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Table of Contents: |--- transfer.streaming + Station Rose Webcast no. 150 @ ncc48 Reinhard Braun <braun@mur.at> SURVEILLANCE/STREAMING VIDEO NET.PERFORMANCE TONGOLELE@aol.com Engaged journalism about climate conference in Marrakech Gerbrand Oudenaarden <gerbrand@oudenaarden.nl> transmediale.02 press release "transmediale" <info@transmediale.de> 'end repeat' Interstanding 4 conference and exhibition "darko fritz" <fritz.d@chello.nl> New Media Forum : "Media In Times of Crisis" Randall Packer <rpacker@zakros.com> Mutual Assured Deconstruction Michael Arnold Mages <magesm@mindspring.com> [rahder@YORKU.CA: Book Launch] (>>Announcer?) Patrice Riemens <patrice@xs4all.nl> How to be an Obstacle?: ICA Nov 10-11 T.R.Jordan@open.ac.uk How to be an Obstacle: direct action, street politics and antiglobalisation "ricardo dominguez" <rdom@thing.net> edith-russ-haus =?iso-8859-1?Q?f=FCr?= medienkunst Kulturamt der Stadt Oldenburg <info@kulturamt.oldenburg.de> Station Rose Webcast 150 live from ncc 48, Graz Station Rose <gunafa@well.com> We are All Boat People! i/o <io@digitaleskimo.net> DIGITAL JAM - net.art @ Art Futura 2001 - Barcelona "Stefano Caldana" <st.cal@teleline.es> =?iso-8859-1?Q?=22LIGA=C7=D5ES=2DLINKS=2D_LIAISONS=22?= virose org <links@virose.pt> Privacy Lecture Series - EXTRA SESSION!!! Ana Viseu <ana.viseu@utoronto.ca> transmediale salon presents: Wiener Elektroniker transmediale <info@transmediale.de> Announcment uni <uni@uninet.ee> ------------------------------ Date: Wed, 24 Oct 2001 10:41:27 +0200 From: Reinhard Braun <braun@mur.at> Subject: |--- transfer.streaming + Station Rose Webcast no. 150 @ ncc48 - ---------------------------------------------------------------------------- - ------------------ |--- transfer.streaming | october 26, 2001 | 4:00 - 7:45 pm cest |--- Station Rose Webcast Nr. 150 | october 26, 2001 | 5:45 - 6:45 pm cest |--- part of _transfer.net_ @ ncc48 netART community congress - ---------------------------------------------------------------------------- - ------------------ MiDiHy is pleased to announce its contribution to the _ncc 48 -- netART community congress_ being held in Graz from October 25, 2001 to October 27, 2001. Thanks to the co-operation with Station Rose, Frankfurt, the whole programme, including talks, presentations and a streaming event, will be webcasted, thus implementing the engaged discourses on the net into the net itself. We invite you to take advantage of this _transfer.streaming_ on October 26, 2001, starting at 4:00 pm cest and continuing untill 7:45 pm cest. As part of _transfer.streaming_ Station Rose will be realising their Web Cast Nr. 150 perfomed live on site in Graz starting at 5:45 pm cest Both streames are to take part in at http://www.stationrose.com http://2.ncc.mur.at - ----------------------------- |--- _transfer.net_ - ----------------------------- _transfer.net_ deals with the framework conditions of everyday/popular net cultures (i.e. net cultures having, among other things, always some sort of economic motivation) and the increasing intermeshing of entertainment and consumption cultures on the one hand and net cultures on the other. How are the popularization of connectivity ("get connected", Nokia) and the individualization of presence on the net ("your personal homepage") affecting the framework conditions for all types of net art? Is it possible to maintain a counter-cultural net art or community concept in a time when net-based discourses are increasingly becoming merchandise-type discourses ("satisfy your lust", Siemens)? What meaning is possibly left, against this background, for strategies such as appropriation, irony, fake, subversion, diversification or for something like (sub-cultural) counter-information? PROGRAMME - -------------------------- 4:00 pm cest - start of _transfer.streaming_ Reinhard Braun, MiDiHy, A | Andreas Broeckmann, transmediale, D Wich networks, wich discourses, wich art? http://www.midihy.org http://www.transmediale.de 4:15 pm cest Verena Kuni, art and media scientist, Frankfurt/Trier, D Masche oder Mehr? Netzwerke(n) als schöne Kunst betrachtet http://www.kuni.org/v/ 5:00 pm cest Climax Clan/ Action Bot Machinima | http://www.climax.at a re emerge by Jahrmann & Moswitzer, A Konsum Art-Server | http://www.konsum.net 5:45 pm cest Station Rose - Gary Danner & Elisa Rose, Frankfurt, D Build a Page with a Cable presentation/performance Station Rose - Gary Danner & Elisa Rose, Frankfurt, D Web Cast Nr. 150 http://www.stationrose.com 6:45 pm cest panel discussion with all participants of _transfer.net_ , moderated by Andreas Broeckmann 7:45 pm cest - end of _transfer.streaming_ - ---------------------------------- _transfer.net_ is part of ncc 48 -- netART community congress october 25th, 12:00 noon through 27th, 12:00 noon cest 2001 dom im berg, graz/austria http://ncc.mur.at/ ncc48 stands for 48 hours of non-stop information, documentation, discussions, reflections, and productions in analog and virtual space. the topic is "the internet in the context of art". Condensing information is the intention of ncc48, the congress is the medium. Over a time-line of 48 hours international artists, scientists, theorists, computer experts and the scheme-team will discuss, report and reflect on topics succeeding one another in a temporal rhythm and forming the "content back bone" of ncc48. There will also be concurrent workshops, chats, lectures and presentations of networkart projects. a mur.at event http://www.mur.at - -- MiDiHy productions Bauernfeldstrasse 26 A-8020 Graz fax 0043 316 58 46 32 http://midihy.org - -- ------------------------------ Date: Wed, 24 Oct 2001 17:03:22 EDT From: TONGOLELE@aol.com Subject: SURVEILLANCE/STREAMING VIDEO NET.PERFORMANCE SPANISH VERISON OF TEXT BELOW VERSION EN ESPAÑOL MAS ABAJO DOLORES FROM 10h to 22H Once upon a time in a not so faraway free trade zone at the northern edge of Mexico, a woman who cobbled machines together for a living was accused of trouble making at her job. Her boss locked her up in an office without food or water or a phone. He tried over and over to cajole her into signing a letter of resignation. He watched her to see if she would break down. She held out for twelve hours, and later she sued the company. Her boss told the judge that she was crazy and that it never happened. No one would claim to have seen her. Dolores from 10h to 22h is based on a story that no one saw. On November 22nd, you can see what happened. Dolores from 10h to 22h is a net.performance by Coco Fusco and Ricardo Dominguez that will be broadcast live via internet on November 22nd, 2001 from Kiasma, Helsinki’s Museum of Contemporary Art. To view the performance live and add your comments to the chat, log on to between 10am and 10pm (Central European Time). URL: www.kiasma.fi/ars/dolores ____________________________________________________________________________ DOLORES DE 10H A 22H Una vez en una zona de libre comercio no muy lejana del borde norteño mexicano, acusaron a una mujer ensambladora de maquinas de hacer problema en su trabajo. Su jefe la encerró en una oficina sin alimento, agua o teléfono. El hombre la presionaba para ver si la mujer finalmente se arrepentía de lo que había hecho. Aguantó durante doce horas, después de aceptarlo demandó a la compañía. El jefe se refirió al juez asegurando que la mujer estaba loca y que eso jamás había sucedido. Nadie podría afirmar haberla visto. DOLORES de 10h hasta 22h esta basada en una historia que nadie nunca vió. El 22 de Noviembre podrás ver lo que sucedió. DOLORES de 10h hasta 22h es un Net.Performance por Coco Fusco y Ricardo Dominguez que será divulgado a través del Internet el día 22 de Noviembre del 2001 por Kiasma, Museo de Arte Contemporáneo de Helsinki. Para ver el Performance en vivo así como para enviar comentarios al chat, conéctese entre las 10:00 am y las 10:00 pm (Horario de Europa Central). URL:www.kiasma.fi/ars/dolores Declaración de los Artistas acerca de la Cultura de Vigilancia En la Cultura de Vigilancia que tenemos hoy, la cultura Net vacila entre la narrativa del Terror y la narrativa del Placer. Según la narrativa del terror, la proliferación de cámaras fotográficas significa potencia y seguridad. Algunos se sienten seguros al saber que todo está siendo observado o vigilado. Más aún, es sentirse con poder el saber que al hacer click en un botón se está teniendo acceso a un mundo convertido a pura información. Según la narrativa del placer, la proliferación de juegos, los espectáculos voyerísticos y los decorados virtuales que han transformado nuestro imaginario cultural conducen al un disfrute elevado y diversificado del deleite. Algunos se sienten con poder al tener la posibilidad de observar o vigilar el momento más privado de una persona, aunque sea obviamente una simulación. Los paisajes de las pantallas en un mundo vigilado presentan una visualización que no termina solo en mostrar sujetos ofreciéndose a sí mismos a nuestra contemplación. Así, la política invasora de mirar o vigilar es normalizada por el eroticismo del exhibicionismo. Coco Fusco y Ricardo Dominguez Artists’ Statement on Surveillance Culture In today’ s culture of surveillance, net.culture vacillates between the narrative of Terror and the narrative of Pleasure. According to the narrative of Terror, the proliferation of cameras equals power and security. Some feel safe if they know that everything is watched. Even more feel empowered knowing that a click on a button equals access to a world converted into pure information. According to the narrative of Pleasure, the proliferation of games, voyeuristic spectacles and virtual scenarios that have transformed our cultural imaginary lead to heightened and diversified enjoyment. Some feel empowered by the ability to watch what looks like anyone’s most private moment, however obvious the simulation. The screenal landscapes of the surveyed world present a never-ending display of subjects offering themselves to our gaze. Thus, the politics of invasive looking is normalized by the erotics of exhibitionism. ------------------------------ Date: Sun, 28 Oct 2001 01:02:30 +0200 (CEST) From: Gerbrand Oudenaarden <gerbrand@oudenaarden.nl> Subject: Engaged journalism about climate conference in Marrakech Press release - Marrakech - 27 October 2001 - please distribute widely Engaged journalism about climate conference in Marrakech http://climate.indymedia.org During the next two weeks a team form Engage! Tactical Media will be covering the climate conference in Marrakech through the internet. The journalists will publish their critical analyses, the interviews with the stakeholders, the action reports and their diaries on http://climate.indymedia.org. In the mean time they will be working on a documentary film about 'carbon trading'. The Engage! crew is driven by their dislike of the unwillingness of the International Community to address the Climate Crisis. The reduction targets are too low and the proposed measurements ineffective. The aim of Engage! will be to give voice to the least heard groups: people from the south and grass-roots environmentalists. The trading in 'air' will be the primary target. All the technical details about the emissions trading still have to be filled in. The biggest polluters of the atmosphere will profit the most from the proposed reduction mechanisms. The need to take firm domestic action ebbs away due to the possibility of emission trading and to the fact that the reduction percentages are very low. The implementation of market-based mechanisms is a trend witch fits perfectly in the neo liberal global economy. Whether the pollution caused by market based economy can be solved by the same measurements that created it, remains an unanswered question. Big companies and accountancy firms have already set up different lobby groups because they see ways to make money in this multi-billion-dollar emission-trading-game. The climate crisis looks like it has stopped being an environmental problem, it is a new way to make money. Engage! Tactical Media has worked at the previous climate conferences in The Hague (November 2000) and Bonn (July 2001). Engage! travelled to Marrakech by train as a possible way to help reduce CO2 emissions. +++++end of press release+++++ +++++not for publication+++++ Gerbrand Oudenaarden +31 6 53151920 gerbrand@oudenaarden.nl Bart Brugmans +31 6 24798780 bart@engage.nu Nanette Danckaarts +31 6 15220929 nanette@engage.nu Or contact the whole team: cimteam@engage.nu - -- | Gerbrand Oudenaarden / Engage! Tactical Media | http://www.engage.nu/tm/ / gerbrand@oudenaarden.nl - -- | http://www.wereldcrisis.nl - tegen de 'nieuwe oorlog' - -- | http://climate.indymedia.org (Marrakech, Oct 29 - Nov 9) | -- the voices of resistance against the selling-out of the climate ------------------------------ Date: Mon, 29 Oct 2001 11:57:06 +0100 From: "transmediale" <info@transmediale.de> Subject: transmediale.02 press release (please scroll down for English version) Berlin, 26. Oktober 2001 PRESSEMITTEILUNG transmediale.02 [go public!] 5.-10. Februar 2002 Berlin, Haus der Kulturen der Welt Sehr geehrte Damen und Herren, liebe Kollegen, das internationale Medienkunst-Festival transmediale, ein Projekt der Berliner Kulturveranstaltungs-GmbH, wird im Februar 2002 erstmals in Kooperation mit dem Haus der Kulturen der Welt stattfinden. Das Haus der Kulturen der Welt wird auch Hauptveranstaltungsort der transmediale.02 sein: Vom 5. bis 10. Februar 2002 sind Konferenz, Workshops, Praesentationen und Wettbewerb sowie Media Lounge dort zu finden. Zum ersten Mal wird in Berlin eine umfangreiche Ausstellung realisiert, die aktuelle Positionen der internationalen Medienkunst zeigt. Die transmediale.02 praesentiert interaktive Installationen, die die Besucher zum aktivem Handeln anregen. Netzwerk-, Video- und Klang-Installationen setzen neue aesthetische Konzepte mithilfe digitaler Technologien um. Die Ausstellung wird vom 5. bis 24. Februar 2002 im Haus der Kulturen der Welt zu sehen sein. (John-Foster-Dulles-Allee, 10557 Berlin-Tiergarten) 'Go public!' ist das Thema der Konferenz und es zieht sich wie ein roter Faden durch das Festivalprogramm der transmediale.02. 'Go public!' zitiert ironisch einen Begriff aus der New Economy und fordert als Festivalmotto Kuenstler, Fachbesucher und Publikum dazu auf, an die Oeffentlichkeit zu gehen und neue Ideen fuer die Gestaltung und Nutzung des oeffentlichen Raumes im digitalen Zeitalter zu entwickeln - im Netz, in den Medien, auf der Strasse. Das Festivalprogramm und weitere Informationen zur transmediale.02 sowie die Moeglichkeit, sich zu akkreditieren, erhalten Sie Anfang Dezember. Wir freuen uns, wenn wir Sie im naechsten Jahr wieder bei der transmediale begruessen können. Mit freundlichen Gruessen Annette Schaefer presse@transmediale.de Tel: +49 (0)30 24 72 1907 Anna Jacobi Press Officer Haus der Kulturen der Welt Tel. +49 (0)30 39787153 _________________________________________________________ PRESS RELEASE transmediale.02 [go public!] 5 -10 February 2002 Berlin, Haus der Kulturen der Welt Dear Madam, dear Sir, dear colleagues, the international media art festival transmediale, a project by Berliner Kulturveranstaltungs-GmbH, is proud to announce its co-operation with the Haus der Kulturen der Welt in Berlin. The Haus der Kulturen der Welt (HKW) is a highly recognized major venue. Set within the political centre of Germany, the Reichstags-area in Berlin, the stylish HKW building will host the transmediale international media art festival (5 - 10 February 2002) and the international media art exhibition (5 - 24 February 2002) in February 2002. The transmediale international media art exhibition will be Berlin's first extensive media art exhibition and is an important addition to the transmediale programme. The transmediale exhibition will present internet-, video- and sound-installations, highlighting new aesthetic concepts using digital technologies. The up-coming festival transmediale.02 will feature conferences, workshops, presentations, a 'hands-on' media lounge and the presentation of the transmediale awards. Running through the festival programme as a thematic guide line, next year's festival motto is: 'Go public!' Citing a phrase predominantly associated with the stock market, 'Go public!' is an appeal to artists and audience alike to [re-]appropriate public space via the aesthetic transformation of New Media. The festival will provide a focus highlighting the autonomous use of digital technologies as a means of expression, exhibition and publication by individuals or individual groups. What are the new spaces offered by New Media? Are there new forms of participation? Within the global society, is there a public sphere to "go public" to? The festival programme and further information about transmediale.02 as well as accreditation forms will be available by December 2001. We would welcome your participation and are looking forward to seeing you during next year's transmediale! With best regards, Annette Schaefer presse@transmediale.de Tel: +49 (0)30 24 72 1907 Anna Jacobi Press Officer Haus der Kulturen der Welt Tel. +49 (0)30 39787153 transmediale.02 [ go public! ] 5 - 10 february 2002 international media art festival berlin klosterstr. 68-70 10179 berlin germany fon +49 30 2472 1907 fax +49 30 2472 1909 http://www.transmediale.de ........................................................................... ................................. Member of the European Coordination of Film Festivals E.E.I.G. ........................................................................... .................................. ------------------------------ Date: Tue, 30 Oct 2001 03:47:18 +0200 From: "darko fritz" <fritz.d@chello.nl> Subject: 'end repeat' Interstanding 4 conference and exhibition 'end repeat' Interstanding 4 http://www.interstanding.ee/intro.html Interstanding 4 consists from traditional conference and exhibition, the last will untraditionally occupy also various types of spaces outside the gallery. Time: 1.- 18. 11.2001 Space: Arts Centre Rotermann's Salt Storage, Ahtri 2, Tallinn W-F 12.00-20.00; Sat.-Sun. 11.00-18.00; various spaces in Tallinn city. The main exercise for Interstanding 4: end repeat is to examine the loop. The uptake of digital technology is pervasive across the many disciplines of both Arts and Sciences. With uniformity in the hardware, operating systems and software adopted, a common ground has emerged. This convergence presents an ideal, although possibly temporary, opportunity for varied practitioners to collaborate between disciplines. Behind this, an impetus to innovate is motivating the need to exploit this potential to further benefit the disciplines in and of themselves. The over exploitation of visual sense (the screen) in digital art demands also an investigation into interfaces using other senses characteristic to humans. Artists are invited to exploit the 'invisible' computer and produce work which uses communication innovative ways. End repeat aims to reveal the boundary between the current status of digital arts and the potential that awaits. The programme of events has been selected to reveal the conditions necessary for terminating the loop and progressing into new territories. Thursday, 01.11.2001 18.00 an opening of the exhibition "end repeat" 19.00 concert "The Light of Cyberflute - Monika Mattiesen (flutes), Airi Eras (light), Margo Kõlar (live electronics), Vambola Krigul (drums) [EST], Arts Centre Rotermann's Salt Storage Friday, 02.11.2001 10.00 Sirje Helme, Ando Keskküla, Mare Tralla "Welcome" 10.15 Peter Ride [UK] "Discovering new forms of creativity with new technologies" 11.00 artist presentation Luke Jerram [UK] 11.15 Tapio Mäkelä [FIN] "Digital Fever" 12.00 Nina Czegledy [HUN] "Digibodies" 12.45-13.00 artist presentation Gediminas Urbonas, Nomeda Urboniene [LIT] 13.00 - 14.00 lunch break 14.00 Chris Meigh-Andrews [UK] "Artist/Engineeers: Pioneering Video Artists and electronic imaging technology: 1968-78" 14.45 artist presentation Tomo Savic Gecan [CRO/NL] 15.00 Darko Fritz [CRO/NL] "Amnesia International - early computer art and the Tendencies movement" 15.45 Ando Keskküla [EST]. Presentation of Estonian retrospective 16.00-16.15 coffee break 16.15 Andres Kurg, Toomas Tammis [EST] "Dispersed Urbanism" 17.00-18.00 Open Discussion Saturday, 03.11.2001 10.00 Iliyana Nedkova [BUL] "Spacecraft" 10.45 artist presentation Magdalena Pederin [HRO] 11.00 Sabine Seymore [USA] "Fashionable Technology" 11.45 Karin Paulus [EST] presentation "Multifunctional Objects" 12.00 Mare Tralla [EST] "What craft(s)?" 12.45-13.00 artist presentation "Sharejoy" [EST] 13.00-14.00 lunch break 14.00 Adam Hyde [NL] "Frequency Clock" 14.40 presentation Jaanis Garancs [LAT] 14.50 Rasa Smite [LAT] 15.30 artist presentation Shawn Pitchbeck [CA] and Ivika Kivi [EST] 15.45-16.00 coffee break 16.00 Eddy Berg [UK], Chris Byrne [UK], Nina Czegledy [HUN], Iliyana Nedkova [BUL] 17.00 ISEA 2004 presentation 17.15-18.00 Open Discussion Interstanding media lab activities: 15.10-31.10 series of open courses at E-Media Centre (room 204, Estonian Academy of Arts, Tartu mnt. 1, Tallinn). 01.11-18.11 E-Media Centre moves to Arts Centre Rotermann's Salt Storage and becomes a place for workshops, performances, presentations, information distribution and other activities. Media lab people: Lewis Bray, Jaanis Garancs, Stephen Emmott, Adam Hyde, Dagmar Kase, Raul Keller, Ivika Kivi, Hilda Kozari , Heiki Männik, Shawn Pitchbeck, Piret Räni, Kristel Sibul, Rasa Smite, Raitis Smits, Mare Tralla, students of the Estonian Academy of Arts and others. Interstanding media lab activities are in constant change, please check the daily programme from Interstanding homepage www.interstanding.ee Participating artists: Jordan Baseman[UK], Laura Beloff [FIN], Crossing Over, Alistar Gentry [UK], FACT, Darko Fritz [CRO/NL], Beverly Hood [UK], Luke Jerram[UK], Dagmar Kase [EST], Ivika Kivi [EST], Hilda Kozari [FIN], Chris Meigh-Andrews [UK], Magdalena Pederin [HRO], Shawn Pitchbeck [CA], Tomo Savic Gecan [CRO/NL], Sharejoy [EST], Timelines, Gediminas Urbonas and Nomeda Urboniene [LIT], Estonian Retrospective, students. - ------------------------------------------------------------ Interstanding 4 is organized by: Center for Contemporary Arts, Estonia Estonian Academy of Arts Curators: Mare Tralla, Ando Keskküla www.interstanding.ee Interstanding 4 project coordinator: Sirje Helme Center for Contemporary Arts, Estonia Vabaduse väljak 6 Tallinn 10146 tel. +372 6314050 fax +372 6314049 post@skkke.ee www.scca.ee ------------------------------ Date: Tue, 30 Oct 2001 11:13:15 -0500 From: Randall Packer <rpacker@zakros.com> Subject: New Media Forum : "Media In Times of Crisis" - --============_-1207664061==_ma============ Content-Type: text/plain; charset="us-ascii" ; format="flowed" New Media Forum II Presented by the Maryland Institute College of Art and the Center for New Media Tuesday, November 6, 2001, 7:00 PM* Mount Royal Station Auditorium (S3) Reception will follow (* PLEASE NOTE: CHANGE OF DATE) "Media in Times of Crisis" Moderated by Timothy Druckrey The signs are everywhere that this is a time of crisis: the crisis of art, of the economy, of information, of identity, of globalization, of the spirit, of modernity, of post-modernity, of cyber-modernity, of terrorism, the list goes on. The study of the use of media in times of crisis (both historical and contemporary) is an essential component of any comprehensive understanding of the link between reliable information and credible, meaningful communication in electronic culture. For those of us in the field of media studies, this presents a deep crisis of the media itself. It signifies a troubling realignment in the accumulation and distribution of information in an environment in which a "fatal attraction for instantaneity" is linked with conceptualizing momentous cultural change. This is particularly true as the siege of Washington and New York are reverberating wildly with both substantive information and wild speculation. French writer Paul Virilio reminded us during the Gulf War, that "images have become munitions." The opposite has also become true, that munitions have become images. This forum will be focused on developing an open dialogue that looks directly at recent events and situate them critically in the history of media. Panelists: Timothy Druckrey, Moderator - Media theorist, curator, and faculty member of the Maryland Institute College of Art; Druckrey co-edited Culture on the Brink: Ideologies of Technology and edited Iterations: The New Image, Electronic Culture: Technology and Visual Representation, Ars Electronica: Facing the Future, and Net_Condition: Art and Global Media. Steve Kovats - Editor of Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe and a teacher and initiator of international projects in the fields of architecture and electronic arts. Martha Rosler - Video artist, photographer, and author in media issues from the Visual Arts Department at Rutgers University; her work has been exhibited in "Documenta 7," and in several Whitney biennials. New Media Forum is a series of panel discussions presented by the Center for New Media of the Maryland Institute College of Art. The series is moderated by MICA faculty to include guest artists, engineers, designers, and scholars from the Baltimore area and beyond. The Forum focuses on critical perspectives that attempt to make sense of the changing cultural phenomena resulting from the emergence of new technologies. Upcoming panels: Will Larson, February 19, 2002 "Situated Realities And the New Techno-realism" An examination of the re-formation of the photograph and its representational implications within the context of this new computed realism. Ellen Lupton, April, 2002 "Skin: Engineering the Body, Art/Design/Media" An exploration of how contemporary artists have responded to the radical, sometimes alarming, transformation of nature by using tools and ideas from medicine, biology, design, and digital media. For more information: http://davinci.mica.edu/~rpacker/forum 410.225.2300 - --============_-1207664061==_ma============ ------------------------------ Date: Tue, 30 Oct 2001 23:25:54 -0700 From: Michael Arnold Mages <magesm@mindspring.com> Subject: Mutual Assured Deconstruction The digitally enhanced audio work "Mutual Assured Deconstruction" by Michael Arnold Mages explores the idea of conversation in real and virtual spaces through a reactive soundscape. Conrad Kehn of the Lamont School of Music leads an ensemble in the premier of this work on Friday, November 11 from 7-9 PM MST (-0700 UMT) at the Victoria Myhren Gallery. Both actual and virtual attendees will direct and participate in the performance through their movements and conversations. The sounds of the performance will be streamed live over the Internet (at http://www.du.edu/~marnoldm/) to permit virtual participation. The Myhren Gallery is located at on the University of Denver Campus at 2121 E. Asbury, Denver, CO USA in the Shwayder Art Building (303) 871-2846. Admission is free. ------------------------------ Date: Wed, 31 Oct 2001 11:59:14 +0100 From: Patrice Riemens <patrice@xs4all.nl> Subject: [rahder@YORKU.CA: Book Launch] (>>Announcer?) Something for the next announcer? cheers, paDi! - ----- Forwarded message from Barbara Rahder <rahder@YORKU.CA> ----- Date: Tue, 30 Oct 2001 10:18:53 -0500 Reply-To: International Network of Urban Research and Action <INURA@YORKU.CA> Organization: York University Subject: Book Launch > > > > Just Doing It: Popular Collective Action in the Americas > Edited by: Gene Desfor, Deborah Barndt and Barbara Rahder > Published by: Black Rose Books > > Join the editors for the launch of this amazing collection of original > research including chapters by six graduate students from the Faculty > of Environmental Studies, York University. > > Book Launch: > Sunday, November 18 > 7-9:30 p.m. > River Restaurant, 413 Roncesvalles Ave. > > Just Doing It: Popular Collective Action in the Americas includes: > > * critical reflections on the ways communities are organizing their > struggles for economic, social and environmental justice > * practices of local community building, social movement organizing > and popular education in Mexico, Guatemala, the U.S. and Canada. > * contributions by: Emilie K.Adin, Emily Chan, Sheelagh Davis, > Sarah Koch-Schulte, W. Alexander Long, Egla Martinez-Salazar, > Cindy McCulligh and Galit Wolfensohn > > For more information: slane@yorku.ca > > > > ---------------------------------------------------------------------- ------------------------------ Date: Wed, 31 Oct 2001 15:19:59 -0000 From: T.R.Jordan@open.ac.uk Subject: How to be an Obstacle?: ICA Nov 10-11 November 10th/11th 10am to 5pm How to be an Obstacle? £9/£8/£7 individual days; £13/£12/£11 whole weekend Direct action, street politics and antiglobalisation A major weekend conference exploring the limits and opportunities offered by direct action. While ballot box politics is reported to be in decline, at least in the West, the politics of popular protest is taking off: from colourful spectacles to direct, and sometimes violent, confrontation with a variety of political targets. The conference will focus on new social movements (including the antiglobalisation movement), actions on the internet, and individual actions, as well as looking at the ambivalent response of the traditional 'left' to these emerging forms of political activity. We will also be asking whether there are acceptable and unacceptable expressions of direct action and what might be the future of the movement in the light of the events of September 11th. Running alongside the conference there will be film screenings, a workshop, and an exhibition of photographs. Speakers will include Antonio Negri (specially commissioned video), Ricardo Dominguez, from the Electronic Disturbance Theatre; George McKay, author of DIY Culture; Bruce Kent, former vice-president of CND; Paul O'Connor, founder of Undercurrents; Hilary Wainwright, editor of Red Pepper; Stan Vincent; Head of Actions, Greenpeace; Sam Wild, Indymedia; John Jordan, artist and antiglobalisation activist; and Gibby Zobel, founder of Schnews and news editor, The Big Issue. ------------------------------ Date: Wed, 31 Oct 2001 08:26:32 -0500 From: "ricardo dominguez" <rdom@thing.net> Subject: How to be an Obstacle: direct action, street politics and antiglobalisation How to be an Obstacle: direct action, street politics and antiglobalisation ICA LONDON November 10th and 11th 2001 Saturday November 10th 10.30am - 11.30am (theatre) Opening session: What is a political action? Speakers include: Charles Secrett, UK Director, Friends of the Earth; Leonardo Vilchis, from Ultrared, a Los Angeles-based audio activist group producing street actions, radio broadcasts, performances, recordings and installations; Sam Wild, a DIY media activist involved with Indymedia, an internet-based media collective; and Kath Ainger activist and co-editor of New Internationalist. In the chair: Tim Jordan, co-editor of the forthcoming journal, Social Movement Studies and author of Cyberpower: The Culture and Politics of Cyberspace. 11.45am - 1pm A Challenge to the Protest Movement (Nash Room) How do we stop a protest message being lost in violent confrontation? Can protest embrace disruptive behaviour, or should it always be non-confrontational? Is there a place for alternative summits when the coverage will be of violence in the streets - or do they just assuage the minds of the NGO's taking part? This session is hosted by the New Economics Foundation, whose code of protest can be found at www.neweconomics.org . Speakers include: Liana Cisneros, from Jubilee Plus; Ed Mayo, executive director, NEF; and Lucy Pearce (People and Planet). In the chair is Andrew Simms, director of global economy programme, NEF. LUNCH 2pm - 3:15pm The Internet: An Activist's Playground (Nash Room) The internet has become an essential tool in the kit of the modern activist. >From aggressive hacker techniques to inclusive global networking activities - but how well is it being used, and to what effect? While undoubtedly widening the reach of a political action, does the internet take away from the passion and impact of face-to-face interaction? Speakers include: Stefan Magdalinski, creator of upmystreet.com and faxyourmp.com; Paul Mobbs, from the electrohippiess; and James Wilsdon, head of strategy at Demos, currently working on a report on hactivism for Forum for the Future. In the chair is Paul Taylor, author of Hackers: Crime in the Digital Sublime.. What's Wrong with a Travelling Anarchist Circus? George McKay in Conversation (Brandon Room) George McKay in conversation with Tim Jordan. They will be speaking about the resurgence of anarchist ideas in DIY culture; the importance of culture in recent social movements; and the historical view of protest. George McKay is author of Senseless Acts of Beauty, an exploration of cultures of resistance since the 1960's and DIY Culture, which maps the radical culture and direct action politics of contemporary society. 3.30pm - 5pm (theatre) Antonio Negri (commissioned video) Radical philosopher, political activist, now an independent researcher and writer and an inmate at Rebibbia Prison, Rome (for offences supposedly committed in the 1970's), Antonio Negri's most recent book, written with Michael Hardt, is Empire, the new bible of the anti-globalisation movement. In this video, he is in conversation with John Foot, lecturer in Italian History in the Department of Italian, UCL and author of Milan since the Miracle. City, Culture, Identity. Foot will introduce the video and take questions. 6pm onwards (Nash) A selection of screenings by independent film makers Undercurrents and Indymedia: from hunt saboteurs to antiglobalisation demonstrations. Sunday November 11th 10.30am - 11.30am Electronic Civil Disobedience: the computers byte back (theatre) Depending on who you speak to, they're cyberterrorists or on-line Ghandis. Ricardo Dominguez, spokesperson for the New York based Electronic Disturbance Theatre, discusses with Paul A. Taylor, author of "Hackers" whether electronic civil disobedience is a meaningful form of protest or just more E-hype. The Electronic Disturbance Theatre have carried out numerous successful acts of "electronic civil disobedience" using such innovative on-line tools as Floodnet. 11.45am - 1pm Have we Been Here Before? (Nash Room) Are recent examples of 'direct action', from the fuel protestors to anti-globalisation protests, a radical endorsement of the power of collective action? How do some of the more creative actions of the last 10 years differ from previous attempts to blast apart political apathy? Does the immediate playfulness of much current political protest mask a poverty of ideas about how to bring about significant social change? Speakers include: Peter Tatchell, who has moved from conventional party politics to 'single issue' campaigns and actions; John Lloyd, associate editor of The New Statesman; Paul Hilder from openDemocracy, a global network for debate and invention; and Emma Bircham, editor of Anticapitalism: A Guide to the Movement. In the chair is Bruce Kent¸ formerly vice-president of CND. Workshop and film screening (Brandon Room) Led by Sam Wild, from Indymedia. A look at the changes which have provided the opportunity for people to create their own media and address politics and protest in new ways. Using the Indymedia film about the protests in Genoa, Sam will explain how over 100 people working on video projects in Genoa went about collating and editing so much footage in such a short time, and show how its done: final editing, continuity, distribution, recouping costs, marketing and original ways to use the video. LUNCH 2pm - 3.30pm Zapatismo and the Carnival: direct action in the 21st century (Nash Room) The years 2000 and 2001 saw changes in direct action politics. From the discipline of zapatismo to the demonstration as carnival and temporary autonomous zone, social movement politics has intensified. Do tactics such as the paddin gup of the tute bianchi or white overalls movement, or the violence of the police in Genoa, signify changes in the antiglobalisation movement and in the understanding of direct action? Where does the politics of direct action go now? Speakers include: John Jordan, artist, anti-capitalist activist and co-editor of forthcoming We are everywhere: the irresistible rise of global anti-capitalism, Eva Gilmore, an Italian civil disobedience activist; and Tim Jordan, editor of Social Movement Studies and author of the forthcoming Activism!: direct action, hacktivism and future of society. In the chair is Adam Lent, author of British Social Movements since 1945: sex, colour, race and power. "Have I Got Truths For You": the Ambivalent Status of News in the reporting of direct actions and counter-culture spectacles (Brandon Room) Media reporting is an intrinsic part of any action, protest or spectacle. But the media is rapidly polarising between a mass audience mainstream which is 'objective' and impassive and a proliferation of community led alternatives who confess to being 'subjective' and involved. While all the mainstream reporters are banging on the doors of the alternative news networks for better sources, will they ever get the 'real' story as long as they remain disinterested? Without attempting neutrality and autonomy, will the 'new media' only ever preach to the converted? Can the two camps be bridged to bring about meaningful news that leads to change - and makes readers/viewers contemplate getting involved? Or is that simply not the job of a reporter? Speakers include; Lucie Morris, reporter (undercover in Genoa) The Daily Mail; Gibby Zobel, founder of Schnews and news editor The Big Issue; Paul O'Connor, founder of Undercurrents; and Darius Bazargan, producer BBC news. In the chair: Guardian environment editor, John Vidal 4pm Where do we go from here? (theatre) In a climate of extremism, but with the wealth of options discussed throughout the weekend, how can direct action be harnessed to bring about change? Is it possible to remain radical while engaging constructively with business, politics and the media? Is tempered radicalism the way forward? How can you widen engagement without diluting the message? Speakers include Jem Bendell, activist and consultant on Corporate Social Responsibility; Stan Vincent, Head of Actions, Greenpeace; representative from the corporate world tbc; and Noah Tucker, activist, also closely involved in the union movement and in community campaigns. In the chair is Hilary Wainwright, editor of Red Pepper ------------------------------ Date: Wed, 31 Oct 2001 08:56:49 +0100 From: Kulturamt der Stadt Oldenburg <info@kulturamt.oldenburg.de> Subject: edith-russ-haus =?iso-8859-1?Q?f=FCr?= medienkunst Lange Nacht am 3. November 2001 18:00 bis 24:00 Uhr Lan-Party - Es kann nur einen geben Zur Finissage der Ausstellung 'Avatare und Andere' feiern Computerspieler im Oldenburger Medienkunsthaus eine Lan-Party und lassen ihre Avatare in den virtuellen Welten der Spiele UT, CS, Q3A, D3 und RTCW gegeneinander antreten. Das Edith-Ruß-Haus für Medienkunst hat an diesem Samstag bis 24:00 Uhr geöffnet. Besucher können sowohl die Ausstellung als auch die Lan-Party besuchen. Für alle Interessierten steht ein Terminal mit 'Beobachter-Modus' zur Verfügung. Dank an Christian Zuckschwerdt und =BoW=. Edith-Ruß-Haus für Medienkunst Katharinenstraße 23, 26121 Oldenburg t. 0441 - 235 32 08 f. 0441 - 235 21 61 www.edith-russ-haus.de info@edith-russ-haus.de ------------------------------ Date: Wed, 24 Oct 2001 12:25:54 +0200 From: Station Rose <gunafa@well.com> Subject: Station Rose Webcast 150 live from ncc 48, Graz dear Gunafa Netizen, here is the new Fahrplan : 1.0 next "Webcast 150" at : FRI/26/10/01, 4-8pm CET http://www.stationrose.com live from Steirischer Herbst, Graz. _ncc 48 -- netART community congress_ transfer.net transfer.STReaming ===================== STReaming live once more from on the road to your harddrives. info: MiDiHy is pleased to announce its contribution to the _ncc 48 -- netART community congress_ being held in Graz from October 25, 2001 to October 27, 2001. Thanks to the co-operation with Station Rose, Frankfurt, the whole programme, including talks, presentations and a streaming event, will be webcasted, thus implementing the engaged discourses on the net into the net itself. We invite you to take advantage of this _transfer.streaming_ on October 26, 2001, starting at 4:00 pm cet and continuing untill 8:00 pm cet. As part of _transfer.STReaming_ Station Rose will be performing & lecturing at Webcast Nr. 150 live in Graz. programme: - ----------- 4 pm cet - start of _transfer.STRreaming_! Reinhard Braun, MiDiHy | Andreas Broeckmann, transmediale Which networks, wich discourses, which art? http://www.midihy.org http://www.transmediale.de 4:15 pm cet Verena Kuni, art and media scientist, Frankfurt/Trier Masche oder Mehr? Netzwerke(n) als schöne Kunst betrachtet http://www.kuni.org/v/ 5:00 pm cet Climax Clan/ Action Bot Machinima | http://www.climax.at a re emerge by Jahrmann & Moswitzer Konsum Art-Server | http://www.konsum.net 5:45 pm cet Station Rose - Gary Danner & Elisa Rose, Frankfurt Build a Page with a Cable lecture/performance http://www.stationrose.com 6:45 pm cet panel discussion with all participants of _transfer.net_ , moderated by Andreas Broeckmann 19.45 pm cet - end of _transfer.streaming_ transfer.net is part of ncc 48 -- netART community congress october 25th, 12:00 am through 27th, 12:00 am cet 2001 dom im berg, graz/austria http://ncc.mur.at/ _______________________________________ 2.0) more NetSTReams on demand are available now: * check out 2 videoclips by Station Rose at the music page at http://www.stationrose.com/music.html plus 1 new video "WYSIWYG" at the Realvideofiles page at http://www.stationrose.com/Realvideofiles/realvideofiles1.html> 3.0) ART PRODUCTION : this website section is more linked than ever: http://www.stationrose.com/artproduction/artprod-themes.html we will lecture on that in Graz. stay with us & don´t go away! "Cyberspace is Our Land!" ;-) station rose 10-2001 ------------------------------ Date: Thu, 25 Oct 2001 16:36:05 +1000 From: i/o <io@digitaleskimo.net> Subject: We are All Boat People! www.digitaleskimo.net/boatpeople scuzzi for the cross post but thought you all might be interested in this site supporting the work of the Boat People Tactical Media Group (in collaboration with Stealth Video Ninja and crew) - formed recently at the dLux media Arts TILT conference worskhops. We put together an action that culminated in us projecting a slide onto the Opera House on the Friday night at the end of the conference. This worked extremely well and we projected onto the church and buildings next to the TILT Cinema Concrete closing party the following night. (pictures on site) We need help in promoting the call to action for Australians to take up the campaign and continue it throughout the country so feel free to forward the link on. cheers - Dave Gravina. Digital Eskimo //. digital collective //. digitaleskimo.net ------------------------------ Date: Thu, 25 Oct 2001 16:11:47 +0200 From: "Stefano Caldana" <st.cal@teleline.es> Subject: DIGITAL JAM - net.art @ Art Futura 2001 - Barcelona DIGITAL JAM - net.art @ Art Futura 2001 - Barcelona Dates: October 25 - 28, 2001 Place: CCCB (Centre de Cultura Comporànea de Barcelona). Online: http://www.artfutura.org/2001/digitaljami.htm A selection of participative art on-line by Roberta Bosco and Stefano Caldana Digital Jam (http://www.artfutura.org/2001/proyectosdigitaljami.htm) is a selection of 11 projects conceived for the Internet that shows different tendencies of artistic investigation, focused on the collaborative aspect of the creative process on-line in the course of the last 7 years. "We are not in favour of encyclopaedic selections, so we'd rather risk choosing a series of projects which, in our opinion, shows the numerous tendencies in the field of artistic collaboration on-line.... Digital Jam invites the observer/user to leave his/her passive role in order to take part in first person in this creative jam session on the Internet". FEATURED ARTISTS: Gregory Chatonsky (France) IO-N.NET http://io-n.net Arcángel Costantini (Mexico) No/E.html http://www.unosunosyunosceros.com/No/E.html Douglas Davies (USA) The World's First Collaborative Sentence http://ca80.lehman.cuny.edu/davis Andy Deck (USA) Open Studio http://draw.artcontext.net Bernd Holzhausen (Germany) Icontown http://www.icontown.de Thomax Kaulmann (Germany) ORANG - "Open Radio Archive Network Group" http://orang.orang.org John Klima (USA) Glasbead http://www.glasbead.com Hannes Niepold, Hans Wastlhuber (Germany) Cointel http://www.cointel.de Paul Vanouse (USA) Persistent Data Confidante http://www.textgenomics.com Marek Walczak, Martin Wattenberg (USA) WonderWalker http://wonderwalker.walkerart.org Eric Zimmerman (USA) SiSSYFiGHT 2000 http://www.sissyfight.com Friday, October 26 - Conferences and Shows 17:00 - 19:00 ··· SPECIAL SESSION: COLLECTIVE ART Roberta Bosco and Stefano Caldana, journalist of CiberP@is, the weekly magazine about new technologies of the spanish daily newspaper El Pais, will present their project DIGITAL JAM: Collective Art Online, a journey through works of art of community construction in the Internet, with the artists: Bernd Holzhausen (Icon Town), Hannes Niepold (Cointel) and Ricardo Iglesias (Referencias). CONTACT: Roberta Bosco: ro.bosco@teleline.es Stefano Caldana: st.cal@teleline.es ------------------------------ Date: Sun, 28 Oct 2001 12:53:14 +0000 From: virose org <links@virose.pt> Subject: =?iso-8859-1?Q?=22LIGA=C7=D5ES=2DLINKS=2D_LIAISONS=22?= Ligações-Links-Liaisons Conferência Internacional The Porto 2001 Society invite you to the opening of the International Conference "Ligações - Links - Liaisons" on the 31th October at 5PM. The conference run untill the 4th November. The works begins all days at 17.00 and ends at 20.00PM A Sociedade Porto 2001 convida V. Exa a assistir à Conferência Internacional Ligações-Links-Liaisons, que decorrerá entre 31 de Outubro e 4 de Novembro, entre as 17.00 e as 20.00 horas no Auditório do Museu de Arte Contemporânea de Serralves. Conferência Internacional Ligações-Links-Liaisons http://www.porto2001.pt/ligacoes LINKS PRIZE Virose e V_2 Organization http://links.virose.pt http://www.v2.nl/virose Comissários / Curators José A. Bragança de Miranda e Maria Teresa Cruz Conferencistas/Lecturers António Machuco - Brian Massumi - Delfim Sardo - Eduardo Prado Coelho - Fernando José Pereira - Filomena Molder - Friedrick Kittler - Miguel Leal- Helder Coelho - Hermínio Martins - José Augusto Mourão - José Bragança de Miranda - José Gil - Katherine Hayles - Laura Mulvey - Maria Teresa Cruz - - Steven Shaviro Artistas Convidados/ Invited artists Antoni Abad - Fernando José Pereira - Igor Stromajer - Miguel Leal Apoio Links Prize: Caleida Comunicação Global lda | http://www.caleida.pt/ ------------------------------ Date: Mon, 29 Oct 2001 15:58:02 -0500 From: Ana Viseu <ana.viseu@utoronto.ca> Subject: Privacy Lecture Series - EXTRA SESSION!!! [Hi, David Banisar will be in Toronto this week and we have asked him to speak at the Privacy Lecture Series. David has agreed to do so on WEDNESDAY, Oct 31st at 4pm-5,30pm. David Banisar is the deputy director of Privacy International, a human rights group formed in 1990 as a watchdog on surveillance by governments and corporations, and is one of the founders of the Electronic Privacy Information Center (EPIC). This lecture will focus on international developments in the field of privacy. David will speak about the changes that have been happening in the field of privacy accross the world, and will identify trends, discuss their origins and implications for Privacy. Hope you can make it! Best. Ana] PRIVACY LECTURE SERIES <http://privacy.openflows.org> WEDNESDAY, October 31, 2001 4:00 to 5:30 p.m. "International Developments in Privacy: A Look at Current Trends" David Banisar Deputy Director Privacy International 140 St. George, Room 728 Faculty of Information Studies (building adjacent to Robarts Library) University of Toronto Bio: David Banisar is a Research Fellow at the Harvard Information Infrastructure Project at the Kennedy School of Government at Harvard University and is also Deputy Director of Privacy International, an international human rights group based in London, UK. He also does consulting for various NGOs such as Consumers International, the Center for Media Education, and the Transactional Records Access Clearinghouse. Mr. Banisar works on freedom of information and privacy related issues including international developments, encryption, wiretapping, and new surveillance technologies. He was one of the founders of EPIC and was a Staff Counsel and Policy Director from 1994 until April 1999. Previously, David Banisar worked for USACM, the ACM US Public Policy Office, Computer Professional for Socal Responsibility as a policy analyst and the Prince George's County, MD Public Defenders' Office as a law clerk. To register for the Privacy Lecture Series announcement email list please go to <http://privacy.openflows.org> For more info contact: Ana Viseu <aviseu@oise.utoronto.ca> Robert Guerra <rguerra@cpsr.org> ------------------------------ Date: Tue, 30 Oct 2001 17:27:35 +0100 From: transmediale <info@transmediale.de> Subject: transmediale salon presents: Wiener Elektroniker [scroll down for english version] transmediale salon: Wiener Elektroniker Montag, 5. November 2001, 20 Uhr Podewil, Klosterstr.68-70, Berlin-Mitte Eintritt: DM 10 / DM 8 Der transmediale salon im Podewil praesentiert am Montag, den 5.11. um 20 Uhr den Wiener Kuenstler und Kurator Norbert Pfaffenbichler mit einem Vortrag zu neuen Tendenzen in der oesterreichischen audiovisuellen Kunst - Wiener Elektroniker. Norbert Pfaffenbichler ist Mitglied der Wiener Kuenstlerkollektive vidok und monoscope, hat mehrmals bei der Kuratierung der oesterreichischen Diagonale mitgewirkt und ist fuer den visuellen Part bei der Band Sofa Surfers verantwortlich. Parallel zur vielbeachteten Wiener elektronischen Musikszene entwickelte sich in den letzten Jahren auch im visuellen Bereich eine eigenstaendige Kultur. In diesem Experimentierfeld entstanden an der Schnittstelle von Akustischem und Visuellem unzaehlige Videos, Webpages, CD-Roms und audiovisuelle Liveacts. Bei den vorgestellten Arbeiten wird das Verhaeltnis im Zusammenspiel von Ton und Bild insofern neu ausgelotet, als dass es hier nicht mehr unbedingt den gewohnten, narrativen Strukturen des Musikclips folgt. Rhythmische Muster werden zerlegt, im Mittelpunkt steht die Suche nach einer anderen visuelle Sprache und Ausdrucksform, einem neuen Umgang mit Bildern. Der Vortrag wird eine kurze Chronologie skizzieren und exemplarisch einige Projekte vorstellen. (Austrian Abstracts, sixpack, mego, xtv, vidok, re-p, etc.) English version: transmediale salon: Wiener Elektroniker Monday 5th November 2001, 8.00 pm transmediale salon presents Vienna based artist and curator Norbert Pfaffenbichler. In a lecture titled Wiener Elektroniker he will give a presentation on new developments in contemporary austrian audiovisual arts. Mr. Pfaffenbichler is an active member of vienna artists groups vidok and monoscope. He also participated in the curation of Austrian film-festival diagonale and is responsible for the visual design part of the band sofa surfers. In addition to the highly acknowledged Vienna electronic music scene there has been a constant development towards an independent visual electronic arts scene. An astonishing number of videos, web sites, CDroms and audiovisual live acts has been created in this experimental space where audio and visual arts overlap. The difference between traditional audiovisual artworks with narrative, linear structures (such as video clips) and new progressive art forms will be clearly visible in the works presented at transmediale salon. In search of new forms of visual expression and communication artists start dissolving traditional rhythmic patterns and structures. The lecture will give a chronological overview on recent developments as well as a more detailed presentation of some particular projects. (Austrian Abstracts, sixpack, mego, xtv, vidok, re-p, etc.) Links: http://lia.sil.at http://www.mego.at http://www.n-ja.org http://www.notes01.org http://www.re-move.org http://www.re-p.org http://remi.mur.at http://www.sixpackfilm.com http://www.skot.at http://www.thing.at/v++ http://www.vidok.org http://www.xdv.org [Der transmediale salon praesentiert regelmaessig und in informellem Rahmen Projekte, Vortraege und Performances aus Medienkunst und Medienkultur.] Kartenreservierungen: ticket@podewil.de Podewil 030-24749-777 (Mo-Fr, 14-19 Uhr) information: transmediale podewil klosterstr. 68-70 d-10179 berlin fon +49 30 2472 1907 fax +49 30 2472 1909 info@transmediale.de www.transmediale.de transmediale.02 [ go public! ] 5 - 10 february 2002 international media art festival berlin klosterstr. 68-70 10179 berlin germany fon +49 30 2472 1907 fax +49 30 2472 1909 http://www.transmediale.de ........................................................................... ................................. Member of the European Coordination of Film Festivals E.E.I.G. ........................................................................... .................................. ------------------------------ Date: Wed, 31 Oct 2001 01:48:40 +0100 From: uni <uni@uninet.ee> Subject: Announcment Announcment of next biannual new media event Interstanding in Tallinn. - ------------------------------------------------------------------------------- 'end repeat' Interstanding 4 'end repeat' consists from conference and exhibition, the last will also occupy various types of spaces outside the gallery. Time: 1th - 18th of November 2001 Space: Arts Centre Rotermann's Salt Storage, Ahtri 2, Tallinn Wen.- Fri.12.00 - 20.00; Sat.- Sun. 11.00 - 18.00; Tallinn city space, http://www.interstanding.ee. 'end repeat' aims to reveal the boundary between the current status of digital arts and the potential that awaits. The programme of events has been selected to reveal the conditions necessary for terminating the loop and progressing into new territories. 'end repeat's' main objective is to examine the loop. The uptake of digital technology is pervasive across the many disciplines of both Arts and Sciences. With uniformity in the hardware, operating systems and software adopted, a common ground has emerged. This convergence presents an ideal, although possibly temporary, opportunity for varied practitioners to collaborate between disciplines. Behind this, an impetus to innovate is motivating the need to exploit this potential to further benefit the disciplines in and of themselves. 'end repeat' emphasises the state of over exploitation of visual sense (the screen) in digital arts. 'end repeat' is an invitation to investigate interfaces other then the visual. Artists are invited to exploit the 'invisible' computer and produce work which uses communication innovative ways. 'end repeat' relocates from the Estonian Academy of Art's E-Media Centre to Arts Centre Rotermann's Salt Storage transforming into an open medialab: a place for workshops, performances, presentations, webcasts and other activities. Thursday, 01.11.2001 Arts Centre Rotermann's Salt Storage 17.00 press conference 18.00 an opening of the exhibition "end repeat" 19.00 concert "The Light of Cyberflute": Monika Mattiesen (flutes), Airi Eras (light), Margo Kõlar (live electronics), Vambola Krigul (drums) [EST]; Arts Centre Rotermann's Salt Storage Friday, 02.11.2001 Arts Centre Rotermann's Salt Storage 10.00 Sirje Helme, Ando Keskküla, Mare Tralla "Welcome" 10.15 Peter Ride [UK] "Discovering new forms of creativity with new technologies" 11.00 artist presentation Luke Jerram [UK] 11.15 Tapio Mäkelä [FIN] "Digital Fever" 12.00 Nina Czegledy [HUN/CA] "Digibodies" 12.45 - 13.00 artist presentation Gediminas Urbonas, Nomeda Urboniene [LT] 13.00 - 14.00 lunch break 14.00 Chris Meigh-Andrews [UK] "Artist/Engineeers: Pioneering Video Artists and electronic imaging technology: 1968 - 78" 14.45 artist presentation Tomo Savic Gecan [CRO/NL] 15.00 Darko Fritz [CRO] "Amnesia International - early computer art and the Tendencies movement" 15.45 Ando Keskküla [EST]. Presentation of Estonian retrospective 16.00 - 16.15 coffee break 16.15 Andres Kurg, Toomas Tammis [EST] "Dispersed Urbanism" 17.00 - 18.00 Open Discussion Saturday, 03.11.2001 Arts Centre Rotermann's Salt Storage 10.00 Iliyana Nedkova [BUL] "Spacecraft" 10.45 artist presentation Magdalena Pederin [CRO] 11.00 Sabine Seymour [USA] "Fashionable Technology" 11.45 Karin Paulus [EST] presentation "Multifunctional Objects" 12.00 Mare Tralla [EST/UK] "What craft(s)?" 12.45 - 13.00 artist presentation "Share Joy" [EST] 13.00 - 14.00 lunch break 14.00 Adam Hyde [NL] "Frequency Clock" 14.40 presentation Jaanis Garancs [LV] 14.50 Rasa Smite, Raitis Smits [LV] "Acoustic.space lab" 15.30 artist presentation Shawn Pinchbeck [CA] and Ivika Kivi [EST] 15.45 - 16.00 coffee break 16.00 presentations: Eddy Berg [UK], Chris Byrne [UK], Nina Czegledy [HUN/CA], Iliyana Nedkova [BUL] 17.00 ISEA 2004 presentation 17.15 - 18.00 Open Discussion 18.15 Beverly Hood [UK] performance "Translocale" 'END REPEAT' MEDIA LAB Pre-conference activities: 15.10 - 31.10 series of open courses at E-Media Centre (room 204, Estonian Academy of Arts, Tartu mnt. 1, Tallinn). 01.11 - 18.11 Media lab people: Lewis Bray, Jaanis Garancs, Stephen Emmott, Adam Hyde, Dagmar Kase, Raul Keller, Ivika Kivi, Hilda Kozari , Heiki Männik, Shawn Pinchbeck, Piret Räni, Kristel Sibul, Rasa Smite, Raitis Smits, Mare Tralla, students of the Estonian Academy of Arts and others. Interstanding media lab activities are in constant change, please check the daily programme from Interstanding homepage www.interstanding.ee Participating artists: Jordan Baseman[UK], Laura Beloff [FIN], Alistar Gentry [UK], Darko Fritz [CRO], Luke Jerram[UK], Dagmar Kase [EST], Ivika Kivi [EST], Hilda Kozari [FIN], Chris Meigh-Andrews [UK], Magdalena Pederin [CRO], Shawn Pinchbeck [CA], Tomo Savic Gecan [CRO/NL], Share Joy [EST], Gediminas Urbonas and Nomeda Urboniene [LT], Estonian Retrospective, EAA students. Video-programmes: Crossing Over, FACT, Timelines. - ------------------------------------------------------------ Interstanding 4 is organized by: Center for Contemporary Arts, Estonia Estonian Academy of Arts Curators: Mare Tralla, Ando Keskküla http://www.interstanding.ee Interstanding 4 project coordinator: Sirje Helme Piret Lindpere Center for Contemporary Arts, Estonia Vabaduse väljak 6 Tallinn 10146 tel. +372 6314050 fax +372 6314049 e-mail post@skkke.ee http://www.scca.ee __________________________________________ Ando Keskküla uni@uninet.ee ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net