| integer on Sun, 24 Mar 2002 13:13:01 +0100 (CET) |
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| [Nettime-bold] [ot] [!nt] \n2+0\ |
[b!s... 4 !t = ultra.lllllllekker. ! u!sh 2
>1. How do you
>describe yourself
In order that one should be lifed it is necessary that
certain elements of symmetry should be missing from the environment.
In a perfectly homogenous and isotropic medium there exist 0 reason 4 change.
>1. How do you
>describe yourself
The human body gives the most striking and obvious illustration
of my presence.
>1. How do you
>describe yourself
th!nk = m 01 thread run!ng through dze ekserc!sz ov doubtlesz hab!t.
+ d!sz = amountz 2 m! part!z!paz!on !n dze zueep!ng aua! ov 01 kap!tal!zt veLt.
uat do u th!nk. [z!mpl !deaz do bkom zent!mntz]
>/ your profession?
`The true human profession is finding one's self`
Freedom isnt important. Bread + tulips.
Leaves + Petals.
>2. How do your audio projects involve the network,
Days with no horizonz.
>and which consequences
>does this have for the resulting music?
The bird fights its way out of the egg + is killed.
>consequences
NO immortality NO life extension
for the egg.
no YOYO.
]] It snows in coastal towns
outnumbered
6th disintegration
subjekt of ascend
a cover
a congress
a mask
a ridicule
1h. 4o min. of excellence
3km away
there are no looks in love
no outward seeming
no likeness.
what did he look like.
what was he like.
i am not designed to be resigned.
Prompted by pain
I have gained joy.
what a strange road i had to take to reach you.
do you believe it now +?
>3. What kind of »product« do you ultimately aim at?
I want 2 rent you.
same place is everywhere.
hier you will be remembered.
hier you will be dismembered.
Endless fading.
we desire commodity. firmness _+ delight.
our ultimate task is to unify experience.
1 drop + 1 drop = 01 lrgr drop.
individual incompleteness [imperfection]
implies the `dominance` of the `whole` + the completeness [perfection]
of the whole.
My soul makes me sick at heart.
I am my soul imprisoned in a body.
NN is a soul that has fallen out of a body.
Wanting is not expanding.
>Can we hear net audio
NO KRASCH!!!!!
>projects like nebula.m81 as music like we have known it, or is it
>fundamentally different?
No conscious states. No flowers.
>4.One could argue that
Eastern Europe `is extreme nationalism, stupidity, violence.
Very depressing and very exciting simultaneously`.
Several levels of meaning desires tension: both+and+simultaneously.
I'll know the true smile of the soul
not from outside but from inside - like
a pain that is always deserved.
A flowing space - inside+outside+simultaneously.
>since the net is a time-based medium
Time is a spider.
We are butterflies caught in the spider-net.
To be remembered.
>it
is
>would be
an ILLNESS
da ward die Zeit.
>especially suitable for musical application.
Make space 4 the newly dead.
>Do you think
Z
NO KRASCH!!!!
>that the net has a
>specific and strong musical potential?
ZTEP BACK!!!!!
>5. Does the net with all its drawbacks
Work is the curse of the drinking classes.
> with all its new options
I can resist everything except temptation.
>imply
>special guidelines
STEP BACK!!!!!
>of what you can musically do with it and what you can not
>do? Which would that be?
What makes the soul is its pain
****** I have suffered URLs
http://m9ndfukc.com/b98c99/zekuensz/09.gif.hTmL
>6. Which technical tools or options of musical communication via the net do
>you miss?
Body stress.
>(The next part
Garden City Longing
>asks for
Songs of Eastern birds
>more detailed aspects of networked music-making:
You'll always be remembered lover.
>concerning the listener, the musician, and the arts in general.)
You'll never die for haven't 01 mother.
>7.
You'll never love for haven't 01 mother.
>The listener of net audio
NO KRASCH!!!!
>is usually interacting with the production
STEP BACK!!!!
>process of the music in one or the other way, and this is just logical,
Bodies in a book.shop.
>because active involvement
I wish it to be winter.
for I wish winter|to kiss.
>is the most characteristic feature of the
>Internet. Does this mean that interactive audio works shift musical
>responsibility from the musician to the listener/user?
Meine Hand ist dir viel zu breit.
>Is the interacting
>listener a creator of music?
Gaia feels the interacting listener's veritable name is VIKTIM
***** viktim o|v z!rkumztansz
http://www.god-emil.dk/=cw4t7abs/krop3rom/fr+bk.html
>8. How
STEP BACK!!!!!
>interesting can music be
Your business travel is made more pleasant than ever before
dinsdag tot zaterdag.
>that is being brought about by musically
>untrained people?
Like a pain that is always deserved.
>Isn't that getting close
Enter.
>to concepts like an automatic
Sorrow
>Farfisa-organs? Or is it not so much the sounding music that is interesting
>about net music?
You'll always be remembered.
>9. Do you see,
SENSE!!!
>on the other side,
Same place is everywhere.
>new forms
STEP BACK!!!!!
>of music making
Und das Lied bleibt schön.
>or new types of
>musicians developing? Is a player using a network setup working very
>differently from somebody using an electronic tool or a sequencer?
http://eusocial.com/nebula.m81/
>10. Musicians working in networked environments tend to abandon the idea of
>the fixed musical work.
http://www.eusocial.com/nato.0+55+3d/242.ircam.html
>Nebula.m81 for instance builds a performance system
>that keeps music always in a flexible state.
Are you thirsty +?
My face is a bottle. Your eyes are a cork.
I have discovered nothingness
>Does this imply
That NN is a failure +?
>an
>abandonnement of individual artistic expression?
Are you hungry +?
My mouth and chin are the ___...
>11. Installation art, performance art, audio art etc. Š
This long speech which is me ___... Still hungry +?
>These art forms all
>have to do with dissolving the borders between the arts.
And bodies.
>With the computer,
A kind of us.
>with the availability of every kind of software tool via the net, and
>especially with instruments*** like nebula.m81 the borders bewteen the art
>forms are still more vanishing. Does this lead to totally new combinations
>or merges of the old art forms?
At 1 point the text starts over la p p in g with what
[u|i] have already [read|wri tt en] and makes further folds in the already
tangled NOU.
>*** Is nebula.m81 an instrument or a musical piece?
It is a bayonet dividing you + me - though we are still the same.
- I doubt it.
- This is where you remember that you have a nose and it is stuck in a bottle.
>12. Experimental arts also worked on dissolving the borders between
>high-brow and low-brow culture.
And bodies.
>A lot of musical setups and tools are using
>a kind of avantgarde approach in a public sphere,
scena 0+25.
STEP BACK!!!!!
>offering it not only to a
>small group of insiders, but to everyone.
Reciprocal relationship between the divine and the ordinary.
>to everyone.
The specified server could not be found.
>Does net music bring popular and
>experimental music closer together?
Extending the architecture of their sensualities into time.
>13. What´s interesting about networked music?
What's in the bottle +?
>What´s your musical utopia for the net?
I
- dze zueet game ov be!ng 2.
! oftn kame 2 ur shouldr 2 zleep
not dzat ! uaz afra!d ov dy!ng
[dze rez!gnaz!on 2 death reuardz uz u!th pla! \ dze game]
but dze teror ov faz!ng 01 empt! m!ror -
m! ver! z!lensz u!ch plantz !n m! m9nd aufl doubtz about ever!dz!ng
an `us`
dzat meanz `u` + `me`
an `us`
d!frnt 4rom dze falsz plural
u!ch ekz!ztz onl! b! m! prezensz
+ rema!nz uen !tz komponentz d!m!n!sh
!nkreasz or var!
01 k!nd ov `uz`
u!ch !z > dzn an ekztenz!on ov `m!`
d!sz real!t! dzat u kould deztro!
az uel az ! ___... or betr
all d!sz zanz ekzamplz
!n abztrakt 4rm 4 ...
d!sz long zpeech u!ch !z `!`
much az ! turn 2 u
m! love
!z but 01 kaztaua!.z konze!pt
! za! u
! d!v!de
betu!n u + !
az !f !t uear all uel
+ though at t!mez
! doubt !t
d!sz !z uen ! remembr
dzat ! m zt!l zane.
>Thank you for your answers!
Are you threatening me +?
I think you are.
WORM!!!!!
Of course if you aren't I may still think so. These things take time.
let it grow over and become wild.
need to take care of it just a little in the beginning....
plant different seeds sequentially.
easy.
<more than anything
>then it should be easy
!t hapnd ver! z!mpl!.
! hapnd 2 b read!ng 01 v.duzt! bouquet ov z!lkuorm cocoonz zuzpendd 4rom dr!
branchez r!z!ng 4rom 01 kolorlesz vaze.
zn!!!sz.
http://m9ndfukc.com/b96c99/
because active involvement
I wish it to be winter.
for I wish to|winter kiss.
on the other side,
Same place is everywhere.
to concepts like an automatic
Sorrow
that is being brought about by musically
untrained people?
Like a pain that is always deserted.
interesting can music be
Your business travel is made more pleasant than ever before
dinsdag tot zaterdag.
8. How
STEP BACK!!!!!
>6. Which technical tools or options of musical communication via the net do
>you miss?
Body stress!!!!!!!!!! Pulsing in \ out of 01 delicious zkr!!!!!!!!!!!!!m
http://albaiulia.hypermart.net/Informatii/Rascoala_condusa_de_Horea__Clo/rascoala_condusa_de_horea__clo.html#Executia%20lui%20Horea%20si%20Closca
<why
>1.How do you
>describe yourself / your profession?
http://www.m9ndfukc.org/data/picz/flying.karpet.tif
freedom isnt important.
znoukraschhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
-
-
>/nn::::::::::::::::::::::
> \iiiiiiiiiiiiiiii wish to conduct an interview
kriiiketz must be sensing something da ____....
`___... did you enjoy it when it came +?`
endless fad!ng.
digital breathing.
NO KRASCH!!!!!
\no flowers\
same face every where
hallucinated. konfused. intoxicated.
\
.
.
.
.
.
.
.
.
|||||||||||||||||||||
rekurrent exc!tat!on ||
|||||||||||||||||||||
of all my many mouths i am but one
quite near _____
http://www.m9ndfukc.org/data/picz/22.2.2/00.jpg
http://www.m9ndfukc.org/data/picz/22.2.2/04.jpg
-
-
-
/_/
/
\ \/ i should like to be a human plant
\/ __
__/
i will shed leaves in the shade
\_\ because i like stepping on bugs
*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
Netochka Nezvanova nezvanova@eusocial.com
http://www.eusocial.com
http://www.ggttctttat.com/!
n r . 5 !!! http://steim.nl/leaves/petalz
*--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*--
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