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Table of Contents: <textz.com> newsletter march 2002 "textz.com" <textz@textz.com> job offer: professur medientheorie humboldt uni berlin Andreas Broeckmann <abroeck@transmediale.de> Short Film Festival g-niale - call for entries garage <info@garage-g.de> Call for Work/Papers -- Peace and Human Security Media Festival Nino Rodriguez <nino@pobox.com> Announcing the MFA in Integrated Media Arts Chuck Varga <valthoth@earthlink.net> anti-globalization rock John von Seggern <johnvon@digitalcutuplounge.com> engage via dialogue "megan rainey" <megan@va.com.au> DIAN Announcement for March DIAN <info@dian-network.com> Fwd: RV: Argentina: call for global day of action artactivism@gn.apc.org Jo-burg/RSA - The | PREMISES presents ubermorgen:: : net_CALLBOY <hans@ubermorgen.com> ------------------------------ Date: Fri, 01 Mar 2002 18:00:00 +0100 From: "textz.com" <textz@textz.com> Subject: <textz.com> newsletter march 2002 ________________________________________________________________________________ textz.com newsletter march 2002 ________________________________________________________________________________ hi all, this month, we are very glad to announce that we have released the first plain ascii version ever of bret easton ellis' 1991 novel american psycho http://textz.com/index.php3?text=american+psycho if anyone has a copy his 1999 novel glamorama on his or her hard drive, we would be very happy to get it. please attach and mailto:inbox@textz.com best regards, textz.com ---------------------------------------------------------------- 10 of our most popular textz in february ---------------------------------------------------------------- Douglas Adams: The Hitch Hiker's Guide to the Galaxy 1. ( 3.) http://textz.com/index.php3?text=adams+guide a.s.ambulanzen: deleuze.net not found 2. ( 1.) http://textz.com/index.php3?text=ambulanzen+deleuze Kathy Acker: The Language of the Body 3. ( 2.) http://textz.com/index.php3?text=acker+language William S. Burroughs: Naked Lunch 4. ( - ) http://textz.com/index.php3?text=burroughs+lunch Michael Hardt / Antonio Negri: Empire 5. ( 6.) http://textz.com/index.php3?text=hardt+negri+empire Theodor W. Adorno: Culture Industry Reconsidered 6. ( - ) http://textz.com/index.php3?text=culture+industry Neal Stephenson: Cryptonomicon 7. (10.) http://textz.com/index.php3?text=cryptonomicon David Lynch: Mulholland Drive 8. ( 4.) http://textz.com/index.php3?text=lynch+drive George Orwell: 1984 9. ( 8.) http://textz.com/index.php3?text=orwell+1984 CIA: Psychological Operations in Guerrilla Warfare 10. ( - ) http://textz.com/index.php3?text=agency+operations ---------------------------------------------------------------- 10 of our most recent textz ---------------------------------------------------------------- Michel Houellebecq: Extension du domaine de la lutte http://textz.com/index.php3?text=houellebecq+lutte Oscar Wilde: The Importance of Being Earnest http://textz.com/index.php3?text=wilde+earnest Alfred Hitchcock: Vertigo http://textz.com/index.php3?text=hitchcock+vertigo Jorge Luis Borges: La Biblioteca de Babel http://textz.com/index.php3?text=borges+biblioteca Sigmund Freud: The Interpretation of Dreams http://textz.com/index.php3?text=freud+dreams Umberto Eco: Foucault's Pendulum http://textz.com/index.php3?text=eco+pendulum D.A.F. de Sade: Les 120 journées de Sodome http://textz.com/index.php3?text=sade+sodome Abbie Hoffman: Steal This Book http://textz.com/index.php3?text=hoffman+book Luther Blissett: Q http://textz.com/index.php3?text=blissett+q Thomas Pynchon: V http://textz.com/index.php3?text=pynchon+v ---------------------------------------------------------------- 10 of our largest textz ---------------------------------------------------------------- Leo Tolstoy: War and Peace http://textz.com/index.php3?text=war+peace Alexandre Dumas: Vingt ans après http://textz.com/index.php3?text=dumas+vingt Rainald Goetz: Abfall für alle http://textz.com/index.php3?text=goetz+abfall James Joyce: Ulysses http://textz.com/index.php3?text=joyce+ulysses Charles Baudelaire: Curiosités esthétiques http://textz.com/index.php3?text=baudelaire+curiosites Kevin Kelly: Out of Control http://textz.com/index.php3?text=kelly+control Fyodor Dostoyevsky: The Idiot http://textz.com/index.php3?text=dostoyevsky+idiot Herman Melville: Moby Dick http://textz.com/index.php3?text=moby+dick Georg Wilhelm Friedrich Hegel: Phänomenologie des Geistes http://textz.com/index.php3?text=hegel+phaenomenologie Franz Kafka: Tagebücher http://textz.com/index.php3?text=kafka+tagebuecher ________________________________________________________________________________ http://textz.com - we are the & in copy & paste ________________________________________________________________________________ ------------------------------ Date: Tue, 26 Feb 2002 16:03:57 +0200 From: Andreas Broeckmann <abroeck@transmediale.de> Subject: job offer: professur medientheorie humboldt uni berlin (english version below) Für den an der Philosophischen Fakultät III zum WS 2002/03 zu eröffnenden Studiengang "Medienwissenschaft" ist eine C4-Professur für Medientheorien zu besetzen. Kennziffer: PR/002/02 Der neue Magister-Studiengang "Medienwissenschaft" gehört zum Institut für Kultur- und Kunstwissenschaften. Das neu gegründete Seminar für Medienwissenschaft ist mit zwei Professuren (C3 und C4) ausgestattet und verfügt über eine umfangreiche technische Ausstattung (Video- und Computereinrichtungen, Videothek, Studiobühne, Bibliothek). Der Studiengang dient der umfassenden Ausbildung in Medienkompetenz unter den hochtechnischen Bedingungen gegenwärtiger Gesellschaften. Er wird durch medienspezifische Lehrveranstaltungen der benachbarten Fächer ergänzt. Die Verflechtungen der Medientheorien mit dem Prozess der historischen Ausdifferenzierung der analogen und digitalen Medien sind ebenso grundlegend wie die Kulturtechniken der Repräsentation (Bild, Schrift und Zahl). Der/die künftige Stelleninhaber/in soll in der Lage sein, die historischen und gegenwärtigen Medientheorien sowie mindestens zwei Medien umfassend in Forschung und Lehre zu vertreten. Vertrautheit mit der Technikgeschichte der Medien ist Voraussetzung. Der/die künftige Stelleninhaber/in soll in der Lage sein, die organisatorischen Grundlagen, die wissenschaftliche Profilierung, die Integration des neuen Faches im Kanon der an der Humboldt-Universität vertretenen Kultur- und Kunstwissenschaften und in der internationalen Forschung kreativ und engagiert zu entwickeln. Wissenschaftsorganisatorische Kompetenz und internationale Ausgewiesenheit wird erwartet. Die Bewerber/innen müssen die Anforderungen für die Berufung zum Professor/zur Professorin gemäß § 100 des Berliner Hochschulgesetzes erfüllen. Danach können unter bestimmten Voraussetzungen an die Stelle der Habilitation gleichwertige wissenschaftliche Leistungen treten. Die HU strebt eine Erhöhung des Anteils an Frauen in Forschung und Lehre an und bittet deshalb qualifizierte Wissenschaftlerinnen nachdrücklich, sich zu bewerben. Bewerbungen von Wissenschaftler/innen aus dem Ausland sind erwünscht. Schwerbehinderte werden bei gleicher Eignung bevorzugt berücksichtigt. Bewerbungen mit den üblichen Unterlagen (Lebenslauf, Zeugnisse, Schriftenverzeichnisse) sind bis zum 28.03.2002 unter Angabe der jeweiligen Kennziffer zu richten an die Humboldt-Universität zu Berlin, den Dekan der Philosophischen Fakultät III, Prof. Dr. Hartmut Böhme, Unter den Linden 6, 10999 Berlin. __________________________________________ The Faculty of Arts III invites applications for a full professor of Media Theory (Bes.Gr. C 4) in its new Media Studies program. Code: PR/002/02 The new undergraduate and graduate program in Media Studies is located within the Department of Cultural Studies and the Arts. The newly founded Seminar for Media Studies consists of two full professors (C3/C4) as well as technical capabilities (video and computer equipment, video library, studio stage, institute library). The course program will be supplemented with media-specific courses in neighboring disciplines. The program aims to provide comprehensive education in media competence for the highly technological conditions of modern society. Connections between media theory and the process of the historical divergence of analog and digital media are as fundamental as the cultural techniques of representation (pictures, letters, and numbers). The successful applicant should have an extensive research and teaching program in historical and modern media theory, as well as in at least two media forms. Familiarity with the history of technology is expected. The successful applicant should be committed to the development of the major and be able to make creative contributions to its organization and academic profile and to its integration into the Department of Cultural Studies and the Arts of the Humboldt University and international research. Administrative competence and an international reputation are expected. The Humboldt University follows a non-discrimination policy. Applications from women and persons with disabilities are especially encouraged. To apply, please send a letter of application and the usual documents to: Dekan der Philosophischen Fakultät III, Prof. Dr. Hartmut Böhme, Humboldt-Universität zu Berlin, Unter den Linden 6, 10099 Berlin, Germany ------------------------------ Date: Wed, 27 Feb 2002 14:02:30 +0100 From: garage <info@garage-g.de> Subject: Short Film Festival g-niale - call for entries german version below. sorry for any cross-postings. please feel free to forward. Call for Entries ----------------------------------------------------- - ------------------------ 4th International Short Film Festival g-niale - ------------------------------------- August 2002 in Stralsund/Germany - ---------------------------------------------------------------------- - ----------------------------------------------------------- playground The 4th international short film festival g-niale will run in August 2002 and is part of the garage festival in Stralsund. Organizers of the g-niale are garage and Filmclub Blendwerk e.V. play and earnest, rules and spoilsport, power play and play instinct, play within play, play with fire, role-playing and play on words. Wanted are films which examine the principles of play on a substantial or formal basis, films which are influenced by games or tell about playing. Students of film and art schools and professional filmmakers of all genres are invited to send their newly produced short films (max. 20 minutes) to the festival. No restrictions apply to the genre of submitted works. The preselected films will be presented to an audience which, at the end of the festival, will choose the audience prize worth 250 EUR. Additionally, the three prizes of the jury worth 1.000 EUR in total will be awarded. Deadline will be June 3rd, 2002. entry forms and details available under: http://www.garage-g.de email: g-niale@garage-g.de tel: +49 (0)30 4412015 Ausschreibung -------------------------------------------------------- - -------------------------- 4. internationales Kurzfilmfestival g-niale - --------------------------------------------- August 2002 in Stralsund - ---------------------------------------------------------------------- - ----------------------------------------------------------- playground Das 4. internationale Kurzfilmfestival g-niale findet im August 2002 im Rahmen des Festivals garage in Stralsund statt. Veranstalter der g-niale sind garage und Filmclub Blendwerk e.V. Spiel und Ernst, Spielregeln und Spielverderber, Machtspiel und Spieltrieb, Spiel im Spiel, Spiel mit dem Feuer, Rollenspiel und Wortspiel. Gesucht sind Filme, die sich inhaltlich oder formal mit dem Prinzip des Spielens auseinandersetzen, Filme, die von Spielen beeinflusst sind oder über das Spielen erzählen. Studenten von Film- und Kunsthochschulen sowie Filmschaffende aller Sparten sind eingeladen, Kurzfilme neuerer Produktion bis max. 20 min Länge einzureichen. Beschränkungen hinsichtlich des Genres gibt es nicht. Die vorjurierten Arbeiten werden dem Publikum präsentiert, welches am Ende des Festivals über den mit 250 EUR dotierten Publikumspreis abstimmen wird. Die Jury vergibt drei Preise in Höhe von insgesamt 1000 EUR. Einsendeschluss ist der 3.Juni 2002. Anmeldeformular und Details unter: http://www.garage-g.de email: g-niale@garage-g.de tel: +49 (0)30 4412015 ------------------------------ Date: Wed, 27 Feb 2002 12:52:51 EST From: Nino Rodriguez <nino@pobox.com> Subject: Re: Call for Work/Papers -- Peace and Human Security Media Festival .......... I have recently joined the steering committee of an exciting new festival. Please see the call for submissions below and attached. Please forward to any and all media-makers and organizations that may be interested. Peace, - -Nino http://www.pobox.com/~nino/bio.html ===== On 6-15 September 2002, the Center for Peace and Human Security will host a Peace and Human Security Media Festival to feature films, radio and television programs, photographs, paintings, drawings, sculpture, theatrical and other performances, print journalism, music, computer software, websites, prose, and poetry on the subject of or contributing to international peace and human security. Simultaneously, the Center will host an International Conference on Peace and Human Security Media. Within the broad theme of international peace and human security, CPHS is particularly interested in media that address the issues of conflict transformation, sustainable development, human rights, and international justice. In convening the Peace and Human Security Media Festival and the International Conference on Peace and Human Security Media, CPHS hopes to: * Showcase media that contribute to international peace and human security * Explore constructive ways for mediamakers to cover issues of peace and human security * Engage in dialogue about the role of mediamakers in the dynamics of war, peace, and insecurity * Encourage and facilitate collaboration between peace and human security practitioners and mediamakers * Nurture the development of peace and human security initiatives that engage mediamakers constructively At this time, the Center for Peace and Human Security is accepting submissions for the Peace and Human Security Media Festival. Submissions will be accepted until 31 May 2002. Please find attached the official entry form, a submissions checklist, and a list of festival rules and regulations CPHS is also calling for papers, panels, and posters for the International Conference on Peace and Human Security Media. Submissions will be accepted until 30 June 2002. Please find attached the call for papers and the official registration form. For more information, please contact the secretariat at: Center for Peace and Human Security Columbia University Station P.O. Box 250308 New York, New York 10025 Tel: (646) 342-0099 Fax: (212) 281-9269 E-mail: mediafestival@peaceandhumansecurity.org (Festival) or mediaconference@peaceandhumansecurity.org (Conference) ------------------------------ Date: Thu, 28 Feb 2002 04:47:23 -0500 From: Chuck Varga <valthoth@earthlink.net> Subject: Announcing the MFA in Integrated Media Arts February 14, 2002 From: Hunter College President Jennifer J. Raab I am very pleased to announce that our new Master of Fine Arts Program in Integrated Media Arts: Advanced Studies in Nonfiction Media Making was approved by the CUNY Board of Trustees on January 28, 2002. We are optimistic about receiving approval from the New York State Education Department (SED) shortly. A truly innovative program, the MFA in Integrated Media Arts is designed to integrate advanced interactive media technologies with the expanding areas of nonfiction media, including news journalism, documentary, biography, commentary and criticism, to prepare students for positions of creative leadership in a wide range of contemporary media organizations. At the core of the program are production workshop courses in three creative clusters: WORDS (emphasizing journalism, script and treatment writing, and other forms of nonfiction media writing); VISIONS(emphasizing visual communication of stories, ideas and information); and CHANNELS (emphasizing designs for distributing and exhibiting media work, publicizing ideas and using media to enhance the quality of community interaction). Students will also participate in internships, interdisciplinary research and seminars focused on the interrelatedness of media and society. We anticipate that the new MFA in Integrated Media Arts will quickly become a premier program at Hunter, and its graduates will be highly sought after by the media industry in New York City and elsewhere. Applications are being accepted for Fall 2002 admission to the program. http://www.hunter.cuny.edu http://filmmedia.hunter.cuny.edu - -- Andrea Polli Associate Professor Film and Media Hunter College ------------------------------ Date: Fri, 01 Mar 2002 22:43:36 +0800 From: John von Seggern <johnvon@digitalcutuplounge.com> Subject: anti-globalization rock Fun rock video satirizing globalization...this video certainly has more copyright violations per minute than anything else I've seen lately... http://www.starbuckscocacolagap.com/ - -- John von Seggern http://www.digitalcutuplounge.com ------------------------------ Date: Sun, 03 Mar 2002 18:58:29 +1030 From: "megan rainey" <megan@va.com.au> Subject: engage via dialogue A new thread has arrived on the CACSA dialogue board. P l e a s e E n g a g e ! http://www.cacsa.org.au/dialogue/index_frames.html Elastic has provided a valuable space for discussion on contemporary visual arts over the last three days (Wed 27 Feb to Fri 1 March) at the Adelaide Symphony Orchestra Grainger Studio. The plenary session was titled 'BEYOND ELASTIC'. It was well documented and extensive notes are available from the cacsa dialogue board which poses questions and invites you to engage with and expand the debate. PLENARY SESSION > BEYOND ELASTIC Representatives from the Adelaide Festival 2002, Adelaide Fringe 2002, national public and private contemporary art spaces address the relationship between visual arts and festivals, and the future of artists week. CHAIR Cath Kenneally PANEL Gus Clutterbuck (Visual Arts Coordinator, Adelaide Fringe) Sarah Miller :(Director, PICA) Paul Greenaway (Greenaway Art Gallery) Angus Trumble (writer and critic) Amanda McDonald Crowley (Associate Director, 2002 Adelaide Festival) http://www.cacsa.org.au/dialogue/index_frames.html __ apologies for any cross postings ------------------------------ Date: Fri, 01 Mar 2002 01:02:18 +0100 From: DIAN <info@dian-network.com> Subject: DIAN Announcement for March DIAN - Digital Interactive Artists' Network [Image] http://dian-network.com March: DIAN - Digital Interactive Artists' Network - Our focus for the month of March is BRIAN MACKERN. We proudly present his work: "content/no-content" http://dian-network.com/navigation.html Reflection-concept about content/no-content: A random gallery of preloaders that announces the data-loading of the site no-content.org. It is, simultaneously, an aesthetic investigation on the creation of reactive-interactive objects and random audio surroundings, within the boundaries of minimum bytes possible. ------------------------------------------------------------------------ DIAN - Digital Interactive Artists´ Network - is a network for artists who are seriously involved in using Internet technology in the domain of contemporary art. We are deeply interested in artists working in this field. Artists working with the web, the net and related domains, please submit your work here: http://dian-network.com/information.html Visit DIAN and explore what can be done on the Internet. address: http://dian-network.com e-mail: info@dian-network.com to unsubscribe from this list send an email to unsubscribe@dian-network.com ------------------------------ Date: Sat, 23 Feb 2002 15:17:26 +0000 From: artactivism@gn.apc.org Subject: Fwd: RV: Argentina: call for global day of action - ----- Original Message ----- From: Ezequiel Adamovsky To: intergalactika@inventati.org Sent: Friday, February 22, 2002 1:06 PM Subject: RE: Argentina: call for global day of action (English translation below) 24 de marzo Llamado a un Día de Acción Global Cacerolazo, piquete u otras acciones en solidaridad con el pueblo argentino y contra la dictadura de los mercados (Próximo Día de Acción Global: 20/4) El 24 de marzo de 1976 comenzó el golpe de estado que, tras asesinar a 30.000 personas y detener y torturar a muchas más, logró imponer el programa neoliberal que el pueblo argentino resistía. Durante la dictadura, los militares contaron con el apoyo de las corporaciones financieras y las grandes empresas locales, y de créditos millonarios del FMI. Por ello, la última dictadura militar argentina es un símbolo de la dictadura global de los mercados. En la represión de la rebelión popular en Buenos Aires el 20 de diciembre de 2001, la policía asesinó a 7 personas en la Plaza de Mayo. El 20 de cada mes se recuerda ese evento en amplias manifestaciones en Argentina. En solidaridad con el pueblo argentino y contra la dictadura global de los mercados, se invita a los pueblos del mundo a realizar un cacerolazo, piquete u otras acciones globales el 24 de marzo de 2002 (y nuevamente el 20 de abril). ---------- 24 March Call for a Global Day of Action Cacerolazo, Blockade or Other Actions in Solidarity with the People of Argentina & Against the Dictatorship of the Market (Next Global Day of Action: 20 April) The 24th of March 1976 the last military dictatorship in Argentina began. After the murdering of over 30.000 people (and the torture of many more) the dictatorship carried out a program of neo-liberal economic reforms, which the Argentinians resisted. During their unlawful rule, the military were supported by the IMFand the local and transnational financial corporations and big companies. Therefore, the dictatorship in Argentina is a symbol of the global dictatorship of the market. Almost twenty years after the end of the dictatorship, the people of Argentina are still resisting neo-liberal rule. In the repression of the last popular rebellion the 20th of December 2001 seven people were killed in Buenos Aires. The 20th day of each month this event is remembered in big demonstrations all over Argentina. In solidarity with the people of Argentina and against the dictatorship of the market, the people of the world are invited for a global day of action the 24th of March (and again the 20th of April). As a symbol of international solidarity, many groups all over the world will organise protests in the spirit of the two main methods of the Argentinian rebellion --the banging of pots and pans ("Cacerolazo") and the blockade of streets ("piquete")-- and other actions. ------------------------------ Date: Tue, 26 Feb 2002 15:11:45 +0100 From: net_CALLBOY <hans@ubermorgen.com> Subject: Jo-burg/RSA - The | PREMISES presents ubermorgen:: : FOR IMMEDIATE RELEASE The | PREMISES p r e s e n t s [f]originals [V]ote-auction digital legal art [f]originals <documents> An exclusive exhibition by ubermorgen:: : artist | company <http://www.ubermorgen.com/>ubermorgen.com "we make money!" (VIENNA/BERLIN/JOHANNESBURG) opening on March 8, 2002 at 18h00 closing on March 23, 2002 the exhibition will feature [f]original legal documents and products from various and ongoing digital legal activities by the ubermorgen group. about ubermorgen:: : artist | company The approach that ubermorgen:: : artist | company has taken is far removed from the traditional understanding of art practice, resembling acts of social net terrorism or radical corporate marketing strategy. Operating largely within the web environment, but not obeying normative approaches to performative public interventions or structured net art activity, ubermorgen applies the professional approaches of a corporation in marketing approaches and brand building, backed by the understanding of online communities and radical thinking to a range of projects that make an impact on large audiences (whether directly or indirectly) around the world. The byproducts of their digital legal art projects often exist in the form of printed documents as well as photocopies, thus making the distinction between originals and fakes very difficult. The exhibition [f]originals (fake - originals) evolves out of this process and focuses on the legal documentation resulting from www.vote-auction.net (initially www.vote-auction.com), where they offered United States voters the opportunity of selling their votes online during the last general election, which saw George W. Bush elected as president. Extract from 'the DAILY ubermorgen BRIEFING' brought to you by uberNEWSAGENCY; [[ubLZ:2002BSE2701am,live f/UNA_STUDIO st. moritz]] 27//01//2002 [F]ORIGINALS AT "THE PREMISES" GALLERY / JHB/RSAJOHANNESBURG/JHB [<http://www.ubermorgen.com/SOUTHAFRICA/>RSA/republic of south africa <http://www.odci.gov/cia/publications/factbook/geos/sf.html>* ] / VIENNA/BERLIN, gallery "THE PREMISES" will show ubermorgen "[f]originals" in march 2002. this exclusive show will feature foriginal legal documents, products from various and ongoing legal activities by the ubermorgen group. this unique and exclusive show is curated by <mailto:m_n@mweb.co.za>marcus neustetter and financed by the ministry for energy and the justice department of the republic of south africa. *<http://www.odci.gov/cia/publications/factbook/geos/sf.html>south africa is member of the following international legal organisations: ACP, AfDB, BIS, C, CCC, ECA, FAO, G-77, IAEA, IBRD, ICAO, ICC, ICFTU, ICRM, IDA, IFAD, IFC, IFRCS, IHO, ILO, IMF, IMO, Inmarsat, Intelsat, Interpol, IOC, IOM, ISO, ITU, MONUC, NAM, NSG, OAU, OPCW, PCA, SACU, SADC, UN, UNCTAD, UNESCO, UNHCR, UNIDO, UNITAR, UNMEE, UPU, WCL, WFTU, WHO, WIPO, WMO, WToO, WTrO, ZC. Flag description: two equal width horizontal bands of red (top) and blue separated by a central green band which splits into a horizontal Y, the arms of which end at the corners of the hoist side; the Y embraces a black isosceles triangle from which the arms are separated by narrow yellow bands; the red and blue bands are separated from the green band and its arms by narrow white stripes. Airports - with unpaved runways: total: 599, Military - note: the National Defense Force continues to integrate former military, black homelands forces, and ex-opposition forces. Illicit drugs: transshipment center for heroin, hashish, marijuana, and possibly cocaine; cocaine consumption on the rise; world's largest market for illicit methaqualone, usually imported illegally from India through various east African countries; illicit cultivation of marijuana. Please see attachment for additional information. A full transcript of the CNN vote-auction.com interview can be downloaded at <http://www.cnn.com/TRANSCRIPTS/0010/24/bp.00.html>http://www.cnn.com/TRANSCRIPTS/0010/24/bp.00.html For more information, please contact Marcus Neustetter on 082 9291569 or <mailto:mn@onair.co.za>mn@onair.co.za GALLERY HOURS: Tuesdays to Saturdays : 12.00 pm to 8.00 pm johannesburg civic theatre parking level 1 10 loveday street braamfontein johannesburg south africa tel : +27 11 403 3408 X 184 (Boy Bangala) email: <mailto:thepremises@onair.co.za>thepremises@onair.co.za / URL: <http://www.onair.co.za/thepremises>www.onair.co.za/thepremises If you don't wish to receive any more information from us, please email <mailto:thepremises@onair.co.za>thepremises@onair.co.za with UNSUBSCRIBE in the subject line. The | PREMISES apologizes for any cross-postings. - -- net_CALLBOY hans_extrem brainhard ETOy.HANS; luzius a. bernhard, h_e, hans a. bernhard he hitme mailto:hans@ubermorgen.com icq38302022 http://www.ubermorgen.com uberNEWSAGENCY_Pop http://www.designindaba.com CHECKdaTALKA;now http://www.dplanet.org re_LAUNCH!!!CHECK ITO uberDISCLAIMER _______________________actctg thecontentsofthisemail,andanyattachments,are CONFIDENTIALandintendedonlyfortheperson[s]to whomtheyareaddressed::ifyouhavereceivedtheem ailinerror,pleasenotifythesenderimmediatelya nddeleteitfromyourcomputersystem::donotcopyo rdistributeitordiscloseitscontentstoanyperso n::unlessotherwisestated,theviewsandopinions expressedinthisemailarepersonaltothesenderan ddonotrepresenttheofficialviewofthecompanypl easenotethatubermorgenmonitorse-mailssentorr eceived::furthercommunicationwillsignifyyour consenttothis_________________________actctg ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net