| integer on 8 Aug 2000 12:11:40 -0000 |
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hallo
please refrain in the future from infesting the international bistream avec lo.tekk
+ inkompetent korporat fascist regurgitazie.
friendly.
>Greetings members,
>
>[Hi, I thought
mistake
bra!n make m! 01 zentensz
- ur prznl ventrl 4+bra!n = rznpd!ng 2 GO.v op!ate
- !ez
- b!nar! nav!gaz!on mzg
- !ez
- x markz dze zpot
- ma! b
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- dze !bm as 4oo e = letz u
- d!g!tl dna
- !ez
- 4rom nn karb!ntrkonekt
- !ez
- bra!n make m! m! zentensz
- !mplmntd !n max
- non
- !mplmntd !n labv!eu
- da
- ou!
- !ez
- tak
- kromozom 21 = dze zmlzt human autozom
- da. = gene kluztr mazk!n komponent
- z!mbl akzez!on 0+0 dezkr!pz!on kateg ztrand poz 1 poz 2 gene genom!k klone
z!klone (s) tpte af007118 tenz!n. putat!v prote!n.fozfotaze.
ec 3.1.3.48. 1.1 - 425 84293 83869 b15l0c0 + b7l1c4 c!c1lp4 c!tokrome c
pzeudogene 5 - 29708 29866 159 b15l0c0 pzeudo1 putat!v z!nk f!nger prote!n
pzeudogene 5 - 91247 143054 51808 b7l1c4 to pt171+ps39 pred1 putat!ve gene
prote!n k!n + 7462183 7463505 1323 r66b12 + r292n6 rps3ap r!bozomal prote!n s3
pzeudogene 5 + 7467697 7468061 365 r66b12 + r292n6 pred14 human cdna k.lone
280692 1.2 - 7780231 7780656 426 r47c12 + r781m3 pp!ap c!klof!l!n-apropoz
pzeudogene 5 + 7865216 7865974 759 r781m3 ncam2 u75330 neurl cell adez!v
molekul 2 pre.kurzr. zuear. zuear. ! zuear. ! zuear.
nouakokakolamomentmal _\0- therapeut!kc klon!ng
do you want your software designs to end up in cardbored boxes
or G3O-Z!NKRONOUS 0RB!T +?
!
!
! ! !
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: http://www.membank.org/0000/0000.html
: Max Plank Inztitut 4 Ordnung \+\ Disziplin
: Uber die Konztituzie der Materie [c]ccp
: Netochka Nezvanova - oestrus.eusocial.com
__ __
________/ / /_/
/___ __ / __
/ /_/ /__/ /__
/ ____________/
/_/
dze pa!r!ng ov homologouz kromozomez one 4rom each odr prnt
dur!ng me!os!z
i cannot be bothered.i cannot be bothered.surrender your pattent.
n
3
!
n
>Anyone using targa or radius cards (old or new) and get good results ?
n
3
!
n
better cheaper humanz will create a larger market
4 better cheaper humanz 2 USE better cheaper humanz.
!tz ga!a. ! zuear. ! zuear.
>--this might interest you --two important books, from the
>storehouse of MIT Press. Dr. Peter Lunenfeld --net artist, working at Art
>Center College of Design (see http://www.artcenter.edu) he is writer/critic
>-specialising in the history and theory of Imaging Technologies --edited
>another book, "The Digital Dialectic: New Essays on New Media" --published
>by MIT Press. David Hunt in the review of "The Digital Dialectic: New
>Essays on New Media" in ARTBYTE (see http://www.artbyte.com) the Magazine
>of Digital Culture, Issue January-February 2000 has written "..Digital
>culture's promise of total connectivity, instant collapsing of space and
>time, and deluges of information at your fingertips proves to be its
>biggest shortcoming when evaluatng critical discourse.." Thank you.
>Best.-Arun]
>=============================================================================
>
>Date: Fri, 4 Aug 2000 16:17:37 -0400
>From: Jud Wolfskill <wolfskil@MIT.EDU>
>[--]
>
>The Robot in the Garden
>Telerobotics and Telepistemology in the Age of the Internet
>edited by Ken Goldberg
><http://mitpress.mit.edu/promotions/books/GOLTHS00>
>
>The Robot in the Garden initiates a critical theory of telerobotics and
>introduces telepistemology, the study of knowledge acquired at a distance.
>Many of our most influential technologies, the telescope, telephone, and
>television, were developed to provide knowledge at a distance. Telerobots,
>remotely controlled robots, facilitate action at a distance. Specialists
>use telerobots to explore actively environments such as Mars, the Titanic,
>and Chernobyl. Military personnel increasingly employ reconnaissance drones
>and telerobotic missiles. At home, we have remote controls for the garage
>door, car alarm, and television (the latter a remote for the remote).
>
>The Internet dramatically extends our scope and reach. Thousands of cameras
>and robots are now accessible online. Although the role of technical
>mediation has been of interest to philosophers since the seventeenth
>century, the Internet forces a reconsideration. As the public gains access
>to telerobotic instruments previously restricted to scientists and
>soldiers, questions of mediation, knowledge, and trust take on new
>significance for everyday life.
>7 x 9, 330 pp., 49 illus., cloth ISBN 0-262-07203-3
>A Leonardo Book
>
>Snap to Grid
>A User's Guide to Digital Arts, Media, and Cultures
>Peter Lunenfeld
><http://mitpress.mit.edu/promotions/books/LUNSHS00>
>
>In Snap to Grid, an idiosyncratic guide to the interactive, telematic era,
>Peter Lunenfeld maps out the trajectories that digital technologies have
>traced upon our cultural imaginary. His evaluation of new media includes an
>impassioned discussion--informed by the discourses of technology,
>aesthetics, and cultural theory--of the digital artists, designers, and
>makers who matter most. "Snap to grid" is a command that instructs the
>computer to take hand-drawn lines and plot them precisely in Cartesian
>space. Users regularly disable this function the moment they open an
>application because the gains in predictability and accuracy are balanced
>against the losses of ambiguity and expressiveness. Lunenfeld uses "snap to
>grid" as a metaphor for how we manipulate and think about the electronic
>culture that enfolds us. In this book he snaps his seduction by the machine
>to the grid of critical thinking.
>7 x 9, 240 pp., 38 illus., cloth ISBN 0-262-12226-X
>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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