Announcer on Sat, 22 Sep 2001 17:52:28 +0200 (CEST)


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<nettime> Announcements [13]



Table of Contents:

   REALOSAKA starts!                                                               
     "geert lovink" <geert@xs4all.nl>                                                

   Impakt Festival 2001 Programme                                                  
     Arjon Dunnewind <arjon@impakt.nl>                                               

   [i love u] bande de cochons september 2001                                      
     brainstorm <brainstorm@i-love-u.ch>                                             

   cyberwar and the NYSCP site                                                     
     SCP-New York <notbored@panix.com>                                               

   The Africa Speaks Initiative                                                    
     "Life in Africa" <mzungu@lifeinafrica.com>                                      

   ephemera vol 1, no 3 (aug 2001)                                                 
     Steffen Bohm <s.g.bohm@warwick.ac.uk>                                           

   Reminder and new faces: join the Media Lounge                                   
     Cathy Brickwood <cathy@virtueelplatform.nl>                                     

   V2_ presents Wireless Taps & Short Wave Commotions                              
     Nat Muller <Nathalie.Muller@skynet.be>                                          

   cast01 // Conference on Communication of Art, Science and Technology            
     monika fleischmann <fleischmann@imk.fhg.de>                                     

                                                                                   
     "Oriol SUPERmedia" <oriol@super-media.com>                                      

   Hackmeeting Spain                                                               
     merce@grn.es                                                                    

   panel: life of new media                                                        
     "marisa@mail.concentric.net" <marisa@mail.concentric.net>                       

   report on NY's contribution to 7s01                                             
     SCP-New York <notbored@panix.com>                                               






------------------------------

Date: Mon, 17 Sep 2001 07:40:59 +1000
From: "geert lovink" <geert@xs4all.nl>
Subject: REALOSAKA starts!

From: "Tetsuya OZAKI" <ozaki@blue.ocn.ne.jp>
Sent: Monday, September 17, 2001 1:52 AM
Subject: REALOSAKA starts!

$B!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a(B

REALTOKYO announces the launch of its sister site, REALOSAKA, on September
25, 2001!

$B!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a!a(B

REALTOKYO (http://www.realtokyo.co.jp/) is a daily up-dated, bilingual web
magazine providing cultural information on the greater Tokyo area in
Japanese and English. Since its launch in November 2000, the site full of
unique articles by selective, critical writers, and the convenient
'Scheduler' and 'Reminder Mail' functions, is getting more and more
positive response from readers throughout the world.

To this REALTOKYO, a sister will be born! Starting from September 25, 2001,
REALOSAKA (http:// www.realosaka.co.jp/) will be covering the Kansai region
with all kinds of cultural news and information. The know-how and the
functional technology REALTOKYO has developed in the year of its operation
will, of course, be implemented also in REALOSAKA, spiced up with a certain
Kansai flavor.

For the future, various on- and off-line collaborations by these two
city-specific web magazines are in preparation, to create a strong cultural
connection between Tokyo and Osaka through events and other projects. We
believe that this -- a co-operative network of multiple sites with refined,
regional contents -- is an adequate approach to show the future potential
of Internet sites, and we kindly ask for your support by telling your
readers/viewers about our project(s) in your publication/program.

At the same time both magazines offer plenty of possibilities for unique
and effective advertising, promotion, or cross-media collaboration (please
see our current page for the "Coca-Cola 'NO REASON' Art Project" http://
www.realtokyo.co.jp/colaE/cola.html for reference).
Besides investigations about REALTOKYO and the launch of REALOSAKA, we'd be
happy to respond to your consideration of making use of our magazines for
your own promotion, and send you our brochure with detailed information.

For any kind of questions, comments, requests, etc., please feel free to
contact us at info@realtokyo.co.jp


We're looking forward to future exchange and collaboration!


Best regards,

Ozaki Tetsuya, Editor-in-Chief

REALTOKYO$B!!!!!!!!(Bhttp://www.realtokyo.co.jp/
REALOSAKA$B!!!!!!!!(Bhttp://www.realosaka.co.jp/

- --------------------------------------------
Tetsuya OZAKI

Editor in Chief / REALTOKYO

TH Samoncho Bldg. #201
14 Samoncho, Shinjuku-ku, Tokyo
160-0017 Japan
TEL:81(0)3-3356-0353$B!!(B  FAX:81(0)3-3353-6971
ozaki@realtokyo.co.jp
http://www.realtokyo.co.jp/
- --------------------------------------------






------------------------------

Date: Mon, 17 Sep 2001 21:38:09 +0200
From: Arjon Dunnewind <arjon@impakt.nl>
Subject: Impakt Festival 2001 Programme


Utrecht, September 17 2001.

The Impakt Festival 2001 will be organized from October 2-7 in=20
Utrecht, The Netherlands. Please find below a short introduction to=20
the programme. The complete programme will be online (www.impakt.nl)=20
next week. Please let us know if you would like to receive the=20
complete programme earlier. It can be send to you immediately as a MS=20
word 6.0 document (184 K).
It will be our pleasure to welcome you at Impakt 2001.

On behalf of the Impakt organization,

Arjon Dunnewind,
Artistic Director.

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Impakt 2001, October 2-7

The 12th Impakt Festival will be special in many respects. For Impakt=20
2001, we have entered into a unique collaboration with the Centraal=20
Museum. With its multidisciplinary and temporary character, Impakt=20
will explore the borders of what is possible within the museum walls.
An important part of Impakt 2001 is Group Show, a specially compiled=20
exhibition in which work is brought together by artists who pay=20
special attention to group behavior and group processes. Group=20
identity is taking on an ever more important role: collapsing nations=20
on one hand and the advancing process of globalization on the other=20
makes people reconsider the culture they form a part of. We are=20
exposed to smaller-scale manifestations of group processes every day=20
in terms of fashion, styling, and social traffic, in which we all=20
participate. In the Group Show exhibition collective identity is set=20
against individual identity in the form of installations,=20
performances, and workshops, and humans are exposed as herd animals.
The artists participating in Group Show are Annika Larsson (S),=20
Jeroen Kooijmans (NL), Patricia Piccinini (AU), Maria Pask (NL),=20
Arturas Raila (LT), Julika Rudelius (NL) and Klaar van der Lippe (NL).
This year Impakt is paying special attention to the American artist
Doug Aitken. Various Dutch museums have been trying for some time to=20
organize an exhibition of his work. We are especially pleased that we=20
can present a program compiled by Aitken himself, with film versions=20
of his installations.
With the annual Panorama program, Impakt once again offers an=20
overview of recent developments within innovative visual culture.=20
Panorama consists of a current selection of installations, the most=20
intriguing productions from film and video art, as well as cd-roms=20
and websites.
In the Panorama exhibition Christoph Draeger (CH/USA), Magnus Wallin=20
(S), Femke Schaap (NL), Jose Restrepo (CO) en Ryoji Ikeda (JP) will=20
show new pieces.
The Panorama new media programme includes cd-roms and websites by:
Stanza (UK), Miroslav Nicic & Borjana Ventzislavova (AU), Michael=20
Brynntrup (D), squid s o u p (UK), Gustav Deutsch & Hanna Schimek=20
(AU), Melinda Rackham (AUS), Mia Makela (S/FIN), and many others. In=20
the new-media "couch.clubs" the artists themselves present their own=20
websites and CD-Roms.
=46inally we have selected 147 films and videos by artists like William=20
Wegman (USA), Kristin Lucas (USA), Phyllis Baldino (USA), Salla Tykk=E4=20
(FIN), Sam Easterson (USA), Dominic Gagnon (CAN), Donigan Cumming=20
(CAN), Guillaume Graux (B), Nelson Henricks (CAN), Steve Reinke=20
(CAN), Jay Rosenblatt (USA).
The music program is filled with concerts and DJ sets given by=20
leading artists from electronic music and dance culture. Influences=20
from hip-hop, techno, surf music, and other genres come together in=20
various performances that offer an overview of the latest trends in=20
music. DJ Olive (USA), Christian Fennesz (AU), Mouse on Mars (D),=20
=46unkst=F6rung (D), Luke Vibert (UK) and others will give concerts and=20
DJ-sets.
With a single entry ticket, you can visit all of the programs in the=20
museum every day, from 11am to 11:30 pm . Furthermore, until 5pm you=20
can visit the Pipilotti Rist exhibition in the Centraal Museum's=20
project spaces. Because people cannot live on good art alone, Impakt=20
is also offering a delicious meal every day in the Centraal Museum's=20
Refectory, and you can drink to your heart's content in the stylish=20
bar. In our opinion, all the ingredients for an exciting week are at=20
hand.

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Arjon Dunnewind,
Impakt Festival
P.O. Box 735
3500 AS  Utrecht
The Netherlands

If you use a courier service you must have your parcel delivered to=20
our office address:
Impakt Festival, Damstraat 19, 3531 BP Utrecht, The Netherlands

Tel.: + 31 30 2944493
2nd phone: + 31 30  2963408
mobile: + 31 6 5193 3745
=46ax.: + 31 30 2944163

e-mail:
arjon@impakt.nl (work)
arjon@xs4all.nl (home and abroad)
http://www.impakt.nl
- --============_-1211366923==_ma============
Content-Type: text/enriched; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<fontfamily><param>Helvetica</param><bigger>Utrecht, September 17
2001.


The Impakt Festival 2001 will be organized from October 2-7 in Utrecht,
The Netherlands. Please find below a short introduction to the
programme. The complete programme will be online (www.impakt.nl) next
week. Please let us know if you would like to receive the complete
programme earlier. It can be send to you immediately as a MS word 6.0
document (184 K).

It will be our pleasure to welcome you at Impakt 2001.


On behalf of the Impakt organization,


Arjon Dunnewind,

Artistic Director.=20


xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx


<bold>Impakt 2001, October 2-7


</bold>The 12th Impakt Festival will be special in many respects. For
Impakt 2001, we have entered into a unique collaboration with the
Centraal Museum. With its multidisciplinary and temporary character,
Impakt will explore the borders of what is possible within the museum
walls.=20

An important part of Impakt 2001 is Group Show, a specially compiled
exhibition in which work is brought together by artists who pay special
attention to group behavior and group processes. Group identity is
taking on an ever more important role: collapsing nations on one hand
and the advancing process of globalization on the other makes people
reconsider the culture they form a part of. We are exposed to
smaller-scale manifestations of group processes every day in terms of
fashion, styling, and social traffic, in which we all participate. In
the Group Show exhibition collective identity is set against individual
identity in the form of installations, performances, and workshops, and
humans are exposed as herd animals.=20

The artists participating in Group Show are <bold>Annika Larsson (S),
Jeroen Kooijmans (NL), Patricia Piccinini (AU), Maria Pask (NL),
Arturas Raila (LT), Julika Rudelius (NL) and Klaar van der Lippe (NL).

</bold>This year Impakt is paying special attention to the American
artist=20

<bold>Doug Aitken</bold>. Various Dutch museums have been trying for
some time to organize an exhibition of his work. We are especially
pleased that we can present a program compiled by Aitken himself, with
film versions of his installations.=20

With the annual Panorama program, Impakt once again offers an overview
of recent developments within innovative visual culture. Panorama
consists of a current selection of installations, the most intriguing
productions from film and video art, as well as cd-roms and websites.

In the Panorama exhibition <bold>Christoph Draeger (CH/USA), Magnus
Wallin (S), Femke Schaap (NL), Jose Restrepo (CO) en Ryoji Ikeda (JP)
</bold>will show new pieces.

The Panorama new media programme includes cd-roms and websites by:=20

<bold>Stanza (UK), Miroslav Nicic & Borjana Ventzislavova (AU), Michael
Brynntrup (D), squid s o u p (UK), Gustav Deutsch & Hanna Schimek (AU),
Melinda Rackham (AUS), Mia Makela (S/FIN)</bold>, and many others. In
the new-media "couch.clubs" the artists themselves present their own
websites and CD-Roms.=20

=46inally we have selected 147 films and videos by artists like
<bold>William Wegman (USA), Kristin Lucas (USA), Phyllis Baldino (USA),
Salla Tykk=E4 (FIN), Sam Easterson (USA), Dominic Gagnon (CAN), Donigan
Cumming (CAN), Guillaume Graux (B), Nelson Henricks (CAN), Steve Reinke
(CAN), Jay Rosenblatt (USA).

</bold>The music program is filled with concerts and DJ sets given by
leading artists from electronic music and dance culture. Influences
from hip-hop, techno, surf music, and other genres come together in
various performances that offer an overview of the latest trends in
music. <bold>DJ Olive (USA), Christian Fennesz (AU), Mouse on Mars (D),
=46unkst=F6rung (D), Luke Vibert (UK)</bold> and others will give concerts
and DJ-sets.

With a single entry ticket, you can visit all of the programs in the
museum every day, from 11am to 11:30 pm . Furthermore, until 5pm you
can visit the <bold>Pipilotti Rist</bold> exhibition in the Centraal
Museum's project spaces. Because people cannot live on good art alone,
Impakt is also offering a delicious meal every day in the Centraal
Museum's Refectory, and you can drink to your heart's content in the
stylish bar. In our opinion, all the ingredients for an exciting week
are at hand.                      =20
</bigger></fontfamily>

<fontfamily><param>Geneva</param>xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx=
xxxxxxxxxxxxxxxxxxxxxxx


Arjon Dunnewind,

Impakt Festival

P.O. Box 735

3500 AS  Utrecht

The Netherlands


If you use a courier service you must have your parcel delivered to our=
 office address:=20

Impakt Festival, Damstraat 19, 3531 BP Utrecht, The Netherlands


Tel.: + 31 30 2944493

2nd phone: + 31 30  2963408

mobile: + 31 6 5193 3745

=46ax.: + 31 30 2944163


e-mail:=20

arjon@impakt.nl (work)

arjon@xs4all.nl (home and abroad)

http://www.impakt.nl</fontfamily>

- --============_-1211366923==_ma============--


------------------------------

Date: Tue, 18 Sep 2001 00:45:29 +0200
From: brainstorm <brainstorm@i-love-u.ch>
Subject: [i love u] bande de cochons september 2001

http://www.i-love-u.ch  http://www.i-love-u.tv

Band-e de Cochons
Les Esperan-ces enfuit;
Le clou s'est percee.

(Band of Pigs!
Departed hopes!
The nail has pierced itself)

Love,

Bippi.

Dear pink of my mind!

Pathetic. For ages I‘ve been looking for you. Everywhere. I can‘t
remember when it began. Don’t ask me where I first saw you. It might
have been the tiny lamp on an electronic toy I used to have as a child
to teach me arithmetics. 1+1=3 and the lamp shone up bright. Wrong, this
meant. Might have been my aunts lipstick, she used to hide behind the
bottles of antiseptic in the bathroom cupboard. She never wore it. In
secret, I did, of course. Or perhaps the high-heel, one chick threw
after me, saying that I had watched her private parts too closely. Was I
only there discovering, what I was to become obsessed with? Like you,
that shoe really sent the stars whirling round my head. 
Today I’m careful. You still drive me crazy. You‘re not in the sunset,
not in the stripes of my toothpaste. The places I search for you have
been getting freaky lately. It spooks the shit out of me sometimes. A
week ago I caught myself gazing deep down my own throat. The tongue all
yellow. No pink of you. The other day my eyes were glued to the TV
screen, staring at pig’s backsides. One packed next to the other. It
could have been you – almost. My breath stopped and my hands shook. Call
me a pig if you like.Why not green like grass or blue like the see –
simple as that. It wasn’t my choice. You gave me the eye. Special kind
of pink, my colour of...

In eye, for ever.

september issue 2001: "bande de cochons"

monthly appearing e-zine for multimedia art,
monthly changing subject, no-commerce platform for cyber-artists,
photographers, screen-designer, e-musicians, movie-makers, comic-developers...

visit http://www.i-love-u.ch  http://www.i-love-u.tv

our snailmail: 
i love u ezine
kellergaesslein 7
CH-4051 Basel
Switzerland / Europe

die redaktion see editorial at http://www.i-love-u.ch

To unsubscribe, write mailto:response@i-love-u.ch (subject: unsubscribe)

Next month's theme:

mars.
 
feel free to join us and to send contributions to response@i-love-u.ch


------------------------------

Date: Mon, 17 Sep 2001 23:39:52 -0500
From: SCP-New York <notbored@panix.com>
Subject: cyberwar and the NYSCP site

Folks

Remember: should anything happen to either of the NY SCP's web sites

http://www.surveillancecameraplayers.org and
http://www.notbored.org/the-scp.html

as seems to be happening to web sites in Afghanistan (see below), remember
that these sites at mirrored at
http://archon.ifoer.tuwien.ac.at/notbored/the-scp.html

Anticipating rough sailing ahead,
Bill



>Date: Mon, 17 Sep 2001 09:22:35 -0500
>Reply-To: spynews@yahoogroups.com
>Subject: Afghanistan News Blackout ?
>
>I started searching Friday 9/14 and every Afghanistan news site is
>unreachable.  Is this something Afghanistan did so the U.S. won't know
>anything, or is this something the U.S. did so the U.S. citizens won't be
>frightened about maybe things they are saying over there?  The news sites
>are definitely blocked.



------------------------------

Date: Tue, 18 Sep 2001 03:58:20 +0300
From: "Life in Africa" <mzungu@lifeinafrica.com>
Subject: The Africa Speaks Initiative

Hi all -

Greetings from Uganda, where we have now laid a big chunk of
the groundwork for an innovative experiment in global
democracy.

Beginning 18 September, the Africa Speaks Initiative will
bring the true voices of the African grassroots into
international internet-based discussions about the current
global crisis.

Geert has invited me to post selected messages from the
Africa Speaks Initiative to this list. If you would like to
receive ALL of the messages posted through the Africa Speaks
Initiative, you can sign up with a blank email to
africa-speaks-subscribe@topica.com

There is a press release at http://LifeInAfrica.com which
describes the project in greater detail. We're all pretty
excited about it here in Kampala, and hope that you will
assist us by telling as many people as possible. We also
hope you'll reply to the posts, and ask questions that can
help guide the discussions in a fruitful direction.

Thanks in advance for your participation in the Africa
Speaks Initiative.

You'll hear more from us tomorrow!

Christina Jordan
http://LifeInAfrica.com

/<<>>\\\\<<>>////<<>>\\\\<<<>>>////<<>>\\\\<<>>////<<>>\
The Life in Africa Foundation
PO Box 28825, Kampala, Uganda http://LifeInAfrica.com
Echoes of Africa mailto:echoes-subscribe@topica.com



------------------------------

Date: Tue, 18 Sep 2001 17:52:04 +0200
From: Steffen Bohm <s.g.bohm@warwick.ac.uk>
Subject: ephemera vol 1, no 3 (aug 2001)

STANDARD APOLOGIES FOR CROSS-POSTING

The third issue of ephemera, the new journal for critical dialogues on
organization, is now online at:
http://www.ephemeraweb.org


=============================

CONTENTS
volume 1, number 3 (august 2001)


editorial

It Appears that Certain Aphasiacs...
Campbell Jones, Chris Land and Steffen G. Bohm


articles

Myths of a Near Future: Advertising the New Economy
Christian De Cock, James A. Fitchett and Matthew Farr

Does monster.com Have Any Byte? An Exploratory Dialogue
Susan Hinton and Jan Schapper

‘The Knowledge Era’: The Performative Story of a Research Project
Attila Bruni


notes from the field

Beyond Prose...But not Without Reason: Creativity in ‘Plastic Cages’?
Bronwyn Boon

Contextualising Genoa: Protest, Violence and Democracy
Donald Hislop


reviews

Consumer Culture Coroners
Warren Smith

Moving Beyond the Science Wars?
Ray Gordon


dialogue

Radicalising Organisation Studies and the Meaning of Critique
David Boje, Steffen G. Bohm, Catherine Casey, Stewart Clegg, Alessia
Contu, Bogdan Costea, Silvia Gherardi, Campbell Jones, David Knights,
Mike Reed, André Spicer and Hugh Willmott

===================


(You will need Acrobat Reader to access the full-text version of these
papers.)

If you would like to be regularly notified about new ephemera issues and
other ephemera happenings, please register with
ephemera|news by sending an email to:
ephemera-news-subscribe@yahoogroups.com

If you would like to participate in the discussion of the above articles
and other issues related to critical perspectives on
organization, please register with ephemera|discussion by sending an
email to:
ephemeraweb-subscribe@yahoogroups.com


Enjoy the issue!
Yours,
the ephemera editors


____________________________________________

Steffen G. Bohm
editor

ephemera: critical dialogues on organization
ISSN 1473-2866

‘All that is solid melts into air’

http://www.ephemeraweb.org


------------------------------

Date: Tue, 18 Sep 2001 18:24:56 +0200
From: Cathy Brickwood <cathy@virtueelplatform.nl>
Subject: Reminder and new faces: join the Media Lounge

This is a multi-part message in MIME format.
- --------------5DF1777C0277CADCDDAF9F5C
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

[With apologies for cross-postings]

The Medialounge is an online database representing a network of cultural
new media institutes, individuals and organisations.

The current version was developed and designed by the Waag Society for
Old and New Media, and is a low end, more accessible version of the
Hybrid Media Lounge set up in 1999.

The database is linked to the new ECB (European Cultural Backbone)
website (www.e-c-b.net). The European Cultural Backbone was set up in
1999 as a coalition of institutions and individuals who work in the
field of new technologies and who creatively use and develop
participatory media for social change. Its membership reflects the
geographical, social and cultural diversity of Europe, including
non-EU-Member States and partners in other continents.

*Many of you may have already joined the Medialounge, but may need to
update your info.
*We'd like the medialounge to be as comprehensive and diverse as
possible so please pass this message on to new initiatives.

To join the medialounge go to www.medialounge.net

Many thanks

Cathy Brickwood

Wireless Taps & Short Wave Commotions




------------------------------

Date: Mon, 17 Sep 2001 19:16:40 +0200
From: Nat Muller <Nathalie.Muller@skynet.be>
Subject: V2_ presents Wireless Taps & Short Wave Commotions


Wireless Taps & Short Wave Commotions is an exchange project between Riga
(Latvia) and Rotterdam, consisting of a workshop, a party and a
presentation. The common denominator is an investigation of the
possibilities 'old' and 'new' broadcasting technologies (short wave radio,
streaming media, wireless technology) have on offer for the forging of new
alliances between artists, VJs, DJs, media critics and activists.

Workshop: real-time video and audio
Wednesday 26 and Thursday 27 September 2001, 11.00 - 18.00 hours.
Location: V2_Organisatie, Eendrachtsstraat 10, Rotterdam
Participation at invitation, lurkers welcome
- -
Latvian, Rotterdam, and Belgian artists of various disciplines and
backgrounds experiment with real-time video and audio processing (i.e. the
live manipulation of sound and image). The input is derived from radio
telescopes, scanners, antennas, computers - the output surprises you with
new images, sound and live streaming.
With a.o.: Signe Pucena (LV), Ieva Rubeza (LV), DJ Brain (LV), Oskars
Poikans (LV), Martins Ratniks (LV), Girts Korps (LV), Miks Mezitis (LV),
Paulis Liepa (LV), Martins Dumins (LV), Voldemars Johansons(LV), Linnards
Kulless (LV), Jaanis Garancs (LV), Laura Sulca (LV), Irina Gorbatova (LV),
Aleksandrs Ganza (LV), Andrej Savitsky (BY), Martiens go home (B), DJ Nurse
(B), Guy van Belle (B/NL), Lucas van der Velden (NL), Gideon Kiers(NL),
Martin de Korte (NL), Martijn van Boven (NL), Derek Holzer (US/NL), Zina
Kaye (AUS), Mr. Snow (AUS)

Party: featuring HIP HOP LV & guests
Friday 28 September 2001, 21.00 hours.
location: Off_Corso, Kruiskade 22, Rotterdam
admission: fl. 15,-
- -
A night of inter-cultural jamming, featuring experimental audio and video by
local and international guests.  Presentation of workshop results, followed
by a special set if HIP HOP LV: VJ Martins Ratniks, DJs AG&Raitis and MC
Roberts Gobzins aim to popularise the phenomenon of local Latvian culture by
using codes of contemporary dance music.
Screening of video documentary 'Latvian Waves' by Sara Kolster (NL) and
presentation of 'TEMPT' by Barkode (NL) in the lounge.

Presentation
Sunday 30 September 2001, 14.00 - 17.00 hours.
location: V2_Organisatie, Eendrachtsstraat 10, Rotterdam
admission: fl. 10,-
- -
Despite the growing use of internet communication, broadcast radio waves
still remain the most effective way of reaching the largest percentage of
the world's population.. The development of radio communication has,
analogous to the Internet, its roots in military technology. Artists,
activists and theoreticians continuously seek new ways to examine different
aspects of the radio spectrum.
Guests:
Derek Holzer (USA/NL)
Is a sound and radio artist, and founder of the Czech internet broadcasting
project Radio Jeleni. His most recent project is the Acoustic.Space.Lab, a
collaboration with RIXC (Riga).
Rasa Smite (LV)
Is a media artist, organiser and net activist, based in Riga, Latvia.
Together with Raitis Smits and Jaanis Garancs she initiated E-LAB in 1996
and The Center for New Media Culture RIXC in 2000. Since 1997 she works
towards the development of experimental internet radio, and co-founded the
Riga internet radio OZONE, the publication on new media culture and net
audio- "The Acoustic.Space", and the international net.broadcasters' network
and mailinglist XCHANGE.
Robert Adrian (A/CDN)
Is a Canadian artist living in Vienna since 1972. He has been working with
communication technology since 1979 and initiated and managed the Kunstradio
website from 1995 till 2000. He has also continued to work with different
media including installation, model making, photography, painting, sculpture
and computer.
Nik Gaffney (AUS/B)
Is a systems and media researcher, and a founding member of FoAM in
Brussels, Belgium. With farmersmanual and radioqualia, he has been involved
in some of the early internet based sound feedback cycles involving
narrowcast and broadcast models (net.radio); other experiments have involved
publicly accessible web interfaces to live radio (fm), and many distributed
performances.

Bookmarks
Acoustic Space Lab Symposium
http://acoustic.space.re-lab.net/
xchange
http://xchange.re-lab.net/
Robert Adrian
http://www.t0.or.at/~radrian/
Nik Gaffney
http://rorschach.test.at/
http://www.f0.am/

Live streaming at www.v2.nl/live

More info op: www.v2.nl/wiretap en http://rixc.lv/01/

A project of Las Palmas - International Centre for Visual Culture and Media
Technology, concept and production: V2_Organisatie, Eendrachtsstraat 10,
3012 XL Rotterdam; Off_Corso, Kruiskade 22, Rotterdam; Riga Center for New
Media Culture (RIXC), 11. Novembra Krastmala 35, room #54, Riga, LV 1050,
Latvia.

The Wiretap 7 series is supported by:
Las Palmas - International Centre for Visual Culture and Media Technology,
Rotterdam 2001, Cultural Capital of Europe, Cultural Affairs, City of
Rotterdam, Ministry of OC&W, Thuiskopie fonds, Rotterdamse Kunststichting,
Luna Internet, Latvian Ministry of Culture, Daniel Langlois Foundation for
Arts Science & Technology.





------------------------------

Date: Mon, 17 Sep 2001 23:00:57 +0200
From: monika fleischmann <fleischmann@imk.fhg.de>
Subject: cast01 // Conference on Communication of Art, Science and Technology


Mixed Reality: Networking art and technology

Conference on Communication of Art, Science and Technology

 From 21 to 22 September 2001, the Fraunhofer Institute for Media 
Communications will be holding the cast01 // Living in Mixed 
Realities conference at Schloss Birlinghoven, Sankt Augustin. This 
international event will be presided over by the German Federal 
Minister for Education and Research, Edelgard Bulmahn, and is aimed 
at anyone who works at the interface of art, culture, new 
technologies and media science.

Some 250 attendees from the worlds of art, culture, science, 
education, business and politics are expected to attend. The program 
features presentations and discussions on the latest results from the 
field of research, state-of-the-art technologies and cutting-edge 
artistic projects that tackle the subject of Mixed Reality.
See detailed programme: http://netzspannung.org/cast01/program_en.html

There will be Internet broadcast of the cast01 conference using two 
different streaming technologies:
RealMedia streaming, SureStream (56Kbps-250Kbps) for all Internet 
users MPEG-1 multicast streaming (1.5 Mbps) for broadband Internet 
users (PC only), available only in networks which allow multicast 
packets transmission. More info with appropriate streaming links and 
information how to register can be found on the cast01 Website: 
http://netzspannung.org/cast01

The cast01 conference is overshadowed by the attacks in the United 
States which took place on September, 11. Our sympathies go to our 
many colleagues, friends, and family in the US. As a concrete sign of 
our concern, we would like to use the cast conference as a way to 
respond to the events which are now uppermost on many of our minds.

Issues addressed in the cast01 conference such as electronic 
surveillance, the control of space, and local and global 
communication take on a new meaning in the context of a large-scale, 
coordinated attack on civilians with no forewarning. In reaction to 
these terrible events we invited the speakers to consider, where 
appropriate, bringing this perspective into their presentations.

On Sunday, September 23, from 11 - 12.30 h we invite you to join the 
reflections on cast01 in the Auditorium of the Kunstmuseum Bonn. To 
get there see: 
http://www.bonn.de/kunstmuseum/informationen/anreiseindex_e.htm

The Sunday event will be open to the public. Please send email if you 
like to attend on Sunday: cast01@netzspannung.org

Looking forward to seeing you at cast01!

Monika Fleischmann & Wolfgang Strauss
cast01 Conference Chairs //

Claudia Valle and Felix Schmitz-Justen
cast01 Organisation




------------------------------

Date: Mon, 17 Sep 2001 12:41:33 +0200
From: "Oriol SUPERmedia" <oriol@super-media.com>

This is a multi-part message in MIME format.

- ------=_NextPart_000_003B_01C13F76.153489A0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: 8bit

Rojo

is pleased to announce the October coming issue
“PLUS” with all the best net art from you!!

 we have some spaces available for ROJO "plus" & “Extra” on-line
 colaboradoresweb@revista-rojo.com ) and for ROJO "extra" printed
ssue...( colaboradores@revista-rojo.com )

we are waiting for a little briefing, and confirmation of spaces
available...

To review Start, visit online at http://www.revista-rojo.com

:. ROJO "start"  has been distributed paper print and on-line in...

EUROPA
Barcelona - Madrid
San Sebastian - La Coruña - Santiago de Compostela
Alicante - Palma de Mallorca - Ibiza - Menorca
Castellon - Zaragoza
Milan - Roma - Napoles - Capri
Paris - Marsella - Burdeos
Rotterdam - Amsterdam
Edimburgo - Londres
Berlin - Viena - Bruselas
København - Estocolmo
Zurich

AMERICA
Sao Paulo - Rio de Janeiro
Buenos Aires - Santiago de Chile
Santa Fe de Bogotá - Medellín
Mexico DF
Nueva York - Los Angeles - San Francisco - Oakland
Seattle - San luis Obispo
Toronto

MORE...
Tel Aviv - Israel
Tokio - Japón
Bandung - Indonesia

and we are very happy because many of you have contributed directly to the
creation and distribution of the ROJO "start" issue... THANX TO YOU ALL!!!

Features ROJO incoming projects:


  a.. Design of the red button link: Image 67X67 px. 72 dpi.
  b.. Size in pixelxs of the project in swf. & shockwave files.
  c.. Size of the project can’t be larger than 1.5Mb for Flash, shockwave &
Html. Video 5 Mb!
  d.. Final Credits (Name mail & web page)



- ------=_NextPart_000_003B_01C13F76.153489A0


------------------------------

Date: Tue, 18 Sep 2001 10:26:40 +0200
From: merce@grn.es
Subject: Hackmeeting Spain




Apologies  if  you  receive  multiple  copies  of this email
............................................................



                            HACKMEETING LEIOA
                            
                         21.22.23 septiembre 2001
                        Gaztetxe de Leioa - Bilbo

                       www.sindominio.net/hmleioa01



end


------------------------------

Date: Tue, 18 Sep 2001 22:31:37 -0400
From: "marisa@mail.concentric.net" <marisa@mail.concentric.net>
Subject: panel: life of new media

NEW MEDIA )TORS: The Social Life of Digital Art  

)) Co-organized by GenArtSF and the BAM/PFA, a discussion among new media artists about their role in society and the new economy and the effects of network culture on the creation, interpretation, collection, and preservation of contemporary visual art.  

))) PARTICIPANTS >Shawn Brixey, artist & director, Center for Digital Art and New Media Research, UC Berkeley  >Alex Galloway, artist & director of  technology & content @ Rhizome.org  >Lynn Hershman, artist & professor, media arts, UC Davis >Jason Lewis, artist & founder, The Thought Shop >Moderated by Richard Rinehart, artist, director of digital media, Berkeley Art Museum, & instructor, art department, UC Berkeley.  

>> Event chair: Marisa S. Olson  

SUNDAY ) SEPTEMBER 23, 2001  
PANEL >12:30-2pm:Pacific Film Archive Theater, 2575 Bancroft @ Bowditch, 
Berkeley, CA  
RECEPTION >2:00-3:00pm, Berkeley Art Museum, 2626 Bancroft  
ADMISSION >Free    SPACE >Limited seating. First come, first seated  

SPONSORED BY GROUNDZERO: The Art & Technology Network  

) ) ) Beginning September 1st, chat with the speakers and the community online at www.bampfa.berkeley.edu/events/mediators  

>> GenArtSF's mission is to strengthen and empower the community of young artists, to cultivate a new generation of arts audiences, and to connect the arts community to the community at large.  GenArtSF is a project of the San Francisco Foundation Community Initiative Funds.  See www.genartsf.org  
+ + + ALSO, SAVE THE DATE:  NewFangle, GenArtSF's annual exhibition of  technology-based work by emerging bay area artists opens October 25th, 7-10pm, at the Herbst International Exhibition Hall, at Moraga Avenue &  Montgomery Street, in the Presidio.    

NewFangle 2001 is curated by Jeanne Finley, artist and professor, CCAC; Skawennati Fragnito, artist and independent curator; Lynn Hershman, artist and professor, UC Davis; Jason Lewis, artist and founder, The Thought Shop; and Benjamin Weil, curator of media arts at SFMOMA.  This year's co-chairs are Marisa S. Olson, artist, writer, curator, and director of GenArtSF's media arts programs; and Greg Niemeyer, artist and professor, UC Berkeley 
(previously, founder/director, Stanford University Digital Art Center).  
NewFangle 2001 artists are Tommy Becker, Andy Diaz Hope, Chris Dorosz, Amanda Hendricks, Sonja Hinrichsen, Rania Ho, Mads Lynnerup, Jill Miller (The Cupcake Project), and Miguel Nelson.  




- --------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web.com/ .


------------------------------

Date: Mon, 17 Sep 2001 23:24:30 -0500
From: SCP-New York <notbored@panix.com>
Subject: report on NY's contribution to 7s01

http://www.notbored.org/7sept01.html

International Day of Protest Against Video Surveillance


At precisely 1 pm Eastern Standard Time on Friday, 7 September 2001, the
New York Surveillance Camera Players (NY SCP) performed in front of a
webcam installed and operated in Times Square by a privacy-insensitive
company called
Earthcam. Offered as part of 7s01, an international day of protest against
the video surveillance of public places, the NY SCP's half-hour-long
performance was watched via the Internet by almost 3,000 people from all
over the world, as well
as by crowds of people in Times Square itself.

Composed of Bill B, Bill D, Susan, Kristin and newcomer Marion, the NY SCP
performed a version of Headline News that had been expanded to take account
of such recent events as the exposure of the existence of a super-secret
global
spying system operated by the USA military and informally known as Echelon.
In addition to performing and giving interviews, the members of the NY SCP
handed out copies of a flyer written for the occasion.



       WHO WE ARE & WHY WE'RE HERE

       We're the Surveillance Camera Players, a group formed in New York
City in November 1996. We protest against the use of surveillance cameras
in public places because these cameras violate our constitutionally
protected rights to privacy and free assembly. We manifest our opposition
by performing specially adapted plays directly in front of surveillance
cameras. We use our visibility -- our public appearances, our interviews
with the media, and our web site -- to explode the cynical myth that only
those who are "guilty of something" are opposed to being watched by unknown
eyes.

       We have come to Times Square because the area is filled with
surveillance cameras of all kinds and because today is an international day
of protest against video surveillance. At exactly 1 pm Eastern Standard
Time today, groups from all over the world (the USA, Colombia, England,
France, Germany and Turkey) are taking to the streets to call attention to
both the omnipresence of public surveillance cameras and the extent of the
opposition to them.



Covering the performance were reporters from the Tokyo Broadcasting System;
a commercial webzine called Mutation Spotting; and a production company
currently producing a series for Japanese Internet TV called "Upstream New
York."
Contrary to expectations, there were no problems with Earthcam, which
sometimes shuts its cameras off when it finds that the NY SCP is standing
in front of them, and the New York Police Department, which turned out in
force for the
group's performance in Times Square on 14 December 2000 and has a history
of turning out in force for any SCP performance that has been announced in
advance. While the first fact suggests that Earthcam has finally realized
that the
NY SCP isn't a group to be fucked with (the head of the company was
contacted just before the performance by a reporter for Wired News), the
second fact suggests that the NYPD has finally realized that the NY SCP
isn't a violent group and doesn't pose any threat to "law and order."

First proposed by Aktuelle Kamera, an anti-surveillance group in Bremen,
Germany, the 7s01 Day of Action had it roots in and built upon some of the
contacts made through a series of international actions undertaken by the
NY SCP and the French group Souriez, Vous Etes Filmes on 14 December 2000.
Unable to particpate in the 14 December 2000 actions, the German activists
in Bremen promised that they would be involved in future demonstrations. In
July 2001, they proposed 7 September 2001 as the date of the next
international day of action. Adopted and slightly modified by the NY SCP,
the proposal was posted on the NY SCP's web site and sent out to
anti-surveillance activists all over the world. Eventually, 23 groups in 8
different countries got involved. Among these participants were two
brand-new SCP groups: the San Francisco SCP and the Stockholm Surveillance
Camera Theatre. The SCP network now exists in three American cities, in a
total of four countries, and in tandem with a larger network of
anti-surveillance groups in Europe, but especially France and Germany.



------------------------------

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