Alessandro Ludovico on Sat, 22 May 1999 23:30:05 +0200 (CEST) |
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<nettime> Todd Rundgren interview |
--------------------------------------------------------------------------- Interview excerpted from 'Neural', Italian magazine about the digital culture at large, web: http://www.pandora.it/neural/ mail: a.ludovico@agora.stm.it --------------------------------------------------------------------------- Todd Rundgren is one of the first music 'stars' that decided to sell his music on his own, through special subscriptions, and deliver the stuff ia cd-r and the web. AL> What are you future plans in terms of compositions? TD> I plan to keep writing. Sometime songs evolve quickly, sometimes slowly. Something always comes out. AL> Do you really think music delivered through the web could change the artistic life of numberous valuable small bands, that could then break free form the major's executives fears and hypocrisy? TD> The Internet is about greater choices for everyone - not just people who listen to music, but people who make it as well. Many artists might still prefer to do things the 'old' way, but that is their choice. At least there is an alternative now. AL> Your disbelieve in copyright protection is interesting. How far do you think it could be stretched? Copyright only for an entire album? No copyright at all? TR> People should be paid to write and perform good music. They should also be free to give music away. Many artists are discovering that recordings don't pay for themselves as well as a healthy touring schedule of live performances. AL> The new media are multiple for their own natural characteristic, so how much 'visual' will have to be the future music? TR> The audience has decided they want to see and hear everything. That doesn't mean that an artist has to give them everything. Still, it is very difficult to keep music from being visualized if it is visionary music. AL> Do you think that the more the music delivered through computers (cd recorder, mp3 player, etc.) is uncorporeal, the less is an object, mutating into a pure flux of data? Or, otherwise, it have to be more physical, and so we need the plastic, the printed cover and the scratch to compensate these invisible playing data? TR> The thing we do best is the thing we least like to do: change. Music is a liberal art and the music business is a conservative enterprise. Something has to break at some point. I think we're watching it now. Music is not a product - it's a service. Alessandro Ludovico a.ludovico@agora.stm.it Neural Online - http://www.pandora.it/neural/ --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@desk.nl and "info nettime-l" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@desk.nl