Diana McCarty on Thu, 4 Sep 1997 16:17:24 +0200 (MET DST) |
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<nettime> Heim's Anxieties 2 |
____________________________________________________________________ | | | Sound like criticisms for the sake of criticism? Call me | | Glitch, Devil's Advocate, Worry Wart. Maybe I'm a new | | computer virus, a WORM in the garden of Eden. Let me | | make a confession, though, before I fill your screen with | | more anxieties. | | | | I approach the computer as a humanist. I believe everyone | | here on <PC> probably does too. Humanists look for | | the human side of a technology. They hope to find the | | intra-human use and capability of machines. The people | | here rank CI ("collective intelligence" or "cotechnology") | | over AI ("artificial intelligence"). AI is good only if it | | promotes CI. We are determined to learn how to connect | | with one another rather than see how smart machines can | | get. | | | | As humanists, we have a tradition. Humanists have always | | sought to preserve the liveliest dimension of human | | communication. In the face of Scholasticism, logical | | dogmatism, and scientific narrow-mindedness, the | | humanists have always encouraged the flow of deeply felt | | expressive language. The main vehicle for humanistic | | language has been the printed book. | | | |___________________________________________________________________| Copyright (C) 1997, Michael Heim Reflections Part Two Reflections Reflections the Reflections on computer screen Reflections on computer screen Reflections on computer screen Reflections Reflections the Reflections Reflections Reflections by Michael Heim 3. The HAZARDS FOR BOOKS AND WRITING. 3.1. Neither an OPTIMIST nor PESSIMIST be I identify particularly with those thinkers loosely called humanists. By humanists I do not mean a sect of true believers you might run into today under that label. I mean simply thinkers whose primary concern is the way humans interact with the world. Like Terrence's "Nihil humanum a me alienum puto." In other words, I identify less with the scientists who try to describe and explain the world than with the humanists who hone the skills of reading texts. Humanists were always notorious for their meticulous care in preserving and interpreting written language. Humanists are neither optimists nor pessimists about technology, neither Luddites nor technophobes. Whether the glass is half-empty or half-full, the humanist is interested in the substance of its contents. This is a soft determinism, which accepts our human destiny while studying the different ways to absorb its impact. Most of the inventors of the computer were utopians, not humanists. They believed the computer could propel us into a perfectly ordered society. The dystopians arose as a reaction. The dystopians ridiculed the hope of a perfectly orderly world utopian world. They pointing to the perfectly horrid world that could come about if we installed computers everywhere. The humanistic view, neither utopian nor dystopian, is in a position to look at the both pros and cons. Computerized writing is part of our destiny. Each epoch has its love affair, its grand passion, an enthusiasm that gives it distinction. Pyramids or cathedrals do not distinguish us and shopping malls will never last. Ours is not the age of faith or reason but the age of information. Madness, Plato reminds us, is ambivalent; it can be divine or insane, inspired or crackpot. Lovers, inventors, and artists are maniacs. So are computer enthusiasts. For infomaniacs, computers are not merely tools. Because we are still pioneering with computers, we all tend to be enthusiasts. It's tough to be philosophical. To participate you almost have to take sides, become a partisan. You have to invest much of your time, which means you soon have a vested interest, a definite commitment. As a partisan, you become enthusiastically positive or decidedly negative. You cannot straddle the fence. We must struggle to be philosophical. I want to examine computers as they affect our cultural lives. I want to understand the principles according to which they change our cultural life. One of the best ways to straddle the fence of past and future is to keep an eye on books. Books have always functioned as an important gauge of humanism. In every social transition, our written symbols have changed dramatically. The oral repetition of information began in rhythmic songs and visually-oriented epic poems. Memory then went to stone and chisel, papyrus and stylus, manuscript and pen, the printing press, paper and typewriter, and now the computer. All have given mental leverage and fueled power for social change. 3.2. Old TRITEMIUS and THE FATE OF THE BOOK In the 1980s, we saw the desktop computer replacing the bookshelf as the badge of expertise. But computers in the 80s still functioned as all- purpose machines. We treated them as calculators which could also serve the written word. Just as the notion of a "horseless carriage" concealed the impact of the automobile, so too the "word processor" hid the reality of digital text. Word-processing software fooled us into seeing electronic "pages" and laser "printers." Now, in the 1990s, we are just beginning to surmise the true nature of the beast. On-line computer conferencing -- what shall we call it? Email? Cotechnology? -- shows the radically new side of digital writing. So does hypertext. Digital text differs radically from printed pages. Freed from book metaphors, the digital writing challenges our traditional notions of reading, knowing, and thinking. Paul Levinson, who runs a computer-mediated M.A. program at the New School, wrote a book on the "electronic liberation of text" by the computer. (The book is MIND AT LARGE, Jai Press, 1988). He is correct to point out there is a new perspective on written symbols in the electronic element. Text is no longer bound to the slow, costly, and tightly controlled print medium. But every liberation from limitations also implies an underlying chaos of confusion until a new order arises. Every meaningful order requires limitations. Every liberation must be consolidated. The limitations of any given order help channel our expectations. As text becomes free of paper-material constraint, writing in its past modes appears more vividly as something limited but eminently worthwhile, a vessel of concentrated human energy. Future bookpeople may take their cue from the 16th-century monastics. In the shadow of Gutenberg, they defended the continued production of hand-copied manuscripts. Future bookmakers might borrow, mutatis mutandis, some pages from Tritemius (1462-1516): "He who abandons copying books by hand because of the invention of printing is no real friend of sacred writing. He sees only what is current and contributes nothing to inspire future generations. But we, beloved brothers, shall keep in mind the rewards of this sacred occupation and not slacken in our effort. Printed books will never equal handwritten texts. Printed books often lack a fine appearance. Above all, copying books by hand involves personal commitment and diligence. Every word we write is imprinted more forcefully on our minds since we have to take our time while writing and reading. The printed book is made of paper and, like paper, will quickly disappear. But the scribe writing on parchment ensures a lasting remembrance of himself and his text. All of you know the difference between a true manuscript and a printed book: Words inscribed on parchment will last a thousand years. Words printed on paper -- how long will they last? At most, two hundred years. Still, many people think they can entrust their works to paper. Only time will tell." (from IN PRAISE OF SCRIBES by Johannes Tritemius). Tritemius was an early Renaissance humanist and Benedictine Abbot at Wuerzburg (see ELECTRIC LANGUAGE, pp. 177ff). He tried to sum up the unique values of copying manuscripts by hand at a time when the printing press was just about to make hand-crafted books obsolete. Will electronic texts completely replace books? Maybe, maybe not. But one thing is certain. Electronic texts will play an ever greater role in our culture. Furthermore, just as writing and then printing accompanied vast shifts in cultural energy, electronic writing signals a new set of priorities. In section 8 below (The THROW-AWAY CULTURE), I cite a student editorial that recognizes the fundamental shift accompanying the rise of digital text. The way I characterized this shift in ELECTRIC LANGUAGE is a shift from contemplative to information-based thought. 3.3. The MAC-VERSUS-THE-PC debate Among humanistic circles, a whirl of debate arose recently from an article in a computer journal. The journal was ACADEMIC COMPUTING and it carried an article entitled "Student Writing: Can the Machine Maim the Message?" The article, written by Marcia Peoples Halio, examined student writing in the MS-DOS and compared it to writing in the Macintosh environment, (January 1990, pp. 16-19 & 45). Halio concluded that students' writing showed a significant drop in quality when the students used Apple computers instead of the IBMs. Her results were based on 1,000 students taking English Composition at the University of Delaware. Writing differed dramatically depending upon whether the students used an IBM or a Macintosh microcomputer. To evaluate the writing, Halio ran 20 essays by the students through a set of programs called the WRITER'S WORKBENCH TEXT ANALYSIS running on a VAX mainframe at the University of Delaware. The analysis showed striking results. The Mac students were writing far fewer complex sentences than the IBMers (30 percent compared to 49.5 percent). They were also using many more "to be" verbs (32 percent compared to 23 percent), a sign according to composition theorists of weak and lifeless prose. Readability scores (as judged by the Kincaid scale) averaged 12.1 (college level) for the IBM students, but the Mac users obtained a score of only 7.95 (slightly less than 8th grade). Closely tied to the readability scores was the measure of sentence length: an average of 16.3 words for the Mac students and 22.6 for the IBM students. And the Mac students -- much more than the IBM students -- used the subject of their sentences as the sentence opener (80 percent Mac; 66.5 percent IBM). Teachers know that weak writers generally rely on subject openers, while more sophisticated writers employ more varied openers. Finally, the Mac students were noticeably poorer proofreaders than the IBMers, averaging fifteen misspellings per essay, compared to four for the IBMers. Soon after this article was published, a fierce partisan debate arose about the research. If previously there was an antipathy between Big Blue buffs and Mac hackers, now there was all-out war. A certain amount of brand loyalty belongs to a consumer cultures like ours. But with something so intimate as the personal computer, the debate raged like a Holy War -- especially among humanists (the first debates I saw emerged on the HUMANIST forum on Bitnet). For humanists, the quality issue is paramount, and no amount of increased productivity or social networking will solace them for a loss in quality. What is quality? Don't our standards change over time regarding what is cognitively respectable? If one type of computer interface breeds a different quality, might not the use of digital word processing in general change the quality of human writing? Beneath the current debate runs an even deeper issue. Could Halio's findings about the MAC versus the PC suggest an even more far-reaching impact of computerized writing technology? Might it be that word processing affects the way we think and write? This was the speculative claim made in the book ELECTRIC LANGUAGE. _________________________________________________________________________ | | | Glitch here again. Am I an intruder, like that kid on block | | who always said the new toys were flawed? -- And this | | technology is our new toy. We do PLAY with the computer | | technology -- even though we may not consciously think of what | | we do as recreation. Our playful immersion signals a deep inner | | affinity to the technology. It attaches to our minds, becomes | | part of our subconscious vocabulary of movements and gestures, | | part of our feel for the world. | | | | Being a glitch removes you from the inevitable partisanship we | | all feel who use the technology. To be a pioneer, you have to be | | blindly attached, courageously dedicated to making it work. | | Most people on Bitnet share strong partison pride in their | | attitude toward computer text. And they should. What else can | | you expect from the pioneer spirit? I must admit that my first | | two years of portable computing were outstanding. There was a | | thrill in installing the computer into my life. I knew it would | | be making major changes in my life, and I delighted in it -- | | even though I often missed my appointments while deeply | | engrossed in working out the bugs in my calendar/appointment | | program (written in BASIC on a Radio Shack Model 100). | | | | I am not an expert in computer technology. I am a user. My | | anxieties are user-friendly. Many of you will recognize my | | complaints and worries as something you have already faced. | | Maybe you have already found a way to cope with the anxiety I | | describe or have at least found a philosophical angle from which | | to view what vexes me. | | | |________________________________________________________________________| --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@icf.de and "info nettime" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@icf.de