Florian Cramer on Mon, 26 Aug 2002 00:50:50 +0200 (CEST) |
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Date: Fri, 23 Aug 2002 07:51:33 -0400 From: "John M. Bennett" <bennett.23@OSU.EDU> Subject: Emp o Emp o s word d ish you lab ile l ink t race o pen sieve yr s leave o pen yr ha d ang le N s ink d im p le st d agg er got tub ee to p s o ap l op e cop e s ank shush hors at wh eel s orts wing er ed it s i eve s op lop sid c lang ut s and lang am b er bum b le be es cents sin g lan d an gle am h ump umb ra l ease l s eep uzzle d rain p is s hou t d s lap or recti c s or e poch s p ore w oof s lea p me at if clef t on e s n umber yl w hole t arp see v e ils l ip pe eve neng age an t ank shush o ar s at w ill hoo m oo (m ood oom h om e r oom moo n) h one d r on e as e ope n b il iou s ink s w or ds s h ed l ex d ample thi gh gh t ime r aft he he h l' ame r u John M. Bennett & Jim Leftwich __________________________________________ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-8114 bennett.23@osu.edu ___________________________________________ From: Joseph Gray <gray@lxis.net> Subject: Re: /55\dervish Date: Tue, 20 Aug 2002 13:25:41 -0700 ~ ~ ~ ~ ~ ~~ ~ ~ ~~ ~~~ ~ ~ ~~ ~~~ ~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~ http://nzn.com/cirrusa/dervishCaptures ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~ ~ ~~ ~~~ ~ ~ ~~ ~ ~ ~ to really work. i think are inbred)ss ion about the ideal set anry' style video is the riguer these days in NYC ~~~~~ Im almost read you even thinlmeads me to...aybe just as an excer ~ ~ ~~ ~~~ ~ ~ ~~ es the lack of stimuli, whi h led to an shown that the fear response ha s been tightltoal~ ~~~~~ ~~~~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~ ~ ~ ~ LeDoux, Ph.Dke Nato or Jitter seem more like intellect Do you actually realise hod setting for ambient video (which meo' vs 'club video'. somethingle, you Mac people ucts li w easily your attention ca n be fixat for long form videocise in increasing attention span (sly cons erved in evolution, and probably fol, moving ry vid--your brain begins to r result is too often dead. how do you disorders, says neuroscienti t Joseph ~ ~ual purd + sapped? No, I don't imagi ~ ~ ~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~ ~ ~ ~~ ~~~ ~~~~~ ~~k "a snake!"igh t apply to the ongoing discussion about white cube that ne you realize search... which vaguely lle hol d that tv and movies ha ve on visuaans u ~ ~ ~ ~~ ~ ~ ~~ ~~~ ~ ~ ~~ ~~~ ~~~~~ ~ ~ ~~ ~~espond fearfully. Fear is an ancient emotion that is involved in a number of mentalof Br mediums like fi~~~~~~ ~ ~ ~~ ~~~ lows much the same pattern in humans and other v ertebrates. In a way its important, the use and perception of unedited footage, m. Hard to say, 'watching the paint. would be a specialty of NN's. drugs), the interesting discu--beforecrack the str ang say artistsNATO and Jitter produce, but wha t about GEMM?in on the cusp 3) regarding 'g and v.vns http://www.nimh.nih.gov/events/ledoux.htm ideo? prodenjoy non-editing, everyone else loves good editing. You are walking through the woods, and you see a coiled shape lying across your path. Instantly On Monday, August 19, 2002, at 05:52 PM, joshua goldberg wrote: > a preliminary version of dervish, my vj tool authored in jitter, is now > available at http://goldbergs.com/dervish . > > enjoy. full source code coming soon. > > j > -- > > josh@goldbergs.com > -- "thank you for your patience and your enthusiasm" To unsubscribe from eu-gene visit http://www.generative.net/mailman/listinfo/eu-gene From: "-IID42 Kandinskij @27+" <death@zaphod.terminal.org> Subject: Re: Directing Artistic Energies (was: Re: nato><jitter) Date: Tue, 20 Aug 2002 12:35:24 -0700 (PDT) On Tue, 20 Aug 2002, Ivan Pope wrote: > > I think IID42 is a bot. > > Ivan It's true. `, . ` `k a r e i' ? ' D42 -- "thank you for your patience and your enthusiasm" To unsubscribe from eu-gene visit http://www.generative.net/mailman/listinfo/eu-gene Date: Thu, 22 Aug 2002 11:40:44 +1000 From: "app][lick.ation][end.age" <netwurker@HOTKEY.NET.AU> Subject: _This Cybagenic Lattice_ [re][levant][post] . .. . . . . .. A c][r][][ab-like][yst][al][ repeating. . . . . In disarray, a molten swathe of n.ter.face][s][ts mimic simul.crated spaces. In describing, yr structure is musty, n.distinguishable from the mas][ticated][s, a graphic urn of circuitry rust. In b.tween][ning][, pat.turns of repetition ][like looped n.testinal lattice][ is in ][& of][ IT.s][h][ell.f repeated ][the uni.f][r][ied cell][. .. . .. . . . . .. . . .A most fungalmental repetition property. . . . . . . . . .. . . . . .. . ... . .. . This Cyb.age.nic Lattice in its ][& of IT.self][ ubersymmetry. We n.itially shrink ourselves ][in][2 3 di][ce][mensions. 4 ][si][m.plicity, 3 types r coded: .C.quential. . .Replification. . . .Helix. .C.quential: U perceive & reproduce via regular successions. No gaps allowed. No m.maginative rigor. U may ][& will][ b visualized like this. U represent a sell][out][.F - the human unit of repeditive n.elasticity. [4 e.e.g, u r 1 of the sell.Fs. if u look out, u c the same reflective sell.Fs @ 0, 90, 180, & 270 d.grees because a c.quential repeats itself @ predicable ][culturally-d.][greed n.tervals. . .Replification: U repeat consistently. U r not able 2 distinguish successive patternings ][@ 0 and 180 cultural d.gree][d][s][. U find replification easier than advancing. U m.ulate. U ][re][produce as if it were progressive. . . .Helix: U spiral and poll][inate][ute. U.re c.oiled c][ultural][entrics reorder & re.route. U burn the sell.F. U.re c][h][ells can traverse the vir][mens][t][r][ually & geocentrically g][l][athered. . .. . . . . .. If the helix s.][c][el][l][ves were seen in ultradimensions, they would completely fill the Cybagenic & Ge][c][o.d.fined Lattrix. . .. . . . . .. Subject: Re: ::.][afta][B.urn N.scription:: Date: Tue, 20 Aug 2002 23:39:42 +0200 (MEST) From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr> En réponse à Florian Cramer <cantsin@zedat.fu-berlin.de>: yes ::: :: : .,,,,,,,,n,,,,,,,,,na,,a,,,,,n,, a.. .,,,,,,,,,,,,,,,,,,aa,,,,,,,nnn,, . n,,,,,,,,,,,,,,,,,,,n,,,,,,:annn: .tn,,,,,,,,,,,,,,,,,,ann,,:,:,annn. ..ana. .. .ttn,,,,,,,,,,,,,,,,,,,na,,,,,aan,n. . .n,,,,,,. . .... ..:::,,a,,,,,,,,,,,,,,,,,,,,,,,,,,,,,nn, ..,,,,,,,,::t............tt.tt:t::,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,nn: .... .n,,.n,,,. . .......ttttt::::::,,,,,,,,,,,,,,,,,,,,,,,,,,,,,nnt .nnnanann .... ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,na. ...aaan. ,na,,,,,,,,,,,,,,,,,,,,,,,,,,n, . .aan,.. ,,annn,,,n,,an,,,,,,,,,,,,,,,,. . .,n,,,,,,,,,,,a... ,a,an,aaa,,,n,,,,,n,,,,,,,,,,,,nn a:. .n,,,,,,,nnaan,,,,,,,na.,...a:t,.,a,nana,,,,,,,,,,,,,,,,,,,,, ,,,n annan,,,nnna,nn,,,,,,,,,,,,a:.t..,,, .:n,,,,,,,,,n,,,,,,,,nnn,nn, .naaann,,,,nanana,,,,,,,,,,,,n:...,..t:,,,,,,,,,,,,,,,,,,,,n,, ,,,, .nna,aan,,,,aanaan,,,,,,,,,,,,n,,,,,,,,,,,nn,nnnnnnnnn,,,,,nn, ,,,, ana,an,,,,,,na,nn,,,,,,,,,,n,,,,,,,nn,,,,nnnnnnnnnnnnnnnnnnnnnn,, .nna,an,,,,,naaan,,,,,,,,,naan,nnna,,,,,,,,,,,,,,nnnnnnnnnnnn nnnn .aaaan,,,,,,,,,,,,,,,,,,naan,na,,a,aannnaaaan,,,,,,,,,,,,,n nnnn .annnnn,,,,nnn,,,,,,,,,,n,,,na,n,na,aaaaaaaaaannnnnnnnn,,,, ,,,, .....,aaann,,,nann,,,,,,,naann,,,n,,,nnan,,naa,aaaaannaaaaaaanaaaaaan,n nnnn .::.t:,n,,,,,,,,,,,,,,,aaaaa,,,n,,nnn,nnn,nnnna,,,nnnnnn,nnnnnaaaaa,aaaanaaannan nnnn na,,,,an,,,,,,,,,,,,,nn,,aan,,,,aaa,,,:,aaa,naan,annnnnaaannnnnnnnn,,nnnnaaaaaaa aaan ,a,...,a,nnnaaaanannaannaa,n,nnaa,,,::::::,nn,n::,aa,,,::,,annnnnnnnnnnnnnnnnann n,nn a:. ...a::::::::annaaaaaannnanaa,,,,,aa,,,,:t,:t:t:,::::::,,aaaaaaaaan,,,,,,,,, ,,,, ,:. .ttttt::t,,,,,::::,,,a,n,aannaaaaa,,:,..t:::::,a,:,,,:,,,,,,,,,annnnnnnn n,,, ::ttttt::,::t:::tt,t... ..t,aann:,,,anaaaaaaaannaaaa,,::::::::::,,::,:,aa,naaaaa aann ,,aaaaa,::tttttt. .. .,:::ttttt,naaaaaaaanaaaaa,,,::::,,,,aaa,aa,,,aaaaaaa aaaa naaaaa,,::tt.. .....::t....:.. .:a,,,:::::annannnannnnnnnnaaaa,,,,,,,,,aaa aaan naa,,,,,:,,,,,,,:... ..tt.. .::tt...ttt:aaaaaaaaaannnnnnaaaa,,aaannnnn nnan > Am Dienstag, 13. August 2002 um 13:04:24 Uhr (+0200) schrieb ¤: > > > > > > app > > > ] > > > > > > > > > > > > > > > - > > > : > > > -: > > > > > > - > > > : > > > -: > > > > > > - > > > : > > > -: > > > > > > - > > > : > > > -: > > > > > > - > > > : > > > -: > > > > > > > > > > > > > > > > > > > > > . > > > c > > > .o > > > . > > > a > > > p > > > w > > > hw > > > .t > > > . > > > > > > p___ > > a > > > > > > p____________o____________s_____________t > a r c h i v e > http://www.o-o.lt/post > > ¨¨¨¨¨¨¨¨¨¨¨¨ mais veux tu mais veux ____________ g.n.a.p.b.l. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post Subject: Re: copy&paste engines or how do machines produce art pieces. Part #2 Date: Tue, 20 Aug 2002 23:42:14 +0200 (MEST) From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr> En réponse à ¤ <mi_ga@o-o.lt>: > &&&&&&&&&&&&&&&&&& when itry it, :::::::: i love it :::: .,,. .....,..ann :a .. ..v;. ,,. . a. ........:...a,:::.. .a. . .. ... .v. ,.:,::t. ..., .nvn. ..,:,a ,. ;;n. .,.. .. vv.. aa::t:. ;;.. a,,;,.,, .a,,aa::t. n. .,,::..a.: ,...,a,,,. :..an. ttt:aa.. ..... . .a,:,a. aa,.t tt...:,n ,...,.. . .. ..v:nn. ::,,,,:nvvvnan. t. .. . .. ::na.avn,n,. vvvv,a:.,v,,,.. .... . . .. . .... n,. ..v;a .,,,:t. , .... .. ..n .: ... ,a. .a:,na,,,,. . nnn,,n. n,,,. v;. ..,..t. :a t...: ,ann,na :. av,,,nna.. .... .v : .vnana...: ,,,,n. .nnan. nan. .. ... .;;;....:. aaaann .,aan. .aaa,.,,::.... ....... nva..:... nnnn,n. .:,.. .aa,. ......, a.. ...,... . .v. ,.. . ,n.. t:. aaa,............t... .. .t. t: ::. .....,.:. ....:,... ...,a. tt t .,....a .,.... .:,aan. t. .. .t ,.. ..n ,. .. .., .t,,ann. ::. . t........a.:.. .. .tt,annn. ,: ...na:.. .,.t,,n.. .tt:aaaaa. aa .. . .v...n....aa,.. .taaaan. ,,. .,..v;vv,vvv,nn,... ..... .,a,,,. ,;,. ,.: v;;;;;;;v,,na,,,,,n,,:. .::,::. ,;n..,;v .,,vvv,na,::tt:,,,aa,.. t: . v;. ,v,. .,naa,::t.. .,.a,nv,. .. v;..:v,. ..na,:ttt. .... , t ;;..:nv. .vna::ttt .... ;, anv v;n,::t ;..,v,, ;;,,t. ..:,.a .;;.. .. ,n, n.. n. ..;v..na tt. ... .n..:. .v;,,nva :,,:.. . : .;;;nna:t. ...... .:anaa,,,,:,,::. . ;;;;;v,naaaaaaaa,:. .:,ann,,,,,nna. :;;;;;vv;;vvv,na,:t. . ..tt......::.. > > lidi wrote: > > Medium-length > > It gets in my > > > > And when I try > > And when I try > > And when I try > > hair is all wa > > > > waxy, waxy, wa > > > > p____________o > > a r > http://www.o-o.l > > > > > > p____________o____________s_____________t > a r c h i v e > http://www.o-o.lt/post > > ¨¨¨¨¨¨¨¨¨¨¨¨ mais veux tu mais veux ____________ g.n.a.p.b.l. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From: Alan Sondheim <sondheim@panix.com> Date: Sun, 18 Aug 2002 22:23:33 -0400 (EDT) Subject: war war ___________ nikuko | oo o.oo o. o| oo| ooo .o o.ooo| o KIILLS KILLS o.o . america | o . | | oooo. o|ge marked f | oo o.ooo| | ooo .o o| | o . |er <tom967@ | oo . o| | ooo . o |xpunging DO | oo .o o| | o . |<orishai@ho | oo .o o|1 Aug 18 ma | oo o.oo | (4356 | oo .o |iks: | oo o.o | | oo .o o| [Writing F | ooo . oo| (2168) Re | o . |animey logi | oo .o |imilar thin | oo .o o| about NATO | ooo . oo|N 3 Aug 1 | ooo .o |upp ( | ooo . o |arning 'Rul | ooo .o o| Romancewww | oo . oo|/2002/08/16 | ooo .o |al/middleea AMERIKA kills NIKUKO */the beginning of the end for planet/* .ooo| .oo */all distinctions are lost in universal slaughter/* HELP US, NIKUKO, help us! ___________ i am hidden in your mouth | oo o. o| o . o.o .o o.oo oooo. o.ooo| ooo beyond the certainty of wires oo| .oo .ooo| holding me against speech electrical fury and death all this is a warning from nikuko amerika you must obey international law stop killing & extinction animals | oo o.ooo|'s on PFIAB | ooo . o |hich mirror | ooo .o |scription o | oo o. |ter. vicki | o . |om/capitalg | oo .oo |html?bid=3& | ooo . o | | oo o.ooo|intelligent | oo o.o o| you sound | o . |ld have fun | ooo . oo|ut copied t | oo o.ooo|".] | ooo .o o| | ooo .o | her... | oo o. | | o. o | south from no | oo o. |udmila.org | o . | sp | oo .oo |the amelia | ooo . o |son novels | oo o.ooo|ites of all | oo o.o o| | o . | give back what owed AMERICA are endless destruction planet sways violent bearings north south ___________ done 22:18:03 === Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ nettime unstable digest vol 9 Fri Aug 23 14:55:46 2002 Subject: Emp o From: "John M. Bennett" <bennett.23@OSU.EDU> Subject: Re: /55\dervish From: Joseph Gray <gray@lxis.net> Subject: Re: Directing Artistic Energies (was: Re: nato><jitter) From: "-IID42 Kandinskij @27+" <death@zaphod.terminal.org> Subject: _This Cybagenic Lattice_ [re][levant][post] From: "app][lick.ation][end.age" <netwurker@HOTKEY.NET.AU> Subject: Re: ::.][afta][B.urn N.scription:: From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr> Subject: Re: copy&paste engines or how do machines produce art pieces. Part #2 From: =?ISO-8859-1?Q?astr=EBe_galbiatta?= <astreegalbiatta@free.fr> Subject: war From: Alan Sondheim <sondheim@panix.com> # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net