Iosif Kiraly on Wed, 11 Sep 2002 00:41:22 +0200 (CEST) |
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[Nettime-ro] EXIT # 7 "TEAMWORK" |
EXIT # 7 "TEAMWORK"
(September /
October / November - 2002)
174 pages
/ 105 images colour &
duotone. Texts: Helena
Cabello / Ana Carceller, Anna & Bernhard Blume, José Miguel G.
Cortés,
Manuel Santos, Barry
Schwabsky, Rosa Olivares and Charles Green.
Main Artists: Anna & Bernhard Blume.
Dossiers: Pierre et Gilles,
Bleda y Rosa,
Jane & Louise Wilson, subREAL.
Published
by Rosa Olivares & Associates (Madrid)
# Two eyes, yes, and sometimes two
or more heads as well. In the recent history of art and the most contemporary
photography, it is not unusual to encounter work carried out by duos, by trios
or, let us say, by teams. Couples, some now historic, who develop or have
developed a single body of work. Two who are one, such as Gilbert & George,
“We say: We are one person”, and who partially renounce an individual identity
in order to create a different being, a different
author.
Couples,
most of them, who are sometimes relatives, sometimes lovers, or merely
individuals who share common aesthetic interests. In some cases, they are only
together for a brief period of time, and in others they stay together for a
lifetime. Some of these teams have made their mark on art history by way of
photography, as is the case with Bernd & Hilla Becher and Gilbert &
George. Indeed, there are more artists who have opted to create in teams, and
the areas of photography, video and film are those most often chosen by teams to
develop their work.
In this
issue, we will present some of them, with special attention to the work of Anna
& Bernhard Blume, a now classic German photographer couple, whose work does
not belong to any movement or follow any trends. The issue also features the
work of Jane and Louise Wilson (commentary by Barry Schwabsky), Pierre et Gilles
(José Miguel G. Cortés), Bleda y Rosa (Manuel Santos), and subREAL (Rosa
Olivares).
In
addition to these protagonists, there are also reproductions by the following
artists: Gilbert & George, Bernd & Hilla Becher, Clegg & Guttmann,
AES+F Group, Peter Fischli & David Weiss, Komar & Melamid, Theresa
Hubbard / Alexander Birchler, Guerrilla Girls, Helena Cabello / Ana Carceller,
L.A. Raeven, Aziz + Cucher, Rose
Farrell & George Parkin, MP & MP Rosado Garcés, Mike & Doug Starn,
General Idea, Marina Abramovic & Ulay, Gómez Molina / Guillermo Lledó, Igor
& Svetlana Kopystiansky, MacDermott & MacGough, Mabel Palacín and Marc
Viaplana, Pere Formiguera and Joan Fontcuberta, Atelier Morales, Pilar Albajar
& Antonio Altarriba, Eva & Adele, among others.
Two main
texts delve into the complexities of collaborative relationships and teamwork in
contemporary art, and in photography-based art in particular. On the one hand is
the essay by the Spaniards Helena Cabello / Ana Carceller, a couple of artists
who have also produced significant writings on art, and on the other, as a coda
to this number, is the text by the Australian professor and artist Charles
Green, author of the book The Third Hand. Rosa Olivares’ editorial and
the customary index of artists complete this exploration of
teamwork.
EXIT Image & Culture
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