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The Weekender 094a


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Date: Sat, 3 Jul 1999 14:12:12 +0200 (MET DST)
From: The Weekender <Sandra.Fauconnier@rug.ac.be>
To: The Weekender <weekender@simsim.rug.ac.be>
Subject: The Weekender 094a


   . The Weekender ...................................................
   . a weekly digest of calls . actions . websites . campaigns . etc .
   . post announcements & notes -> mailto:announcer@simsim.rug.ac.be .
   . please don't be late ! delivered each weekend . into your inbox .
   . http://simsim.rug.ac.be/announcer/ for subscription info & help .
   . archive (separate msgs) http://www.egroups.com/group/announcer/ .
   ...................................................................



01 . valery grancher         . Cartier fundation for contemporary art
02 . SSpi352808@aol.com      . new in artmargins
03 . Igor Stepancic          . Art Chat
04 . olga kisseleva          . Arreter la plage !
05 . geene                   . mP + A.N.Y.P. nr. 9
06 . Conor McGarrigle        . Stunned ArtZine site relaunch
07 . glocaal@worldonline.nl  . Book release/ EATING BRAZIL
08 . Manse Jacobi            . Freespeech.org Newsletter for June, 1999
09 . Olga Shishko            . Festival "Trash-Art" - results
10 . valery grancher         . my last piece is ready now !!!!! 
                               surf on it !!!!
11 . Adele Eisenstein        . Perspective exhibtion and event series 
                               opening 29 June 1999 in Budapest
12 . Name.Space.Info         . newsbytes.com: Name.Space Seeks New Day 
                               in Court With NSI




   ................................................................... 01

Date:  Sun, 27 Jun 1999 22:20:20 +0200
From: valery grancher <vgranger@imaginet.fr>
Subject:  ann! ...  Cartier fundation for contemporary art


"1 monde rel"  June 29 - November 30 1999

                 La fondation Cartier pour l'art contemporain, Paris,
France.

Opening  date June 29 1999
 

artists list:

A collection of robots, mise en scne by Diller + Scofidio
Beaurin Domercq
Chris Burden
Gwek Bure - Soh
Tacita Dean
Valry Grancher
Cai Guo-Qiang
Bodys Isek Kingelez
Matthieu Manche
Moebius
Panamarenko
Andrei Ujica

On internet:

<http://www.fondation.cartier.fr>http://www.fondation.cartier.fr
As an exploration of our perceptions of time and space today, the
exhibition, 1 monde rel, extends
into the virtual space of the Fondation Cartier web site. With a virtual
fashion show of clothes designed
for a body in mutation by Matthieu Manche and the project Longitude 38 by
Valry Grancher,
owner of a lunar concession situated on the crater, Gassendi, the virtual
works created on this occasion
echo the exhibition and abolish the borders between reality and
imagination. Reflecting a state of being
tied to the medium of internet, the quality of here and now, the
proposition of Gwek Bure-Soh, an
artist of Singaporean origin, explores the immediacy of images captured in
real time by quick cams, as
well as the direct accessibility of radio and television emissions from
around the world through the web.
This exhibition on the web also offers documentation of Cai Guo-Qiangs
Projects for Extraterrestrials.
 

Valery Grancher "Longitude 38":

Three joint concessions were acquired at the " Lunar embassy " (Rio Vista,
California, the USA). "Lunar embassy is the only one USA government
approved to sell moon territory. 2 US president has already got some of
them !
These concessions being on the periphery of the crater of  "Gassendi ",
will be the places of a permanent installation:
3 webcams pointed towards the center of the crater will  transmit in real
time the images via the Web.
These territories are reserves intended to remain virgin.
They could not at all be the object of an unspecified exploitation, and
could not be the object of a national claim  some it is (establishment of
flags...)
All obstacles at these requests noticed thanks to the webcams, will have
to
be announced by emails to the owner of these territories...

Fondation Cartier pour l'art contemporain, Paris, France:
<http://www.fondation.cartier.fr>http://www.fondation.cartier.fr
virtual gallery from June 29

You may see now the project at this address: (project not fixed yet)
<http://www.fondation.cartier.fr/projets/long38>http://www.fondation.cartier.fr/
projets/long38

Launching date June 29 1999

Valry Grancher
vgranger@imaginet.fr
<http://nomemory.tsx.org>http://nomemory.tsx.org





   ................................................................... 02

From: SSpi352808@aol.com
Date: Sun, 27 Jun 1999 05:09:36 EDT
Subject: new in artmargins


please find the following new items in
artmargins
contemporary central and eastern european visual culture
http://www.gss.ucsb.edu/artmargins/

main view:
viktor mazin, olesya turkina...
"Technology and Representation at the end of the 90s. Fragments of the
Russian Experience"

Mazin und Turkina investigate the relationship between the media and
representation in contemporary Russian art

interview:
heike wegner talks to Pawel Pepperstein about the former enfant terrible
of
the Petersburg art scene, Afrika (Sergei Bugaev)

------------------------------------------------------------------------
Please send us your comments and recommend ARTMargins to a friend!





   ................................................................... 03

Date: Sun, 27 Jun 1999 14:22:06 +0200
Subject: Art Chat
From: "Igor Stepancic" <igor@blueprintit.com>

Dear net art friends,

Pow project is installed on the following URL,  www.blueprintit.com
(choose
POW section).
Project is open for all the artists who want to participate and produce
some
work for the site.

Pow project was presented at 48. Biennale di Venezia on "dAPERTutto" in
stanza di Oreste on the following dates: 19. and 20. June
On that ocasion an On Line Chat took place between 11am - 1 pm and 4pm -
6pm
European time (on both days).
Topics were: Communication in isolation, closed environment.
Subtopics are: 1) Ways and means of communication/ How one communicates
when
confined to closed and isolated environment. How does communication goes
within that environment and how it goes with outside world.
2) The content of such communication. What are the contents of such a
communication. Being in isolated environment and without usual means and
technical suport it is not complete. There is something missing, mistakes
are made and so on.
3) Estetics of such communication. Does it make sense. Can and should we
speak about estetics of such communications?

After the Biennial chat we deceided to continue with chat once a week. The
address is the same www.blueprintit.com. Suggested day for the chat is
Thursday, nights, so next will be held on Thursday, July 1st, starting at
18h CET. Idea is to create Art Chat Line. So We'll be waiting for you my
friends on the chat every Thursday.

It would be kind of you if you can advertise this chat by puting it on
your
site or sending information through your mailing list. Thank You.


Sincerely yours,

Igor Stepancic





   ................................................................... 04

Date:  Mon, 28 Jun 1999 23:31:15 +0200
From: "olga kisseleva" <kisselev@cnam.fr>
Subject:  ann! ...  Arreter la plage !

Arreter la plage +ACE-
C'est mauvais pour votre sante +ACE-
+AF8AXwBfAF8AXwBfAF8AXwBfAF8AXwBfAF8AXw-

Venez plutot decouvrir +ACI-How are you ?+ACI-,
une installation de Olga Kisseleva
dans les jardin du Chateau du Terral.

/Chai du Terral - Frac Languedoc-Roussillon/

L'exposition est accompagnee de +ACI-Petit livre rouge+ACI-, textes de:
Ami Barak,
Anne-Marie Morice, Antoine Moreau, Lucie de Boutiny, Frederic Madre, Olga
Kisseleva.

vernissage le mardi 29 juin a partir de 18 h
exposition du 29 juin au 11 juillet 1999

Chai du Terral
34430 Saint-Jean de Vedas
tel : 04 67 47 15 87

et aussi http://www.fraclr.org/hay/pindex.htm





   ................................................................... 05

Date: Sat, 26 Jun 1999 21:57:43 +0200
From: geene <b_books@geene.in-berlin.de>
Subject: mP + A.N.Y.P. nr. 9

montagsPRAXIS 28.6.

gesprch mit
diedrich diederichsen zu
der lange weg nach mitte u.a.


ausserdem

prsentation von
A.N.Y.P. nr. 9 (der vorletzten)
zu
subjektivitt  produktivitt  kunst



beitrge


 *  m. rinck . fortsetzung folgt    *   ela wnsch . boy meets world *
merlin carpenter . concentration *  nicolas siepen . postmodern
factory(s) *  isabelle graw . frauen und die new york school * juliane
rebentisch . nur bilder . pornographie und politik *  ulrich heinke . in
steilkurven braucht man nicht zu lenken, da fhrt man eigentlich immer
geradeaus * stephan gregory . es ist immer ein hase im garten. zu michel
serres' konomie des parasitren *  andreas siekmann . G7 aus:
gesellschaft mit beschrnkter haftung * amelie wulffen *  sabine grimm .
subjekte des antikolonialismus *  florian zeyfang .
3 D  la main * elke marhfer *  judith hopf . bartleby * beilage:
diskussionen und beitrge zum kosovo-krieg  zusammengestellt  von bojana
pejic

* jutta koether . lichtecht (=sunfast) *  marion v. osten . ich bin eine
manchesterhose - wie das material girl die konomie antrifft *  sabeth
buchmann . es knnte ja auch alles nicht zusammenhngen. zur intuition
als methode *  stephan geene . mach ich aktiv was mich aktiv macht (oder
lieber nicht) *  alice creischer : intermezzo * cathy skene . MIRRORCUT
*  klaus weber. 1820-70 . mika hannula. give them enough rope *

* andreas benl . walser mahnt - vom deutschen gedenken zum
antifaschistischen krieg * alice creischer. eine parallelitt - zu
nationalismus und kunst * ursula biemann/berta jottar . performing the
border * marion baruch . kartographie der sans-papiers der region paris
*  imma harms . der zwang zur geschichtsschreibung - polemik gegen die
vitrinisierung der eigenen vergangenheit * christoph leitner. mini-demo
in der donnerkuppel *  jochen becker. elektronische gemeinsamkeit

* stephan gregory . au-del du fun puzzle * caren lay . der msale
monismus *  claris works . wir verteidigen unser imaginres bis aufs
messer (brandenburger/buss/kasbck) *  lukas duwenhgger . gefhrliche
lidschatten

* a. creischer, h. kube ventura, a. siekmann, d. schmidt, i. vetter, a.
weisser: soziales plastik. ein gesprch * dierk schmidt .
sponsorenstress  * gloria sutton . netzwert: neue medien und das
museumsnetz wert *  carmen mrsch . ber subjekte in museen und anderen
kunstinstitutionen *  nicolas siepen/tara herbst

44 zeitungsseiten . 10 dm





   ................................................................... 06

From: "Conor McGarrigle" <cmg@clubi.ie>
Subject: Stunned ArtZine site relaunch
Date: Mon, 28 Jun 1999 11:28:39 +0100


++++++++++++++++++++++++

STUNNED ARTZINE RE-LAUNCH

++++++++++++++++++++++++

After one year on-line Stunned ArtZine has been re-launched with a new
look and a new address http://www.stunned.org .


Stunned is an independent artist run site that seeks to establish a
cross over point between artists working in traditional media and net
artists by showcasing both on the site and by developing collaborative
projects.


Stunned is always seeking new net.art projects to exhibit, more info at
the site.


+++++++++++++++++++++++++++
Play-lets
http://www.stunned.org/playlets/=20
Stunned ArtZine - contemporary visual art
http://www.stunned.org





   ................................................................... 07

From: "glocaal@worldonline.nl" <glocaal@worldonline.nl>
Subject: Book release/ EATING BRAZIL

BOOK RELEASE    EATING BRAZIL    EATING BRAZIL

Friday the 9th of July, in the LIVING ROOM at:
Ertskade 63, Amsterdam.
tel: 020-4193953.
Time: 18.00 hours.
Introduction by Harm Tilman.

Eat Brazil. That is the credo of this book. Do not try to understand its
culture, for that would be a little absurd. Do not try to comprehend its
economy or to grasp its order, for that is hopeless. There is only one way
to go. Eat Brazil up. Consume its landscape. Devour its cities. Make a
ceremony of it. Slice the masses into sacral pieces and invent ritual
sequences. Learn, as the Brazilians have learned, to digest this country
as
it is - sweet and promiscuous, crude and unapproachable, enormous and
endless. Accept the supremacy of the body sacrosanct. We Europeans must
summon up our courage and relinquish our resistance. This book offers its
help, in the form of a mental dinner.

EATING BRAZIL

editors: John Bosch, Juliette van der Meijden, Maurice Nio, Wim Nijenhuis,
Nathalie de Vries.
Text: Wim Nijenhuis
Design: Maurice Nio
Translation>english: Joseph Vincent
Translation>portuguese: Juliette van der Meijden
Editorial advice: Michael Speaks

Photographic material and texts: John Bosch, Evert Crols, Jerry van Eyck,
Michael van Gessel, Peter Hopman, Huub Juurlink, Branimir Medic, Juliette
van der Meijden, Maurice Nio, Wim Nijenhuis, Ton Salman, Nathalie de
Vries,
Enno Zuidema.

Financial Support:

The Netherlands Foundation of Fine Arts, Design and Architecture,
Amsterdam
The Netherlands Architecture Fund, Rotterdam.

Copyright
1999 the authers & 010 publishers, Rotterdam.

Content:

Rio de Janeiro/ Brasilia/ Belo Horizonte/ Sao Paulo.
aproximately 150 images in full colour and text.





   ................................................................... 08

From: webmaster@fsnet.freespeech.org (Manse Jacobi)
Subject: Freespeech.org Newsletter for June, 1999
Date: Thu, 17 Jun 1999 17:16:27 -0600

Free Speech Internet Television Newsletter - June 1999.
Featured webcasts and member sites.

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  G2 Player:  http://freespeech.org/ramfiles/fairg2.ram
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  G2 Player:  http://freespeech.org/ramfiles/liberalg2.ram
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   ................................................................... 09

Date:  Tue, 29 Jun 1999 12:10:38 +0200
From: "Olga Shishko" <shishko@transts.ru> (via Frederic Madre
<fmadre@wanadoo.fr>)
Subject:  ann! ...  Festival "Trash-Art" - results

Dear friends,

we are happy to present the WINNERS of the 'TRASH-ART' net festival
organized by the Moscow MediaArtLab
<http://www.sccamoscow.ru/eng/img_lab/index.htm>http://www.sccamoscow.ru/en
g/img_lab/index.htm


But from very beginning we'd like to thank all producers, explorers and
fans of
trash!
Thanks to the Members of Jury:  Kathy Rae Huffman , Rachel Baker, Olia
Lialina, Janos Sugar, Joachim Blank & Karl Heinz Jeron, Tetsuo Kogawa,
Alla
Mitrofanova, Vuk Cosic,
Rasa & Raitis Smits.

THE WINNERS OF THE 'TRASH-ART' NET FESTIVAL
<http://www.da-da-net.ru/TrashArt/>http://www.da-da-net.ru/TrashArt/

Anarchistic project:
1. Frederic Madre 
m.s.t  
<http://pleine-peau.com/n7/fred/mst.html>http://pleine-peau.com/n7/fred/mst.html
2. SEO
algae rhythm 10
<http://www.overlobe.com/algae_10/>http://www.overlobe.com/algae_10/
3.Ian Campbell
IMPERIALISM
<http://www.islandnet.com/cgi-bin/ms2/ianc/imperial>http://www.islandnet.co
m/cgi-bin/ms2/ianc/imperial

Ecological project:
1.INTIMA
zvrst3
<http://www2.arnes.si/~kdsbble3/zvrst3/>http://www2.arnes.si/~kdsbble3/zvrst3/
2.Wendy Vissar
Lekso's Codebox
<http://www.codebox.com/>http://www.codebox.com/


Radical conformistic project:
1.Namniyas Ashuratova
Enemy processing system
<http://195.42.131.152/>http://195.42.131.152/
2.Kostja Mitenev
next future
<http://www.dux.ru/digbody/next.htm>http://www.dux.ru/digbody/next.htm

Special award:
Ian Campbell, Alexey Shulgin and  Mindaugas Gapsevicius
(<mailto:mi_ga@o-o.lt>mi_ga@o-o.lt).

c o n g r a t u l a t i o n s !!!!!

PRIZES

All winners get TRASH THINGS, the festival's CD-Rom and CATALOGUE.
The firsts: Frederic Madre, Igor Stromayer (intima) , Namniyas Ashuratova;
and
'specialy awarded' Ian Campbell, Alexey Shulgin and  Mindaugas Gapsevicius
-
won
trip to Moscow for participation in the international symposium
NewMediaLogia2
in
January 2000.

All projects previously selected by juries will be included in the
CD-Rom and the catalogue of the Trash-Art festival.

Within the frame of the festival there was Trash-Art prize
competition. The pity, no one idea seemed us really trashy, but some
authors displayed excellent trashy humor. Thank all participants.

WHAT FARTHER?

The 'Trash-Art' site
<http://www.da-da-net.ru/TrashArt/>http://www.da-da-net.ru/TrashArt/ will
continue
to function as on-line gallery. There will be temporary exhibitions.
Everyone
can submit his net.art project. Selected works will be presented at the
front
page of the Trash-Art site. Exhibitions will be renewed every 2-3 months
and
their conceptions will be announced in advance. 


CALL FOR PAPERS!

We are looking for trash articles, interviews, any other trash texts
with trash thoughts about  waste of cultural production,
technology of their re-utilisation, how it can be applied in art, what
art forms appear from information garbage etc. We'd like to present
some kind of trash-net-art-archaeology within the catalogue and
CD. Send us your trash researches. Deadline for abstracts or themes - July
5.
Deadline for materials - July 20.

Greetings,
trash-ists
Alexei Isaev - director of MediaArtLab, author of festival' project
"Trash-Art", <mailto:newart@aha.ru>newart@aha.ru
Olga Shishko - curator, <mailto:shishko@transrs.ru>shishko@transrs.ru
Tatiana Gorioutcheva - co-curator, coordinator,
<mailto:tangor@redline.ru>tangor@redline.ru

Moscow MediaArtLab
<http://www.sccamoscow.ru/eng/img_lab/index.htm>http://www.sccamoscow.ru/eng
/img_lab/index.htm
<http://www.sccamoscow.ru/eng/img_lab/index.htm>
ul. Chernyakhovskogo 4A
125319 Moscow
Russia
tel.: 7 095 151 8706
tel./fax: 7 095 151 8816





   ................................................................... 10

Date:  Tue, 29 Jun 1999 14:39:10 +0200
From: valery grancher <vgranger@imaginet.fr>
Subject:  ann! ...  my last piece is ready now !!!!! surf on it !!!!

   

                    "1 monde rel"  June 29 - November 30 1999

                           La fondation Cartier pour l'art contemporain,
Paris, France.

Opening  date June 29 1999
 

artists list:

A collection of robots, mise en scne by Diller + Scofidio
Beaurin Domercq
Chris Burden
Gwek Bure - Soh
Tacita Dean
Valry Grancher
Cai Guo-Qiang
Bodys Isek Kingelez
Matthieu Manche
Moebius
Panamarenko
Andrei Ujica

On internet:

<http://www.fondation.cartier.fr>http://www.fondation.cartier.fr
As an exploration of our perceptions of time and space today, the
exhibition, 1 monde rel, extends
into the virtual space of the Fondation Cartier web site. With a virtual
fashion show of clothes designed

for a body in mutation by Matthieu Manche and the project Longitude 38 by
Valry Grancher,
owner of a lunar concession situated on the crater, Gassendi, the virtual
works created on this occasion

echo the exhibition and abolish the borders between reality and
imagination. Reflecting a state of being
tied to the medium of internet, the quality of here and now, the
proposition of Gwek Bure-Soh, an
artist of Singaporean origin, explores the immediacy of images captured in
real time by quick cams, as
well as the direct accessibility of radio and television emissions from
around the world through the web.

This exhibition on the web also offers documentation of Cai Guo-Qiangs
Projects for Extraterrestrials.

 

Valery Grancher "Longitude 38":

Three joint concessions were acquired at the " Lunar embassy " (Rio Vista,
California, the USA).
"Lunar embassy is the only one USA government approved to sell moon
territory. 2 US president has
already got some of them !
These concessions being on the periphery of the crater of  "Gassendi ",
will be the places of a
permanent installation:
3 webcams pointed towards the center of the crater will  transmit in real
time the images via the Web.
These territories are reserves intended to remain virgin.
They could not at all be the object of an unspecified exploitation, and
could not be the object of a
national claim  some it is (establishment of flags...)
All obstacles at these requests noticed thanks to the webcams, will have
to
be announced by emails to
the owner of these territories...

Fondation Cartier pour l'art contemporain, Paris, France:
<http://www.fondation.cartier.fr>http://www.fondation.cartier.fr
virtual gallery from June 29

You may see now the project at this address: (project not fixed yet)
<http://www.fondation.cartier.fr/projet_web/long38>http://www.fondation.cartier.
fr/projet_web/long38

Launching date June 29 1999

Valry Grancher
vgranger@imaginet.fr
<http://nomemory.tsx.org>http://nomemory.tsx.org





   ................................................................... 11

Date: Tue, 29 Jun 1999 00:51:59 +0200 (METDST)
From: Adele Eisenstein <adele@caesar.elte.hu>
Subject: Perspective exhibtion and event series opening 29 June 1999 in
Budapest

The Mucsarnok (Kunsthalle Budapest) and the
Soros Foundation Hungary C3: Center for Culture & Communication
have the pleasure to invite you to the opening of the exhibition and event
series entitled

Perspective
exhibition  symposium  screenings

at the Mucsarnok (Kunsthalle Budapest)
on 29 June 1999

18:00  The exhibition is opened by Dr. Erno Marosi, Member of the
Hungarian
Academy of Sciences, Director of the Research Institute of Art History
20:00  21:00  The opening project of ENCART (European Network of Cyber
Art),
high bandwidth (ATM) connection between European media centres
        20:00  CAVE, project of Peter Kogler - presentation from the Ars
Electronica Center, Linz (sound: Franz Pomassl)
20:30 Masaki Fujihata: Nuzzle Afar: Distant Affairs and Greetings -
presentation from the Mucsarnok (Kunsthalle Budapest)


The exhibition is open for viewing until 22 August 1999, daily from 10:00
18:00, except Mondays
Budapest XIV., Mucsarnok (Kunsthalle Budapest), Hosk tere

Curators of the exhibition:
Lszl Beke and Mikls Peternak
Assisted by:
Adele Eisenstein and Zsuzsa Megyesi
withweb development by:
Szilvia Seres

http://www.c3.hu/perspektiva/index.hu

Perspective
exhibition  symposium  screenings

The far-reaching consequence of the Renaissance discovery of linear
perspective
is a new image. Perspective creates a clear proportion between the
external
world (visual world) and the spectator/painter. Leon Battista Alberti's
window-analogy describes a real situation, and this revolutionary change
signifies a coherent world view.
The event series, including the exhibition, explores and presents this
half-millennium-long process, placing the subject of historical facts and
actuality into the force field of the present.


INVERTED PERSPECTIVE
Special Programmes  Lectures, Presentations and Screenings
in the Mucsarnok throughout the exhibition

30 June  Werner Nekes: Media Magia
Screening and discussion with Werner Nekes (Lszl Beke, moderator)
12 July  Martin Kemp / Antonio Criminisi (Oxford University)
Lecture and presentation
7 August  John Wyver
Presentation of Illuminations Television (London)

PERSPECTIVE ON PERSPECTIVE
Scientific Symposium in the Mucsarnok (Kunsthalle Budapest)
1-3 July 1999, 10:00  18:00

Symposium opening: expanded lecture and sound performance
1 July 1999, 18.00
Anthony MOORE - Dietmar KAMPER - Siegfried ZIELINSKI: Trialogue: Interval
Trace
Point

Symposium
2 July 1999
Mucsarnok 10.00 - 18.00
Moderator: Lszl BEKE

10.00 - 11.30.
Bla BACS": rzkels s perspektva / Perception and Perspective
Pter P"R: Rilke s a perspektva / Rilke and Perspective
Zsfia BEKE: A kp tere s a tr kpe az Olasz Aeropitturaban / The Space of
the Picture and the Picture of the Space in the Italian Aeropittura

12.00 - 13.30
Gbor HAJN"CZY: Leon Battista Alberti s a XV. szzadi perspektva krdsei /
Leon Battista Alberti and Questions of Perspective in the 15th Century
Dnes GULYS: Piero della Francesca, a renesznsz vonalperspektva atyja /
Piero della Francesca, the Father of Renaissance Linear Perspective
Jnos MEGYIK: A pont ltal / By the Dot

15.00 - 16. 30
Pietro ROCCASECCA: Pisanello, Alberti and 'costruzione legittima'
Sorin DUMITRESCU: Le Seuil / Kuszob / The Treshold

16.45 - 17.45
Erno MAROSI: Pilaster
Zbigniew RYBCZYNSKI: The Principles of Linear Perspective: Beliefs Based
on
Ignorance and Blindness


18.00 Artist Talk (in the Gallery)
Bill SEAMAN - Gideon MAY: "The World Generator / The Engine of Desire"


3 July 1999
Mucsarnok 10.00 - 18.00
Moderator: Mikls PETERNK

10.00 - 11.30
Jzsef KOLLR: Polphmosz szeme. (A mestersges perspektvrl) / The Eye of
>Polyphemos (On Artificial Perspective)
Mihly SZOBOSZLAI: Szerkesztett latvany. A perspektiva hasznalata az
epiteszeti
tervezes soran, kulonos tekintettel uj technologiak (CAD/CAAD)
alkalmazasara. /
Constructed Vision: The Application of Perspective in Architectural
Planning,
with Special Consideration of the Employment of New Technologies
(CAD/CAAD)
kos MORAVNSZKY: Az axonometria, mint a perspektva kritikja (az
ptszetben) / Axonometry as Critic of Perspective (in Architecture)

12.00 - 13.30
Andrs WILHEIM: A zene s perspektva / Music and Perspective
Marcel BACIC: Die Geburt der Perspektive aus dem Geiste der Musik / The
Birth
of Perspective in the Spirit of Music
Marisa DALAI EMILIANI: Noi metteremo lo spettatore al centro del quadro:
reinterpretando lo spazio futurista di Umberto Boccioni / We place the
spectator in the centre of the picture: Reinterpreting the Futurist Space
of
Umberto Boccioni

15.00-16.30
Timothy DRUCKREY Opening the Third Window, or 'We gotta get outa dis
space'
Friedrich KITTLER: Buch und Perspektive / Book and Perspective
Ivan Ladislav GALETA: PiRaMidas

16.45 - 17.45
Otto E. RSSLER: c,hAnge L: If We Could Change c and h, We Could Change the
Past and the Future like Angels
Peter WEIBEL: Zur Perspektive als konstruktivem Prinzip / On Perspective
as a
Constructive Principle


18.00 Artist Talk (in the Gallery)
Zoltn SZEGEDY-MASZK - Mrton FERNEZELYI: Promenade (VRML presentation)


PROJECTED PERSPECTIVE
Screening Series in the Mucsarnok and in the rkmozg, the Film Museum
of the Hungarian Film Institute, throughout the duration of the exhibition

Opening screening: rkmozg
4 July 1999, 18:30
The works of Zbigniew Rybczynski
followed by a discussion with Zbigniew Rybczynski

presenting the works of: Gbor Bdy, Patrick Bokanowski, Luis Buuel, Ren
Clair, Jean Cocteau, Gbor Csszri / Jno Cook, Ivan Ladislav Galeta, Peter
Greenaway, Fritz Lang, David Larcher, Fernand Leger, Werner Nekes, Ozu,
Brothers Quay, Alain Resnais, Walter Ruttmann, Zbigniew Rybczynski,
Jacques
Tat, Dziga Vertov, Tams Waliczky, Peter Weibel, Orson Welles


PERSPECTIVE
International Media Art and Media History Exhibition

Gbor Bachman, Gbor Bakos, Balzs Bethy, va Bortnyik / Csaba Tubk, Preston
Scott Cohen, Philippe Comar, Magdolna Csutak, Jrg DaVaz, Sorin Dumitrescu,
Zoltn rmezei / Jnos Rauschenberger, Masaki Fujihata, Alexander Gyenes,
Folke
Hanfeld, Perry Hoberman, Patrick Hughes, JODI, Gyrgy Jovnovics, Andrs
Kapitny, Zsigmond Kroly, Ilona Keser, Pter Kiss, Szabolcs KsPl, Lars
Kleen, Frigyes Konig, Rbert Langh, Frantiek Lesk, Jnos Major, Dra Maurer,
Jnos Megyik, Imre Nagy, Istvn Orosz, Giulio Paolini, Alexander Pilis,
Brothers Quay, Markus Raetz, Bill Seaman, Jeffrey Shaw, Jnos Sugr,
Nana Suzuki, Zoltn Szegedy-Maszk / Mrton Fernezelyi, Gyula Vrnai, Tams
Waliczky, Gbor Zrnyifalvi

ART, SCIENCE, PERSPECTIVE:
DOCUMENTATION / DATABASE / PUBLICATIONS
http://www.c3.hu/perspektiva/index.html
Multimedia CD and catalogue
The historical overview primarily based upon the collection of the Library
of
the Hungarian Academy of Fine Arts, the art collection of the Graphics and
Paintings Department of the Museum of Fine Arts, Budapest and the visual
models
of the Archive of the Department of Architecture of the Budapest Technical
University, as well as on the Werner Nekes collection.

PARALLEL PERSPECTIVES
Network Project linking four European media institutes (Ars Electronica
Center
Linz (A), ZKM  Karlsruhe (D), V2  Rotterdam (NL) and C3  Budapest (H)),
within
the framework of ENCART.

Perspective takes place within the framework of the Budapest events
surrounding
the 15th Anniversary of the Soros Foundation Hungary.

The perspective project is supported by the IKTA programme of the OMFB
(National Committee for Technological Development).


ENCART

Partners / Sponsors:
Trust for Mutual Understanding, New York
Eyebeam Atelier
The British Council, Budapest
Pro Helvetia, Budapest
L'OREAL Art and Science Foundation (Japan)
Austrian Cultural Institute
Cultural Committee of the Budapest City Council
Alba Hotel, Budapest
AEGON Insurance
Hungarnet Association
MATV (Hungarian Telecom)
Institute of Research Organisation of the Hungarian Academy of Sciences
(MTA)
International Symmetry Foundation
Hull Time Based Arts


Mucsarnok / Kunsthalle Budapest
C3: Center for Culture & Communication


Perspective is an accompanying event of the UNESCO-ICSU world conference
entitled
Science in Art - Art in Science.



Adele Eisenstein
Perspektiva/Perspective
Symposium/International project coordination
C3: Center for Culture & Communication
Pf. 419, H-1537 Budapest, Hungary
(Budapest 1014, Orszaghaz u. 9)
Phone: +361 214 6856  Fax: +361 214 6872
http://www.c3.hu/perspektiva





   ................................................................... 12

Date:  Tue, 29 Jun 1999 14:42:32 +0200
From: "Name.Space.Info" <info@name-space.com>
Subject:  ann! ...  newsbytes.com: Name.Space Seeks New Day in Court With
NSI

http://www.newsbytes.com/pubNews/132502.html

                      24 Jun 1999, 4:38 PM CST
                       By David McGuire, Newsbytes.
                       WASHINGTON, DC, U.S.A.,

                        New York-based domain name registrar Name.Space,
                        Inc. earlier this week filed an appeal of a court
ruling
                        that Network Solutions, Inc. (NSI) is immune from
                        antitrust prosecution because of its status as a
                        government contractor.

                        Southern District Court Judge Robert Patterson
ruled earlier this year that
                        Herndon, Va.-based NSI - which for many years
enjoyed a government-
                        sanctioned monopoly of the domain-name
registration
business - couldn't
                        be sued for antitrust because of its position as a
"Federal Instrumentality."
                        The ruling came in response to a case filed by
Name.Space in March
                        1997 that sought to break the NSI monopoly of
top-level Internet domain
                        name registration.

                        "NSI was only acting pursuant to a contract,"
Name.Space owner and
                        President Paul Garrin told Newsbytes. If NSI is
immune, "any government
                        contractor is immune and can act
anti-competitively," Garrin contends.

                        Name.Space registers Websites under such generic
domain names as
                        .space, .web, .art, and .sex and seeks to have
those and several hundred
                        other top-level domains added to the simple text
configuration file,
                        ROOT.ZONE, which is currently controlled by NSI.

                        As it stands, Internet users are forced to
reconfigure their computers if they
                        want to view Websites registered under domain
names
not recognized by
                        NSI. Name.Space has posted instructions on how to
make those changes
                        on its Website, located at http://namespace.org .

                        Name.Space's original suit also claimed that First
Amendment rights to
                        free speech should apply to Internet domains. If a
judge were to rule in
                        their favor on that point, the government would be
constitutionally
                        prohibited from restricting, or allowing an agent
of the government to
                        restrict, the introduction of new domains, Garrin
said.

                        Patterson's ruling likened Internet domains to
phone numbers, and
                        dismissed the notion that First Amendment
protections would apply to the
                        registration of Internet domains.

                        "Like the ocean, (Internet domains are) a global
resource," Garrin said.
                        Companies like NSI are "trying to brand domains."

                        NSI's essential monopoly over Internet domain
registration came to an
                        end earlier this month when the firm's first
official competitor,
                        Register.com, went live. Register.com is one of a
handful of companies
                        sanctioned by the Internet Corporation for
Assigned
Names and Numbers
                        (ICANN) to act as "test-bed registrants" of
Internet domains.

                        The government has charged ICANN, a not-for-profit
organization, with the
                        task of introducing competition into the
domain-name registration
                        business.

                        NSI has 30 days to respond to the Name.Space
appeal. NSI did not return
                        phone calls in time for this story.

                        Reported by Newsbytes.com,
http://www.newsbytes.com .

                        16:38 CST
                        Reposted 16:47 CST

                        (19990624/WIRES ONLINE, LEGAL,
BUSINESS/NAMESPACE/PHOTO)

                        Copyright (c) Post-Newsweek Business Information,
Inc. All rights reserved


---------------------------------------------------------
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           Cut out Network Solutions and you have
                                               http://name.space
---------------------------------------------------------