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Table of Contents:
360degrees
tracey <traceyb@thehub.com.au>
VideoRiflessi 2000 / Poevisioni
"ART ELECTRONICS" <clprezi@tin.it>
UNIDEE in Residence
"e'st" <pop@estfiles.de>
No Subject
Fourfiftygallery@aol.com
MIT, Caltech to develop voting technology
"*Diwakar* - www.tamil.com" <diwakaran@tamil.com>
publication "Nachhaltige Propaganda =?iso-8859-1?Q?=96?= Sustainable Propaganda
Oliver Ressler <oliver.ressler@chello.at>
eJournal fr Philosophie, Kunst, Medien und Politik
"WZ II" <wz2@hrz.uni-kassel.de>
E-mails evade Morocco rally gag
"Andy Oram" <andyo@oreilly.com>
PARASITE ENGINE #18
developer@lfoundation.org
Invitation
Kalina Bunevska <kalina@scca.org.mk>
Re: inauguration theatre
Perry Bard <minx@bway.net>
------------------------------
Date: Sun, 17 Dec 2000 11:36:39 +1000
From: tracey <traceyb@thehub.com.au>
Subject: 360degrees
360degrees=site+ identity
now has its own domain @
www.see360degrees.org
360degrees=site+ identity
is looking for proposals from internet based
artists
and writers for its next launch in march 2001.
the initial project was launched as part of the
MAAP 2000 festival and featured Linda Carroli, Joseph Nechvatal, Fred
Biggar, Jason Sweeney, Jogchem Niemandsverdriet and Megan Jones.
if you are interested,
check out the site for more information.
email traceyb@see360degrees.org
- --
Tracey Benson
PO Box 463, Nundah 4012 email: traceyb@thehub.com.au
http://www.bigbananatime.com http://www.carmen-banana.com
http://www.see360degrees.org http://www.cowgrrls.com
------------------------------
Date: Sun, 17 Dec 2000 18:20:54 +0100
From: "ART ELECTRONICS" <clprezi@tin.it>
Subject: VideoRiflessi 2000 / Poevisioni
* Apologize for cross posting *
VideoRiflessi 2000 / Poevisioni
Politeama Ruzzi - Corso Nuova Italia
Vasto - CH
Video & Digital Video
Video, CD & Web Poetry
Sounds
Images
Among the artists:
Anna Alchuk, Antal Lux, Akenaton, Wilton Azevedo, Beatrice Babin, Brice
Bowman, Halsey Brown, Dimitri Bulatov, Doc(k)s, Ginestra Calzolari, Caterina
Davinio, Robin Dupuis, Joanna Empain, Emilio Fantin, Julie-Cristine Fortier,
Isabelle Hayeur, Olga Kumeger, Lara Lee, Caudette Lemay, Sergey Letov,
Piladelpho Menezes, Yuri Norstein, Clemente Padin, Sebastien Pesot, John
Prescott, Anna Maria Pugliese, Christine Rheys, Javier Robledo, Carla
Vittoria Rossi, Roberto Rossini, Luisa Sax, Studio Azzurro, Walter Ungerer,
Vonda Yarberry, Wolfgan Ziemer
Valentina Monti presents:
La camera ad Acqua - Studio Azzurro
- ------------------------------------------------------------------------
Matita Film Festival
Curator: Camillo D'Alessandro
Digital graphics and animation from animation schools from all over the
world. 20 short films that can give a panorama of the various animation
techniques with some attention to the aesthetics in this genre for experts.
Uno sguardo sulla più brillante animazione d'autore e sulla recentissima
produzione delle scuole di cinema d'animazione di tutto il mondo. 20
cortometraggi che tentano di offrire un ampio ventaglio delle varie tecniche
di animazione ed aprire uno spiraglio sull'estetica, a volte ingenua, a
volte raffinatissima, di questo genere "di nicchia"
ScuoleVideo
Curators: Nico Savino and Simona Piattella
Unimovie
Unimovie is an international videos and short films festival, which fins
place every year in Pescara (Italy) and presents works realized from
students of cinema, art and communication, .
In 2000 there was the 4th edition which presented works from 30 lands from
all over the world. The winner is "Kootsko Gaksi", by Semi Ryu, based on the
old Korean theatre; the public award was for "Das experiment", an ironic
work created by Stockmann and Zank. The works of the videofiction section
follow: the winners are the artists Barmen and Tegninger; Than, the section
Meltin'pot, special award "Strike fp". At the end of the compilation:
"Desiderio Inconfessabile", a work by Piattella and Savino, authors from
Pescara, organizers of the Unimovie festival
Unimovie è un festival internazionale di video e cortometraggi realizzati da
studenti di scuole di cinema, arte e comunicazione, che si svolge ogni anno
a Pescara. Nel 2000 si è avuta la quarta edizione che ha raccolto opere
provenienti da 30 paesi di tutto il mondo. I primi lavori in rassegna sono
quelli della sezione animazione, tra cui il vincitore di questa categoria,
Kootsko Gaksi, di Semi Ryu, incentrato sull'antico teatro coreano
delle marionette, e il premio del pubblico Das experiment, lavoro divertente
ed ironico dei tedeschi Stockmann e Zank. Seguono i lavori della sezione
videofiction, tra cui i vincitori ex aequo, entrambi scandinavi, Barmen e
Tegninger, e quelli della sezione Meltin'pot, vincitori del premio speciale
Strike fp. Chiude la rassegna il Desiderio Inconfessabile di Piattella e
Savino, autori pescaresi, oganizzatori proprio del festival Unimovie.
Poevisioni
Video, Computer & Web Poetry
Curator: Caterina Davinio
In the Sixties the linearity of the poetic text was fragmented,
deconstructed, broken thanks to the ironic, playful intervention of
desecration of the visual and performative poets. At the same time continued
the research of the pioneers of the international electronic art, but the to
ambits remained mainly separated, and the performance saw, at the beginning
of the Nineties, still the centrality of the performer body, when, in the
electronic art, the artists already began to speak about the concept of
collective author, also referring to the web-art. I direct my attention
toward those video and computer artist (recently CD and web artist) who
tried an experimentation in contact with the poetry text in its larger
conception: as linear, visual, sonore, performative text, founding a new
discourse that I find very interesting also as artist. The presented
authors come from different experiences: literature, cinema, photography,
visual arts, performance, and, in this variety, they contribute to create an
frontier area of contamination between the languages, that is the
contemporary art. (Davinio)
Negli anni Sessanta la linearità del testo poetico era frammentata,
decostruita, infranta da un impeto dissacratore, ironico, ludico, dai poeti
visivi e performativi. Nello stesso tempo procedeva la ricerca dei pionieri
internazionali delle arti elettroniche, ma i due ambiti rimanevano in
circuiti separati e la performance poetica vedeva in Italia ancora
all'inizio degli anni 90 la centralità del corpo del performer, quando già
nell'ambito delle arti visive si parlava di realtà virtuali, di autore
collettivo, anche in relazione al web. Ho concentrato negli anni il mio
interesse verso quei video e computer artisti, e recentemente autori di CD
d'arte e di web art, che cercano un confronto col testo poetico nella sua
accezione più ampia: da quello lineare a quello visivo, sonoro,
performativo, gettando le basi per un discorso nuovo che m'interessa anche
come artista.
Gli artisti provengono da esperienze e formazioni diverse: letteratura,
cinema, fotografia, arti visive, performance,e, pur nella
diversità,contribuiscono tutti a creare quel territorio di confine e
contaminazione tra linguaggi che è l'arte contemporanea. (Davinio)
http://space.tin.it/arte/cprezi/poevisioni2000catalogo.htm
..
karenina.IT Experimental
http://digilander.iol.it/karenina/
Davinio Art Electronics - Archives / Videotheque / Rome / Milan
Art Electronics and Other Writings
http://space.tin.it/arte/cprezi
------------------------------
Date: Mon, 18 Dec 2000 00:23:16 +0100
From: "e'st" <pop@estfiles.de>
Subject: UNIDEE in Residence
Università delle Idee is a research centre where creative ideas come
to life and are promoted. It aims at achieving an interaction between
the arts and the other humanities, scientific and social disciplines.
UNIDEE Università delle Idee is founded on a statement that was made
by the artist Michelangelo Pistoletto: "Art is the most sensitive and
comprehensive expression of human thought. The time has come for the
artist to take the responsibility of connecting every other human
activity. From economy to politics, from science to religion, from
education to behaviour. In brief, all the components of our social
structure." (manifesto, Progetto Arte 1994)
The spirit of UNIDEE has its basis in this premise. A vast container
of human thoughts, a laboratory which places the concept of
creativity at the centre of a pursuit that wishes to include the
various humanities, scientific and social sectors. Its aim is to lead
to a responsible transformation of society.
Our main intent is to respond to the deep-rooted contradictions
caused by the opposition between the exponential growth of
technological and economic-financial systems - what we call
"progress" - and the "regression" induced by the tragic degradation
of our planet to which we must add the inhuman physical and moral
poverty that envelops most of the world population. Oddly enough,
this occurs at a time when we should, on the other hand, have reached
a mature responsibility throughout the planet.
UNIDEE tries to respond to the needs that are emerging on all the
levels of the social structure and commits itself to a project that
can produce important steps towards the concept of "civil society".
UNIDEE's purpose is to gather all the possible creative forces and
concentrate them on a central theme: global civil society.
UNIDEE is dedicated in particular to propositive minds, capable of
proposing projects and suggesting innovative solutions also in the
collective situations. This concerns all the aspects of our everyday
life: from the practical objects of common use to the complex
components of our physical habitat and mental habitus.
UNIDEE serves as a laboratory that conducts a personal research and
an internal production, but also as an international mediator
collecting projects that could constitute new formative models for
the different branches of the social structure.
To reach this aim UNIDEE is open to utopian projects, and offers to
propose them to those who are willing to perceive them and possibly
actualise them.
Università delle Idee is composed of three main lines of study:
Habitus
Concerning all the aspects of human thought. Its different
expressions and the disciplines used to express itself: spirituality,
philosophy as well as science, anthropology, economy, politics and
communication.
Abito
All the aspects related to the body. Its relationship with the world
that surrounds it and the way it expresses itself: theatre,
performance, fashion but also nourishment and behaviour.
Abitare
All the aspects of architecture: from the creation of design objects
to city planning and world habitat.
SCIENTIFIC COMMITTEE
Giuliano Della Pergola, Professor of Urban and Rural Sociology,
Polytechnic of Milan
Trond Berg Eriksen, Professor of History of Ideas, University of Oslo
Alanna Heiss, Director of the PS1 Museum, New York
Edelbert Köb, Assistant director of the Academy of Arts, Vienna;
director of the KUB, Bregenz.
Henrich Kreutz, Professor of Sociology, University of Nuremberg
Ervin Laszlo, Expert in Philosophy of Systems and General Theory of
Evolution, President of the "Club of Budapest", Montescudaio (Pisa)
Michel Maffesoli, Professor of Sociology and Director of the Research
Institute of the Imaginary, Sorbonne, Paris
Massimo Melotti, Management consultant and head of communications at
the Castello di Rivoli Contemporary Arts Museum, Turin
Elisabeth Samsonow, Head of the Sacred Arts Institute, Academy of
Fine Arts, Vienna
Walter Santagata, Professor of Public Finance, faculty of Political
Sciences, Università degli Studi of Turin
Janwillem Schrofer, President of the Rijksakademie van Beeldende
Kunsten, Amsterdam
Elisabeth Schweeger, Director of the Munich Marstall Theatre
Harald Szeeman, Historian of the arts and artistic director of the
Biennale di Venezia 1999 / 2001
Denis Zacharopoulos, Historian of the Arts, Athens
UNIVERSITA' DELLE IDEE
UNIDEE offers a significant specialisation course to students and
graduates coming from different university backgrounds.
The growing interest in the research and development of IDEAS on all
levels of the social context is not perceived by UNIDEE in generic
terms. It is perceived as need for creative contribution in every
field of human activity, following the specific direction previously
mentioned in the introduction. Consequently, UNIDEE offers each
course participant a unique experience not be found in any other
academic or university program. Activities are, in fact, based on the
application and use of imagination in the chosen profession, and they
all aim at a responsible social transformation.
Moreover, art students and young artists will have the opportunity of
introducing their creative work to larger shares of the social
context.
The residents will live and work in the buildings of Cittadellarte, a
remarkable architectural example of industrial archaeology. Apart
from attending courses, workshops, public meetings and exhibitions,
they will also share the behavioural experience of living within a
collective community.
Regulations
UNIDEE programs are directed by Michelangelo Pistoletto and are based
on his multidisciplinary experience.
The 2001 course for students in residence consists of seminars held
by members of the Scientific Committee of Università delle Idee and
by experts and eminent figures of the various humanities, economical,
political, artistic and social disciplines.
Each day will be divided into a theoretical part and into a practical
part, that will be dedicated to the development and actualisation of
individual and group projects. These projects shall be gradually
proposed both by the participants (residents and experts) and by
non-residents (Projects by invitation).
The UNIDEE in-residence activities are carried out on two levels: the
first is the level of physical space which includes Cittadellarte and
its surroundings. The second, is the level of virtual space and
includes the international means of communication, in particular
Internet.
The residents actively take part in the scheduled events at
Cittadellarte: exhibitions, conventions, performances, workshops.
UNIDEE in residence takes place over a period of three months: from 1
to 31 July, and from 1 September to 31 October 2001.
The official language is English
At the end of the course, each resident shall be presented with a
certificate of attendance.
Participants who miss out on more than 20% of the scheduled
activities shall not be entitled to the above-mentioned document.
The projects elaborated during the residence will be presented to the public.
Admission Committee
The projects and material received shall be judged and selected by an
international jury that will then proceed to assigning the seats, in
compliance with the aims mentioned in the introduction.
Terms of Participation
For the year 2001, twenty seats will be assigned.
To take part in the selection, candidates must send their ideas,
projects and documentation of the activities they have carried out in
their field.
The application must include:
1. The participation form that must be filled in and signed.
2. Brief description of a project that complies with the
premises of Università delle Idee, mentioned in the introduction. (2
sheets)
3. Any additional documentation regarding the project or the
applicants' activity in general (drawings, photographs, videosŠ)
The material must reach us by 31 March 2001. Please write "UNIDEE in
residence" both on the envelope and in the cover.
The results of the selection shall be communicated after 10 May 2001.
A total amount of Lire 18 million (Euro 9300) has been calculated for
each student for three months residence. Lire 15 million (Euro 7750)
of that sum shall be covered by Fondazione Pistoletto scholarships
and by other public and private organisations. The remaining Lire 3
million (Euro 1550) are at the students' expense, who will have the
opportunity of finding sponsors to cover their part.
The fee includes:
* seminars for the entire 3 month period
* Workshop attendance
* technical and didactic support materials
* participation to the activities of Cittadellarte
* board and lodging in the seat of the Fondazione.
Applications must be sent to:
UNIDEE in Residence
Cittadellarte - Fondazione Pistoletto
Via Serralunga, 27
13900 Biella - Italia
tel. +39 015 28400
fax +39 015 2522540
email unidee@cittadellarte.it
Internet www.cittadellarte.it
------------------------------
Date: Sun, 17 Dec 2000 22:16:16 EST
From: Fourfiftygallery@aol.com
Subject: No Subject
Iris Schenker
January 2-20
For Immediate Release 450 Broadway Gallery , New York, NY 10013
Irys Schenker
"After Night and Fog"
January 2 - 20, 2001
Opening Reception: Thursday, January 4, 6-8pm
450 Broadway Gallery is pleased to present the solo exhibition "After Night
and Fog," by sculptor, Irys Schenker.
The installation, composed of sketches, sculptures and a 16mm animation film
uses the documentary, "Night and Fog," (1956) by French director Alain
Resnais, as its starting point. Freeze-frame scenes from the film are
sketched in a small journal which is placed on a writing table for viewing.
>From these drawings, replicas of concentration camp architecture are created
in polymer clay. The sculptures include, camp barracks, guard towers, train
cars, barbed wire fences, showers, gallows and latrines, among other objects.
Because the scale of these objects changes according to their perspective in
the original film the viewer's physical relationship to them shifts and
changes. A second set of the original drawings comprise the material for a
16mm animation film looped for continual viewing.
Through this process, the original film is deconstructed and an alternate
version of "Night and Fog" is produced.
"After Night and Fog," is an attempt to give shape to how visual
representation influences historical memory and to examine the emotional
resonance of space and architectural structure.
The use of the documentary film is as arbiter of memory; the documentary,
being a typical translator of information about the Holocaust for post-war
generations.
Because the realm of sculpture has less commonly been employed to evoke this
historical period the work retains a particular resonance through its
physicality.
Irys Schenker's work has been shown recently at Kappatos Gallery in Athens,
Greece and in the artLover's exhibition of the Liverpool Biennial of
Contemporary Art. Her work is in private collection in the U.S. and in
Europe. This is her first solo exhibition.
Gallery Hours are Tuesday through Saturday from 11am until 6pm.
------------------------------
Date: Sat, 16 Dec 2000 13:26:42 +0530
From: "*Diwakar* - www.tamil.com" <diwakaran@tamil.com>
Subject: MIT, Caltech to develop voting technology
MIT, CALTECH TO DEVELOP VOTING TECHNOLOGY
A team of political scientists, engineers, and design experts from the Massachusetts Institute of Technology and the California Institute of Technology will undertake a study of existing voting technology and create a plan to improve it. Caltech president David Baltimore said it is "embarrassing to America when technology fails and it puts democracy to such a test as we have seen in the last month," and his counterpart MIT president Charles Vest promised that, "to a large extent, the problem that the country has ... a technological solution."
http://www.mercurycenter.com/svtech/news/breaking/merc/docs/010800.htm
------------------------------
Date: Tue, 19 Dec 2000 16:47:22 +0000
From: Oliver Ressler <oliver.ressler@chello.at>
Subject: publication "Nachhaltige Propaganda =?iso-8859-1?Q?=96?= Sustainable Propaganda"
The publication "Nachhaltige Propaganda – Sustainable Propaganda" is now
available at Amazon.de:
http://www.amazon.de/exec/obidos/ASIN/3852661544/o/qid=977234054/sr=8-2/302-1247363-5872839
"Nachhaltige Propaganda – Sustainable Propaganda" is the publication of
an exhibition-project by Oliver Ressler, which confronts "sustainable
development”, the main theme of the Expo 2000 during the world fair. In
the exhibitions in Nuremberg, Berlin, Frankfurt and Vienna documented in
the publication it was tried to analyze the hegemonic sustainable
future-models displayed in the Expo theme parks and to present
alternative models of thought and action.
Text: Justin Hoffmann
Oliver Ressler, Nachhaltige Propaganda – Sustainable Propaganda, edition
selene, 2000 (English/German) ISBN: 3-85266-154-4
Further publications by Oliver Ressler available at Amazon.de are:
The global 500, edition selene, 1999 (English/German)
geGen-Welten, edition selene, 1998 (German)
------------------------------
Date: Wed, 20 Dec 2000 08:51:13 +1100
From: "WZ II" <wz2@hrz.uni-kassel.de>
Subject: eJournal für Philosophie, Kunst, Medien und Politik
URL: http://www.zaesuren.de
eMail: redaktion@zaesuren.de
International Advisory Board
Hans-Dieter Bahr, Jacques Derrida, Werner Hamacher, Philippe
Lacoue-Labarthe, Detlef Bernhard Linke, René Major, Jean-Luc Nancy, Avital
Ronnell, Sigrid Schade, James R. Watson, Elisabeth Weber, Samuel Weber,
Peter Weibel, Slavoj Zizek
Herausgeber und Redaktion
Hans-Joachim Lenger, Jörg Sasse,
Georg Christoph Tholen
eJournal Zäsuren Nr.1: Ökonomien der Differenz
Oktober 2000
Zeit-Zeichen
Ulrich Sonnemann: Meine Hölle im Nazi-Sarg auf Schienen. Eine Stimme aus dem
Reich der Toten berichtet von der mobilen Nazi-Tortur
Vera Frenkel: A Narrative of Absence and Return
Detlef Bernhard Linke: Innenarchitektur für den Walfischbauch. Thesen zum
Zustand der Republik
Martin Burckhardt: Das Monster und seine telematische Guillotine
Ökonomien der Differenz
Jean-Luc Nancy: Koste es, was es wolle. Vaille que vaille
Jacques Derrida: Marx, das ist jemand
Werner Hamacher: LINGUA AMISSA. Zum Messianismus der Warensprache
Hans-Joachim Lenger: Zersprungene Wege. Ausdruck, Symbol, Wert
Georg Christoph Tholen: Metaphorologie der Medien
Detlef Bernhard Linke: Kaiserschnitt
Susanne Lüdemann: Peut-on changer de sexe?
Slavoj Zizek: NATO as the left hand of God?
Gespräche
Georges-Arthur Goldschmidt: Eine Teetasse spricht nicht. Vom Unübersetzbaren
in der Sprache
Wolfgang Hagen: Überrollvorgänge. Zu einer Politik der Elektrizität
Peter Weibel: Zwischen den Kontexten. Vom Einbruch des Visuellen in die
Ordnung der Bilder
Jörg Sasse: Fotos
Aisthesis
Hans-Dieter Bahr: Anmerkungen zur Metaphysik. der ästhetischen Erziehung
Sigrid Schade: Ästhetiken und Mythen der Moderne. Hegels Erbe in der
Selbst-Begründung nicht-gegenständlicher Malerei
Günther Heeg: Die Macht des Theaterzaubers. Anläßlich Georg Friedrich
Händels "Alcina"
Manfred Riepe: Sie kommen von innen.... Körper und Fremdkörper in David
Cronenbergs Filmen
Lucia Santaella: Kulturverbreitung - Kultur in den Medien
Rezensionen
Susanne Winnacker, Khosrow Nosratian u.a.
Website
Auf der homepage http://www.zaesuren.de/stehen zur freien Nutzung bereit:
Aktuell - Online-Texte
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------------------------------
Date: Tue, 12 Dec 2000 23:39:17 +0100
From: "Andy Oram" <andyo@oreilly.com>
Subject: E-mails evade Morocco rally gag
Interesting political use of the Internet in a place with very little
connectivity.
http://news.bbc.co.uk/hi/english/world/africa/newsid_1066000/1066912.stm
E-mails evade Morocco rally gag
- ----------------------------------------------------------------------
Andy Oram O'Reilly & Associates, Inc. email: andyo@oreilly.com
Editor 90 Sherman Street phone: (617) 499-7479
Cambridge, MA 02140-3233 fax: (617) 661-1116
USA http://www.oreilly.com/~andyo/
Stories at Web site:
The Bug in the Seven Modules Code the Obscure The Disconnected
- ----------------------------------------------------------------------
------------------------------
Date: Wed, 20 Dec 2000 13:09:05 +0100
From: developer@lfoundation.org
Subject: PARASITE ENGINE #18
PARASITE ENGINE #18
===================================================================
6 hijacked webcam feeds framed into one page allow own compositions
http://www.lfoundation.org/para/18
*note: because of complex frame structure explorer browsers only
------------------------------
Date: Wed, 20 Dec 2000 14:15:04 +0100
From: Kalina Bunevska <kalina@scca.org.mk>
Subject: Invitation
The Contemporary Art Center - Skopje, Macedonia
cordially invites you to attend the opening of the exhibition
A Never Ending Story
Gordana Vrencoska
Wednesday, 20.12.2000, 8.00 PM
CIX Gallery
(Orce Nikolov 109)
------------------------------
Date: Wed, 20 Dec 2000 11:50:07 -0500
From: Perry Bard <minx@bway.net>
Subject: Re: inauguration theatre
PLAYING WITH FIRE IS DANGEROUS, BUT SO IS SUBVERTING THE WILL OF THE PEOPLE
BY DISENFRANCHISING VOTERS!
WWW.BUSHBURNING.ORG is a forum for the development of creative responses
that reflect the will of the people in contrast to the last presidential
election. We are planning mock inaugural balls to be held across the
nation to coincide with the inauguration of George W. Bush on January 20,
2001. We will gather with a symbolic burning bush in hand to register our
opposition to the perversion of the democratic process.
Press and media coverage will be important to assure viewers that the
events are not isolated incidents.
A website will be created with a dynamic database that will allow
individuals and groups from across the country to communicate and
coordinate activities. The site will also have a draft of a press release
to assist groups in promoting local events. The website's URL, which is
still under construction, is www.bushburning.org.
We need volunteers to both assist with the construction of the website and
organize local actions. The website needs primarily programmers who can
help create a dynamic database which will be used to coordinate activities
from around the country and other who can assist manage the site.
If you are on an email list, please forward this message and spread the word.
Perry Bard minx@bway.net
Jim Costanzo costanzo@thing.net
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