Inke Arns on Tue, 28 Sep 1999 10:07:51 +0200 |
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Syndicate: intim@ and the Great Teacher Astronaut [GTA] |
[ http://www.v2.nl/~arns/Texts/Media/ylem-e.html ] ?Free your mind and the rest will follow": intim@ and the Great Teacher Astronaut by Inke Arns <inke@berlin.snafu.de> In 1994, Dragan Zivadinov, theater director of the NSK performance department ?Cosmokinetic Cabinet Noordung" (1), announced a project which would last for the next 50 years. The ?Noordung Prayer Machine" ? a machine for the ?production of holiness" ? stretches out into the year 2045. By signing a contract, actors and actresses have agreed to participate in a production on the theme of ?Love and State? (Inhabited Sculpture One versus One) which was premiered in Ljubljana on 20 April 1995. The production will be repeated every ten years, until the year 2045. The first repetition will take place on 20 April 2005 with the same actors and actresses, in the same costumes, in the same scenery, on the same day and at the same time as ten years before. If an actor or actress dies, s/he will be replaced by a moveable ?robotic costume-symbol" combined with melody/rhythm. The four following productions will be guided by the same principle. The concept notes that the second repetition will take place in 2015, the third one in 2025, the fourth in 2035, and the fifth in 2045. By the time of the fifth repetition, all the actors will be dead and the stage will be full of robotic costume-symbols, melodies and rhythms. The only survivor will be Dragan Zivadinov, who, together with the actor substitutes, will be lauched in a space craft from a Russian launching site into the ?Noordung" (2) orbit of zero-gravity: By installing the actor substitutes in positions close to information satellites around the planet Earth, Zivadinov will abolish ?Retrogarda?(3) . He predicts: ?I, Dragan Zivadinov, will die on 1 May 2045." Consider this a typically avant-garde project if you wish. When I met Dragan Zivadinov in Ljubljana in July 1998, it slowly occurred to me that it was not ?merely? an artistic project. Zivadinov, very serious: ?Well, I am going into space. I am going to be a cosmonaut." He told me in detail about his medical check-ups, about his brilliant health condition (according to the physicists from Kazakhstan) and about the 6-month training program for cosmonauts, first in Belgium, then in Germany and in Kazakhstan. And then, he would go into space. He will be the world?s first civilian cosmonaut. For more than a decade he has been working on this project. Now the pieces of the puzzle finally come together. Until the launching of the space craft, there?s still much to be done. For example, developing the virtual identity of the future traveller. Igor Stromajer aka intim@, one of the most prominent Slovenian web artists, has created an interactive web art project entitled ?interno-inferno" <http://www2.arnes.si/~ljintima2/in/> in October 1996, which is dedicated to the "[G]reat [T]eacher and [A]stronaut [GTA]" Dragan Zivadinov. ?interno-inferno" offers the possibility to co-/re-create the virtual psych/o[gram], physi/o[gram], art/o[gram], i.e. the virtual life and fiction art work of the ?great teacher and astronaut?. The project will be under construction until the end of GTA?s real life. After his death, ?a CD-ROM (or any other digital data carrier available at that time) will be given to him as a present from all the online people to take it with him wherever he goes." Well said. Over the last few years, Igor Stromajer (Ljubljana) has developed several interactive web art projects. ?0.html" <http://www2.arnes.si/~ljintima1/0.html>, for example, operates with a well known repertoire from computer games and the Internet: Upon entering, the user is confronted with warning messages hinting at limited access ("Access denied") and is asked to enter a password. If choosing the right one, s/he is permitted access to the different levels of ?0.html": The Body Observation Section, The Communication Area, The Plain of Provocative Intelligence and The Archives of Conditions. All of these levels are linked to sound files. Jozip Broz Tito speaks to the nation, the US President explains the geopolitical role of the United States, Kraftwerk counts reversely and suddenly there is Neil Armstrong?s voice from the year 1969, telling about the great leap for humanity. ?0.html" is an archive of historical techno imagination, world politics and a grain of melancholy. At the end of the tour through this complex project, Stromajer confronts the visitor with the following words: "Internet is the most primitive medium ever." While musing about this, bookmark 20 April 2005 for the ?Inhabited Sculpture One versus One", first repetition, make a flight reservation for Ljubljana, Slovenia, and watch out for news from Baikonur, Kazakhstan. But beware: Igor Stromajer is also singing the theory of the Internet (?Oppera Teorettikka Internettnikka", 38 min.). Berlin, August 1999 Links: Cosmocinetic Cabinet Noordung <http://www.ljudmila.org/embassy/4b/4b.htm> NSK Electronic Embassy <http://www.ljudmila.org/embassy> Intim@ virtual base / Net art Lab <http://www2.arnes.si/~ljintima3/intima.html> ?interno-inferno" <http://www2.arnes.si/~ljintima2/in/> ?0.html" <http://www2.arnes.si/~ljintima1/0.html> Notes: 1 ?Cosmokinetic Cabinet Noordung" is part of the Slovenian artists? collective ?Neue Slowenische Kunst" (NSK). The collective was founded in 1984 in Ljubljana (former Yugoslavia; today Slovenia) and consists of the music group 'Laibach' (* 1980), the painters collective 'Irwin' (* 1983), and the performance group 'Gledalisce Sester Scipion Nasice' (* 1983), later renamed ?Cosmocinetic Cabinet Noordung?, and other sub-groups. For NSK, cf. Inke Arns, ?Mobile States / Shifting Borders / Moving Entities. The Slovenian Artists? Collective Neue Slowenische Kunst?, in: Irwin, Three projects: Transnacionala, Irwin Live, Icons, Centre for Contemporary Art Ujazdowski Castle, Warsaw, 7 Dec 1998 - 24 Jan 1999, pp. 59-76 <http://www.v2.nl/~arns/Texts/NSK/finale.htm> and the NSK Electronic Embassy <http://www.ljudmila.org/embassy>. 2 In 1929, the Slovenian researcher Herman Potocnik Noordung published the book The Problems of Space Travel. 3 All the NSK groups are bound to the working method of 'retrogarde', which through an "emphatic ecclecticism" uses all those texts (signs, images, symbols and forms of rhethoric), that retrospectively have become identification signs for certain artistic, political, religious or technological 'salvation utopias' of the 20th century. These very different 'salvatory utopias' or 'ideologies' have been formulated aesthetically as well, and it is exactly these aesthetic signs that - following NSK - are associated with certain collective traumata still at work today. Rather than through the invention of a new sign language, it is through a recourse to existing traumatic texts that it is possible for NSK to return to, name, point to and re-work those specific moments in history in which the turning-point from genuinely utopian dispositions into traumatic experiences has crystallized. For NSK one such turning-point is the assimilation and consecutive abolition of the artistic avant-gardes into totalitarian systems at the end of the 1920s. i n k e . a r n s __________________________ b e r l i n ___ 49.(0)30.3136678 | inke@berlin.snafu.de | http://www.v2.nl/~arns/ mikro: http://www.mikro.org | Syndicate: http://www.v2.nl/syndicate ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to unsubscribe, write to <syndicate-request@aec.at> in the body of the msg: unsubscribe your@email.adress