ricardo dominguez on Mon, 11 Aug 1997 17:18:25 +0200 (MET DST) |
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<nettime> documentaX Forum: Blast |
DocumentaX Forum: Blast Moderated by Jordan Crandall An overview by ricardo dominguez "Habit is a great deadener." --Samuel Beckett, Waiting for Godot "If my language quavers, trembles or is obscure, quavering and obscure are then also the ideas it tries to express. Still when it is to my taste precise, I then feel it attained simplicity. So I'll send - separately - the 'home-affect and co/in-habit(u)ation' murmurs that deals with'co-spasming' and recurrences." --Bracha Lichtenberg-Ettinger Homo Neticus is the outcome of multiple dead machines congealing into ugly social habits. Aesthetic and political discourse is moving from the analysis of place, to that of bandwidth. From the movement of people to the flow of information. These have become our prime critical habits. Digital economies of signs and space have pushed ethics and the polis towards the 'fourth discontinuity.' First Copernicus, then Darwin, followed by Nietzsche and Freud. Pushing us out of our comfortable homes to linger and reside alone in our fragile 'meat space.' Now "meta-attributes have replaced physical attributes..." (John Beckmann, Blast), thoughts with hyperlinks, and activity with instant remoteness. The rush of being-on-line over comes the becoming of Being. The online forums at DocumentX attempt to suture the wound by inhabiting our disappearance--the 'home-affect and co/in-habit(u)ation' of the matrix. In 1968 Edmund Leach said that what frighten him, "more than the complexities now being presented to the mind was the impulse to respond with a reductive omniscience." These forums certainly are not reductive and they capture the process of social introjection which new media dialogues engender. Of the three forums offered at DocumentaX, the Blast forum moderated by Jordan Crandall, has created the most impassioned leaps in the darkness which swerve across the electronic nervous system. Perhaps, because it attempts to suture the wounds of art with the formal "protocols" of a new media aesthetics. That may create unfamiliar routes back towards a new "art." But, this new 'art' of increased bandwidth, connectivity, and distributed informatics may set the conditions of an aesthetics which will be unrecognizable by the very hands and eyes that set it forth. New media maybe the last trace of art and the artist--they have been introjected into the everyday exchange of market realism. Art within the frame of new media is a traumatic thing, an "...aching, and we do not know where it hurts and that it hurts. It struggles unsuccessfully to re-approach psychic awareness, but only finds momentary relief in symptomatic repetitions or, by subterfuge, in artwork, where its painful encapsulation partly blows up," (Blast, Lichtenberg-Ettinger). The Blast forum then is spillage management for something that is already lost and attempts to find, "an aesthetic that saves...to reverse the seemingly irreversible destiny of the modern subject; to develop the phenomenology of perception," (Attila Sohar, Blast). The Blast forum is a life boat floating on a net without islands, holding a cargo of empty figures, fading into an invisible horizon--and they ask, "what name do we have for defining our relationship to blindness and calamity? These are questions for the emerAgency." (Greg Ulmer, Blast). These are the whimpers of our digital "Ate"--the tragic impure net of co-aphanisis. http://www.documenta.de/ ricardo dominguez Thing Mag http://www.thing.net/ --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@icf.de and "info nettime" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@icf.de