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[oldboys] CONF: Welcome to The Revolution |
*sorry for cross-posting* Welcome to the Revolution* International Symposium November 9th to 11th, 2001 Institute for Theory of Design and Art (ith) at the 'Hochschule für Gestaltung und Kunst Zürich' (HGKZ) How are subjectivity, collectivity and their gender-specific manifestations formed against the background of non-linear work and lifetime conditions? What impact does this tendency of society as a whole have on political culture and on current cultural practice? Ulrich Bröckling (Freiburg/D) Karen Lisa Goldschmidt-Salamon (Kopenhagen/DK) Michael Hardt (New York/USA) Bettina Heintz (Mainz/D) Tom Holert (Köln/D) Verena Kuni (Frankfurt a. M./D) Angela McRobbie (London/UK) Faith Wilding (New York/USA) Entrance fee: 2-day-pass SFR 50,- Single day SFR 30,- @ Hochschule für Gestaltung und Kunst HGKZ, Ausstellungsstrasse 60, 8031 Zürich, Main Building, Lecture Hall, 2nd floor ------------------------------------------------------------------------------ Since the events of 1968 the view of society as a universal whole has changed. The social movements in the West as well as the emancipatory movements in the countries of the global south have secured an understanding of the particularity, difference and specificity of social issues, which has become part of the thinking of and about postmodernity. These developments on the intellectual and socio-political terrain are mirrored in the dynamics of a post-industrial society, in which the consolidation of the service industries on the one hand and of new communication technologies on the other hand has been furthered since the mid-1970s. The level of production has continuously been replaced by management and marketing of consumer goods. Management literature advertises company restructuring with titles like "Welcome to the Revolution". New organizational structures like "Fractal Organization", "Lean Production" and "Chaos Management" have already found real application in companies. Rigid hierarchies are being dissolved and replaced by team work, self-dynamics, and social competence. Comparisons are made with guerilla strategies and the Italian 'autonomia', who in the late 1970s developed radical democratic organizational paradigms in a dialogue with Gilles Deleuze and Felix Guattari. There are correlations between the counter-culture of the 60s/70s and their 'groupuscles' on the one hand and group work in new company strategies on the other hand. The incorporation of former dissident practices and subject positions in favor of making institutions and economically motivated organizational processes more efficient is to be located within the context of neo-liberal politics, which declare the regulating effect of the market as well as its agent, the entrepreneur/manager, to be the most effective paradigm and sell this as an emancipatory project. Business and marketing strategies have become essential players in terms of the formation of our cultural environment, the creation of life styles and the definition of how a society describes, feels and sees itself. At the same time the consolidation of the production of consumer goods has lead to an 'asthetization of everyday life' in the fields of the branding and marketing industries. Also in Switzerland, particularly in Zurich, a booming 'creative industry' has taken shape and formed a new generation of free-lancers, whose self-understanding is similar to that of artists and produces new hybrid forms of cultural practice. The life of a cultural worker, artist, author, journalist becomes the model for a flexible and creative organization of life. The former dichotomy between work and leisure, formal and informal, is beginning to become more diverse and aesthetic in areas other than the image industry as well. With the concept of flexible working biographies of the so-called life-entrepreneur it is becoming increasingly difficult to pin down when, how and why we call something work or non-work. Also in the new service-oriented work relations work and lifetime overlap or even become wholly identical. This transformation not only produces new spaces of collective experience and hybrid cultural forms but in its positive assumptions also opens up possibilities for new subject positions, which could be understood as enemies to traditional gender dichotomies on the one hand, but also as neo-liberal technologies (of the self) in the sense of Foucault on the other hand. Concept/Realisation: Marion von Osten and Sibylle Omlin Institute for Theory of Art and Design (ith), Zurich Organisation/Information: Isabel Kempinski, Institute for Theory of Art and Design (ith), Postfach, 8031 Zürich, telephone 0041-1-4462652, email: info@ith-z.ch FRIDAY, 9.11. 2001 14.00 Transformation of the concept of "labor" / Technologies of the Self Introduction by Marion von Osten and Sibylle Omlin 14.30-15.15 KAREN LISA GOLDSCHMIDT SALAMON Kopenhagen/DK Spiritual Transformation at Work. Contemporary Social Networks and Ideological Discourses of Management Consultants Business professionals have become culturally sensitive and explicitly concerned with integrating so-called cultural values in management practice. Their ideal is one of a 'corporate religion' and opens a heterogeneous ideological form (involving a broad range of New Age spiritual practices and religious and philosophical traditions). The Spiritual Transformation of Work can thus be viewed as a multi-local and transnational, polycentric ideological movement, organized in the form of communicative networks that address central issues of neo-liberal workplace organization and strongly influence corporate management today. Karen Lisa Goldschmidt-Salamon (Kopenhagen/DK), social anthropologist. She has published among others in "Cultural Capitalism: Politics after New Labour" (London: Lawrence & Wishart). She teaches at the Department of Management, Politics and Philosophy at the Kopenhagen Business School. 15.15 discussion and pause 16.30 - 17.15 DR. ULRICH BRÖCKLING Freiburg/Germany Intrapreneurship. Excursions into the world of quality- and self-management Manuals and seminars about personality coaching not only convey tehcniques of efficient time planning, work organization or stress coping, but also design a comprehensive model of neo-liberal subjectivity: the model of the entrepreneurial self. The manuals for the successful marketing of 'Ego&Co' make use not least of the fund of feminist and leftist critique. Paradoxical hybrid forms appear as the vanishing points of self-modelling: the team-oriented single combattant, the empathetic maximiser of benefits, the self-portrayer with a view of the whole, or the customer-oriented slick guy with a highly idiosyncratic profile. Dr. Ulrich Bröckling (Freiburg/Germany), reseacrh field: sociology with a focus on cultural sociology, history and social technologies. Co-editor of "Gouvernementalität der Gegenwart. Studien zur Ökonomisierung des Sozialen" (Frankfurt a. M., Suhrkamp Verlag). Research assistant at the Sonderforschungsbereich "Literatur und Anthropologie" at the University of Konstanz. 17.15 discussion and pause 18.00 - 18.45 TOM HOLERT Köln/Germany Requirement-Intelligences In digitized "work environments" profiles of competence emerge which are informed by ideals of coginitive and social competence but also by the battle cries of neo-liberalism and social darwinism. Against the background of a dichotomy of the official "soft skills"-ideology and inofficial brutalization/naturalization the question is pursued how a) the new categories of "gender" and "intelligence" are being inscribed into the new "work environments" and how b) the representation of these categories in the context of "profession&work" has changed in the course of the last decades with the computerization of the work place. Dr. Tom Holert (Köln/Germany), freelance cultural theorist and journalist in Köln. From 1992-1995 editor at 'Texte zur Kunst', from 1996-1999 co-editor of 'Spex', from 1997-1999 Professor for Theory of Culture and Media at Merz Akademie, Stuttgart. April 2000 foundation of the Institute for Studies in Visual Culture (isvc) with Mark Terkessidis. Book publications: Künstlerwissen (1998), Mainstream der Minderheiten. Pop in der Kontrollgesellschaft (Editor, with Mark Terkessidis, 1996), Imagineering. Visuelle Kultur und Politik der Sichtbarkeit (Editor, 2000). In preparation: Books on the "visual formations" of today and on categories of intelligence in popular culture. 18.45 discussion and pause 19.30-20.15 FAITH WILDING New York/USA Collective Maintenance a lecture/performance In recent decades, the mass deployment of electronic technology in offices and workplaces has profoundly changed the structure of work. The relationship of home and work life in ways which are having particularly disturbing effects on women worldwide. Once again many women are confined to the private sphere of the home where they perform double maintenance labor, simultaneously maintaining the family and the global consumer economy. I will present a model of cyberfeminist collective work and discuss the problematic maintenance of collectivity. My example will be the cyberfeminist collective subRosa, an activist cultural production group deeply committed to critical performance, creative subversion of authoritarian institutions, and radical restructuring of social relations. Faith Wilding (New York/USA), artist and cultural theorist, mixes her biography with that of subRosa. SubRosa is a (cyber)feminist collective which studies new information- and bio-technologies as well as their effects on female body-, life-, and work-relations in a combination of art, activism and politics. In her lecture/performances Faith Wilding draws a comparison between the Feminist Maintenance Performance developed in the 1970s by the Woman's Action Coalition and the political conditions of cyberfeminism. SATURDAY, 10.11.2001 14.00 Immaterial Work I. Cultural Perspectives: Introduction by Sibylle Omlin 14.30 - 15.15 VERENA KUNI Frankfurt a.M./Germany "Pre-Register Now!" J'est un JobCreator.Bot On Cultural Part Time Worker Self-Management under Net_Conditions In future, will cultural workers be required only as friendly hosts/hostesses, cleaning ladies of data spaces and graveyard gardeners in the holiday parks of the information society? Are self-organization and the work on, in and with collaborative structures only warming up exercises in trainee centers conditioning us for mc-jobs the sweatshops of culture industry? Any alternative options? (This text was automatically generated by an abstract generator bot) Verena Kuni (Frankfurt a.M./Germany), art historian and critic with a focus on gender studies in the the fields of art and media studies and on theory and aesthetics of electronic art. Member of the 'old boys network' and the 'webgrrls'; co-founder of the 'filiale zeitgenössische kunst gender vermittlung'. Research assistant in art history at the University of Trier and coordinator of interdisciplinary gender studies. 15.15 discussion and pause 16.00 - 16.45 PROF. ANGELA MCROBBIE London/UK Everyone Is Creative... Artists as Pioneers of the New Economy? The lecture considers UK policy on creativity and employment. It also explores the full impact of corporate interests in hitherto state funded arts and argues this contributes not to the expansion of creativity but to the extinguishing of the 'indies'. The lecture concludes by asking how cultural workers can organise as 'new labour'? Prof. Angela McRobbie (London/UK), research field: Culture, Gender and Media Studies. She has published among others "Feminism and Youth Culture: From Jackie to Just Seventeen" (1991), "Postmodernism and Popular Culture" (1994),"British fashion design: rag trade or image industry?"(1998), "In the culture society: art, fashion, and popular music" (London: Routledge 1999). Editor of "Zoot Suits and Second Hand Dresses" (1989). She teaches at the Department for Media and Communication, Goldsmith College London. 16.45 discussion and pause 17.30 Immaterial Work II. New Gender-Perspectives: Introduction by Marion von Osten 18.00 - 18.45 MICHAEL HARDT New York/USA Affective Labor The concept of biopower has been important in discussing the progressive indistinction between production and reproduction, the indefinite, expansive nature of the length of the working day. The concept of affective labor has also helped recognize the corporeal nature of these new, immaterial productive forms. This new paradigm of laboring activity constitutes not only a new regime of control but also contains the possibility of liberation: The powers of invention, of mixture, hybridization, and metamorphosis of immaterial labor present a new liberatory potential for the autonomous construction of subjectivity. Prof. Michael Hardt (New York/USA), romance languages and literature. He has published among others with Antonio Negri "Empire" (Cambridge: Harvard University Press) and "Die Arbeit des Dionysos" (Berlin: ID Verlag). He teaches at Duke University, Durham, New York. 18.45 discussion and pause 19.30 - 20.15 PROF. DR. BETTINA HEINTZ Mainz/Germany The Power of the Global: Women's Rights in the context of world society Untouched by the public discourse on globalisation gender research in the social sciences is still looking for the causes of the continuing disadvantage to women within national states. Today, the change and the form of gender relations cannot be explained without reference to the level of world society. When globalisation is the subject matter, the diagnosis is mostly one of loss. But specifically in the field of women's rights and national gender cultures the 'process of globalisation' has not only negative consequences. Prof. Dr. Bettina Heintz (Mainz/Germany), sociologist. She has published among others: "Listen der Ohnmacht. Zur Sozialgeschichte weiblicher Widerstandsformen" (Syndikat 1981, 3rd ed. 2000, with Claudia Honegger), "Die Herrschaft der Regel. Zur Grundlagengeschichte des Computers" (1993) and "Mit dem Auge denken. Strategien der Sichtbarmachung in wissenschaftlichen und virtuellen Welten" (Berlin: Springer Verlag 2001, with Jörg Huber). Professor for sociology at the Johannes Gutenberg-Universität Mainz. 20.30 - 21.45 Final discussion Moderation: Eva Nadai, Zürich SUNDAY, 11.11.2001 Colloquium With the speakers and students of HGKZ By registration only (limited number of participants) ----------------------------------------------------------------------------------------------------------------------- "Welcome to the Revolution" is a production of the Institute for Theory of Art and Design (ith), Zurich, in cooperation with the Theoriepool (STH) of the Hochschule für Gestaltung und Kunst, Zurich (HGKZ). The event is sponsored by the British Council/Switzerland and Migros Kulturprozent. ** distributed via <oldboys list>: no commercial use without permission ** <oldboys list> is an unmoderated mailing list for global cyberfeminism ** to remove your address from the list, send a message to: <oldboys-unsubscribe-xy=domain.topleveldomain@lists.ccc.de> ** more info: send mail to: oldboys-info@lists.ccc.de and/or <oldboys-faq@lists.ccc.de> ** archive: http://www.nettime.org/oldboys ** contact: oldboys-owner@lists.ccc.de ** www.obn.org