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Table of Contents:
Selten_gehoerte_Musik
geert lovink <geert@xs4all.nl>
Debate: net.art and art criticism
Eric Kluitenberg <epk@xs4all.nl>
4 UPCOMING DIGITAL CONFERENCES IN SO CAL
Lev Manovich <manovich@ucsd.edu>
notbored@panix.com
Molly Hankwitz <mollybh@netspace.net.au>
transmediale.02 Conference & Panels
Andreas Broeckmann <abroeck@transmediale.de>
Melting Media Project 003
"nomusic" <info@nomusic.org>
Grand finale in The Utopian World Championship 2001
SOC <info@soc.nu>
Cuckoo summer 2002 season!!!
Cuckoo <cuckoo@cuckoo.org.nz>
Privacy Lecture Series - Pamela Samuelson, Jan. 17, 2002
Ana Viseu <ana.viseu@utoronto.ca>
Melting Media Project 003
"Radio Londres" <radiolondres@altern.org>
read_me 1.2: announcing jury members
Olga Goriunova <og@avia.formoza.ru>
((( NORADIO )))
"noweb" <info@noweb.org>
------------------------------
Date: Fri, 11 Jan 2002 09:03:57 +1100
From: geert lovink <geert@xs4all.nl>
Subject: Selten_gehoerte_Musik_=28announcement=29?=
Via: "Nils Röller" <rfnr@hotmail.com>
Sent: Friday, January 11, 2002 2:05 AM
Subject: Selten gehörte Musik
konzert: selten gehörte musik
Der Autor, Erkenntnistheoretiker und Aktivist Oswald Wiener hat unter dem
Label "selten gehörte Musik" Freundinnen und Freunde zu einer akustischen
Performance zusammengetrommelt. Neben der "Wiener Family" (Adam, Ingrid und
Oswald Wiener) bestreiten diesen Abend der Bratschist Walter Fähndrich, der
Psychologe und Autor Fridrich Wilhelm Heubach, Wolfgang Müller von Die
Tödliche Doris, die Filmemacherin und Performancekünstlerin Valie Export,
der Köln-Techno-Star Thomas Brinkmann, Klaus Sander vom Kölner
Supposé-Verlag sowie Nils Röller, Marcus Schmickler, Stefan Schmidt und
Florian Thümmel. Im Rahmen der propagierten "Ästhetik des Scheiterns"
erwarten wir grossartigen Krach und (man achte auf die Örtlichkeit)
anregende, neue Hörerfahrungen. Es begrüsst die Gäste und Akteure Alfred
Biolek.
ort: millowitsch-theater, aachener str. 5
datum: montag, 14. januar 2002, 21 uhr
Einlass: 20 uhr
Nur Abendkasse
10 Euro
Informationen unter:
www.suppose.de/live.html
Tel 0221 66079 06
Fax: 0221 66079 07
akteure:
die wiener family (adam, ingrid und oswald wiener)
walter fähndrich (bratsche)
prof. dr. friedrich wilhelm heubach
wolfgang müller
thomas brinkmann
valie export
klaus sander
nils röller
marcus schmickler
stefan schmidt
florian thümmel
markus schmickler
begrüssung: alfred biolek
- ----------------------------------------------------------------------------
- -
zwei Zitate:
"Wir haben uns zusammengefunden, eine Art Ästhetik des Scheiterns
auszuprobieren, das heißt eine Ästhetik des Nichtkönnens, des Möchtens,
des Wollens. Und dies ist eine sehr schmerzhafte Ästhetik, es ist eine
Ästhetik der Peinlichkeiten, der Blamage, des Verzichts. Da es aber
eigentlich darum geht zu ergreifen, emotional auf einen Hörer
einzuwirken, gibt es natürlich dieses Blamiertsein und die Peinlichkeit
als eine Art Ergriffenheit und als ein Spiel damitÖ"
(Oswald Wiener, aus einem Vortrag über selten gehörte musik, Köln 1998)
"es ist sehr schwierig, etwas zu machen, wenn der verstand sehr beweglich
ist. es braucht dann keiner bewegung der gegenstände. sieh dass die
ereignisse deine einsicht nicht festlegen, dass die eine interpretation
nicht erzwungen werden kann; dass der verstand grösser als sein
gegenstand ist (etwa insofern irrtum möglich ist) und sieh dass nur der
gelähmte verstand der wirklichkeit bedarf und der verschiebungen in ihr.
er sieht die mechanismen nicht, die vom gegenstand zu ihm führen und
kann sie nicht ändern; jede veränderung des gegenstandes führt über
starre hebel zu einer veränderung seiner auffassung, und jede
veränderung einer vorstellung projiziert er auf den gegenstand.
neue formen gehören zu einer strategie, mitzuteilen dass man die alten
formen anders verstanden hat. aber mir geht es nicht um kommunikation,
sondern um die aufweichung meiner vorstellungen. SELTEN GEHÖRTE MUSIK
ist auf dem weg zu grösserer beweglichkeit des verstandes, nicht der
ereignisse, und beachtet musikalische formen nicht (musikalische formen:
die als eigenschaften des verstandenen wirken aber unbedachte und
aufzulösende mechanismen des verstehens sind)...
SELTEN GEHÖRTE MUSIK aus der unfähigkeit: noch nicht vergessen haben,
wie man hören muss (und zu den regeln zurückstreben), aber schon
unfähig, den kanon anzuwenden; noch nicht im stande, jederzeit das vom
andern gemeinte aus dem was man von ihm wahrnimmt zu streichen, aber
doch bereits das selbst getane in seiner beliebigen interpretierbarkeit
sehen und die modulation der wenigen aspekte, die mir überhaupt
auffallen, nicht zur manipulation deines verständnisses sondern gegen
die enge meines eigenen meinens einsetzen..."
(OSWALD WIENER, über das Berliner Konzert selten gehörte musik 1974)
- --
supposé
verlag + label
kleiner griechenmarkt 28-30
50676 köln
germany
tel ++49.221.66079-06
fax ++49.221.66079-07
kontakt@suppose.de
www.suppose.de
------------------------------
Date: Fri, 11 Jan 2002 00:59:58 +0100
From: Eric Kluitenberg <epk@xs4all.nl>
Subject: Debate: net.art and art criticism
A N N O U N C E M E N T
Debate:
net.art and art criticism
Friday January 25, 2002
De Balie, Centre for Culture and Politics, Amsterdam
Grote Zaal
Start: 20.00 hrs.
Ever since documenta X 1997 in Kassel, internet art has been placed on the
map of the contemporary art world. Artists such as the duo jodi.org or
Marko Peljhan were suddenly launched into the international art world.
Meanwhile, however, artists working primarily with the internet have
remained rather exotic creatures in the art zoo.
Why? Are these artists misunderstood? Does net.art also demand a new set of
criteria? What is the relevant context in which these works should be
discussed and analysed; that of contemporary visual arts, or rather the
context of the internet itself and the turbulent developments of the new
communication and information technologies?
It begs the question how art criticism should deal with these phenomena. Is
internet art or "net.art" simply another art form as there are many others,
a genre, which then can be a normal part of regular art criticism? Or do
these works in the admittedly special context of the internet require their
own criteria and their own discourse, in order that they can be
appropriately understood and valued?
Participants in the debate are; Frederic Madre (F); Tilman Baumgaertel (D),
writer, critic, author of "net.art Materialien zur Netzkunst"; Sarah Cook
(UK), Curator, writer and researcher, University of Sunderland; Graham
Harwood (UK), media-artist (ex-Mongrel) and currently artist in residence
at De Waag Society for Old and New Media; jodi (B&NL) artist duo, creators
of the famous jodi.org net art web site, SOD a radical adaptation of the 3D
game Wolfenstein and the "Wrong Browser" project.
It is also possible to follow the debate via internet, at:
http://www.balie.nl/live
URLs:
* Jodi.org Home Site and Wrong Browsers
http://www.jodi.org
http://www.wrongbrowser.com
* Artist Collective Mongrel:
http://www.mongrelx.org
* Web Pages of Frederic Madre
http://pleine-peau.com
* Web Pages of Tilman Baumgaertel:
http://www.thing.de/tilman/
* Web Pages of Sarah Cook
http://www.newmedia.sunderland.ac.uk/sc/sarahc.htm
*Web Pages of Josephine Bosma:
http://www.laudanum.net/bosma
* Cream - Discussion Forum n net.art:
http://www.laudanum.net/cream
____________________
tickets & reservations:
price: Euro 7,50 (f 16,50) / E. 5,00 ( f 11,00)
opening hours box office: work days 13.00-18.00 hrs or until the start of
the program.
In the weekend 1 1/2 hour before the programs starts.
Reserve by phone: 31.20.55 35 100 during opening hours until 45 minutes
before the program starts.
De Balie
Kleine-Gartmanplantsoen 10
1017 RR Amsterdam
http://www.balie.nl
------------------------------
Date: Thu, 10 Jan 2002 22:17:29 -0700
From: Lev Manovich <manovich@ucsd.edu>
Subject: 4 UPCOMING DIGITAL CONFERENCES IN SO CAL
The following conferences on new media theory/art will take place at UCLA,
UCI, and UCSB in the next few months:
January 18-19 | UCI
Digital Culture: EpistemologieslSubjectivities
http://www.hri.uci.edu/digital_conference.htm
Speakers: Katherine Hayles, J. Hillis Miller, Pierre Levy, Patricia T.
Clough, Mark S. Poster, Lev Manovich
February 1-2 | UCLA
Digital Utopia/Digital Distopia Conference
URL: coming up
Location: UCLA Royce Hall, Room 314.
Keynote lectures:
Scott McCloud, author of Understanding Comics and Reinventing Comics;
Steve Kurtz, member of Critical Art Ensemble;
Lev Manovich, UCSD
March 8-10 | UCSB
Interfacing Knowledge: New Paradigms for Computing
in the Humanities, Arts and Social Sciences
http://dc-mrg.english.ucsb.edu/conference.html
Keynote: Alan Kay
Speakers: Mark Poster, J. David Bolter, Sadie Plant, Katherine Hayles,
Peter Lunenfeld, Lev Manovich, and many others
April 4-6 | UCLA
The First Electronic Literature Organization Symposium "State of the Arts"
http://www.eliterature.org/state/
Keynotes: Robert Coover, Katherine Hayles, Jason Epstein
Speakers: Stuart Moulthrop, Lev Manovich, Bob Stein, David Bolter, and many
others
- --------------------------------------------------------------
Dr. Lev Manovich
http://www.manovich.net
email: manovich@ucsd.edu
phone: +1 (858) 8221012
Address:
Prof. Lev Manovich
University of California -- San Diego, Visual Arts Department, 0084,
9500 Gilman Drive, La Jolla, CA 92093-0084, U.S.A
------------------------------
Date: Fri, 11 Jan 2002 19:02:03 +1000
From: Molly Hankwitz <mollybh@netspace.net.au>
Subject: notbored@panix.com
correction: if you are interested in participating
in the columbia univeristy panels on surveillance cameras
(nettime announcements 1/11/02 - please contact Bill
at notbored@panix.com - errata to announcement listing-
all apologies.
molly
------------------------------
Date: Fri, 11 Jan 2002 12:41:57 +0200
From: Andreas Broeckmann <abroeck@transmediale.de>
Subject: transmediale.02 Conference & Panels
transmediale.02 - international media art festival berlin
5 - 10 February 2002
go public!
Conference & Panels
Thursday, 7.2., 16.00
Conference 1: Public Space Invaders
Public space is not a control-free gathering place for enlightened
citizens; rather it is a technically and highly media equipped system
combining visibility, vigilance and control. Publicity today is rather
something which takes place in the pseudo- private spaces of the television
than in urban spaces. In digital space, the border between private and
public data, between communication and information is disappearing. And
yet, we are not only the slaves of mobile communications services, of
biometric systems and public displays. Resourceful artists and media
activists are appropriating the necessary technologies, and creating
creative and critical media for digital publicity.
With:
Konrad Becker (at), director of Public Netbase Vienna, on the research and
information project World-Information.Org; Matthew Fuller (uk), media
theorist from London, on tactical media and 'TextFM', a project developed
together with G. Harwood which combines private SMS with radio; Tim
Pritlove (de) of Berlin's Chaos Computer Club on the spectacular
Blinkenlights installation at the Haus des Lehrers on Alexanderplatz; Andy
Bichlbaum of TheYesMen (int), a group of activists who say an irritatingly
loud yes! to globalisation. Additionally we show a video by the
Surveillance Camera Players (us), who play theatre in front of surveillance
cameras, and a commercial break by ubermorgen.com.
Thursday, 7.2., 20.30
Conference 2: Global Public
Global Public: The New World Order of Broadcasting
Globalisation is not merely an economic and political phenomenon, it is
also taking place to a substantial degree in the media, which increasingly
enables a connected audience worldwide to take part live in global events.
The conditions for global media reportage have changed fundamentally over
the past years. The co-existence of satellite, internet, and terrestrial
broadcasting channels has led to the disappearance of the boundaries
between global concerns such as CNN, regional stations such as the Arabic
Al Jazeera, or the media activist network Indymedia. Representatives of
such networks discuss the 'new world order' of broadcasting. (Participants
to be confirmed)
Friday, 8.2., 16.00
Conference 3: Images in Process
Images in Process
Media images in the digital era are no longer static representations of
reality; rather they are temporary constructions based on software and
codes. Images are mixed, sampled, and interpreted technically. The
significance of these images is dependent on the technical and cultural
conditions under which they can be received, reproduced, and manipulated.
The truth and the authenticity of images, which with photography had still
been tied to the immediacy of the moment, can, in the digital flood of
images, only be depicted as a tendency, as a pattern, as a possibility,
which can be eradicated again at any moment by a more recent overwriting.
Those who wish to report and publicise events have to learn to move with
the image process. History is an interactive account of events; every image
within it is a passing approximation.
With:
Edmond Couchot (fr), Prof. emeritus at University of Paris 8, on generative
image processes and the 'second interactivity'; Michael Punt (uk) of
University of Wales College Newport, on the aesthetics of the 'post-digital
analogue'; Peter Lynch (ca), film maker, on digital film production and the
totally media-driven perception of 'Cyberman' Steve Mann.
Moderation: Thomas Y. Levin (us) Professor in Film Studies at Princeton
University
Friday, 8.2., 20.30
Conference 4: Software Speculations
Software Speculations
The growing social significance of computer software is indisputable.
Countless processes within the Information Society are being shaped by
software, and from Apple Macintosh, to Napster, free software and 'open
source', it is clear that software is not a value-free instrument, but
represents in each case a wilful cultural artefact. Artists and cultural
scientists are therefore increasingly reflecting upon the political,
ideological, ethical and aesthetic dimensions of software and software
design. The transmediale competition for 'software art' pays tribute to
this development.
At the beginning of the programme, the projects nominated for the
transmediale 'software award' will be presented by the artists:
Daniel Hahn/Dietmar Schifferbauer (de), Joan Leandre (es), Local Area
Network (ch), Alex McLean (uk)
With:
Manfred Fassler (de), cultural and media anthropologist at the University
of Frankfurt, about the constitution of social spaces through software;
Matthew Fuller (uk), media theorist, about speculative software and the
research project 'Software=Culture'; Margarete Jahrmann (at), artist and
media theorist who teaches at art academies in Linz, Wien and Zuerich,
about software as a generative art-machine.
Moderation: Florian Cramer (de), lecturer in Comparative Literature, FU Berlin
Wednesday, 6.2., 20.30
Panel: Concepts of Interactive Art
Concepts of Interactive Art
The artists in the exhibition present their different concepts and areas of
expertise: the works shown are based on artificial intelligence,
biofeedback, voice recognition or deliberate, physical navigation. Under
discussion are the artistic chances and risks of interactive projects, as
well as the rules under which interface design functions. Particular
attention has been paid to the unusual conditions and demands placed on the
visitor's reception of the work, in order to develop a clearer definition
of the term "interaction".
Presentations by: Peter Frucht (hu/de), robotlab (de), Jonah Brucker-Cohen
(us) Panel: Luc Courchesne (ca), Seiko Mikami (jp) Masaki Fujihata (jp),
Kenneth Rinaldo (us)
Thursday, 7.2., 14.00
Panel: SMS Encounters
(in German)
"SMS Encounters: The intensification of the public sphere?"
SMS-fever - not only means E-speed lyrics between two people. Novels and
sports news are also obtainable with an SMS subscription. The Afghanistan
war has also meant that troops are dealt with via SMS. Culture and media
producers are experimenting with the private medium in order to make use of
the mobile telephone as enter key for new forms of public broadcasts. For
some time now, a semipublic communications network is taking on vague
contours. TV and radio are also being short-circuited through the private
remote control. Do infringements between the private and the public sphere
take place when a private mobile medium is shortcircuited with immobile
public media? The panel SMS encounters intends to shed light on the
production environment of (intermedial) SMS-applications, and clarify their
definition of the public.
With:
Olaf Arndt, Kuenstler, www.bbm-ww.de; Alexandra Bohn, Autorin, u.a.
www.spex.de; Klaas Glenewinkel, Medienproduzent, www.okb.de; Christoph
Maire, CEO, www.gate5.de; Nils Roeller, Medientheoretiker, www.khm.de;
Matze Schmidt, Medienaktivist www.n0name.de.
A cooperation between Berliner Gazette + Media Arts Lab/ Kuenstlerhaus
Bethanien
www.berlinergazette.de
www.bethanien.de/mal
Saturday, 9.2., 12.00
Panel: Young Russian Media Art
Young Russian Media Art
In spite of all the changes and new orientations in Russia's intellectual
landscape they do not forget their post-soviet "rituals of understanding"
and are developing ways of describing new spiritual processes with euphoric
composure and ironic self-exaggeration. Young media artists from Moscow and
St.Petersburg present their work.
With:
Eldar Karhalev, developed the Wap-Portal WAPICONA; Sergei Teterin,
describes a heavenly Nirvana in 'All Media Artists Go To Heaven', where
media artists enter after their death, to work with the internet, pagers,
and mobile phones; Ivan Khimin, studied art history and media art at Pro
Arte Institute in St. Petersburg; Anna Kolossava, plays with virtual and
physical spaces; Yuri Popov, works with the artistic possibilities of the
Flash format.
Moderation: Alexei Shulgin
Samstag/Saturday, 9.2., 12.00
Panel: Digital Cultural Heritage
(in German)
Digital Cultural Heritage
Art and culture live by their confrontation with tradition. The
digitalisation of large areas of our cultural production means that our
society faces the challenge of preserving this most recent inheritance for
us, and for posterity. What will happen when in a few decades the necessary
combinations of hardware, operating systems and software no longer
function? The answers to these questions are not only of great importance
to art historians, but are of interest to the whole of society. From the
annual balance sheet to the computer game; is there any information left
that is non-digital in nature - and are we facing the great post-digital
age of forgetting?
With:
Konrad Becker, Public Netbase Wien, www.world-information.org
Rudolf Frieling, ZKM Karlsruhe, www.zkm.de
Oliver Grau, Humboldt Universitaet Berlin,
www.arthist.hu-berlin.de/arthistd/mitarbli/og/og.html
Hans Dieter Huber, Akademie der Bildenden Kuenste Stuttgart,
www.art.net.dortmund.de/ger/ per/hu_4fr.html
Andreas Lange, DiGA - The Digital Game Archive Berlin,
www.computerspielemuseum.de
Sunday, 10.2., 14.00
Panel: Paper.Hype
Paper.Hype
Under the title 'Paper Hype' the transmediale.02 is for the first time
organising a meeting of editors of a number of different European magazines
dealing with digital culture. Representatives from England, France,
Austria, Germany and Italy will introduce their print media and will
discuss the conditions for publishing in the internet era. What does it
mean to produce a magazine, a paper publication about digital culture in an
era of apparently total digitalisation? Mute calls it: Proud to be Flesh!
With:
Jan Rigos Hillmann, DE:BUG, Berlin, zeitung fuer elektronische
lebensaspekte, www.de-bug.de
Christian Hoeller, springerin - Hefte fuer Gegenwartskunst, www.springerin.at
Fran Ilich, undo, Mexiko, www.cmca.gob.mx/undo
Armelle Leturque, CRASH, Paris, www.crash.fr
Alessandro Ludovico, NEURAL, Bari, www.neural.it
Pauline van Mourik Broekman, MUTE, London, www.metamute.com
Sunday, 10.2., 12.00
Panel: Public Vote/Public Bet > K 1
Stuart Rosenberg: Public Vote/Public Bet
The project Public Vote/Public Bet was developed by Stuart Rosenberg
specially for transmediale. 02. Instead of leaving the decision about the
award winners to the expert jury, festival visitors can vote on the best
projects and choose their own Public Vote Award in the three award
categories. A second 'go public!' is added to this first one: in the
'Public Bet' betting booth the festival visitors can place bets on the
winners of the Public Vote Award. If you guess correctly, you win the
jackpot! On the day after the prize ceremony, Rosenberg presents the
project and discusses the implications of different types of open, public
and democratic decision making processes.
info: www.transmediale.de [full programme online 15 january]
_______________________________________
andreas broeckmann - artistic director -
transmediale - international media art festival berlin
klosterstr. 68-70 - d-10179 berlin
tel. +49-30-24721907 - fax +49-30-24721909
ab@transmediale.de - www.transmediale.de
- ---------------------------------------
transmediale.02 - [go public!] - 5-10 feb 2002
------------------------------
Date: Fri, 11 Jan 2002 13:22:25 +0100
From: "nomusic" <info@nomusic.org>
Subject: Melting Media Project 003
festival@mmp.noisiv.org
www.mmp.noisiv.org
16.01.2002 - Start : 09:30pm (CET +1)
MELTING MEDIA PROJECT 003
>>> Input/Output Behaviors <<<
"MMP003" will take place in Acud Remise (veteranien str, Berlin)
and by streamed live on www.nomusic.org (real audio and video).
participants:
*fake masters
- - noisepoprock in accordance with some
dwarfs and giants we the fake masters composed for a
number of years discarding the more successful
composers of all time.
http://fakemasters.net/fakeonline
*g.las
- - cut-up ambient + visuell enlightenment Since
year 2000 `g.las´ works on manipulation and penetration
of the listener. The used materials are almost familiar
microphone recordings from different environments [asia
(a holy influenza) & the first world (a forced one)],
also strange and beautiful shit. Fuck and cut up´s
(reconstruction, a few fx, lot of cuts, almost no
synthesis) are the way to serve the materials back to
the encoder ...
www.sensitivewormrile.net & www.stubnitz.com
*3def
- - e-music midi tek sounds like solid bricks to be
used for the express function of construction. then
spend the night testing that structure.
www.beatleprint.net/sound
*carl.y + laboiteblanche
- - Masters of sound manipulation. Using different
sources, from concrete to granular misfortune, they
encounter on the way many a monster.
www.noweb.org & www.grandhoteldeparis.com
Nomusic.org will also stream all the event on line, via Real
Server.
*HERMIT (Eric Boros)
- - has been recording and playing
live since 1994 using handmade, stolen, found,
bastardized, minimalist, junk equipment. His "brut"
artistic works express a nihilistic and generally grim
critique of commercial music, mainstream culture, and
humankind's devastation of the earth.
www.noiseweb.com/hermit/
*2/5Bz
- - started with audiotapes,photocopyzines,collage
video films,stickers,cdr,flyers,posters,....etc and
performed concerts From 1991 on,2/B5Z published its
products by itself.In a way,- tried to create its own
media and copied/ distribute or sometimes trade these
products under very simple circumstances.
http://www.2-5bz.com/
*project discotheque grönland, a kind of dark droning ambient vs.
machinebeats.
contact: stillstandrec@gmx.de
=Video screening:
- -"kandahar" (D/Fra) zeitgenoessische aud/vid
collagen
- -"notorik drift" / "schein der starre" expermntal
films by robert s.s kurth
- -more 3 experimental shortmovies from Holland.
<<<< guests for installations ??? >>>>>
=Similar to the MMP2 002 the cdrom containing material
of artists participating in the MMP 003 will be
produced by .txt and given on the site.
=Archive cdrom with live recordings from MMP 002 will
be present on the site and in the shop of beatle print.
=Beatle print will print on the site by silk screen on
everything.
www.beatleprint.net
=The archive of MMP2 have been published on
http://www.mmp.noisiv.org by androvirus
androvirus@web.de
(noisiv)
coordination + booking :
members of noise group NOISIV
www.noisiv.org
festival@noisiv.org
production :
CDRoms posters flayers ect...
stream form/into in acud
workers of digital workshop .TXT
www.beatleprint.net/txt
txt@beatleprint.net
steaming :
((( NOMUSIC )))
Carl.Y et laboiteblanche
www.nomusic.org
info@nomusic.org
tech_info:
http://www.noweb.org/nomusic/festival
contact:
fleisherei (0-30) 27572298
berlin torstrase 118
festival@noisiv.org txt@beatleprint.net
- -Location & date:
Remise (acud)
veteranienstrasse 21 berlin-mitte
U8 Rosenthaler Platz, Tram 13, 50, 53
16.01.2002
if you have found this mail far away for subject of
your interests, do forgive send mail to
info@nomusic.org
((( N O R A D I O )))
www.noweb.org
www.nomusic.org
www.noisiv.org
------------------------------
Date: Sat, 12 Jan 2002 22:51:26 +0100
From: SOC <info@soc.nu>
Subject: Grand finale in The Utopian World Championship 2001
Welcome to the grand finale in the 1:st Utopian World Championship 2001!
On the 19:th of january we will announce the winner of the championship at
the Utopian World Championship Gala at Galleri Enkehuset at Norrtullsgatan
45 in Stockholm, Sweden. The gala starts at 8 pm and the prize ceremony
takes place from 9 to 9.30 pm. The winner will be awarded 1000 USD and the
his/hers proposal will be distributed to heads of state and other powerful
institutions all over the world. Special guest is the Swedish philosopher
and critc Sven-Olov Wallenstein, who will speak about the notion of utopia.
The Utopian Party continues troughout the night with Fredrik Söderberg in
the DJ booth.
The Utopian World Championship 2001 is an open global competition in
utopian thinking that started in Sweden in march 2001. The website
http://www.soc.nu/utopian/ has been the place where to enter the
championships, where the competitors submitted their proposals and the
public could elect ten finalists. In december a jury composed of four
persons and one representative from SOC.Stockholm begun the work to chose
one winning proposal from the ten finalists. The members of the jury are
Rebecka Lettevall (PhD History of Ideas, Teacher at Södertörns college),
Edward Soja (Professor, Urban Planning Department at UCLA, U.S.A.), Sverker
Sörlin (Professor, Environmental Sciences and Ideas at Umeå University), Bo
Södersten (Professor, Economics at Jönköping International Business
School.).
The ten finalists are: Armando Ernesto Alferez (Australia), Barry Kort
(U.S.A), Neil Coulter (Australia), Janet Sealy (Australia), John O. Sutter
(U.S.A), Mark Roeder (Australia), Noel Edward Mundy (Australia), T.R.O.Y
(Sweden), Theo Engelaer, (Australia) och William Gillespie (U.S.A).
The winner will be presented at http://www.soc.nu/utopian/ after the
announcement on the 19:th. On the website you can currently read about the
finalists and the jury, take part of the competing proposals and discuss
utopian related events. If you want to contact us please e-mail info@soc.nu
or call Annika Drougge +46 (0)8 718 28 75, Jon Brunberg +49 (0)30 29 77 11
79 or Tobias Sjödin på +46 (0)8 641 13 17.
Yours sincerely
Jon Brunberg, SOC.Stockholm
The Utopian WC 2001 Gala is arranged by SOC.Stockholm and Galleri Enkehuset.
SOC.Stockholm, Bondegatan 64, 116 34 Stockholm, Sweden
www.soc.nu/utopian, info@soc.nu, + 46 (0) 8 640 98 07
SOC is suppported by The Foundation for Future Culture / Swedish Art Grants
Committée.
Galleri Enkehuset, Norrtullsgatan 45, 113 45 Stockholm, Sweden
Tel: + 46 (0) 8 34 36 56 fax + 46 (0) 8 34 33 41
info@enkehuset.nu, www.enkehuset.nuGalleri
Enkehuset is suppported by Statens Kulturråd / Sthlms stad / Sthlms Läns
Landsting / Swedish Institute
------------------------------
Date: Sun, 13 Jan 2002 16:07:42 +1300
From: Cuckoo <cuckoo@cuckoo.org.nz>
Subject: Cuckoo summer 2002 season!!!
Cuckoo summer 2002 season!!!
Give it up for the bird with the novel parenting techniques!!
dates for new diaries:
- -----------------------------------------
At rm401
- -----------------------------------------
on Wednesday 16 January, 6pm
Simon Cuming & Saskia Leek
"Kindle Me, Protect My Barren Matter"
with bonus artist Sean O'Reilly performing at the opening
- -----------------------------------------
and on Wednesday 23 January, 6pm
Layla Rudneva-Mackay
"The Wages of Sin are Death"
& Warren Olds
"Tonights Broadcast was Supposed to be a Celebration"
with bonus artist Tessa Laird
"Mysteries of the Gods"
- -----------------------------------------
Both shows open at 6pm and will be see-able Thursday + Friday 1:00pm -
7:30pm / Saturday 12:00pm - 5:00pm.
Rm401 is on the 4th floor of Achilles House on the corner Commerce St and
Custom St East, Auckland, New Zealand.
- -----------------------------------------
At the Auckland Art Gallery auditorium
- -----------------------------------------
on Wednesday 30 January, 6pm
a special one off screening of
Daniel Malone's film "A Streetkid Named Desire"
The auditorium is on the ground level of the AAG, corner of Wellesley St and
Kitchener St.
- -----------------------------------------
See the educational cuckoo website at http://www.cuckoo.org.nz
- -----------------------------------------
Mailing List
- -----------------------------------------
You have received this message from Cuckoo because we believe you have an
interest in events and opportunities related to contemporary arts and
culture. If you no longer wish to receive notification of upcoming events
just reply to this message, from the address it was sent to, and the subject
line: REMOVE
------------------------------
Date: Sun, 13 Jan 2002 13:32:31 -0500
From: Ana Viseu <ana.viseu@utoronto.ca>
Subject: Privacy Lecture Series - Pamela Samuelson, Jan. 17, 2002
[The Privacy Lecture Series re-starts this coming week with a talk by
Pamela Samuelson, one of the most renowed cyber-rights advocate in the U.S.
Pamela's work in the sphere of copyright and intellectual property (IP),
defending basic individual rights against advances by powerful
corporations, has made her internationally aclaimed. This lecture will
bring together the issues of privacy and intellectual property.
Check the date and time below. The location is the same as last term. Best.
Ana]
PRIVACY LECTURE SERIES
<http://privacy.openflows.org>
PAMELA SAMUELSON
PRIVACY DIMENSIONS OF INTELLECTUAL PROPERTY
Thursday, January 17, 2002
6:45-8:00PM
140 St. George, Room 728
Faculty of Information Studies (building adjacent to Robarts Library)
University of Toronto
The lectures are free of charge and you do NOT have to register.
Abstract
As the content industries expand the scope of intellectual property (IP)
and the technological means for enforcement, important other social values
are negatively affected such as freedom of speech, freedom of research and
privacy. In this talk Pam Samuelson, will focus on the right to privacy and
how it is affected by the emerging new copyright regime, for instance, how
do we balance individuals' right control their private sphere with
corporate rights to control their property and combat piracy? Are new
systems, which force users to license content and to establish a permanent
relation with the right holders, for example in Windows XP, an intrusion
into the user's private sphere? Can the issue of privacy be used to fight
the seemingly limitless expansion of rights of IP holders?
Bio
Pamela Samuelson is a Professor at the University of California at Berkeley
with a joint appointment in the School of Information Management and
Systems and the School of Law. She is also Director of the Berkeley Center
for Law and Technology. Her principal area of expertise is intellectual
property law. She has written and spoken extensively about the challenges
that new information technologies are posing for public policy and
traditional legal regimes and is an advisor for the Samuelson Law,
Technology and Public Policy Clinic.
In 1997, Samuelson was named a fellow of the John D. & Catherine T.
MacArthur Foundation. In 1998, she was recognized by the National Law
Journal as being among the 50 most influential female lawyers in the
country and among the eight most influential in Northern California. She
was recently elected to membership in the American Law Institute and named
a fellow of the Association of Computing Machinery. In 2001, she was
appointed to a UC Berkeley Chancellor's Professorship for distinguished
research, teaching and service for her contributions to both Boalt Hall and
the School of Information Management and Systems.
To register for the Privacy Lecture Series announcement email list please
go to: <http://privacy.openflows.org/>
The Privacy Lecture Series is organized by Ana Viseu, a researcher
currently working at the University of Toronto on her Ph.D. dissertation
which focuses on the development and implementation of wearable computers.
Her research interests include questions of privacy, social dimensions of
technology, and the mutual adaptation processes between individuals and
technology. Ana holds a Master's Degree in Interactive Communication from
the Universidad Autonoma de Barcelona, Spain.
<http://fcis.oise.utoronto.ca/~aviseu>
The Privacy Lecture Series is co-sponsored by the Knowledge Media Design
Institute (KMDI) <http://www.kmdi.utoronto.ca/> and the Information Policy
Research Program (IPRP) <http://www.fis.utoronto.ca/research/iprp/>.
For more info contact Ana Viseu <ana.viseu@utoronto.ca>
[ - - - - - - - - - - - - - - - - - ]
Tudo vale a pena se a alma não é pequena.
http://fcis.oise.utoronto.ca/~aviseu
http://privacy.openflows.org
[ - - - - - - - - - - - - - - - - - ]
------------------------------
Date: Fri, 11 Jan 2002 12:52:10 +0100
From: "Radio Londres" <radiolondres@altern.org>
Subject: Melting Media Project 003
festival@mmp.noisiv.org
www.mmp.noisiv.org
16.01.2002 - Start : 09:30pm (CET +1)
MELTING MEDIA PROJECT 003
>>> Input/Output Behaviors <<<
"MMP003" will take place in Acud Remise (veteranien str, Berlin)
and by streamed live on www.nomusic.org (real audio and video).
participants:
*fake masters
- - noisepoprock in accordance with some
dwarfs and giants we the fake masters composed for a
number of years discarding the more successful
composers of all time.
http://fakemasters.net/fakeonline
*g.las
- - cut-up ambient + visuell enlightenment Since
year 2000 `g.las´ works on manipulation and penetration
of the listener. The used materials are almost familiar
microphone recordings from different environments [asia
(a holy influenza) & the first world (a forced one)],
also strange and beautiful shit. Fuck and cut up´s
(reconstruction, a few fx, lot of cuts, almost no
synthesis) are the way to serve the materials back to
the encoder ...
www.sensitivewormrile.net & www.stubnitz.com
*3def
- - e-music midi tek sounds like solid bricks to be
used for the express function of construction. then
spend the night testing that structure.
www.beatleprint.net/sound
*carl.y + laboiteblanche
- - Masters of sound manipulation. Using different
sources, from concrete to granular misfortune, they
encounter on the way many a monster.
www.noweb.org & www.grandhoteldeparis.com
Nomusic.org will also stream all the event on line, via Real
Server.
(with technical support from CICV Pierre Scheaffer, www.cicv.fr).
*HERMIT (Eric Boros)
- - has been recording and playing
live since 1994 using handmade, stolen, found,
bastardized, minimalist, junk equipment. His "brut"
artistic works express a nihilistic and generally grim
critique of commercial music, mainstream culture, and
humankind's devastation of the earth.
www.noiseweb.com/hermit/
*2/5Bz
- - started with audiotapes,photocopyzines,collage
video films,stickers,cdr,flyers,posters,....etc and
performed concerts From 1991 on,2/B5Z published its
products by itself.In a way,- tried to create its own
media and copied/ distribute or sometimes trade these
products under very simple circumstances.
http://www.2-5bz.com/
*project discotheque grönland, a kind of dark droning ambient vs.
machinebeats.
contact: stillstandrec@gmx.de
=Video screening:
- -"kandahar" (D/Fra) zeitgenoessische aud/vid
collagen
- -"notorik drift" / "schein der starre" expermntal
films by robert s.s kurth
- -more 3 experimental shortmovies from Holland.
<<<< guests for installations ??? >>>>>
=Similar to the MMP2 002 the cdrom containing material
of artists participating in the MMP 003 will be
produced by .txt and given on the site.
=Archive cdrom with live recordings from MMP 002 will
be present on the site and in the shop of beatle print.
=Beatle print will print on the site by silk screen on
everything.
www.beatleprint.net
=The archive of MMP2 have been published on
http://www.mmp.noisiv.org by androvirus
androvirus@web.de
(noisiv)
coordination + booking :
members of noise group NOISIV
www.noisiv.org
festival@noisiv.org
production :
CDRoms posters flayers ect...
stream form/into in acud
workers of digital workshop .TXT
www.beatleprint.net/txt
txt@beatleprint.net
steaming :
((( NOMUSIC )))
Carl.Y et laboiteblanche
www.nomusic.org
info@nomusic.org
tech_info:
http://www.noweb.org/nomusic/festival
contact:
fleisherei (0-30) 27572298
berlin torstrase 118
festival@noisiv.org txt@beatleprint.net
- -Location & date:
Remise (acud)
veteranienstrasse 21 berlin-mitte
U8 Rosenthaler Platz, Tram 13, 50, 53
16.01.2002
if you have found this mail far away for subject of
your interests, do forgive send mail to
nomore@beatleprint.net
((( N O R A D I O )))
www.noweb.org
www.nomusic.org
www.noisiv.org
------------------------------
Date: Sat, 12 Jan 2002 15:36:58 +0300
From: Olga Goriunova <og@avia.formoza.ru>
Subject: read_me 1.2: announcing jury members
read_me 1.2
software as a work of art
or artistic software manipulations
http://www.macros-center.ru/read_me/about-en.html
we are happy to announce the competition's jury members:
Amy Alexander
Florian Cramer
Cue P. Doll
RTmark
Alexei Shulgin
the biographies can be found here:
http://www.macros-center.ru/read_me/biograf-en.html#emi
the dates of off-line moscow part of read_me 1.2 are:
17-19 of MAY.
There are more than 40 works already submitted.
http://www.macros-center.ru/read_me/index-en.html
+++++++++++++++++++++
read_me festival 1.2
CONCEPT can be found here http://www.macros-center.ru/read_me/about-en.html
AWARDS:
Authors of the best works will be awarded special money prizes from "ROSIZO" and "Macros-center":
1st prize - 500 USD
2nd prize - 400 USD
3rd prize - 300 USD
IMPORTANT DATES:
Deadline: January 31, 2002
Festival: 17-19 May 2002, Moscow.
The following types of work can be referred to as artistic software:
1. Instructions (read_me) for modifying standard, commonly used software, as well as patches and anything that creates an artistic impact on software in a way not planned by the application's producers.
2. Deconstruction of existing software products, including computer games.
3. Programs written from scratch with a purpose different than the usual "rational" software purposes, i.e. the rejection of the idea of a program as a purely pragmatic tool.
Since the curators of the festival do not consider it necessary for the framework of the artistic software categories to be too narrow, contact the curators if you are not sure if your work is suitable for read_me 1.2!
If you would like to take a look at sample artistic software works, visit our links page.
ORGANIZER:
"Macros-center", Moscow http://www.macros-center.ru
------------------------------
Date: Sun, 13 Jan 2002 13:47:46 +0100
From: "noweb" <info@noweb.org>
Subject: ((( NORADIO )))
((( NORADIO )))
Tuesday - 15/01/2001 - 21h30 (09:30pm) [CET +1]
*Dj PUNISHER
only shitty music and talkshow
Stream on WWW.NOWEB.ORG
Fly : http://www.noweb.org/fly/punisher_noweb_6.jpg
Wednesday - 16/01/2001 - 21h30 (09:30pm) [CET +1]
*MELTING MEDIA FESTIVAL 003
fake masters-g.las-3def-laboiteblanche-HERMIT-2/5Bz
Stream on WWW.NOMUSIC.ORG
Fly : http://mmp.noisiv.org/images/email.gif
www.noweb.org
www.nomusic.org
------------------------------
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