepfelgten Netzkunst Listen  zur kooperation bzw. Datenabgleich bitten.
>
>Die verybusy.org Suchmaschine kann sehr einfach über:
>- -- copy & paste ------------------------------8>< - - - -- -----
><form action="http://www.verybusy.org/cgi-bin/search.pl" name="Formular" 
>target="_blank">
>SEARCH AT www.verybusy.org
><input type="text" name="searchkeys" size="20">
><input type="hidden" name="parameter" value="all">
><input type="hidden" name="target" value="_blank">
><input type="submit" name="Submit" value="go">&nbsp;
><input type="button" name="add" value="add project" 
>onClick="document.location.href = 'http://www.verybusy.org/add_remote.htm'">
></form>
>- -- copy & paste ------------------------------8>< - - - -- -----
>
>direkt in eure Websites integriert werden. Geplant ist ausserdem die 
>Suchmaschine demnächst mit einigen Neuerungen auf Version 4.0 zu trimmen. 
>Der Einsender des 1000sten Netzkunstprojektes gewinnt Ausserdem einen 
>Preis. (email kontakt erfoderlich)
>
>spiv.
>verybusy.org
>
>
>
>
>
>------------------------------
>
>Date: Thu, 7 Jun 2001 12:15:50 +0200
>From: cast01@netzspannung.org
>Subject: Extended Deadline cast01: Living in Mixed Realities June 15, 2001
>
>APOLOGIES FOR CROSS POSTING
>
>to be removed from our mailing list, please reply to 
>cast01@netzspannung.org with 'remove' in the subject 
>________________________________________________________________________
>
>CALL FOR ENTRIES 
>
>EXTENDED DEADLINE FOR SUBMISSION: JUNE 15, 2001
>
>cast01 Conference on Communication of Art, Science and Technology 
>September 21-22, 2001 / GMD - Schloss Birlinghoven, Sankt Augustin / 
>Bonn, Germany
>
>We invite you to participate in the cast01 conference on intersections
>of artistic, cultural, technological and scientific issues of: 
>
>LIVING IN MIXED REALITIES 
>
>cast01 invites submissions of innovative research, media art practise
>and theory. We are looking for ground breaking media art and inspiring
>research projects on topics like: Semantic Web, Mixed Reality, Advanced
>Interfaces and Future Media Spaces that symbolise the influence of
>information technology on patterns of life and work in a networked
>society.
>
>Proposed contributions (english or german) may be in the form of
>research papers or artistic presentations as well as blueprints and
>posters of developing concepts. Researchers, artists, theorists,
>practitioners and entrepreneurs are encouraged to submit
>interdisciplinary projects and critical reflections on the merging of
>the virtual and the real. 
>
>All contributions need to be submitted through the cast01 on-line
>submission procedure in order to be considered for presentation at
>cast01. Please submit your contribution through the on-line submission
>procedure following the cast01 submission guidelines:
>http://netzspannung.org/cast01/guidelines.html
>
>Topics:
>* Agents and Narrative Intelligence 
>* Artistic Productions / Mixed Reality Architecture
>* Awareness, Memory Space and Knowledge Discovery
>* Cultural Archives 
>* Distributed Systems and Parallel Architectures for the Web 
>* Hypermedia Formats (XML, VRML, MPEG-4, MPEG-7) 
>* Interactive TV 
>* Mixed Reality Environments 
>* Performative Interfaces 
>* Tracking, Tracing, Vision Systems 
>
>DEADLINE FOR SUBMISSIONS: June 15, 2001
>Notification of acceptance: July 6, 2001 
>Camera-ready papers: July 15, 2001 
>Early registration deadline: July 31, 2001 (reduced price) 
>
>PROCEEDINGS: Accepted papers and blueprints will be published in the
>Conference proceedings. A special issue of netzspannung.org journal of
>Art, Design and Innovation Research will be published with cast01 
>conference best papers.
>
>BEST PAPER AWARD: The best paper, artistic presentation, blueprint / 
>poster and student presentation will be honored with the cast01 award.
>
>http://netzspannung.org/cast01 
>e-mail: cast01@netzspannung.org 
>
>cast01 is organised by netzspannung.org and by the GMD - German National
>Research Center for Information Technology. It is supported by the 
>German Federal Ministry for Education and Research (bmb+f) and by the
>European Commission. It is chaired by Monika Fleischmann & Wolfgang 
>Strauss and hosted by MARS Exploratory Media Lab: 
>http://imk.gmd.de/mars
>
>
>
>------------------------------
>
>Date: Thu, 7 Jun 2001 20:50:12 +1000
>From: komninos zervos <k.zervos@mailbox.gu.edu.au>
>Subject: Re: nettime-l-digest V1 #332
>
>- --============_-1220211478==_ma============
>Content-Type: text/plain; charset="us-ascii" ; format="flowed"
>
>Announcing the third commissioned work for Text Special Issue 2, 
>Writing On-line/On-line Writing. Frgmnt_Four by Reiner Strasser and 
>David Knoebel combines image, voice, text and interactive buttons to 
>create an engaging poetic experience. You can experience this new 
>piece at;
>http://www.gu.edu.au/school/art/text/speciss/issue2/strasser.htm
>
>
>
>
>The authors are also on the Text_On_line e-mail discussion list and 
>await your feedback.
>Start sending messages to members of this group.
>Text_On_line@yahoogroups.com  
>If you would like to subscribe to the list and have not received an
>invitation send an e-mail to ;
>Text_On_line-subscribe@yahoogroups.com      
>or you can unsubscribe at any time;
>Text_On_line-unsubscribe@yahoogroups.com
>
>You may also visit the Yahoo! Groups web site to modify
>your  subscriptions:
>http://groups.yahoo.com/mygroups
>
>This group is hosted by Griffith University, School of Arts, Gold Coast.
>Komninos Zervos,
>Editor, Writing On-line/On-line Writing
>Text Special Issue No 2.
>- --============_-1220211478==_ma============
>
>
>------------------------------
>
>Date: Fri, 8 Jun 2001 09:51:32 -0400 
>From: Angela Plohman <aplohman@fondation-langlois.org>
>Subject: The Daniel Langlois Foundation Announces Grant Recipients for 200 1
>
>
>Press Release
>
>
>A Record Number (400) of Applications Received 
>for the Foundation's Third Call for Projects
>
>
>THE DANIEL LANGLOIS FOUNDATION
>GRANTS NEARLY $1 MILLION TO 23 PROJECTS
>
>
>Montreal, June 8, 2001 - The Daniel Langlois Foundation for Art, Science and
>Technology has just granted nearly $1 million to 23 projects, including
>seven that were submitted by Canadian organizations and artists dedicated to
>merging art and science through the use of new technologies.
>
>The Foundation received over 400 applications during its third call for
>projects. Its international jury examined 160 of the projects, selecting 23
>to benefit from the Foundation's five funding programs. Of the projects
>chosen, seven are from Canada and six from the United States (including a
>collaboration between the United States and Belgium). Other projects also
>come from Britain, France, the Netherlands, Germany, India, Latvia,
>Bulgaria, Peru and the Philippines. 
>
>"The growing number of applications we've received over the past three years
>clearly shows the relevance of our programs and the vitality of research
>combining arts and technology," says the Foundation's president, Daniel
>Langlois.
>
>Besides Daniel Langlois, the jury included Catherine Richards (Canada),
>Rafael Lozano-Hemmer (Mexico-Canada), Peter Ride (Britain) and Jean Gagnon,
>the Foundation's director of programs. The jury was particularly impressed
>this year by the outstanding quality of the proposals. Grants range from
>$10,000 to $80,000. Descriptions of each project can be found at:
>http://www.fondation-langlois.org/e/projets/list_2001.html. More extensive
>descriptions will be posted in mid-July. 
>
>- -30-
>
>
>SOURCE: 	JEAN GAGNON, Director of Programs 
>		ANGELA PLOHMAN, Program Officer
>		(514) 987-7177
>
>
>
>- --
>Angela Plohman
>Program Officer
>The Daniel Langlois Foundation for Art, Science, and Technology
>3530 Saint-Laurent Blvd., suite 402
>Montréal, Québec  H2X 2V1  Canada
>
>T: (514) 987-7177 / F: (514) 987-7492
>e: aplohman@fondation-langlois.org
>For Recent News: http://www.fondation-langlois.org/e/nouvelles/index.html 
>
>
>------------------------------
>
>Date: Sat, 09 Jun 2001 11:58:28 -0400
>From: Lee A Wells <leeawells@earthlink.net>
>Subject: ENLIST IN ENATIONS
>
>ENLIST
>http://www.enations.org
>
>Please Print and Repost.
>http://www.enations.org/images/freeart.pdf
>
>
>------------------------------
>
>Date: Mon, 11 Jun 2001 11:37:08 -0700 (PDT)
>From: Greg Sidal <gregsidal@yahoo.com>
>Subject: Drivescroll screen saver available
>
>"Drive scroll", a screen saver by Greg Sidal, directly
>displays the unprocessed raw data from a computer's
>disk drive as an animated scrolling image.
>
>It can be downloaded at:
>
>   http://www.geocities.com/gregsidal/drivescroll/
>
>(Approximately 20kb download size, runs on Windows,
>free software license.)
>
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail - only $35 
>a year!  http://personal.mail.yahoo.com/
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 08:23:29 +1000
>From: "geert lovink" <geert@xs4all.nl>
>Subject: Emigre #58: Manifest for the Design Economy
>
>From: "Rudy VanderLans" <rvanderlans@emigre.com>
>Sent: Tuesday, June 12, 2001 6:20 AM
>
>Emigre #58
>Spring 2001
>
>Everyone is a Designer: Manifest for the Design Economy
>Guest edited and designed by Mieke Gerritzen.
>
>Will the Internet of the future be nothing more than enhanced television
>with ³buy-now² features? Is it destined to become no more than another
>leisure and commerce medium, or can it be steered away from this fate by
>designers, taking it to surprising or educational directions? In this
>manifesto, designers, critics, and multimedia specialists such as Kevin
>Kelly, Max Kisman, Steve Heller, Aaron Betsky, Dejan Krsic, Lies Ros, Janet
>Abrams and Dagan Cohen express their opinions in sharp, thought-provoking
>questions and declarations. In a social milieu continually transformed by
>computers and communication technologies, can design make a difference? Has
>interactive design lost its battle against interface ignorance? Are we faced
>with a future in which our bodies will be the interface? Rich in magic
>formulas, ³Everyone is a Designer² is meant to inspire new creativity.
>Originally designed and produced as a small limited edition book, Dutch
>designer Mieke Gerritzen (NL-Design) gets a second shot at presenting her
>impressive visual statement by redesigning the book¹s pages to fit the
>Emigre magazine format.
>
>Then, Elliott Peter Earls, the master of mixing messages and bending
>boundaries returns to keep us abreast of his graphic wanderings around the
>globe in the second installment of his ³Notes from a Kultural Backwater.²
>And, as usual, the Emigre readers respond and voice strong opinions about
>the role of graphic design and Emigre¹s place within it.
>Finally, a 32-page type specimen booklet will be included with this issue,
>introducing a new Emigre font named Dalliance. Designed by Frank Heine
>(creator of Remedy and Motion), Dalliance is a family of 9 fonts inspired by
>the elegant handwriting found on an antique map depicting the battle that
>took place at Ostrach, southwest Germany, in 1799.
>
>You can order copies of the issue on the Emigre webiste at www.emigre.com
>
>
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 01:24:09 +1000
>From: s|a|m <sam@media.com.au>
>Subject: Media Circus 2001 - Melbourne AU
>
>- --=====================_10072982==_.ALT
>Content-Type: text/plain; charset="us-ascii"
>
>www.antimedia.net/mediacircus/   (spread the word and the url)
>
>Come to Melbourne, Australia on Thursday 12th July for the Launch. The Media Circus 2001 will happen on the Saturday 14th and Sunday 15th on July 2001.
>
>Media Circus is a gathering of people who create, consume, critique and distribute media content that challenges, questions, expresses and celebrates our culture, our society and the way we live. 
>
>The event features a variety of participants including DJ Toupee, Geert Lovink, Jason Gibson, Lachlan Musicman, Leanne Minshull, MC Heroine, Naomi Klein, Nicole Biftek, PhucItUp, Scott Mcquire and many others... But the most important participant is YOU, so we'd love to see you here in Melbourne.
>
>The program guide (which is still morphing) is available from
>www.antimedia.net/mediacircus/ - check it out for full details.
>
>Join the announce-list
>Send an email to mc-announce@lists.myspinach.org with the word 'subscribe' in the subject line
>
>Here's the full about text below:
>
>Media Circus is a gathering of people who create, consume, critique and distribute media content that challenges, questions, expresses and celebrates our culture, our society and the way we live.
>
>The media is everywhere. Deals, ideas, ideology, websites, porn, breaking news, films, ideas, positions vacant, knowledge, technologies. It's all around us. Just as we tend not to think about where milk comes from, we can forget to interrogate the processes through which media is made. Homogenised and pasterised or non-genetically-modified? It's all mediated.
>
>There is little doubt that the large media corporations with their diverse interests exert an overwhelming amount of influence and control over the way our world works. This is reflected upon and critiqued by academics and others in privileged ghettos, but this detail is often contained inside their sanctioned structures.
>
>We know from our direct experience that the media manipulates and distorts reality, that it misrepresents and influences priorities and that it disempowers and attempts to confuse us with choices we do not ask for. And we know that the media should belong to us, the public, and not to a handful of transnational corporations.
>
>The Media Circus will include a broad group of people to develop networks and share and exchange information, knowledge, skills and tactics. We need to reclaim the media space and continue fostering a bottom-up media culture which will break us free from the illusions which attack and prototype us every day.
>
>We need to tell our own stories and what better place to empower ourselves than at the Circus. For the event to be a success, it is essential that the audience-presenter boundaries are broken. Everyone is a participant.
>
>The Media Circus was first held in Melbourne in September 1999. See the webbed archive.
>
>Media Circus 2001 will be happening in Melbourne on the 12th, 14th and 15th July. 2001, and will be comprised of screenings, discussions, forums and exchanges. The days will be packed, but there will be spaces for autonomous gatherings and networking.
>
>It is hoped that this event will help create an origin from where more Media Circus events can be held to continue the development of a media culture in Melbourne and other networked locations.
>
>
>
>
>====================================
>The criteria are fairly clear: a "rogue state" is 
>not simply a criminal state, but one that 
>defies the orders of the powerful who are, 
>of course, exempt. (Chomsky)
>
>
>- --=====================_10072982==_.ALT
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 10:08:31 +0900
>From: "Kenji Siratori" <white-b@d4.dion.ne.jp>
>Subject: Spasm
>
>Spasm by Kenji Siratori
>El-cheapo books
>ISBN 1-903548-14-9
>
>This collection of hypereal, cyberfiction is a the reaction of the
>visible-human to everything that is vital hypermodern-translation and
>respire our era.
>- --the development of the insanity in the middle of the DNA=channel that got
>complicated!
>http://www.elcheapobooks.com/shop/quickcat.htm
>
>- --read sample--
>The cosmic soul-machines of clone boys_mode to the air-line of an ADAM doll.
>_resembles to be whether I think about the vector of the cadaver that fused
>to the brain universe of asphalt the sun line of lonely masses of flesh:the
>love-replicant although cyber dog is road the line of "the suspicion" of
>replication heaven:that respires the clonical reproduction area of an
>artificial ant:the random hatred of the DNA=channel is controlled....the
>gene of her grief commits suicide:the matrix body fluid of TV free wild
>fancy BABEL animals witnesses....was approximated to nomansland
>planetary:her brain cell:the hybrid body of an ant_drug-motion. Noise that
>an eye unstable eyes fly radiate heat recovered birth:that becomes broken
>unknown:the herd....vital non=being of uterus-machine makes the storage of
>the sun gray
>
>Digital=vamp season of the monochrome earth:
>
>Her digital solitude leaps....her digital solitude is cut....her digital
>solitude her terror storage her suicide replicant form ADAM doll [the far
>grief of a chromosome is shut down. _like the lost_earth of pupil:of the end
>clone. :angel_mechanism_body line_software_smile]
>
>It also shut down even [love]:is eroded to the inorganic substance emotional
>circuit of the gimmick girl....the sun of the storage loss the soul-machine
>of an ADAM doll/I turn off. Zero speed of....impossibility death replicant
>suicide line:that swims gene++TV to the hell of her cell_LOAD
>
>FUCKNAMFUCKNAMFUCKNAM:the lonely nightmare of a cold machine dismantles the
>pity=gene of the amniotic fluid mechanism on the human genome TV screen of
>an ADAM doll. Storage to that that does her non=being
>
>The brain cell
>
>Emotion that sun eradicated
>
>It breeds like TOKAGE....I solve off/on:the far sleep of an ADAM doll and
>release it. The vaioof three/her reproduction quality of the devil of a
>chromosome. :image of the threat of an ADAM doll only that respire
>
>The LOAD line machinative angel of her inorganic substance artificial sun
>fear desert who the machine:the lobotomy of the amniotic fluid
>mechanism:=emotional 1/8:the body line of a nightmare:the threat
>soul-machine of the small tragedy/happy/nano-machine....f of an ADAM doll
>fuck the drug embryo the worldly desires machine in "ADAM" target future
>crash of ant to the system=fiber that is planetary.
>
>Beat/becomes unknown-
>
>
>5
>
>(gene=of=the sea transcends:)
>
>Happy body of the drug embryo is dismantled
>
>_becomes the inheritance tissue of speed....
>
>
>ADAM doll of _turned the matrix lonely:GODNAM++REC=brain
>
>
>Replicant consciousness Future system murder person of K:
>
>The virus of grief is lost in wild fancies of the parasitism person of the
>angel mechanism of the monochrome earth.
>
>Junkie of
>
>Et cetera of
>
>Terror/vital/ADAM doll of....her drugy cell-group that perceived
>air-line....to the end of the world.
>
>6
>
>Or her psychedelic eyes. :the ovarium of the storage of uterus-machine
>because I fabricate the replicant grief of clone boys
>
>The contamination area of the miracle where the desire of the world, the
>clumsy world, our machine mechanism were input. It's existing in difficult
>planetary:only the over there of a disillusionment the existence of an ADAM
>doll. /the absent=clonical love of the womb is being respired. Mechanical
>octave of the dark womb area grief of the gimmick girl:the machine of the
>sun_fertilizes...
>
>The artificial future of myself with her. [access to the redundancy area:
>the replication person of clonical love:::the far machine of grief
>
>8
>
>'The connection of Angel'
>
>I meet by chance with the hell of the sun of the machine mechanism that the
>despair of the brain of an ADAM doll reproduces
>
>???A
>
>
>
>- --more story--
>Aidos by Kenji Siratori
>Primal Publishing
>
>A hyper modern deformation of a conventional cyberpunk story for
>visible-humans.
>http://www.primalpub.com/library/kenji/aidos.html
>
>
>
>
>------------------------------
>
>Date: Tue, 12 Jun 2001 14:29:12 -0500
>From: Ryan Gibson <Ryan.Gibson@frogdesign.com>
>Subject: <nettime>  __Kill The President.org__
>
>|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
>__________________________________________________________________
>
>
>       BIORHYTHMS :: 2001   _ _ _
>                                 |
>                                 |
>                                 |
>                                 |
>                                 |_ _ _   www.killthepresident.org
>
>
> technology driven installation, performance, and online artworks
>__________________________________________________________________
>
>|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
>
>
>------------------------------
>
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