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Table of Contents: metabolics#7 feat.: Entropy8Zuper! florian schneider <fls@kein.org> ZAYAC No. 6 Kalina Bunevska Isakovska <kalina@scca.org.mk> Call for Proposals: Is This the Future of the City? Andreas Broeckmann <abroeck@transmediale.de> Babelizer aurora@easynet.co.uk (Sarah Thompson) new exhibit invitation "Carlos I. Sanchez Vegas" <cisvg@cisvg.com> CALL FOR SUBMISSION > IO-N.NET "gregory chatonsky" <rank@incident.net> Fw: <demokratica> re:struct "Gabriel Pickard" <werg@demokratica.de> world bank protests? Jeffrey Fisher <jfisher@igc.org> forward: interactivist info exchange acm acm <artofficial2@yahoo.com> call for submissions for soundtoys.net autonomy <ultrasoundings@hotmail.com> new site's up'n running... artologue admin <admin@artologue.org> CIAC Magazine 13th edition "ciac" <courrier@ciac.ca> ------------------------------ Date: Tue, 10 Jul 2001 20:48:41 +0200 From: florian schneider <fls@kein.org> Subject: metabolics#7 feat.: Entropy8Zuper! M E T A B O L I C S # 7 THURSDAY 12 JULY 2001 20:00 +0100 (MET) Feat.: Auriea Harvey und Michael Samyn, Entropy8Zuper! (Gent/BE) More Information, archived and live stream: http://www.linksverkehr.net/metabolics RE: BROADBAND "Information Technology is not the Future. We are." That's the slogan of AURIEA HARVEY and MICHAEL SAMYN, two of the best known and highly decorated net artists and web designers of our time. Their work consists of digital sculptures, fat files, coined by digital exuberance, hilarious affluence and provocative splendour. In the developing country called internet, controversy about ressources is sometimes as big as in defficient economies. Easily can artists who in no case want to restrict their work on minimalistic ascii art, become the target of digital correctness. AURIEA HARVEY and MICHAEL SAMYN probably are bothered by the citicicsm of purists as little as they are by the appreciation by the San Francisco Museum of Modern Art, which awarded them the highest decorated price for net.art - the SF MoMA Webby Prize 2000. Whoever has a couple of hours left, and a highspeed internet connection, can be sure to be part a very exclusive audience, when watching works like "wirefire" or "skinonskinonskin". And Samyn and Harvey consistently prove their emotional straightforwardness and honesty. In the worst case they make clear that "Your browser sucks". At METABOLICS//STOFFWECHSEL#7 on the 12th of july 2001, AURIEA HARVEY and MICHAEL SAMYN, Entropy8Zuper! present a collection of their spectacular, CPU-clogging and bandwith-consuming projects. The work they've been designing together as entropy8zuper.org for a while can nearly be put in the tradition of baroque works of art. The relationship between Harvey (entropy8) and Samyn (zuper), who also privately are a couple since their collaboration at a project for the online gallery hell.com, is a repeating subject in their works as well. Harvey was considered as one of the most important web designers in New York, creating websites for Lenny Kravitz and Janet Jackson and winning the "Webby Awards" 1997 und 1998. Samyn, well known not only as an artist, indisputably is one of the pioneers of interactive design. Links: http://www.entropy8zuper.org http://www.entropy8zuper.org/skinonskinonskin http://www.entropy8zuper.org/wirefire http://zuper.com/hero http://entropy8.com/wrong http://entropy8zuper.org/404kiss METABOLICS//STOFFWECHSEL presents innovative projects and debates in net.art, .culture and .politics on a monthly basis, starting from january 2001, in Muffathalle in Munich. METABOLICS//STOFFWECHSEL is curated by Florian Schneider, Harald Staun and Dietmar Lupfer. METABOLICS//STOFFWECHSEL will be streamed live and stored in a database. <http://www.linksverkehr.net/metabolics> If you want to be informed regurarily about the program, receive additional information and take part in ongoing discussions, we invite you to subscribe to our newsletter: <http://www.linksverkehr.net/metabolics/subscribe.html> ------------------------------ Date: Wed, 11 Jul 2001 00:19:07 +0200 From: Kalina Bunevska Isakovska <kalina@scca.org.mk> Subject: ZAYAC No. 6 Contemporary Art Center - Skopje is announcing launching of new issue of ZAYAC (Zine about young Art and Culture) in this issue you can find interesting stories from cultural live in Macedonia. http://zayac.scca.org.mk/ Here is short content of ZAYAC No 6 - - Vladimir Grupcev , Thunder over Skopje ( photo Project) - - Interwiev with Slavica Janeshlieva winner on Grand Pry on fifth Biennal of the youth Artists - - Text by Hristijan Panev about fifth Biennal of the youth Artists - - More information about SEAFair 2001 - - Ana Vasilevska with text " Creation in crisis, or crisis in creation" - - Kristina Miljanovska and Emil Petrov with Project "4" - - Irena Paskali " ZWISCHEN" - - Marija Pavlovska "Black and White Stories" - - Slavko Popushilic - Kofalanja " Kofalanja" - - Announcing of CIX Gallery for open Competition for the projects which should be realized to the end of 2001 ______________________ Kalina Bunevska Isakovska Visual Arts Program Coordinator CAC - Skopje, Macedonia Address: Orce Nikolov 109, 1000 Skopje, Republic of Macedonia tel./fax: ++389.91/133-541; 214-495 e-mail: kalina@scca.org.mk http://www.scca.org.mk ------------------------------ Date: Thu, 12 Jul 2001 09:08:26 +0200 From: Andreas Broeckmann <abroeck@transmediale.de> Subject: Call for Proposals: Is This the Future of the City? Date: Wed, 11 Jul 2001 12:49:54 -0400 Subject: Call for Proposals: Is This the Future of the City? From: Amanda Ramos <ramos@brucemaudesign.com> IS THIS THE FUTURE OF THE CITY? CALL FOR PROPOSALS: New Tokyo Life Style Roppongi Think Zone Motion Floor Project July 3, 2001 Deadline for proposals: August 3, 2001 Notification: September, 2001 Term: November, 2001 to March, 2003 (tentative) Duration of exhibition: 30 days per artist The "Motion Floor Project" (MFP) is a new art exhibition program which takes place at the new art space "New Tokyo Life Style Roppongi Thinkzone" (Zone), opening in Tokyo's Roppongi in September 2001. Both the Motion Floor Project and Zone are projects of the Mori Arts Center, an ambitious new gallery slated to open in 2003, as part of a new development in Roppongi Hills being undertaken by the Mori Building Company. The MFP will host a series of video exhbitions, showing the new work of contemporary artists, filmmakers, graphic designers, musicians, VJs and other creators selected from all over the world. Each artist is asked to explore this question: "Is this the Future of the City?" An open-ended inquiry, artists are invited to interpret however they see appropriate, exploring the many facets that the question implies. Conditions for exhibition: * The selection of art works to be exhibited will be made by Bruce Mau Design and Yukiko Harada, Curator of Zone * Selected works will premiere at the MFP. Following the opening of the Mori Arts Center, they will be exhibited again as part of "Motion Floor Project Extreme" (MFPX). They will also tour to several other venues outside Japan. Artists are welcome to make other copies of their works but, if selected, one copy will belong to the Mori Arts Center * Works will each ideally consist of four large moving images projected from the ceiling onto the floor, with each image measuring 7 x 9 metres. Alternate proposals for employing the MFP technology will be entertained, but this is the basic configuration of the space. * If selected, the final format to be delivered to Zone is to be negotiated between the artist and the staff of Zone * The MFP will be the major activity of Zone, which is to enhance the cultural exchange of Tokyo and the world, providing emerging creators and artists with an active platform for networking and communication. Zone's stated objective is to "Deal with the New and Urban" and is comprised of the following three parts: Motion Floor Four large moving images will be projected from the ceiling onto the floor, each measuring 7 by 9 meters. Urban Café Café and lounge where youth can hang around. A variety of events such as lectures and open discussions will also be held. Urban Book Library/Bookstore A Library/Bookstore dedicated to the themes of city, architecture and fine art. Your proposal will comprise: * 1-2 page description of the work you intend to produce * one page summary curriculum vitae * 5-10 slides of past work, videotapes (or other support material, as appropriate.) Remuneration: * Remuneration: Selected artists will be paid a fee of $20,000 U.S. including travel expenses to attend the opening in Tokyo. No additional fees will be paid. Zone Zone is an abbreviated title of NewTokyo Lifestyle Roppongi Thinkzone, a temporary contemporary art/culture space to be operated for the two years prior to the opening of Mori Arts Center. Art Director: Bruce Mau (Bruce Mau Design Inc.) Curator: Yukiko Harada (Mori Arts Center) Associate Curator: Mizuki Takahashi (Mori Arts Center) Space design: Tokujin Yoshioka Mori Arts Center The Mori Arts Center is a new art and culture museum scheduled to open in the "Roppongi Hills" new city core of Tokyo in the fall of 2003. As the largest contemporary art/culture museum in Japan, the Mori Arts Center will be a driving force for the creation and enrichment of a new urban culture, presenting the contemporary creations traversing fine art, architecture, graphic design, fashion design, product design and music. Mori Building Company and Roppongi Hills Mori Building Company is one of the largest urban developers in Japan and has been devoted to the planning and creation of dynamic urban complexes for more than 40 years. Fostering the long-term vision to revitalize Tokyo into an ever more attractive city, the company is now constructing Roppongi Hills, a large-scale new town development in central Tokyo. Accommodating a variety of urban functions including Mori Arts Center, Roppongi Hills will launch as a new cultural core of Tokyo where diverse energies interact and new lifestyles are enhanced. Tokyo is a huge melting pot of fun, ideas and creativity. It absorbs abundantly and generates abundantly. The Motion Floor Project at Zone will become a vital part of the vibrant, stimulating energy of Tokyo. Yukiko Harada, Curator, Zone Bruce Mau, Creative Director, Bruce Mau Design Send proposals to: Amanda Ramos Bruce Mau Design Inc. 197 Spadina Avenue, Suite 501 Toronto ON M5T 2C8 Canada 416-260-5777, ext. 233 fax 416-260-2770 e-mail ramos@brucemaudesign.com ------------------------------ Date: Thu, 12 Jul 2001 12:12:55 -0400 From: aurora@easynet.co.uk (Sarah Thompson) Subject: Babelizer "Babelizer" A new article by Sarah Thompson on: Babel by Simon Biggs referencing: The Apartment, "Conversions", & the brainwave matrix published at: http://www.content-type.org.uk ------------------------------ Date: Wed, 11 Jul 2001 20:00:48 -0700 From: "Carlos I. Sanchez Vegas" <cisvg@cisvg.com> Subject: new exhibit invitation Ciudad/City Jorge Khawam "C. is the last opening, the ending stage of a self-definition process, like looking itself into a mirror, searching its identity, abstract, like its containing medium. Is another dream, a no-natural one, is an ideal copy humans made of dreams. Matura is now the virtual space where Jorge's work is exhibited, and where virtually mine work will remain. On virtual times we'll be together forever". City/Ciudad, is an architectonic show of the Jorge Khawam's works. Is now open, I invite you to visit it on www.cisvg.com or www.cisvg.com/museum/ "C. es la última apertura, final de un proceso de auto definición, como mirandose en un espejo, buscando su identidad, abstracta, semejante al medio donde flota. Visto desde este lado, donde casi todo es material, fuerte, duro, crudo: real. El otro lado es limpio, transparente, hermético, precario y frágil; donde lo supuesto concreto: flota, levedad de lo leve, como casi todo lo que no es natural. Mucha tecnología y conocimiento lo sostienen, en el mundo infinito de la web.. Es el otro sueño, antinatura, la ideal copia que el hombre hace del sueño .Mundo sontenido por la electricidad: Ciudad es la situacion ideal, de un museo virtual, es la ciudad que genera un museo, o es el museo el que genera esta ciudad?, que a su vez es muestra de un talento: el de Jorge. Matura es la ciudad que habita en Jorge, estatica, perfecta, organizada; no hay gente, nadie la respira, nadie ensucia sus calles, la brisa no sopla, las voces no juegan en sus esquinas, ni los olores., nunca, pero ! nunca veremos en ella a una cara conocida. Siempre seremos visores, viajante, viajeros. Aunque plantado en su centro, en ella soy tan extranjero como ustedes. Matura, es ahora el espacio virtual donde se exhibe la obra de Jorge, y donde virtualmente permanecera la mia. Eternamente juntos en los tiempos virtuales." Ciudad/city, es una muestra de aquitectura, de Jorge Khawam. Que esta abierta a partir de hoy, en www.cisvg.com o en www.cisvg.com/museum/ . Carlos Sanchez-Vegas. Seattle, Jul 2001 ------------------------------ Date: Sat, 14 Jul 2001 22:26:25 +0200 From: "gregory chatonsky" <rank@incident.net> Subject: CALL FOR SUBMISSION > IO-N.NET ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ IO-N.NET is a cooperative project in FLASH which presents artistic proposals whose starting points are "neutral" technological elements (HTML code, iteration, synthesis, downloading, screensaver, etc.) and whose point of arrival is the constitution of new perceptions: technologies far from being instruments subjected to our will, restructure our being-in-world, our identity, our imaginary and our esthetics. The sub-projects of this platform finish by the locution "ION" and have each one his own domain name, for example "TERRITORIALISAT.IO-N.NET" OR "POSIT.IO-N.NET", etc. You are invited to submit new projects. FLASH interactive animations must be 700X350 pixels. You can directly send your projects on RECEPT@IO-N.NET by joining your source file FLA., the title of your project and topics, your name, country, age and if you want a short cv. If you want to use advanced technologies like ASP, PHP, MySQL, or others plugins, contact me. For more informations on the project concept, go to PRESENTAT.IO-N.NET or DEFINIT.IO-N.NET Gregory Chatonsky * Thank to diffuse this call for sumission. * Supported by CICV and Next Movies. ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ Last works: http://www.sous-terre.net http://www.revenances.net http://www.cicv.fr/vitesse http://www.cicv.fr/nervures http://www.cicv.fr/3rives http://www.cicv.fr/incident Incident Center (IC) url : http://www.incident.net ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ abdication abduction aberration abjection abjuration ablation ablution abnegation abolition abomination abreviation abrogation absolution absorption abstention abstraction acceleration accentuation acceptation acception accession acclamation acclimatation accommodation accreditation accumulation accusation acquisition action activation actualisation adaptation addition adduction adequation adhesion adjonction adjudication adjuration administration admiration admission admonestation adoption adoration adulation aeration affabulation affectation affection affiliation affirmation affliction agglomeration aggravation aggression agitation aglutination agregation agression aimantation alienation alimentation allegation alliteration allocation allocution allusion alphabetisation alteraction alteration altercation ambition etc... ÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷÷ ------------------------------ Date: Fri, 13 Jul 2001 11:56:31 +0200 From: "Gabriel Pickard" <werg@demokratica.de> Subject: Fw: <demokratica> re:struct > <demokratica> > > <english> //deutsch weiter unten > Hello friends of Demokratica! > > 1. Demokratica is being restructured. > A few measures that will hopefully lead to more Good: > a- The name "Demokratica" will become more independent. > Like a trademark (the logo should be coming soon, Isaiah?). > b- The structural idea of Demokratica will be externalised. > c- The concrete work and action is supposed to become the > center of attention. > d- "Market-ideological outsourcing", the economical system > is not rigidly defined, but can be chosen, as needed from > interneal or external sources. > e- There should be more action into a political and social > direction, that clearly bears Demokratica's handwriting. > !In any case, we will keep certain basic goals and ideas, > like "the Good", cooperation - and (especially with me), > certain thought-structures that I can't clearly describe > (like modularity) > > 2. Things are changing. Easily enough, this is happening > because I am noticing, in the riping-process of this whole > business that certain dreams and ideas cant be upheld any > longer in _this_ way. A lot of stuff here will be proceding > very slowly, there just isn't enough workforce. concerning: > a- we can learn a lot from the rtmark-people here > b- proceding as slowly as we are, we will probably notice > that we are working together in certain structures - and > those won't always be identical to the theory. > c- for example linklayers. Especially in this process, it > becomes clear to see, how slowly we are proceding, it just > takes a long time to do a whole operating system. > d- for example a - slightly adjusted - implementation of > the NAM-concept??? Maybe combined with a whiff of Oekonux- > GPL-Society? > e- Something like that just is identity-creating. But, what > is Demokratica's handwriting??? > > Well, take care, Gabriel > > <ps> > 3. reference: > Demokratica: http://www.demokratica.org > Isaiah: http://www.nanomo.de (screen design for small > people) > rtmark http://www.rtmark.com > Kojin Karatani (&NAM) http://www.karataniforum.org/ > (the best site for anglophiles) > Ökonux: http://www.oekonux.de ((almost) only in german) > Nettime: http://www.nettime.org > > 4. What does this mailinglist mean - and what do I mean > to achieve with this email? > I don't really know, I am trying to get out of the habit > of defining things in beforehand, that noone except myself > believes will work anyway ;-} > There already are some good mailinglists, concerning similar > themes [Ökonux, Nettime] - and I don't want to produce more > information-splintering, the world already is entropically > enough... But I view this business very mellow. It's intended > especially for those people who aren't discussing on the other > lists. > > 5. I have initialized this list now, most of you have been > placed on it "by force", i hope you'll forgive me - and will > be recompensated with a few interesting posts... And if you > think that I missused your trust - because you didn't want to be > on this list, then forgive me - and be sure, i just wanted to > achieve as much Good as possible in this world. > </ps> > </english> > > <german> > Hallo Freunde von Demokratica! > > 1. Demokratica wird restrukturiert. > Einige Maßnahmen, die hoffentlich langfristig zu mehr Gutem > führen werden: > a- Der Name "Demokratica" wir immer stärker für sich gestellt. > Wie ein Markenname (Logo sollte in Arbeit sein, Isaiah?). > b- Die Strukturidee wird weiter nach Aussen gestellt, mit > anderen Worten: stärker auf Eis gelegt. > c- Im Gegenzug soll das konkrete Wirtschaften in den > Vordergrund gestellt werden. > d- Ein Marktideologisches Outsourcing, das Wirtschaftssystem ist > nicht fest, sondern kann nach Bedarf von anderen oder eigenen > Ideen bei konkreten Projekten ausgewählt werden. > e- Es sollte mehr Aktionen geben, die politische und soziale Ziele > haben und Demokraticas Handschrift tragen. > ! Auf jeden Fall werden uns aber bestimmt Grundziele und Ideen > erhalten bleiben, so wie "das Gute", Kooperation - und (besonders > bei mir), bestimmte Denkmuster, die ich nicht genau beschreiben > kann (wie Modulhaftigkeit) > > 2. Dinge verändern sich. Aus dem einfachen Grund, dass ich mit dem > reifen des Ganzen (und von mir selber) merke, dass bestimmte Träume > und Vorstellungen _so_ nicht aufrecht erhalten werden können. Viele > Sachen hier werden sehr langsam voranschreiten, es gibt einfach > nicht genug Arbeitskraft. zu: > a- Hier kann man einiges von den rtmark-leuten lernen > b- wenn wir so langsam voranschreiten, werden wir wahrscheinlich > merken, dass wir in bestimmten Strukturen Zusammenarbeiten - und > die werden nicht immer mit der Theorie übereinstimmen > c- z.B. Linklayers. Gerade in diesem Prozess offenbart sich die > Langsamkeit des Voranschreitens, es dauert eben sehr lange, bis man > ein ganzes Betriebssystem macht. > d- z.B. eine - etwas angepasste - Implementation des NAM- > Konzeptes??? - vielleicht, dass muss echt diskutiert werden. > Vielleicht mit einer Prise GPL-Gesellschaft in Ökonux-Manier > garniert? > e- Sowas ist ganz einfach identitätssschaffend. Aber, was ist > Demokratica's Handschrift??? > > Naja, alles Gute, Gabriel > > <ps> > 3. Referenz: > Demokratica: http://www.demokratica.org (leider immernoch nur > in englisch) > Isaiah: http://www.nanomo.de (screen design for small people) > rtmark http://www.rtmark.com > Kojin Karatani (&NAM) http://www.karataniforum.org/ (das beste, > das ich gefunden habe) > Ökonux: http://www.oekonux.de > Nettime: http://www.nettime.org > > 4. Was will ich mit dieser Liste - und was soll diese email? > Ich weis es selbst nicht so genau, ich versuche mir abzugewöhnen, > Dinge schon im vorneherein festzudefinieren, bei denen sowieso > keiner ausser mir glaubt, dass etwas daraus wird ;-} > Es gibt schon gute mailinglisten, die sich mit ähnlichen Themen > beschäftigen [Ökonux, nettime] - und ich möchte keine unnötige > Informationssplitterung erzeugen, die Welt ist schon entropisch > genug... Ich sehe diese Sache aber ganz locker als eine Art > "(zukünftige)Mitgliederbindung", besonders für die Leute, die auf > den anderen Listen nicht mitdiskutieren. > > 5. Ich habe jetzt diese Liste initialisisert, die meisten von > euch wurden "zwangsweise" daraufgesetzt, ich hoffe, ihr verzeiht > mir - und werdet durch interessante Beiträge entschädigt.... Und > wenn ich euer Vertrauen misbraucht habe - und euch fälschlicherweise > auf diese Liste gesetzt habe, so vergebt mir - und seit euch gewiss, > ich habe es nur getan, um möglichst viel Gutes in dieser Welt zu > schaffen. > </ps> > </german> > ----------------------------------------------- > Allein das Gute zählt | Only the Good > -------------------------------------- > economydeliveredfromcapitaldemokratica > http://www.demokratica.org Kooperate! > fromthepeopleforthepeoplebythepeopledemokratica > > </demokratica> > <ref> > <home> http://www.demokratica.org </home> > <list> http://lists.minordomo.org/demokratica </list> > </ref> ------------------------------ Date: Sat, 14 Jul 2001 13:53:56 -0500 From: Jeffrey Fisher <jfisher@igc.org> Subject: world bank protests? i've been searching in vain for any news about attempts at "virtual" protests of the world bank's virtual meeting at the end of june. i know there were people trying to register for the event online. there was also noise being made about other types of virtual protest. if there's anyone who knows anyone or where (beyond the usual places, like indymedia or globalexchange) i can find more info, i'd be most grateful. j - -- jeff fisher dilettant -- er, that's 'intellectual nomad' jfisher@igc.org "I've come to the conclusion that revolutions aren't profitable." - - Kevin Kelly ------------------------------ Date: Tue, 10 Jul 2001 20:11:29 -0700 (PDT) From: acm acm <artofficial2@yahoo.com> Subject: forward: interactivist info exchange ABC No Rio, No Rio's InterActivist Network, Autonomedia, and Nomad Media Lab have launched a new web initiative: the InterActivist INFO EXCHANGE. The InterActivist INFO EXCHANGE is a user-moderated discussion board addressing alternative and oppositional news, issues and culture. At present the InterActivist Info Exchange can be found at http://slash.autonomedia.org or http://slash.interactivist.net. Check it out and explore. Sign-up as a "New User." Submit stories and reply to stories already posted. Your participation is encouraged! - ---------- InterActivist Network http://www.interactivist.net a project of ABC No Rio http://www.abcnorio.org 156 Rivington Street New York, NY 10002 (212) 254-3697 - ---------- ===== artofficial construction media A collaborative effort to screw in a lightbulb. visit us on-line at http://www.artofficial-online.com __________________________________________________ Do You Yahoo!? Get personalized email addresses from Yahoo! Mail http://personal.mail.yahoo.com/ ------------------------------ Date: Fri, 13 Jul 2001 12:08:31 +0200 From: autonomy <ultrasoundings@hotmail.com> Subject: call for submissions for soundtoys.net www.soundtoys.net call for submissions the new soundtoys website project will soon be publishing a book and CD Rom of works which explore the interaction between sound and image. in particular, as the co-editor editor of the book i am looking for writers and theorists who would be interested in contributing written articles on the topic of ³the history of the interactive arts². if you wish to submit or propose a piece please contact me. for other contributions please contact soundtoys at the address below. cheers, robert ovetz, co-editor ultrasoundings@hotmail.com - ----- Soundtoys Invite for 2001... NEW festival and presentation. www.soundtoys.net Soundtoys are looking for artists, musicians who may want to contribute interactive web sound toys , and texts. Soundtoys are interested in works that explore the use of technology to advance audio visual communication. Soundtoys are new audio visual experiences; and this includes art toys, games, generative music, interactive environments, shockwave, etcs. Soundtoys explores multimedia experiments and the parameters of this new media world. The aim is to push the current definitions of new and online interactive music and visually inspired audio visual systems. Soundtoys fuses the new relationship between music and interactivity and allows the audience some control in the perception of the music. This change in the relationship between the audience and the artist will radically change our aesthetic perception and attitude to music and sound. The user is able to choose what they experience. Soundtoys can exist as art, toys, generative music, interactive environments, shockwaves, environments etc. Many web technologies are explored including shockwave, flash, vrml, java, and the soundtoys site offer insights into the diversive and creative nature of the web available to todays artists. This invitation is open to artists, digital musicians, and creative programmers and writers. We are looking for artists, musicians who want to contribute sound toys, and texts for the planned book. As well as exposure through this website the work will be promoted worldwide at festivals and cdrom. The soundtoys site has already been reviewed in the Independent, some was shown on national tv and it is Sonify's site of the week. Soundtoys already features these artists.... BRAD TODD.ADE WARD.ANDY GREENWOOD.BETH CAREY.CHRIS YEWELL.TOMOO.ANDY WILSON.CARLA DIANA.MICHAEL TROMMER.JUDSON WRIGHT.SIMON TYSZKO.STEVE CLARK.MIKEY RIGLEY.ROBERT HOCKING.ALLIAX.STANZA.TINA LA PORTA.JULIAN BAKER. Send your files, cdroms, info, texts, and pictures to Soundtoys.net info@soundtoys.net www.soundtoys.net AND fill out the online form and send large files by post.. ------------------------------ Date: Sun, 15 Jul 2001 02:21:44 +0300 From: artologue admin <admin@artologue.org> Subject: new site's up'n running... hi there... my site containing videos and net-art projex is online now. if u have some time, come'n give a look. would love to hear your comments on it... tnx cg. www.cemgencer.org also the admin of www.konteyner.org, which is a site on contemporary turkish art scene ------------------------------ Date: Tue, 10 Jul 2001 14:26:20 -0400 From: "ciac" <courrier@ciac.ca> Subject: CIAC Magazine 13th edition *Please excuse cross-postings* The 13th edition of the electronic magazine of the CIAC, entitled "Language transformed by the machine", is now online: http://www.ciac.ca/magazine/ =20 It focusses on the relation between natural language and languages as = programmed in web art. *Feature: Cybertexte by Anne-Marie Boisvert *Interview with Steve Cannon by Anne-Marie Boisvert *Reviews of Web works (Steve Cannon, Arcangel Constantini, Lisa Hutton, JODI, Vannina Maestri, Talan Memmot, Mez, Mouchette, Mark Napier and Netochka Nezvanova) by Anne-Marie Boisvert and Rossitza Daskalova *Spotlight: The Book after the Book by Anne-Marie Boisvert *Review of Mutek 2001 by Bernard Sch=FCtze Good Reading! Centre international d`art contemporain de Montr=E9al (CIAC) ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net