<nettime-ann> Agit Disco VS The Zombie Apocalypse

[marc garrett <marc.garrett@furtherfield.org>]

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Agit Disco VS The Zombie Apocalypse

“Marc Garrett reviews Agit Disco, on the power of being one's own DIY-DJ 
for working class self-definition.” McKenzie Wark

“You grooved me!” Stewart Home.

Marc Garrett writes about Stefan Szczelkun's book Agit Disco.

The subtle and not so subtle domination by market interests of cultural 
production and dialogue denies us all access to a wide spectrum of 
creative expression, especially those that engage in subjects that 
conflict with the agendas of those in power. Agit Disco by Stefan 
Szczelkun combats this contemporary trend by focusing on music, 
politics, DIY culture, and freedom of expression. In doing so he starts 
to redress the lack of representation across the board for those in 
grass roots culture and working class lives, whose freedoms to have a 
voice in society are so commonly restricted.

The knock on effect of an unquestioning culture of compliance with the 
‘free market’ is enormous. How ironic it is that the term ‘free market’ 
is attributed with so much value and (a presumed) logic when in 
actuality it constrains people’s freedoms and makes those who are 
already rich even richer. Because the politicians are not effected by 
the results personally, and because it also serves their interests, they 
have handed over their social responsibilities to these market systems. 
The neoliberal defaults that caused the financial crisis are untouched 
by our democratic processes. These out of reach, distant power systems 
are fixed towards property bias and occupy and govern our everyday 
experiences. How does freedom of expression fit into this and on whose 
terms?

http://www.furtherfield.org/features/reviews/agit-disco-vs-zombie-apocalypse

About Stefan Szczelkun.
He is an artist and author interested in culture and democracy. In the 
early Seventies he was fortunate to be part of the Scratch Orchestra and 
has since been involved with a series of artists collectives. His 
doctoral research into the Exploding Cinema collective was completed at 
the RCA in 2002. Recently his collaborative project Agit Disco was 
published as a Mute book in 2012. He has been on the Mute magazine 
editorial board since 2009, and currently working on photographic and 
performance projects.
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