Geneva Anderson on 2 Jan 2001 02:29:35 -0000 |
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<nettime> (fwd) SFMOMA & INTEL LAUNCH 010101 AT ONE MINUTE PAST MIDNIGHT JAN 1 |
forwarding two SF MOMA press releases for "010101" which opened this morning. the later lists events associated with this exhibition. SFMOMA AND INTEL LAUNCH 010101 EXHIBITION ONLINE AT ONE MINUTE PAST MIDNIGHT TODAY Web Site Includes Commissioned Artworks, In-Depth Background and Special Events SAN FRANCISCO, CA, January 1, 2001-At one minute after midnight (P.S.T.) this morning, the San Francisco Museum of Modern Art (SFMOMA), in collaboration with Intel Corporation, launched the online portion of 010101: Art in Technological Times at www.sfmoma.org/010101 and www.artmuseum.net, the art education Web site presented by Intel. 010101 charts recent and commissioned work in a wide range of media by over 35 contemporary artists, architects and designers*from North America, Europe and Asia*who are responding to a world altered by the increasing presence of digital media and technology. Central to the exhibition Web site are five online artworks commissioned by SFMOMA; in addition, a series of interactive public programs, online discussion forums and in-depth supplemental information provide background on the artists and also investigate key concepts in their work. Following today's launch, the site will continue to grow and evolve as a seamless and integral part of the exhibition, the physical component of which opens in the SFMOMA galleries on March 3 and will be on view through July 8, 2001. SFMOMA Director David A. Ross stated, "The future has arrived! What could be a more fitting first art exhibition of the new millennium than an online presentation of important new works of art in this budding medium. From the inception of the 010101 project, we have maintained that all of its art be presented as the artists intended: online works should be experienced through individual interaction with a computer just as art created for a physical space should be encountered in the museum galleries." "The challenge for everyone was how to blend the best capabilities of the Internet with the on-site gallery portion of 010101 in order to increase access while enriching the experience of the exhibition," added Vince Thomas, Intel's Executive Producer of ArtMuseum.net. "The results are exciting: the 010101 Web site is a performance space, a forum for accessing public programs, a gallery for viewing online art, a primer on all the artists and works in the show, as well as a way for visitors to participate by contributing their own ideas and opinions." The overall exhibition, including both the online and on-site components, was designed by Perimetre-Flux of San Francisco in collaboration with the 010101 team of curators and designers. Commissions Since the Internet may be the ultimate expression of a culture obsessed with data and heady with the ability to access, borrow, manipulate and distribute images, SFMOMA commissioned five international pioneers in the burgeoning field of online art to create new works for 010101. Mark Napier's Feed uses a Web search spider to read pages and images entered by the user, then runs the pages' color values through various algorithms to produce luminous color displays. Eden.Garden 1.0 from the Belgium-based team of Auriea Harvey and Michaël Samyn (known as Entropy8Zuper!)*recent winners of the inaugural SFMOMA Prize for Excellence in Online Art-continues in the immersive, highly personal vein of the pair's earlier works. A visit to e-poltergeist, by the British team Thomson & Craighead, prompts the delivery of code that generates random sound bites and launches unlimited windows from preselected URLs*leaving the impression of a mischievous "ghost in the machine." Erik Adigard's Timelocator offers an interface where visual information is directly and graphically affected by the passing of time. And Matthew Ritchie's The New Place continues his investigation into the nature and topography of information through a mythic universe of superhero-like characters and all-too-human dramas. In-depth information on each artist-including biographical details, personal statements and related Web links-appears in the site's "About the Artists" section, which will expand in the coming months to include similar content for all 010101 artists. Interactive Features Another section of the Web site presents seven broad themes-Anonymity, Technology, Detritus, Nomadism, Identity, Sprawl and Reality-which the curators have selected to reflect various issues raised by the work in the exhibition. Within each theme, a "Think Text" appears to which visitors are invited to respond; subsequent visitors can then comment on other users' responses, creating an ever-growing dialogue that is accessible through an innovative visual network of links. The original text in each theme will change from time to time, allowing for new dialogues to grow, while previous exchanges remain archived and accessible on the site. As the name implies, "Think Texts" are simply texts for visitors to contemplate. They appear randomly throughout the Web site-as well as in the gallery presentation and catalogue-offering users an ever-changing series of historical flashbacks, critical commentaries, humorous observations, and philosophical ruminations on technology, art and society. Intended to provide both context and multiple perspectives, the Think Texts are drawn from a wide variety of modern and contemporary sources, including popular culture and fiction; historians and critics; artists, designers, and other cultural producers; Web sites; technologists; philosophers; and others. Among the site's most innovative interactive features is a series called "SiteStreaming: Online Tours by Artists." Starting in January, online artists will appear at the Museum for live demonstrations of their sites and discussion with an 010101 curator. Following the presentations, new Web-streaming technologies will link the artists' recorded remarks to streaming, archived online tours of their work, enabling visitors to the 010101 Web site to experience an online artist-guided tour on demand. At launch, the site will present a SiteStreaming tour by Curator of Architecture, Design and Digital Projects Aaron Betsky of online works from the SFMOMA permanent collection currently found on e.space, the virtual gallery at www.sfmoma.org. The first SiteStreaming event, featuring Thomson & Craighead in dialogue with Curator of Media Arts Benjamin Weil, will take place at SFMOMA on January 11. A second SiteStreaming Tour with Erik Adigard and Betsky is scheduled for February 22. Additional tours, as well as other events online and on site at SFMOMA will be announced later, with notices posted in the "Programs/Resources" section of the site. * * * 010101: Art in Technological Times is organized by the San Francisco Museum of Modern Art. It is being presented by Intel Corporation. The exhibition is made possible by Collectors Forum, an auxiliary of the San Francisco Museum of Modern Art. Airline transportation generously provided by American Airlines. Media Sponsors: The Mercury News, SiliconValley.com and BayArea.com. Intel, the world's largest chip maker, is also a leading manufacturer of computer, networking and communication products. Additional information about Intel is available at www.intel.com/pressroom. ArtMuseum.net (www.artmuseum.net) is an online museum gallery and art education site presented by Intel Corporation. ArtMuseum.net, in collaboration with leading museums, artists and educational institutions, seeks to extend and enhance the reach, availability and understanding of art in all its forms via the unique strengths and attributes of the Internet. Perimetre-Flux (www.perimetre-flux.com) is an interdisciplinary communication design agency that serves clients internationally from its offices in San Francisco. The agency provides the full spectrum of digital agency services including: corporate identity development, web site/application development from strategic planning through implementation, and proprietary software application development for clients in the museum, publishing, software, electronics and tourism industries. Perimetre-Flux places special emphasis on interpretive and multi-venue projects. * * * Hours: Open daily (except Wednesdays) 11 a.m. to 6 p.m.; open late Thursdays until 9 p.m.; summer hours (Memorial Day to Labor Day) 10 a.m. to 6 p.m.; closed Wednesdays and the following public holidays: Fourth of July, Thanksgiving, Christmas and New Year's Day. Admission prices: Adults $9; seniors $6; students $5. SFMOMA members and children twelve and under are admitted free. The first Tuesday of each month admission is free. Thursday evenings, 6 to 9 p.m., admission is half price. SFMOMA is easily accessible by MUNI, BART, Golden Gate Transit, SamTrans and Caltrain. Hourly, daily and monthly parking is available at the SFMOMA Garage at 147 Minna Street. For parking information, call 415/348-0971. Visit our Web site at www.sfmoma.org or call 415/357-4000 for more information. The San Francisco Museum of Modern Art is a private, not-for-profit institution supported by its members, individual contributors to Donor Circle, corporate and foundation support, federal and state government grants and admission revenues. Annual programming is sustained through the generosity of Grants for the Arts/San Francisco Hotel Tax Fund and The James Irvine Foundation. Thursday evening half-priced admission is sponsored by Banana Republic. Reduced admission for seniors is sponsored by Pacific Bell. KidstART free admission for children twelve and under is made possible by The Charles Schwab Corporation Foundation. Additional support has been provided by Benjamin McKendall Jr., 1999 Carole and Robert McNeil Docent Award recipient. # # # Lynne Kimura, PR Associate SFMOMA 151 Third Street San Francisco, CA 94103-3159 FAX: 415.947.1176 PHONE: 415.357.4176 ----- Original Message ----- From: Lynne Kimura <lkimura@SFMOMA.org> To: 'Geneva Anderson' <geneva@iscweb.com> Sent: Tuesday, December 26, 2000 3:21 PM Subject: 010101: Art in Technological Times, updated revised December 26, 2000 Please note: The January 18 performance/webcast by Betalounge has been cancelled. All other events remain as scheduled. 010101 EVENTS AT SFMOMA EXPAND ON ART AND TECHNOLOGY In conjunction with its far-reaching exhibition 010101:Art in Technological Times, the San Francisco Museum of Modern Art (SFMOMA), in collaboration with Intel Corporation, will present a parallel slate of events that further explores artistic responses to the omnipresence of digital media and technology. On site and online, 010101 events will include a symposium, live art performances, artist presentations and a digital video symposium and screenings, in addition to the Museum's regular schedule of docent tours and education programs. One 010101 innovation will be SiteStreaming, a groundbreaking use of Web-streaming technology to provide online "tours" of many of the exhibition's five Web-based commissions. Each SiteStream tour will originate as an event at the Museum, with the digital creators of 010101 Web artworks¾Thomson & Craighead, Erik Adigard/M.A.D., Mark Napier and Matthew Ritchie¾joining SFMOMA curators for live demonstrations of their 010101 projects, using a live web connection to lead the audience through their work in real time. Following these presentations, archived versions of these events adapted for use online will go up on the exhibition Web site accessible at www.sfmoma.org/010101 and www.artmuseum.net, an online museum gallery presented by Intel. Streaming audio of the artists' commentaries will be linked with the URLs used in the demonstration in a "slave browser window" in sync with the audio stream, resulting in an online, guided tour of the Web art discussed. The entire 010101 online component will launch at one minute after midnight, January 1, 2001, while over two dozen installations, video works, sound pieces and digital projects, as well as examples of more traditional media, will go on view in the SFMOMA galleries from March 3 through July 8, 2001. For complete, up-to-date information, please visit www.sfmoma.org. SiteStreaming: Online Tours by Artists Thursday, January 11 o 7 p.m. o Phyllis Wattis Theater The Ghost in the Machine: A SiteStream Tour with Thomson & Craighead Online art pioneers Jon Thomson and Alison Craighead, a London-based art-making team, join curator Benjamin Weil for a tour of e-poltergeist, their new project that transforms computer code into an erratic, mischievous "ghost in the machine." Friday, February 22 o 7 p.m. o Phyllis Wattis Theater Framing Time: A SiteStream Tour with Erik Adigard Bay Area-based designer Erik Adigard and curator Aaron Betsky introduce the artist's 010101 project, Timelocator. Rich with vibrant juxtapositions of text and imagery, Adigard's interface responds visibly to the passage of time and implicates the very conditions of experiencing content online. Thursday, March 8 o 7 p.m. o Phyllis Wattis Theater Feed: A SiteStream Tour with Mark Napier Mark Napier is known throughout the online art community as the mastermind behind www.potatoland.org and the creator of noted online works such as Shredder and the Digital Landfill, projects that looked critically, ironically and insightfully at the World Wide Web, its endless sprawl, its coded understructures and its visual surfaces. Here he joins curator Benjamin Weil for a conversation about the world of the Web and a tour of his work, including Feed, his commissioned online piece for 010101. $12 general; $10 SFMOMA members, students with ID and seniors. Full information on a May SiteStream Tour with Matthew Ritchie will be announced as the exhibition continues. See Web site for details. Symposium Saturday, March 3 o 1-6 p.m. o Phyllis Wattis Theater Speaking in Technological Tongues: 010101, the Work and the Artists Structured loosely around themes related to the exhibition, this symposium will focus on dialogues and interviews with a number of artists in 010101, touching on their work and ideas, the issues raised by the show and the situation of museums and other institutions seeking to adapt to the increasing influx of technology into the arts. $10 general; $5 SFMOMA members, students with ID and seniors. CANCELLED * CANCELLED * CANCELLED * CANCELLED * Performance/Webcast Thursday, January 18 o 8 p.m. -12 a.m. o The Schwab Room Beta Lounge In conjunction with 010101, Beta Lounge¾the longest-running live electronic music event on the Web¾broadcasts live from SFMOMA. Part radio show, part television special and part underground party, the Beta Lounge is a new music showcase that features the innovative work of internationally renowned sound artists. Past participants have included DJ Fluid, Sound Lab, and Travis. For more information, call 415/357-4081, e-mail mediaarts@sfmoma.org, or visit www.betalounge.com. CANCELLED * CANCELLED * CANCELLED * CANCELLED * Performance/Screening Saturday, March 3 o 8:30 pm o Phyllis Wattis Theater Godard's Alphaville with New Live Score by Digital Media Artist Scanner London-based digital media artist Scanner (aka Robin Rimbaud) performs his 1999 soundtrack for Jean-Luc Godard's 1965 film Alphaville. Blending film noir with science fiction, Godard's cult classic tests the possibilities of the medium; still radical today, Alphaville transforms the events of everyday life into something baffling and intriguing. Scanner's compelling new soundtrack, performed live while the film unfolds, echoes Godard's dystopian and cold vision of the future. $20 general; $15 SFMOMA members, students with ID and seniors Symposium/Screening Saturday, April 14 o 11 a.m.-5:30 p.m. o Phyllis Wattis Theater (symposium) Sunday, April 15 o 2 p.m. o Phyllis Wattis Theater (screening) Film Making in Digital Times Featuring "show-and-tell" presentations by leading professionals and artists working in digital video, including Res Fest, onedotzero and Miranda July, this symposium focuses on the recent shift from film to digital cameras and the resulting revolution in editing and special effects. At the Saturday symposium, participants address how digital film promotes the wider distribution of less commercial films while posing challenges to the future of cinema. During the Sunday program, related works of film and video are screened without discussion. Symposium: $12 general; $6 SFMOMA members, students with ID and seniors. Sunday screening is free with Museum admission. Participants and screening schedule will be announced as the exhibition continues. See Web site for details. Art Sandwiched In Tuesday, March 13 o Noon o The Schwab Room 010101: Art in Technological Times This lunchtime panel¾featuring artists Rebeca Bollinger and Jeremy Blake with Benjamin Weil, SFMOMA curator of media arts, and moderated by SFMOMA Director David A. Ross¾explores how contemporary artists create and present their work in a world increasingly altered by the presence of digital media and technology. Sponsored by the Modern Art Council. $50 general; $45 SFMOMA members (fee includes lunch). Seating is limited; reserve by calling 415/357-4127. Tickets for events at SFMOMA may be purchased (without a surcharge) with cash at the lobby level admissions desk in advance and on the event date (subject to availability). Tickets may also be purchased at www.sfmoma.org, and through Tickets.com: 415/478-2277 or 510/762-2277 (a surcharge will be applied). Event ticket purchase includes Museum admission. For more information, call the Office of Public Programs at 415/947-1292. # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net