Robert Adrian on Tue, 1 Apr 1997 17:23:44 +0200 (MET DST) |
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<nettime> Re: nettime: Net.art things? |
The net.art discussion is so interesting that just reading it takes more time than I've got ... ---------- CLEARING THE BACKLOG (1) Reply to John Hopkins (Mon, 17 Mar 1997) While agreeing with everything you have written I would like to add something about the way new traditions emerge as new media change the cultural environment or replace older media - whether it be in art, politics or just daily life ... for example: Perhaps it is true that the discussion of the name *net.art* is silly (although entertaining) but It seems to me that net.art, unlike the art-historical constructs known as"isms", is more important than it may seem because of the way it challenges the concept of art-making as a more or less solitary (and product- producing) activity. >From the very beginning of the use by artists of Telecomm technology, (about20 years ago) the problem has existed of identifying and defining the "work" and the "artist" in collaborative network projects. The older traditions of art production, promotion and marketing did not apply and artists (and especially art-historians, curators, and the art establishment), trained to operate with and within these traditions, found it very difficult to recognise these projects as being "ART" - or as being anything at all! Net.art seems to attempt to define an art practice in dispersed networks and as a form of distributed or collective authorship. In this way it is a very different program than the usual work by artists on the net which are mainly advertisments for themselves, their projects or their galleries - or images of their work in some other (traditional) medium. As I have understood the net.art concept, there are no single "net.art-ists" but a general field (called, for no very good reason, "net.art") in which a collective work is formed by the project participants/communicators. Net.art can, in this sense, be understood as an important conceptual formulation in the process of identifying traditions appropriate to the new telecomm media. (Other parts of the ongoing Nettime discussion appear to be doing the same kind of work for sociology, economics and politics) The similarities with "mail-art" are obvious - and net.art can probably expect as much feedback from the "art-establishment" as mail-art got. At least I hope so - it would be terrible if the art establisment wrapped it in its gorilla embrace! bob ps - Just hit the following unsettling info (via T.Baumgaertl) as I ploughed further down the backlog: >Press information >documenta X goes Internet >documenta X , reknowm(sic) exhibition of contemporary arts, introduces >the documenta X website on 21 March 1997. >http://www.documenta.de and that after the news that the Whitney is also webbing ... Is the gorilla approaching ...? ==================================================================== *Art should concern itself as much with behavior as it does with appearance* - Norman T. White ==================================================================== Robert Adrian <http://netbase.t0.or.at/~radrian/> --- # distributed via nettime-l : no commercial use without permission # <nettime> is a closed moderated mailinglist for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@icf.de and "info nettime" in the msg body # URL: http://www.desk.nl/~nettime/ contact: nettime-owner@icf.de