Paul D. Miller on Tue, 25 Sep 2001 21:30:06 +0200 (CEST) |
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<nettime> resending.... from hypertext to codework |
Hey Ken - 1) Artaud - relatively decent Artaud sites: http://www.hydra.umn.edu/artaud/ab.html http://www.antoninartaud.org/home.html and the Artaud reference can be found in the "Theater and It's Double" at the beginning of the section entitled "The Theater and its Shadow" around p.49 in the edition I have "la realite virtuelle" - 1938.... in the section called the "theater and it's shadow" or something like that... the original context was that humans were inundated with life as symbolic reality... both me and Erik Davis deal with this in our respective writings on the topic. 2) There's plenty of room for figuring out how Walter Ong's ideas of orality and text flow together, his book "Orality and Literacy: the Technologizing of the Word" remains a pretty good glimpse into how words became "the noetic navigation of places" - but words assign place and meaning on-line, but in the world of stuff like Amos Tutualoa or John Lee (the black hacker on the cover of Wired a long time ago who was into the whole language as cipher-text etc etc his crew was called "The Masters of Deception"), it'd be nifty to figure out on how mantras etc etc fit into this too.... 3) your idea that "everything Alan does is a proposition on how to read..." - well, yep, but again, it's the permutations of the process that make reading him interesting. Otherwise, no disrespect to Alan, it'd be like listening to the same beat over and over and over... even the linguistic origins of jazz (from the French verb "jazzer" - which means to "have a dialog") - still pertains to what you spoke about.Some of this relates basically as the "lowest common denominator" kind of scenario to the "sequencing/spatializing" of the word that Ong deals with, but again, there's plenty of stuff like that in electronic music at this point... There's a couple of great treatments of that topic in Robert Farris Thompson's classic "Flash of the Spirit"... 4) yep, I agree about mixing styles and genres... in academia, there are rules and regulations about this kind of thing - and keeping the boundaries between "zones" in this day and age is getting more and more problematic, but I have a feeling the next generation of folks will all look at this kind of thing as a video game or hypertext of a kind of collaborative filtering or something... if you still have that article around (the one on language and whatnot with henry louis gates etc etc) we're still working on getting 21C started up - I've been travelling alot, and that's slowed things down..... Let me know if you'd be into re-publishing it or something. I'm going to set up the web version of the magazine first and deal with the print in a little bit (www.21cmagazine.com is up and running, but again, there's only 24 hours in the day... I have a decent amount of articles from various folks, but I need about two weeks of down-time - which I'm taking in mid-October - to finalize everything... more on that in a bit) okay, peace from Florida Paul >Thanks to Paul for >his remarks, but i >think, as they say, >that >i want to break it >down... <...> ============================================================================ Port:status>OPEN wildstyle access: www.djspooky.com Paul D. Miller a.k.a. Dj Spooky that Subliminal Kid Subliminal Kid Inc. Office Mailing Address: Music and Art Management 245 w14th st #2RC NY NY 10011 # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net