human being on Sun, 12 Oct 2003 16:13:44 +0200 (CEST) |
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<nettime> new education (2010) [warehouse] |
new education = media + language + logic + identity ... + NN [(((warehouse songs and stories)))] and walking down the sidewalk, the grass overgrown, heard noises along the old building abandoned years ago, old bike wheel needed patching, it was hot sun... the warehouse's garage doors were opened today, it was usually empty inside, yet today hundreds were all around, it was like an impromptu marketplace had been set up, so they went inside to find out more... ...right after finding passage through the initial crowd the space opened up its logic, this was where the ideas, and the people who help carry them, finally found land. it was granted by a city-state partnership, and the notice of sponsorship on the large sign indicated this was not only happening in this large metropolitan area, but all around the country, and more importantly in a majority of the world's fragmented cities, roughly simultaneously. the sign also had a charter of specific local businesses and government funding, cooperating with individuals, organizations, and agencies working in within a varied sector of the arts, sciences, and technological sectors. it helped make sense of turning around, back into what was assembled. this must be the result of what became known as the great internet isolation of 2004, when the people found that while globally connected, they were also trapped inside a language machine that would in turn limit their ability to engage again in the outside. it was this that drove people back to local networks, nodes of the vast communities abandoned to slum lords as the vacancy and boredom of the public mind withered away. certainly, this felt different, and there was no money that was needed to get in, no security cameras, it was like a bazaar and various patterns would form and reform in the groups and people of all walks of life. some of those wearing suits had signs up for wiring schools as part of volunteer networks, they had brochures on a small table, and some student apprentices in tow. others presented their works, sharing information about their services for this community, such as linking up people with projects, paid and unpaid and volunteer. one of their main goals was to bring the arts to the schools with a partnership with the computer recyclers and rebuilders in town, to use the basic MIDI controllers with the computers that could run them, and bring music, then also photography, and painting with the mass of discarded Wacom tablets still streaming out of the large cities from OS upgrades years earlier. they had photos of such work, and basic templates for their approach which was opened up to a collaborative approach, where people around the world could implement various models and feedback could help various schools and particular situations. next to this booth was a set up of old CRT monitors on a rack, with stools and headphones to listen and watch documentaries of people taped earlier, before their deaths in vast, anonymous nursing homes. it was an- other project from another group, the equipment was donated from local and national companies, and CDs and DVDs were burned for archival storage. you could pick from hearing about how life was during the early process of electrification, as the first electrical irons and lightbulbs and wiring arrived in houses, and how it was advertised and so strange to everyone. another had early telephone switch operators accounts, but many were lost to oblivion as they were never recorded before they died, thus whole eras of the human story was lost, the telegraph, the pole workers. this audio- visual history project would eventually be sent to the national archives, and be made accessible in remote database storage for all classrooms and the network. all one could do is try to sample the content, it was an overflowing hive of activities, in the other corner the pulsing lights and a video-collage on the wall could be seen, yet it was far away to get to in a single day. the SIGs or special interest groups of earlier years online started to work offline in new ways, and the interests in hobbies started to form which made a further transition from the university, back into DIY culture, and the garage educators were back at it, but the meetings apparently were much enlarged. artists were gathering signatures for creating an ad-hoc schedule for off-campus technology classes so they could focus their thoughts on thinking when paying the higher rates in the university system, and as such the ecosystem was changing. people who once focused just on interfaces or HTML were now literate in programming and looking for work in these areas, but it took a programmer who was also in the arts to help those with different thinking to understand the same concepts in ways that were more accessible. they were displaying their resulting works, such as graduate projects using a worldwide network of people in interdisciplinary, university and non-profit collaborations, sometimes with business funding, to develop educational software and novel but also vitally needed tools to help people begin to use the computing and other infrastructures to change these same structures. again, the recyclers ingenuity was involved, having hardware-hacked prototypes using old displays and controllers and processors to bring the ideas to life, in group projects. some received national grants and funding, others local, others were in the incubation stage but it took a critical mass and enough checks and balances to make the effort and energy and time worth the investment. one project was made to modify old handhelds to use as oscilloscopes and even microscopes in gradeschools, with power supplies. others had modified the old miniature computers that were now considered junk, into slideshow controllers for artists to show their digital works on the old VGA monitors, they could load 1,000 images or even a movie with various technologies, and show their work anywhere, but especially in the galleries that supported their works, not having to invest in more expensive technologies and they also took on the shareware approach, others remained freeware even to this late day. the companies trying to sell those custom art displays to museums vanished shortly after the idea took on momentum, and this helped to bring movies and animations, even to small screens with headphones, into traditional museum collections. though to really get a sense of it, they had an old decapitated LCD monitor on the wall cycling through a decade of Brad Brace's generous 12hr JPEG project. further, the old hamradio crews were here with rigs, and antique radio people with their vacuum tube setups, the old photography, videography, audio, electrical instruments, many hanging on the outer wall, some of them being swapped, others purchased, the networks of ideas now interconnected. it was something to behold turning to see rows and rows of the case-modders along with the vintage computer club people, with a display to rival any collection, and these were all local collections with people who were bringing their work into one context, to share and appreciate the others. nothing dominated, there were some books that were on display, some of the online personalities who did their feeds, and fed the community as a local and global node, but everything was also oddly equal in a way, unlike before. it was a disorienting space, and to turn in a circle it was too much to take in at once. it was almost as if a caravan had stopped in the warehouse for a brief stop-over. all the garage doors were opened up, and it was an architectural space that had cool air, good natural and artificial lighting, and a good feeling about it. supporters even found local vendors who supplied goods for a big party and feast for the community, while the police were given the okay to leave the place alone, just as any other corporate affair, and let people have fun. business was brisk at the booths for the purchasing of certain specific contents, such as primers on electronics, or the old parts to keep machines running. of the representatives of organizations and other businesses, they were in supporting roles for the networking, like a job fair but for bringing together ideas, it was a stop- gap for the lack of basic research to date, and it apparently was working as people were getting jobs, whether in educational institutions or elsewhere, at the same time as finding out about classes in electronics, learning MIDI, volunteer opportunities, it all seemed to be here. having made it to the opposite side of the building, missing the last wall, it was time to slip out back onto the sidewalk, hands full of information full of calendar dates, even a flash-memory card updated with contact information of everything seen, which can be hooked up when back home with the database PC. whatever the time, the new media machine did something to help found a new education. and things began to work again, for everyone. bc microsite http://www.electronetwork.org/bc/ ~e-list http://www.electronetwork.org/list/ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net