| Talk21 Mail System on Tue, 7 Aug 2001 20:37:52 +0200 (CEST) |
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| [Nettime-bold] Mail System Error - Returned Mail |
This Message was undeliverable due to the following reason: The user(s) account is temporarily over quota. <a.sharma@talk21.com> Please contact the Talk21 helpdesk if you feel this message to be in error.
Reporting-MTA: dns; t21mta01-lrs.talk21.com Arrival-Date: Tue, 7 Aug 2001 19:33:05 +0100 Received-From-MTA: dns; sheridan.uel.ac.uk (161.76.9.2) Final-Recipient: RFC822; <a.sharma@talk21.com> Action: failed Status: 4.2.2
- To: nettime-bold@nettime.org
- Subject: Nettime-bold digest, Vol 1 #515 - 1 msg
- From: nettime-bold-admin@nettime.org
- Date: Tue, 7 Aug 2001 19:34:37 +0100 (BST)
- List-Id: the uncut, unmoderated version of nettime-l <nettime-bold.nettime.org>
- Reply-To: nettime-bold@nettime.org
- Sender: nettime-bold-admin@nettime.org
Send Nettime-bold mailing list submissions to nettime-bold@nettime.org To subscribe or unsubscribe via the web, visit http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold or, via email, send a message with subject or body 'help' to nettime-bold-request@nettime.org You can reach the person managing the list at nettime-bold-admin@nettime.org When replying, please edit your Subject line so it is more specific than "Re: Contents of Nettime-bold digest..." Today's Topics: 1. Mail System Error - Returned Mail (Talk21 Mail System) --__--__-- Message: 1 To: nettime-bold@nettime.org From: Talk21 Mail System <Postmaster@talk21.com> Reply-To: Talk21 Mail System <Postmaster@talk21.com> Date: Tue, 7 Aug 2001 19:35:16 +0100 report-type=delivery-status; Boundary="===========================_ _= 4583740(1412)997209316" Subject: [Nettime-bold] Mail System Error - Returned Mail Reply-To: nettime-bold@nettime.org --===========================_ _= 4583740(1412)997209316 Content-Type: text/plain This Message was undeliverable due to the following reason: The user(s) account is temporarily over quota. <a.sharma@talk21.com> Please contact the Talk21 helpdesk if you feel this message to be in error. --===========================_ _= 4583740(1412)997209316 Content-Type: message/delivery-status Reporting-MTA: dns; t21mta03-lrs.talk21.com Arrival-Date: Tue, 7 Aug 2001 19:35:16 +0100 Received-From-MTA: dns; sinclair.uel.ac.uk (161.76.9.1) Final-Recipient: RFC822; <a.sharma@talk21.com> Action: failed Status: 4.2.2 --===========================_ _= 4583740(1412)997209316 Content-Type: message/rfc822 Received: from sinclair.uel.ac.uk ([161.76.9.1]) by t21mta03-app.talk21.com (InterMail vM.4.01.02.27 201-229-119-110) with ESMTP id <20010807183514.NLRG1412.t21mta03-app.talk21.com@sinclair.uel.ac.uk> for <a.sharma@talk21.com>; Tue, 7 Aug 2001 19:35:14 +0100 Received: from dlstaff1.uel.ac.uk (dlstaff1.uel.ac.uk [161.76.120.10]) by sinclair.uel.ac.uk (8.9.3+Sun/8.9.3) with ESMTP id TAA29771 for <a.sharma@talk21.com>; Tue, 7 Aug 2001 19:32:43 +0100 (BST) Received: from DLSTAFF1/SpoolDir by dlstaff1.uel.ac.uk (Mercury 1.48); 7 Aug 01 19:34:03 GMT0BST Received: from SpoolDir by DLSTAFF1 (Mercury 1.48); 7 Aug 01 19:33:51 GMT0BST Received: from DLSTAFF1/SpoolDir by dlstaff1.uel.ac.uk (Mercury 1.48) for <sharma@dlstaff1.uel.ac.uk>; 7 Aug 01 19:33:49 GMT0BST Received: from sheridan.uel.ac.uk (161.76.9.2) by dlstaff1.uel.ac.uk (Mercury 1.48) with ESMTP; 7 Aug 01 19:33:47 GMT0BST Received: from nettime.khm.de (nettime.khm.de [194.95.161.64]) by sheridan.uel.ac.uk (8.9.3+Sun/8.9.3) with SMTP id TAA20896 for <a.sharma@uel.ac.uk>; Tue, 7 Aug 2001 19:32:07 +0100 (BST) Received: (qmail 25868 invoked from network); 7 Aug 2001 18:36:04 -0000 Received: from localhost (HELO nettime.khm.de) (alias@127.0.0.1) by localhost with SMTP; 7 Aug 2001 18:36:04 -0000 Resent-Message-Id: <200108071832.TAA29771@sinclair.uel.ac.uk> Resent-from: A.Sharma@uel.ac.uk Resent-to: a.sharma@talk21.com Resent-Date: Tue, 7 Aug 2001 19:33:49 GMT0BST X-Autoforward: 1 Date: Tue, 7 Aug 2001 19:32:07 +0100 (BST) From: nettime-bold-admin@nettime.org Message-Id: <200108071832.TAA20896@sheridan.uel.ac.uk> Subject: Nettime-bold digest, Vol 1 #514 - 16 msgs X-mailer: Mailman v1.1 Mime-version: 1.0 Content-type: text/plain To: nettime-bold@nettime.org Reply-To: nettime-bold@nettime.org Sender: nettime-bold-admin@nettime.org Errors-To: nettime-bold-admin@nettime.org X-Mailman-Version: 1.1 Precedence: bulk List-Id: the uncut, unmoderated version of nettime-l <nettime-bold.nettime.org> X-BeenThere: nettime-bold@nettime.org Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by sheridan.uel.ac.uk id TAA20896 Send Nettime-bold mailing list submissions to nettime-bold@nettime.org To subscribe or unsubscribe via the web, visit http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold or, via email, send a message with subject or body 'help' to nettime-bold-request@nettime.org You can reach the person managing the list at nettime-bold-admin@nettime.org When replying, please edit your Subject line so it is more specific than "Re: Contents of Nettime-bold digest..." Today's Topics: 1. Mail System Error - Returned Mail (Talk21 Mail System) 2. Urgent Investor Info (jamesjones@terra.com.mx) 3. Friendly Email Detected Potential Junk Mail (Friendly Email Support) 4. Re: <nettime> What is @XXX? [Re: Stop the G8: Online Demonstration S= cheduled] (scotartt) 5. Casarini's Interview with Il Manifesto (florian schneider) 6. son of star wars (Wander Eikelboom) 7. Automadness: Terrors of EM Research (brian carroll) 8. Fw: freely (jmm) 9. of the book (Alan Sondheim) 10. |_ /\ |) (- |\|: SUN SET 11.8.-9.9.01 (LADEN) 11. Links Prize A joint venture between VIROSE (Porto) and V2_Organisation (Rotterdam) (Fernando =3D?iso-8859-1?Q?Jos=3DE= 9?=3D Pereira) 12. >>>11,000,000 EMAIL ADDRESSES FREE! (josephptrota@yahoo.com) 13. Manuf. Production/Cntrol Software For $1,495.00! (Wayne) 14. Adequatio Artis et Torturae =3D?iso-8859-1?Q?=3D96?=3D Towards Marc= ello Mercados Capital (Nils =3D?iso-8859-1?Q?R=3DF6ller?=3D) -- __--__-- Message: 1 To: nettime-bold@nettime.org From: Talk21 Mail System <Postmaster@talk21.com> Reply-To: Talk21 Mail System <Postmaster@talk21.com> Date: Tue, 7 Aug 2001 05:38:57 +0100 report-type=3Ddelivery-status; Boundary=3D"=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D_ _=3D 8222045(1412)997159137" Subject: [Nettime-bold] Mail System Error - Returned Mail Reply-To: nettime-bold@nettime.org --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D_ _=3D 8222045(1412)997159137 Content-Type: text/plain This Message was undeliverable due to the following reason: The user(s) account is temporarily over quota. <a.sharma@talk21.com> Please contact the Talk21 helpdesk if you feel this message to be in error. --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D_ _=3D 8222045(1412)997159137 Content-Type: message/delivery-status Reporting-MTA: dns; t21mta03-lrs.talk21.com Arrival-Date: Tue, 7 Aug 2001 05:38:56 +0100 Received-From-MTA: dns; sheridan.uel.ac.uk (161.76.9.2) Final-Recipient: RFC822; <a.sharma@talk21.com> Action: failed Status: 4.2.2 --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D_ _=3D 8222045(1412)997159137 Content-Type: message/rfc822 Received: from sheridan.uel.ac.uk ([161.76.9.2]) by t21mta03-app.talk21.c= om (InterMail vM.4.01.02.27 201-229-119-110) with ESMTP id <20010807043856.COAR1412.t21mta03-app.talk21.com@sheridan.ue= l.ac.uk> for <a.sharma@talk21.com>; Tue, 7 Aug 2001 05:38:56 +0100 Received: from dlstaff1.uel.ac.uk (dlstaff1.uel.ac.uk [161.76.120.10]) by sheridan.uel.ac.uk (8.9.3+Sun/8.9.3) with ESMTP id FAA03495 for <a.sharma@talk21.com>; Tue, 7 Aug 2001 05:36:21 +0100 (BST) Received: from DLSTAFF1/SpoolDir by dlstaff1.uel.ac.uk (Mercury 1.48); 7 Aug 01 05:37:44 GMT0BST Received: from SpoolDir by DLSTAFF1 (Mercury 1.48); 7 Aug 01 05:37:32 GMT= 0BST Received: from DLSTAFF1/SpoolDir by dlstaff1.uel.ac.uk (Mercury 1.48) for <sharma@dlstaff1.uel.ac.uk>; 7 Aug 01 05:37:32 GMT0BST Received: from sinclair.uel.ac.uk (161.76.9.1) by dlstaff1.uel.ac.uk (Mer= cury 1.48) with ESMTP; 7 Aug 01 05:37:27 GMT0BST Received: from nettime.khm.de (nettime.khm.de [194.95.161.64]) by sinclair.uel.ac.uk (8.9.3+Sun/8.9.3) with SMTP id FAA16199 for <a.sharma@uel.ac.uk>; Tue, 7 Aug 2001 05:35:59 +0100 (BST) Received: (qmail 25700 invoked from network); 7 Aug 2001 04:40:30 -0000 Received: from localhost (HELO nettime.khm.de) (list@127.0.0.1) by localhost with SMTP; 7 Aug 2001 04:40:30 -0000 Resent-Message-Id: <200108070436.FAA03495@sheridan.uel.ac.uk> Resent-from: A.Sharma@uel.ac.uk Resent-to: a.sharma@talk21.com Resent-Date: Tue, 7 Aug 2001 5:37:32 GMT0BST X-Autoforward: 1 Date: Tue, 7 Aug 2001 05:35:59 +0100 (BST) From: nettime-bold-admin@nettime.org Message-Id: <200108070435.FAA16199@sinclair.uel.ac.uk> Subject: Nettime-bold digest, Vol 1 #513 - 35 msgs X-mailer: Mailman v1.1 Mime-version: 1.0 Content-type: text/plain To: nettime-bold@nettime.org Reply-To: nettime-bold@nettime.org Sender: nettime-bold-admin@nettime.org Errors-To: nettime-bold-admin@nettime.org X-Mailman-Version: 1.1 Precedence: bulk List-Id: the uncut, unmoderated version of nettime-l <nettime-bold.nettim= e.org> X-BeenThere: nettime-bold@nettime.org Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by sinclair.uel.ac.uk= id FAA16199 Send Nettime-bold mailing list submissions to nettime-bold@nettime.org To subscribe or unsubscribe via the web, visit http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold or, via email, send a message with subject or body 'help' to nettime-bold-request@nettime.org You can reach the person managing the list at nettime-bold-admin@nettime.org When replying, please edit your Subject line so it is more specific than "Re: Contents of Nettime-bold digest..." Today's Topics: 1. ADV: Call Your Own Shots at Marblejar (mjrecruiter@vsnl.net) 2. 1,000 Commission Per Sale! 11543 (brendan12= =3D 185@excite.com) 3. "Shanghai WTO Import Commodities Exhibition Hall (Preparing)" Coope= =3D rator-Seeking Inquiry (vivien yu) 4. Everything you ever wanted to know!! (5le01dxmk@europe.com) 5. Undelivarable: <nettime> Announcements [9] (mudadominio@osite.com.br= =3D ) 6. Re: <nettime> Fw: The Global Development Gateway (Bill Spornitz) 7. =3D3D?iso-8859-1?Q?CODE_RED_=3D3DAD_A_RED_HERRING?=3D3D (ricardo dom= inguez=3D ) 8. Re: <nettime> FW: someding zu read (G.H. Hovagimyan) 9. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk) 10. [ot] [!nt] \n2+0\ The Next Phase of Business Ethics (integer@www.go= =3D d-emil.dk) 11. [ot] [!nt] \n2+0\ lostandfoundbodies (integer@www.god-emil.dk) 12. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk) 13. (no subject) (Nomay Inchas) 14. (no subject) (Nomay Inchas) 15. Station Rose Webcast 147 "TV Rex" (Station Rose) 16. Stop the G8: Online Demonstration Scheduled (ricardo dominguez) 17. (no subject) (integer@www.god-emil.dk) 18. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk) 19. International Conference 'Hackers at Large' in the Netherlands (Mau= =3D rice Wessling) 20. (no subject) (integer@www.god-emil.dk) 21. \/\ (integer@www.god-emil.dk) 22. Links Prize A joint venture betwwen VIROSE (Porto) and V2_Organisation (Rotterdam) (Fernando =3D3D?iso-8859-1?Q?Jos=3D3DE9?=3D3= D Pere=3D ira) 23. Re: <nettime> FW: someding zu read (I) (teddy bytown) 24. Re: <nettime> FW: someding zu read (II) (teddy bytown) 25. [ot] [!nt] \n2+0\ (integer@www.god-emil.dk) 26. [ot] [!nt] \n2+0\ zoft uear (integer@www.god-emil.dk) 27. Multimedia: From Wagner to Virtual Reality (Ken Jordan) 28. Best #1 Money on the Internet (N S) 29. nn =3D3D=3D3D lev (Nomay Inchas) 30. What is @XXX? [Re: Stop the G8: Online Demonstration Scheduled] (se= =3D bastian@rolux.org) 31. BeeHive Microtitles Series 1 [for announcer] (][M.ollient][) 32. [ot] [!nt] \n2+0\ n r . 5 !!!!! (integer@www.god-emil.dk) 33. "Shanghai WTO Import Commodities Exhibition Hall (Preparing)" Coop= =3D erator-Seeking Inquiry (market@shanghai-industry.com) 34. 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Marblejar LLC Manor Oak Two, Suite 252 1910 Cochran Road Pittsburgh, PA 15220 =3D3D20 ------=3D3D_NextPart_001_002B_01C11B52.F4F1A570 Content-Type: text/html; charset=3D3D"iso-8859-1" Content-Transfer-Encoding: quoted-printable <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D3D3D"text/html; charset=3D3D3Diso-8859-1" =3D3D http-equiv=3D3D3DContent-Type> <META content=3D3D3D"MSHTML 5.00.2014.210" name=3D3D3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D3D3D#ffffff> <DIV><FONT face=3D3D3DArial size=3D3D3D2> <TABLE align=3D3D3Dcenter border=3D3D3D0 cellPadding=3D3D3D0 cellSpacing=3D= 3D3D0 =3D =3D3D width=3D3D3D750> <TBODY> <TR> <TD bgColor=3D3D3D#000000 rowSpan=3D3D3D9 width=3D3D3D43><IMG height=3D= 3D3D8=3D3D=3D 20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D43></TD> <TD bgColor=3D3D3D#000000 colSpan=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD> <TD bgColor=3D3D3D#000000 rowSpan=3D3D3D9 width=3D3D3D3><IMG height=3D= 3D3D3=3D3D=3D 20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD></TR> <TR> <TD bgColor=3D3D3D#66cc33 colSpan=3D3D3D3> <TABLE border=3D3D3D0 cellPadding=3D3D3D10 cellSpacing=3D3D3D0 widt= h=3D3D3D=3D 704> <TBODY> <TR> <TD width=3D3D3D704><FONT color=3D3D3D#000000=3D3D20 face=3D3D3D"Verdana, Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2><B><A=3D3D20 href=3D3D3D"http://www.marblejar.com/";><FONT=3D3D20 =3D3D color=3D3D3D#000000>www.marblejar.com</FONT></A></B></FONT></TD></TR></TB= OD=3D Y>=3D3D </TABLE></TD></TR> <TR> <TD bgColor=3D3D3D#000000 colSpan=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD></TR> <TR> <TD colSpan=3D3D3D3> <TABLE border=3D3D3D0 cellPadding=3D3D3D10 cellSpacing=3D3D3D0 widt= h=3D3D3D=3D 704> <TBODY> <TR> <TD align=3D3D3Dmiddle width=3D3D3D704><FONT color=3D3D3D#00000= 0=3D3D20 face=3D3D3D"Verdana, Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D A=3D3D20 href=3D3D3D"http://www.marblejar.com/";><IMG border=3D3D3D0 =3D= 3D height=3D3D3D86=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/lar= ge=3D Lo=3D3D go.gif"=3D3D20 width=3D3D3D338></A></FONT></TD></TR></TBODY></TABLE></TD></T= R> <TR> <TD bgColor=3D3D3D#000000 colSpan=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD></TR> <TR> <TD colSpan=3D3D3D3> <TABLE border=3D3D3D0 cellPadding=3D3D3D10 cellSpacing=3D3D3D0 widt= h=3D3D3D=3D 704> <TBODY> <TR> <TD width=3D3D3D704><IMG height=3D3D3D37=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/dea= r.=3D gi=3D3D f"=3D3D20 width=3D3D3D165>=3D3D20 <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2>Whether you are=3D3D20 caught in the current downward dot-com trend or just aspire =3D= 3D to work=3D3D20 for a leading edge company, it is time you took charge of =3D= 3D your=3D3D20 career. Don't give up your dreams so easily just because of =3D= 3D today's=3D3D20 turbulent market. Marblejar, <B><A=3D3D20 href=3D3D3D"http://www.marblejar.com/";><FONT=3D3D20 color=3D3D3D#66cc33>www.marblejar.com</FONT></A></B>, is the = wa=3D y =3D3D to find=3D3D20 your next challenging IT position with established direct =3D= 3D end=3D3D20 clients with solid fundamentals and financial=3D3D20 performance.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2>Marblejar, is a=3D3D20 web-based IT recruiter, not a job board specializing in =3D3D emerging IT=3D3D20 skills. Our value proposition is=3D3D20 this:</FONT></P></TD></TR></TBODY></TABLE></TD></TR> <TR> <TD bgColor=3D3D3D#ffffff width=3D3D3D380><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD> <TD bgColor=3D3D3D#000000 width=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD> <TD bgColor=3D3D3D#000000 width=3D3D3D301><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD></TR> <TR> <TD width=3D3D3D380> <TABLE border=3D3D3D0 cellPadding=3D3D3D10 cellSpacing=3D3D3D0 widt= h=3D3D3D=3D 380> <TBODY> <TR> <TD width=3D3D3D380> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D IMG =3D3D align=3D3D3Dleft=3D3D20 height=3D3D3D20=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1Bl= ue=3D Ci=3D3D rcle.gif"=3D3D20 width=3D3D3D20> All Candidates are skills tested</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D IMG =3D3D align=3D3D3Dleft=3D3D20 height=3D3D3D20=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/2Bl= ue=3D Ci=3D3D rcle.gif"=3D3D20 width=3D3D3D20> All Candidates record a voice file</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D IMG =3D3D align=3D3D3Dleft=3D3D20 height=3D3D3D20=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/3Bl= ue=3D Ci=3D3D rcle.gif"=3D3D20 width=3D3D3D20> The site is <B><FONT =3D3D color=3D3D3D#0099cc>FREE</FONT><FONT=3D3D20 color=3D3D3D#ff6600> </FONT></B>to use</FONT><BR></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D IMG =3D3D align=3D3D3Dleft=3D3D20 height=3D3D3D20=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/4Bl= ue=3D Ci=3D3D rcle.gif"=3D3D20 width=3D3D3D20> We have many open positions in Java, EJB, Jav= a =3D =3D3D Servlets,=3D3D20 C++, VB, and more....</FONT><FONT=3D3D20 face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3D2>Yester= day =3D =3D3D only we<BR><IMG=3D3D20 height=3D3D3D12=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D26>received 47 open job orders.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2><=3D IMG =3D3D align=3D3D3Dleft=3D3D20 height=3D3D3D20=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/5Bl= ue=3D Ci=3D3D rcle.gif"=3D3D20 width=3D3D3D20> As a candidate you receive a <B><FONT=3D3D20 color=3D3D3D#0099cc>$500</FONT></B> bonus from Marblejar upon= =3D3D getting=3D3D20 hired through our site.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2>Don't wait to=3D3D20 register. Go to the <A =3D3D href=3D3D3D"http://www.marblejar.com/";><B><FONT=3D3D20 color=3D3D3D#66cc33>www.marblejar.com</FONT></B></A> and =3D3= D register today.=3D3D20 Once you are registered, send your resumes to <B><A=3D3D20 href=3D3D3D"mailto:sroberts@marblejar.com";><FONT=3D3D20 color=3D3D3D#66cc33>sroberts@marblejar.com</FONT></A></B> and= w=3D e =3D3D will=3D3D20 start you on your way to a new career and that $500=3D3D20 bonus.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2>Check out the=3D3D20 job of the day!!!!!</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif"=3D3D20 size=3D3D3D2>Sincerely,</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2>S=3D am=3D3D20 Roberts<BR><B>Marblejar =3D3D LLC</B></FONT></P></TD></TR></TBODY></TABLE></TD> <TD bgColor=3D3D3D#000000 width=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD> <TD bgColor=3D3D3D#ffcc00 vAlign=3D3D3Dtop width=3D3D3D301><IMG heigh= t=3D3D3D=3D 50=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/job= _o=3D f_=3D3D the_day.gif"=3D3D20 width=3D3D3D321>=3D3D20 <TABLE border=3D3D3D0 cellPadding=3D3D3D8 cellSpacing=3D3D3D0 width= =3D3D3D3=3D 21> <TBODY> <TR> <TD><B><FONT face=3D3D3D"Arial, Helvetica, sans-serif" =3D3D size=3D3D3D2>Senior=3D3D20 Software Engineer/Software Engineer </FONT></B> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif"=3D3D20 size=3D3D3D2><B>Functions:</B> Our software engineers will bu= il=3D d =3D3D the next=3D3D20 generation of e-commerce monitoring products, using emerging = =3D =3D3D Internet standards such<BR>as Java and XML, in response to =3D= 3D critical=3D3D20 customer needs.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif"=3D3D20 size=3D3D3D2><B>Requirements:</B> Ideal candidates for these = =3D3D positions=3D3D20 will have experience developing middleware and =3D3D infrastructure=3D3D20 software, and will have worked<BR>on large, distributed,=3D3D= 20 object-oriented software products in Java or C++.</FONT></P> <P><FONT face=3D3D3D"Arial, Helvetica, sans-serif" size=3D3D3= D2>T=3D hey =3D3D should have=3D3D20 three to ten years of commercial software development or =3D3= D equivalent=3D3D20 experience, including experience designing and developing=3D3= D2=3D 0 object-oriented infrastructure software. Ideal candidates =3D= 3D will also=3D3D20 have a deep understanding of one or more of the following =3D= 3D areas: the=3D3D20 Java runtime environment; CORBA; distributed system =3D3D performance;=3D3D20 multi-tier application architectures; web and e-commerce=3D3D= 20 infrastructure; program visualization tools; system or =3D3D network=3D3D20 management.</FONT></P></TD></TR></TBODY></TABLE></TD></TR> <TR> <TD bgColor=3D3D3D#000000 colSpan=3D3D3D3><IMG height=3D3D3D3=3D3D20 =3D3D src=3D3D3D"http://www.marblejar.com/marblejar/components/images/email/1pt= ra=3D n.=3D3D gif"=3D3D20 width=3D3D3D3></TD></TR> <TR> <TD bgColor=3D3D3D#000000 width=3D3D3D43> </TD> <TD bgColor=3D3D3D#000000 colSpan=3D3D3D3> <P><FONT size=3D3D3D1><FONT color=3D3D3D#ffffff>We respect your tim= e. I=3D f =3D3D you would=3D3D20 like to be removed from our mailing list,</FONT><FONT =3D3D color=3D3D3D#ffffff>=3D3D20 click on <A=3D3D20 href=3D3D3D"mailto:mjrecruiter@vsnl.net =3D3D ?subject=3D3D3DREMOVE">mailto:<FONT=3D3D20 color=3D3D3D#0000ff size=3D3D3D2><FONT size=3D3D3D1>mjrecruiter@vsn= l.net=3D3D=3D 20 </FONT></FONT>?subject=3D3D3DREMOVE</A> and add the</FONT><FONT =3D= 3D color=3D3D3D#ffffff>=3D3D20 email address(es) to remove in your subject =3D3D line.</FONT></FONT><FONT=3D3D20 size=3D3D3D1><FONT color=3D3D3D#ffffff> This message is desig= ned =3D to =3D3D comply with=3D3D20 all U.S. state laws and pending </FONT><FONT =3D3D color=3D3D3D#ffffff>federal=3D3D20 legislation regarding electronic mail marketing. You can =3D3D avoid</FONT><FONT=3D3D20 color=3D3D3D#ffffff> seeing compliant messages by setting your mail= =3D3D reader to=3D3D20 filter messages</FONT><FONT color=3D3D3D#ffffff> with "ADV:" at the= =3D3D beginning of=3D3D20 the Subject line. Submit questions or</FONT><FONT color=3D3D3D#ffff= ff=3D > =3D3D comments=3D3D20 regarding these matters by clicking on</FONT><FONT =3D3D color=3D3D3D#ffffff> <A=3D3D20 href=3D3D3D"mailto:mjrecruiter@vsnl.net =3D3D ?subject=3D3D3DCOMPLIANCE">mailto:<FONT=3D3D20 color=3D3D3D#0000ff size=3D3D3D2><FONT size=3D3D3D1>mjrecruiter@vsn= l.net=3D3D=3D 20 </FONT></FONT>?subject=3D3D3DCOMPLIANCE</A>.</FONT></FONT></P> <DIV><FONT color=3D3D3D#ffffff size=3D3D3D1>Marblejar LLC</FONT></D= IV> <DIV><FONT color=3D3D3D#ffffff size=3D3D3D1>Manor Oak Two, Suite =3D= 3D 252</FONT></DIV> <DIV><FONT color=3D3D3D#ffffff size=3D3D3D1>1910 Cochran Road</FONT= ></D=3D IV> <DIV><FONT color=3D3D3D#ffffff size=3D3D3D1>Pittsburgh, PA =3D3D 15220</FONT></DIV></TD> <TD bgColor=3D3D3D#000000=3D3D20 width=3D3D3D3> </TD></TR></TBODY></TABLE></FONT></DIV></BODY></HTML> ------=3D3D_NextPart_001_002B_01C11B52.F4F1A570-- ------=3D3D_NextPart_000_002A_01C11B52.F4F1A570 Content-Type: image/gif; name=3D3D"1ptran.gif" 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<jilly.bbs@bbs.alway.com.= =3D tw>, <tyler_nancee@bbrown.com>, <curt.bates@bbs.logicnet.com>, <dmunson@bbs.southshore.com>, <dark.soul@bbs.galilei.com>, <nettime-l@bbs.thing.net>, <dmartini@bbrcompany.com>, <cjcramer@bbprepro.com>, <bgr@bboss.net>, <rthiem@bbs.gemlink.com> Date: Mon, 06 Aug 2001 03:51:00 -0500 charset=3D3D"Windows-1252" Subject: [Nettime-bold] 1,000 Commission Per Sale! = =3D 11543 Reply-To: nettime-bold@nettime.org $1,000 Commission Per Sale! Great Vacations and Endless Opportunities! Thank you for responding to our ad for Entrepreneurs. We are presently ta= =3D king on dealers who have seasoned sales experience or experience in runni= =3D ng a small business and understand the ins and outs of sales. Our product= =3D is simple, We sell One Vacation Package that everyone wants.=3D20 The customer receives: 8 luxury cruises (Carnival, Princess, Norwegian e= =3D tc), 6 Las Vegas vacations (some even include airfare), and 12 Luxury Res= =3D ort Vacations to places like Disney/Orlando (airfare is even included for= =3D 2 people), 8 days and 7 nights in the Bahamas (airfare included for 2 pe= =3D ople) and much more. You will sell this package for an incredibly low pri= =3D ce of only$1,399 and guess how much of that you keep. That's right your c= =3D ommission is $1,000 on every sale! Your product will only cost you $399 = =3D (buy as you go, you don't need to keep an inventory).=3D20 There are independent dealers selling 7 to 10 of these every week, every= =3D week. Think about what you will be offering, over 25 premium vacations f= =3D or what most people will pay for one vacation. Your customers will never = =3D be asked to attend any timeshare presentations and there is never a catc= =3D h with any of these vacations.=3D20 All vacations are open ended and 100% transferable to friends and family= =3D . Who would pay $3500 for a cruise when they can have 8 (same quality) cr= =3D uises for only $1,399?=3D20 All you need to do is put out some flyers and place a few inexpensive c= =3D lassified ads and then just sit back and watch your customers flock to yo= =3D u. A motivated dealer can plan on closing at least 3 deals his first week= =3D doing this.=3D20 *** Make this business as big as you want it. How much would you pay to m= =3D ake $3,000 to $7,000 every week? Well we are going to make it very easy f= =3D or you to get involved with our company,=3D20 Your cost is a one time fee of only: $995. Here is what you will g= =3D et with your investment: 1 presentation kit, a completely customized mark= =3D eting strategy, professional marketing advice, flyers (on disk) and class= =3D ified ads that work and much much more!=3D20 But don't forget the most important thing, you are getting a real tu= =3D rn-key business selling a product that is in HUGE demand that you can wor= =3D k right out of your house. Spend more time with your family and do the th= =3D ings that you want to do.=3D20 *** If you are truly interested in this opportunity and have sales experi= =3D ence and have $995 to invest in a time tested business of your own, we wa= =3D nt to talk to you!=3D20 Serious inquiries only. PS: You may be wondering how we can give so many vacations away for such = =3D a small price, well, the concept is simple. Every time a ship leaves port= =3D they are 30% unoccupied. Cruiselines lose money of every cabin that is e= =3D mpty. They would rather give away the cabin for free than have it empty b= =3D ecause they know that if a couple goes on a beautiful luxury cruise for f= =3D ree, they will spend more money on the extras like: alcohol, tennis lessi= =3D ons, souviniers, clothes, etc. =3D20 Statistically, a customer vacationing for free will spend more than the p= =3D aying customers on the cruise so the cruiseline makes millions of dollars= =3D even though they are giving cabins away for free. It is that simple. The= =3D same applies to resorts. =3D20 *** Call us toll free at 888-354-2111=3D20 Serious inquiries only. =3D20 ______________________________________________________=3D20 We strongly oppose the use of SPAM email and do not want anyone who does not wish to receive our mailings to receive them. As a result, we have retained the services of a= =3D n independent 3rd party to administer our list management and remove list. This is not SPAM. If you do not wish to receive further mailings, please click below and enter= =3D your email at the bottom of the page. You may then rest-assured that you will never receive another email from us again. http://www.removeyou.com=3D20 Member ID 027316 -- __--__-- =20 Message: 3 Date: Mon, 6 Aug 2001 04:42:50 -0400 From: vivien yu<market@shanghai-industry.com> To: <> Subject: [Nettime-bold] "Shanghai WTO Import Commodities Exhibition Hall = =3D (Preparing)" Cooperator-Seeking Inquiry Reply-To: nettime-bold@nettime.org ----jinfengemailhtml---- Content-Type: text/html; charset=3D3Dgb2312 Content-Transfer-Encoding: 8bit Dear Sir or Madam:<p> First I would like to show the highest respect for your good company. Th= =3D is is a message from Shanghai Small and Medium Enterprises Service Center= =3D . We are hereby making inquiry about a new exhibition project and we hop= =3D e you are interested in it.<p> Chinese people have been waiting fourteen years for China's Joining into = =3D World Trade Organization (WTO). For the year 2001 when the world economy= =3D is faced with the most severe challenges ever since the Asian Financial = =3D Crisis during 1997 and 1998, China turns out to be the most promising lan= =3D d for entrepreneurs all over the world. With the coming OLYMPIC Games 20= =3D 08, the approaching entry into WTO, and the fully unfolded exploration of= =3D Western China, people in the world market are now looking at the perform= =3D ance of China with new eyes. Assuming an outward looking posture, China'= =3D s great potential is highly evaluated by thousands of small and medium fo= =3D reign companies.<p> To further the transnational cooperation between Chinese enterprises and = =3D their overseas counterparts, Shanghai SME Service Center is planning to l= =3D aunch "Foreign Advanced Technology and Products Exhibition Hall". The es= =3D tablishment of the Hall will provide a complete set of intermediary servi= =3D ces to assist overseas companies in getting into Chinese market, incorpor= =3D ating exhibition advertisement, promotion, agency and distribution.<p> We are currently seeking foreign exhibition agents to make perfect cooper= =3D ative network. We would like to make strategic alliance with you to prov= =3D ide quality service to small and medium enterprises all over the world an= =3D d to share the benefits together. We hope you would be interested in wor= =3D king as our agent in your country.<p> We will appreciate your interests in the Exhibition Hall. Under the co-e= =3D ffect with you, the Exhibition Hall will exert great influence in the com= =3D modity exchange between your country and ours. Those small and medium en= =3D terprises that attend the exhibition will gain tremendous benefits from f= =3D inding proper counterparts in Chinese markets.<p> Please refer to the detailed illustration stated hereafter or refer to th= =3D e article "Concerning the Exhibition Hall" on our web page www.515j.com. = =3D We hope this article could make the whole thing more clear. We apprecia= =3D te any ideas you will propose. All points are open for discussion We hop= =3D e to make solid partnership with you in organizing the Exhibition Hall. = =3D If there are something wrong with the server that host our website, pleas= =3D e take the trouble to try later because recently some hacks have attacked= =3D our server supplier. Thank you!<p> You may supply us with more contact information for our further communica= =3D tion:<p> Contact:<p> Title:<p> Company:<p> Address:<p> Tel:<p> Fax:<p> Post Code:<p> E-mail:<p> URL:<p> Await your earliest reply!<p> Best regards,<p> Ms. Vivien Yu<p> Shanghai SME Service Center<p> Tel: 86-21-65985378<p> =3D20 Fax: 86-21-35014214<p> E-mail: <a href=3D3Dmailto:exhibition@shanghai-industry.com>exhibition@sh= an=3D ghai-industry</a><p>=3D20 URL: <a href=3D3Dhttp//www.515j.com>www.515j.com</a><p> Address: Shanghai SME Mansion Rm 515, No. 108, Damuqiao Rd., Shanghai 200= =3D 032 China Concerning the Exhibition Hall<p> Mission<p> Our permanent exhibition hall is aimed to introduce advanced foreign tech= =3D nology and products into China through exhibiting as well as finding loca= =3D l agencies and distributors for the exhibits from foreign companies. Wit= =3D h computerized searching system, swift internet communication and well-de= =3D signed virtual exhibition, the ever- modernized exhibition hall will grad= =3D ually growing into the most popular resource of foreign commodities, attr= =3D acting domestic enterprises, agents, distributors and final consumers.<p> For the year 2001, the world economy is faced with the most severe challe= =3D nges ever since the Asian Financial Crisis during 1997 and 1998. However= =3D , China turns out to be the most promising land for entrepreneurs all ove= =3D r the world. With the coming OLYMPIC Games 2008, the approaching entry i= =3D nto WTO, and the fully unfolded exploration of Western China, people in t= =3D he world market are now looking at the performance of China with new eyes= =3D . Assuming an outward looking posture, China's great potential is highly= =3D evaluated by thousands of small and medium foreign companies.<p> With the purpose to provide information & intermediary service to domesti= =3D c small and medium enterprises and their overseas counterparts, Shanghai = =3D Small and Medium Enterprises (Trade Development) Service Center has succe= =3D ssfully carried out "Shanghai-industry-Oriental Dragon International Busi= =3D ness Development Project". To further the transnational cooperation in = =3D a more direct and effective way, the Center is planning to launch "Foreig= =3D n Advanced Technology and Products Exhibition Hall". The establishment o= =3D f the Hall will provide complete intermediary services to assist overseas= =3D companies, incorporating exhibition advertisement, promotion, agency and= =3D distribution.<p> Introduction<p> =3DA1=3DF1 The exhibition hall will be the first permanent one opening to= sma=3D ll and medium enterprises, exhibiting foreign advanced technology and pro= =3D ducts throughout the year, employing professional management. It occupies 450 square meters. The years long exhibition plays just one = =3D theme------foreign advanced technology and products. The exhibition is o= =3D pen to the public all the year round free of charge. A seeries of activi= =3D ties will be organized to establish the rapport. =3D20 The Hall exhibits products in two ways complementary to each other: objec= =3D ts exhibition and virtual exhibition. Exhibits Zone: The Arrangement Committee planned large space as specially= =3D decorated exhibition zone. Interested foreign companies may select and = =3D design their own exhibit area to maximize the influence of their company = =3D and products. Computerized Searching System: In the center of the exhibition hall, 40 c= =3D omputers will be installed. With well-built searching system, visitors c= =3D an instantly search the product information and company profile of the ex= =3D hibits they want to know.=3D20 Corresponding Virtual Exhibition: Establish the web page www.515j.com to = =3D maintain online exhibition, showing refined pictures of the products and = =3D companies with descriptions online, and publicize the up-to-date informat= =3D ion about products wanted and offered. User friendly online searching sy= =3D stem will be applied.<p> =3D20 =3D20 l We will invite official and non-official affluent persons to cut the ri= =3D bbon at the opening ceremony and take part in the series of activities.<p= =3D > - Leaders from the state government and senior official from relative min= =3D istries and commissions<p> - Leaders from All-China Federation of Industry & Commerce and Shanghai M= =3D unicipal Government.<p> =3DA1=3DF1 As one of the important steps in the progress of "Shanghai Sma= ll a=3D nd Medium Enterprises Information Project", the Hall and the exhibits ins= =3D ide will be greatly publicized by Shanghai official media via TV and radi= =3D o broadcasting, newspaper and internet, simultaneously reported with the = =3D ceremonious activities of China's entry into WTO. Meanwhile, a variety o= =3D f WTO related seminars and news conferences concerning Shanghai SMEs will= =3D be hold inside the Hall. Reports will be followed up and delivered though mass media conveying the= =3D active functions of the Hall.<p> =3DA1=3DF1 Overseas enterprises of all industries possessing advanced tec= hnol=3D ogy and products ( including machinery, equipment and instrument) are to = =3D be invited to exhibit in the Hall.<p>=3D20 We will issue and deliver opening notices to all the domestic intermediar= =3D y institutions and SMEs via chambers of commerce, SME service institution= =3D s, and industrial associations. We will organize certain numbers of Shan= =3D ghai companies to visit the Exhibition Hall regularly, together with a va= =3D riety of programs. Online exhibition festivals will also be held to cope= =3D the programs.<p> Delegations of SMEs from other provinces outside Shanghai will also be in= =3D vited to participate in our exhibition festivals.<p> =3DA1=3DF1 The arrangement committee will entrust a foreign exhibition co= mpan=3D y to organize foreign companies to participate the exhibition once and fo= =3D r all.<p> The Hall will also have monthly publication Exhibition Express, publicizi= =3D ng the company and product literature of the participating companies.<p> Exhibits Exhibiting and promoting the advanced technology and products foreign com= =3D panies want to introduce into China in various ways without the limitatio= =3D n of regions or industries.<p> =3DA1=3DF1 Advanced technology from all industries Objective: introduce advanced technology into China through technology tr= =3D ansfer, share holding, joint ventures, and other ways.<p> =3DA1=3DF1 Advanced products from all industries Objective: introduce advanced products into China through proper agents a= =3D nd distributors, product licensing, share holding, joint ventures and oth= =3D er ways.<p> Arrangements<p> The Hall has mainly four functional areas: General Information Query abou= =3D t exhibiting companies, Computerized Searching System for detailed compan= =3D y and products information, Classified Exhibition Areas for product sampl= =3D es, Picture and Literature Display for visual advertisement. <p> 1. General Information Query<p> As guide to the Hall, staff, literature and computer queries are availabl= =3D e to deliver information about how to find certain exhibits, how to use c= =3D omputerized searching system. The list of the exhibiting companies and p= =3D roduct catalogue can also be helpful to make a fruitful visit.<p> 2. Computerized Searching System<p> The searching system will provide detailed bilingual information (in Chin= =3D ese and English; in Picture and Literature) about the exhibiting companie= =3D s and their products. All the information could be downloaded & reprint.= =3D <p> 1) Searches could be operated both by industry and country Searching<p> 2) Searches could be operated both by technology and product<p> 3) Key words could also be used.<p> 3. Classified Exhibition Areas<p> After professional design, the product samples and detailed illustration = =3D will be exhibited in the designated area. Meanwhile the information can = =3D also be sought out quickly through computer searching system and download= =3D ed.<p> 4. Picture and Literature Display<p> Exquisite billboard (bilingual literatures and pictures) about the partic= =3D ipating companies will be positioned on the wall around the exhibition ha= =3D ll for the attention of visitors. <p> Exhibition Booths<p> 1. Booth A<p> 1) All the materials from the exhibiting company will be interpreted into= =3D Chinese, the bilingual pictures and literatures of the exhibiting compan= =3D ies and their products will be kept in the computer database awaiting sea= =3D rch.<p> 2) The above processed material will also be publicized on the virtual ex= =3D hibition site <a href=3D3Dhttp://www.515j.com>www.515j.com</a> during the= s=3D ame period of the services.<p> 3) The brief account of the exhibiting <p>companies and the products will= =3D be published on the monthly publication Exhibition Express.<p> 4) The contact information of the exhibition companies will be completely= =3D released.<p> 2. Booth B<p> 1) All the services of Booth A included.<p> 2) 2-square-meter areas for billboard on the wall inside the hall.<p> 3) The pictures and literatures will be prepared and exhibited according = =3D to the design stated in the executed agreement.<p> 3. Booth C<p> 1) All the services of Booth B included.<p> 2) The Hall will accept and see to sample products provided by exhibiting= =3D companies throughout the service term specified by the executed agreemen= =3D t.<p> 3) Exhibition area ranging from a half to two square meters for sample pr= =3D oducts.<p> 4) The sample products, together with the pictures and literatures will b= =3D e prepared and exhibited according to the design stated in the executed a= =3D greement.<p> Charge<p> 1. Booth A<p> Price: $2200USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words) 2. Booth B<p> Price: $2800USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words)<p> 3. Booth C<p> Price: $3600USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words, Basic exhibition = =3D space of 0.5 m2) Other Value Added Services<p> 1. Advertisement<p>=3D20 Exhibiting companies may reach agreement with the appointed exhibition ag= =3D ents in their countries. The executed agreement will be effected by the= =3D Exhibition Hall Advertising Department.<p> 1) Inside the exhibition hall<p> 2) Web page banner or logo on <a href=3D3Dhttp://www.515j.com>www.515j.co= m<=3D /a><p> 3) Monthly publication Exhibition Express<p> 4) Affiliated to the Advertisement of the Hall<p> 5) The exhibition advertisement<p> Front Cover: $2200USD<p> Back Cover: $1500USD<p> Inside Front Cover: $1500USD<p> Inside Back Cover: $1000USD<p> Title Page: $1000USD<p> Complete Color Page: $500USD<p> Half Color Page: $300USD <p> =3D20 Complete Black and White Page: $300USD<p> Half Black and White Page: $200USD<p> Advertisement on Invitation Letter: <p>$3000USD/thousand<p> 6) Other Advertisement<p> On Tickets (50,000 Copies): $380USD (size: 60*30 cm)<p> On Present Packages (1,000): $500USD<p> Balloon (with vertical-hung scroll): $380USD/individual<p> Decorated gateway: $680USD/individual Gaily Decorated Basket: $80USD/individual Ceremonial Lady: $20USD/person/day<p> 2. Online Communication Service $100USD =3D20 Upon the visitors' interests, our English-speaking staff will make on-the= =3D -spot contacts with the provided contact information. The overseas entre= =3D preneurs will directly make acquaintance with their Chinese counterparts.= =3D <p> 3. Organize Special Product Introduction Conference=3DA3=3DBAto Be Negoti= ated The Hall can specially arrange news conference & seminar for foreign manu= =3D facturers to display their advanced technology and products, with the con= =3D cerned industrial association as the organizer. Technical experts from r= =3D esearch institutes of colleges and universities, domestic agents, distrib= =3D utors, Chinese corporations or companies of related industries, finial us= =3D ers could all be present at the conference. <p> 4. Deliver catalogues or descriptive materials to Chinese companies and c= =3D ollect the feedback in the form of report with statistical analysis=3DA3=3D= BA=3D to Be Negotiated<p> 5. Assign special interpreters and technical personnel to effect the expl= =3D anation and promotion of the products=3DA3=3DBA$1000USD<p> =3D20 6. Airline ticket booking and hotel reservation=3DA3=3DBA$100USD<p> 8. Make unified lintel and exhibit walls=3DA3=3DBAFree<p> 9. Provide technological consultation and commercial intelligence=3DA3=3D= BAFr=3D ee<p> Attend the Exhibition<p> The execution of exhibition contracts with attendees will be effected by = =3D authorized foreign exhibition agents. Special demands from clients may r= =3D each us via the appointed agents. The attendees may follow the procedure= =3D below:<p> =3DA1=3DF1 Preliminary Consultation<p> =3DA1=3DF1 Exhibition Plan<p> =3DA1=3DF1 Contract Execution<p> =3DA1=3DF1 Transportation of sample items for display<p> =3DA1=3DF1 Special Request on Exhibition<p> =3DA1=3DF1 Follow-up Report on the Exhibition<p> Seek Foreign Exhibition Agents Worldwide<p> =3DA1=3DF1 Why to have foreign exhibition agents?v To take advantage of the abundant client resource and advanced exhibition= =3D management of foreign exhibition companies.<p> To work out the best solution for small and medium enterprises in reachin= =3D g transnational cooperation.<p> =3DA1=3DF1 How to make perfect cooperative network?<p> We will work with foreign exhibition companies together in marketing the = =3D exhibition booths and services according to the signed agreement.<p> =3D2= 0 We will select excellent exhibition companies or institutions in defined = =3D regions or countries as our solely agents there. Please note we will only select one agent among all the candidates in a d= =3D efined region or country.<p> For Our Foreign Agents:<p> =3DA1=3DF1 Qualification:<p> Project to penetrate into Chinese exhibition market.<p> Hold high expectation for the performance of small and medium enterprises. Be well renowned in the capacity for successfully organizing exhibition.<= =3D p> =3DA1=3DF1 Rights:<p> 2-year solely dealership in the defined country/region<p> =3DA1=3DF1 Responsibilities:<p> Promote the Exhibition Hall=3D20 Organize companies to attend the exhibition Execute exhibition contract Interpret all the details to attendees or interested counterparts as our = =3D consultant there <p> =3DA1=3DF1 Profits:<p> Share 40% and above of the contract value<p> =3DA1=3DF1 Agency Fees<p> We will charge 10000 to 50000 dollars as agency fees varied with the area= =3D covered. <p> Duration of the Exhibition The Hall is planned to open from the day that China enters WTO (approxima= =3D tely Nov. 2001). <p> The duration of the Hall plans to be 5 years.<p> 365 days open to the public (except national holidays)<p> Location of the Exhibition Hall <p> The luxuriously decorated Shanghai WTO SME Import Commodities Exhibition = =3D Hall takes the first floor of Shanghai SME Service Mansion (No. 108, Damu= =3D qiao Rd., Shanghai, 200032, P. R. C.)<p> Please contact us to make further inquiry Address: the Exhibition Hall, the first Floor of Shanghai SME Mansi= =3D on, Rm. 515, No. 108, Damuqiao Rd., Shanghai, 200032, P. R. C.<p> Post Code: 200032<p> Tel: 021-64036622-5151=3DA1=3DA25152=3DA1=3DA22082 021-64330821<p> Fax: 021-64220926<p> E-mail: <a href=3D3Dmailto:exhibition@shanghai-industry.com>exhibit= io=3D n@shanghai-industry</a><p> Our Registered Office<p> The Exhibition Hall, the first Floor of Shanghai Small Enterprise Mansion= =3D , Rm. 515, No. 108, Damuqiao Rd., 200032, Shanghai, P. R. C.<p> Agent Information Form<p> Contact:<p> Title:<p> Company:<p> Address:<p> Tel:<p> Fax:<p> Post Code:<p> E-mail:<p> URL:<p> Procedure:<p> 1. Fill out the application form immediately and we accept it now. We wi= =3D ll keep you informed with your Chinese exhibition market.<p> 2. The selected candidate will have our unified contract (draft) and pric= =3D e list.<p> 3. Through friendly negotiation, the agency agreement will be executed an= =3D d mailed through registered letter or fax to us.<p> 4. You will remit the agency fees specified in the contract to our accoun= =3D t number. <p>Invoice will be mailed back as soon as the remittance has be= =3D en received.<p> 5. Upon the remittance, we will immediately deliver the Exhibition Hall c= =3D atalogue, CD-Rom, Attendance Guide, Unified Attendee Registration Form, S= =3D ample Exhibition Plan and Unified Exhibition Contract. <p> 6. The allocation of exhibition booths: according to the time of payment = =3D with the priority for assistants.<p> 7. Agency fees will not be refunded unless the violation of the contract = =3D in our part.<p> 8. Remittance.<p> =3D20 -- __--__-- =20 Message: 4 From: 5le01dXMK@europe.com DATE: 30 Jul 01 3:57:02 AM Subject: [Nettime-bold] Everything you ever wanted to know!! 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Print the following form & mail it to: Info 4 Edu Only 1300 N. Cahuenga Blvd # 362 Los Angeles, CA 90028 Please Print Clearly Name: _________________________________________________ Primary Email Address: ___________________________________ Secondary Email Address: _________________________________ Make your check payable to: Info 4 Edu Only DISCLAIMER: Please note that this information is being provided for educa= =3D tional purposes only. The information itself is legal, while the usage of= =3D such information may be illegal. We do not advocate unauthorized use or = =3D theft of any services. If in doubt, check your local laws and act accordi= =3D ngly.=3D20 NOTE: All of the publications are Copyright 2001 by Info 4 Edu Only. We a= =3D ggressively protect our copyrights and will seek prosecution of any websi= =3D te, web-master, web hosting service or anyone else that is in violation o= =3D f US & International Copyright Laws.=3D20 To be opt out from our future mailing please email optmeoutnow@aol.com wi= =3D th the word remove in the subject line -- __--__-- =20 Message: 5 To: Announcer <nettime-l@bbs.thing.net> From: mudadominio@osite.com.br Date: Mon, 6 Aug 2001 08:20:08 -0300 (EST) Subject: [Nettime-bold] Undelivarable: <nettime> Announcements [9] Reply-To: nettime-bold@nettime.org <html> <body> <p><font face=3D3D"Arial" size=3D3D"2">Caro internauta,</font></p> <p><font face=3D3D"Arial" size=3D3D"2">A mensagem enviada para <font colo= r=3D3D=3D "#000080"><b>rinogmon@mandic.com.br</b></font><b> <font color=3D3D"#000080">não</font></b> pode ser entregue porque = o =3D domínio<b> <font color=3D3D"#000080">@mandic.com.br</font></b> mudou para<b> <font color=3D3D"#000080">@osite.com.br</font></b>.</font><= /p=3D > <p><font face=3D3D"Arial" size=3D3D"2">Por favor</font><b><font face=3D3D= "Arial=3D " size=3D3D"2"> <font color=3D3D"#000080">reenvie</font></font></b> <font face=3D3D"Arial" size=3D3D"2">sua mensagem conforme exemplo abaixo:= </fo=3D nt></p> <p><font face=3D3D"Arial" size=3D3D"2">DE : <font colo= r=3D3D=3D "#000080"><rinogmon>@mandic.com.br</font></font><br> <font face=3D3D"Arial" size=3D3D"2">PARA : <font color=3D3D"#000080"><= rinogm=3D on>@osite.com.br</font></font></p> <br> <font face=3D3D"Arial" size=3D3D"2">O SITE,</font><br> <font face=3D3D"Arial" size=3D3D"2">SEU LUGAR NA INTERNET</font> <p><br> <br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">O SITE recomenda:= </font=3D ><br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">Acesse o Atendime= nto On=3D -Line, via Chat.</font><br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">Você n&atil= de;o p=3D recisa mais ter 2 linhas telefônicas para conectar</font><br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">e falar com o Sup= orte T=3D écnico.</font><br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">Agora você = pode n=3D avegar e ser atendimento ao mesmo tempo.</font><br> <font color=3D3D"#0000ff" face=3D3D"Arial" size=3D3D"2">Clique no endere&= ccedil=3D ;o abaixo:</font><br> <u><font color=3D3D"#0000ff" face=3D3D"Times New Roman"><<a href=3D3D"= http:/=3D /cadastro.mandic.com.br/suaconta/chatosite.shtml" target=3D3D"_blank">htt= p:=3D //cadastro.osite.com.br/suaconta/chatosite.shtml</a>></font></u> <p><br> <br> <br> <p> </p> </body> </html> -- __--__-- =20 Message: 6 Date: Mon, 6 Aug 2001 07:53:08 -0500 To: "Michael Gurstein" <mgurst@vcn.bc.ca>, nettime-l@bbs.thing.net From: Bill Spornitz <spornitz@mts.net> Subject: [Nettime-bold] Re: <nettime> Fw: The Global Development Gateway Reply-To: nettime-bold@nettime.org Our first clue: the FAQ for this organization is only available as a=3D20 Microsoft Word file... ;-> b >For anyone who hasn't yet wandered through the World Bank's >controversial Global Development Gateway http://developmentgateway.org >it might be worthwhile to take the time... --=3D20 -- __--__-- =20 Message: 7 Reply-To: "ricardo dominguez" <rdom@thing.net> From: "ricardo dominguez" <rdom@thing.net> To: <nettime-l@bbs.thing.net> Date: Mon, 6 Aug 2001 09:27:41 -0400 Organization: The Thing charset=3D3D"iso-8859-1" Subject: [Nettime-bold] =3D3D?iso-8859-1?Q?CODE_RED_=3D3DAD_A_RED_HERRING= ?=3D3D Reply-To: nettime-bold@nettime.org CODE RED =3DAD A RED HERRING Wayne Madsen 30 July 2001 Washington, DC Here we go again folks. The White House, NSA, and National Infrastructure Protection Center (NIPC) are warning of a dangerous new Internet worm called "Code Red." We've been here before. Just last year, we were all treated to the impending doom caused by a series of "Distributed Denial of Service Attacks" that resulted in a host of web sites going down. Imagine the disruption to the nation's infrastructure caused by someone's failure to auction off their great grandmother's curios on e-Bay. Conveniently, a few weeks after the dreaded attacks on the dot coms (many of which are now dot gones =3DAD and it wasn't a result of hackers), President Clinton hosted a cyber-security roundtable at the White House. The gloom and doom sayers pointed out why the nation was on the verge of an "electronic Pearl Harbor." Chief among them was Richard Clarke, the National Security Council's "Dr. Strangelove" of cyber-security. However, it is not an e-Pearl Harbor we must be concerned about but an e-Reichstag Fire. Back in 1933, Hitler's Propaganda Minister Joseph Goebbels, a pioneer of perception management, hired a bunch of Nazi hooligans to burn down the Reichstag. The next day, while the German Parliament was still smoldering, the Nazis passed the Reichstag Decree, which effectively relegated the German Constitution and all of its civil liberty provisions to the toilet. But would the United States take advantage of such a situation in cyber-space to advance a secret agenda? They've probably already done so. Back in 1988, the Internet was treated to its first worm. Programmed and launched by Robert Morris, Jr., the worm crippled hundreds of thousands of computers connected to the Internet. It just so happened that young Mr. Morris's dad was the Chief Scientist at NSA =3DAD during a period when the agency was feverishly trying to test the vulnerabilities of various operating systems and application programs. But that was then, and Code Red is now. We are told that Code Red only affects web sites relying on Windows NT and Windows 2000. Of course, why would any self-respecting 24-hour cable news network want to show a housewife trying to struggle with a virus-infected home computer operating Windows 95? Better to capture viewers' attention with hordes of computer programmers and managers wrestling with downed web sites at Ford, Xerox, Charles Schwab, and Amazon.com. And that's the way the government (and apparently Microsoft) wants it. Microsoft, the humbled post-anti trust suit corporate giant, seems to be cozying up with the Feds and their cyber-security agenda as of late. At a recent Interagency Technical Forum at the National Institute of Standards and Technology (NIST), Microsoft's director of Mobile Code Security revealed that Microsoft now maintains a full-time resident office at NSA headquarters with a fully-cleared staff. Even the term Code Red is a red herring. Just like Distributed Denial of Service attack, it is more out of the Pentagon's lexicon than that of computer crackers. Code Red is just too campy =3DAD seems like it belongs in the same league with the movies "Deep Impact" and "Armageddon." But Code Red is just the kind of term that might impress our otherwise attention deficit disordered President. Computer crackers, of course, like to be a bit more original and artsy, opting for terms like "Melissa," "Back Orifice," and "Michaelangelo" How many original code names ever came out of NSA? "Echelon," for example. Boring! Now Code Red, that's something that could have been conjured up by the Faulkners of the Fort! Why the Code Red hoopla? Well, in a few weeks, President Bush (with Dick Cheney looming over his shoulder) will be issuing a new Executive Order on Cyber-Security. He will appoint an inter-agency Cybersecurity and Continuity of Operations Board and his current cyber-security guru Clarke stands a good chance of being selected chairman. If so, Clarke will have transcended three administrations in essentially the same executive branch job =3DAD a record surpassed only by FBI Director J. Edgar Hoover. And tomorrow NIPC head Ron Dick gets a jump start on things with a press conference on cyber security at the National Press Club. Hyping Code Red is a sure fire way to ensure the conference is covered by all the talking head networks. And it does not hurt that today, while FBI Director designate Robert Mueller is fielding some questions on what the FBI will do on cyber security during his Senate conformation hearings, Code Red is a backdrop. Coming on the heels of the G8 Summit in Genoa, Code Red also bolsters one of the items on the agenda of the leaders. It was at the G8 Summit in Lyon in 1996, that the leaders first put cyber crime on their docket, a decision that was ultimately manifested in the Council of Europe's soon-to-be-enacted Cyber Crime Treaty. When enacted, the treaty will enable police agencies to reach beyond borders to seize Internet communications record traffic. The anti-globalization Genoa Social Forum got a taste of what is to come when Italian police stormed their headquarters and seized computer disks and Inte rnet traffic records. This past April, the FBI, acting on behalf of the Canadian police, seized similar records from the Independent Media Center in Seattle after the Summit of the Americas in Quebec. Not to be outdone by his peers, British Prime Minister Tony Blair =3DAD who resembles Big Brother more and more every day =3DAD hurried back to London to urge Parliament to pass a bill that would equate computer hacking with terrorism. Perception Management actually was part and parcel of the agenda of the same coterie of Pentagon brass and Beltway Bandits who dreamt up information warfare in the first place. They knew to be successful, the public would have to be force fed large diets of disinformation and sensationalized news. Ah,Dr. Goebbels would be so proud of them. So in the meantime, we should all head for hills. Because just like Y2K, our government says our American Way of life is threatened by unknown computer toxins. Time to erect our Computer Defense Shield. Fear is the greatest weapon but the truth is the greater defense! POSTSCRIPT: Not getting the media bounce from the 8:00 PM EST Code Red meltdown hour on July 31 (nothing happened!), the FBI began spinning the story the very next morning that 22,000 computers had been hit with Code Red. Considering that viruses and worms probably strike many more computers than that on any given day, 22,000 is a relatively low number. The cyber-security perception management machinery was also put into high gear in the August 1 edtion of The Washington Times. A story by Ben Barber hyped the threat posed by Palestinian computer users who have launched a so-called "cyber-Jihad" against Israeli government and corporate computers. The article states that the U.S. government-funded firms RAND and iDefense are urging the United States to adopt the same cyber defenses as those used in Israel. And the article gives us the potential next phase of the U.S. government's perception management campaign: Palestinian sites will start distributing viruses aimed at the United States -- one Palestinian site is blamed for distributing the Love Bug and Melissa viruses. If one remembers, however, Love Bug originated in the Philippines while Melissa came from Trenton, New Jersey. They are a long way off from Nablus and Ramallah on the West Bank. Even in pseudo cyber-war, the truth is the greatest casualty! http://www.politechbot.com/p-02337.html -- __--__-- =20 Message: 8 From: "G.H. Hovagimyan" <gh@popstar.com> To: leiloop@jps.net, <nettime-l@bbs.thing.net> Date: Mon, 06 Aug 2001 22:12:37 +0800 Subject: [Nettime-bold] Re: <nettime> FW: someding zu read Reply-To: nettime-bold@nettime.org -----Original Message----- From: Leili <leiloop@jps.net> > ---------- > from: Arthur Clay <artclay@netsurfer.ch> > reply-To: lev@shoko.calarts.edu > Wallpaper Slaughter Houses, >=3D20 > The modern artist working with what has come=3D20 to be known as 'new media' is > faced with a dilemma. Commercial veins=3D20 working with the same media, but > producing what they produce, can afford the=3D20 equipment and the manpower to > run it, however the modern artist wishing to work=3D20 in this area can not.=3D20 GH Comments:=3D20 Most of your essay responds to the "lack of=3D20 access" lament. I personally don't feel the need to=3D20 compete with Hollywood nor do I want the=3D20 masses as an audience. A larger issue is the=3D20 multi-national corporate finance model that funds=3D20 LucasFilms. In global capitalist terms Hollywood=3D20 films are the perfect expression of Globalism or =3D20 *Empire* as Michael Hardt & Antonio Negri call it. So where does the artist stand? You wrote: >=3D20 > The Dream Screen >=3D20 > Perhaps there are other parallels we can draw.=3D20 The idea that we go to the > cinema to dream is a curious idea. A dream is=3D20 screenless. It takes place > in the mind in a three dimensional space. We=3D20 can enter our dreams by > penetrating them in their spaces. We have the=3D20 feeling of depth sensation. > This sensation we can't get from film. If we want=3D20 to stick or finger in the > proverbial apple pie in a film, we just get=3D20 shadows. If we do this with a > dream, we put a whole into the apple pie. GH Comments: Mimesis is a traditional basis for all art forms. It's=3D20 also the most simplistic. Discussing how "real"=3D20 an apple looks in a film or how real figures are=3D20 rendered in a 3D animation is the lowest=3D20 common denominator.=3D20 >=3D20 > Conclusion > We don't need the screen to create a virtual=3D20 reality. The concept of > immersion can therefore be based on the=3D20 mental state of the viewer. =3D20 GH Comments: Peter Sinclair and I just did an immersive/=3D20 interactive sound work called *Heartbreak Hotel*=3D20 <http://www.artnetweb.com/gh/heartbreak.html> It's been exhibited in France at GMEM in Marseille=3D20 and Interferences at Belfort.=3D20 It will be shown in Amsterdam in January of 2000. Interestingly enough it's really hard to exhibit this=3D20 piece in the USA. It's not an art object so it=3D20 doesn't fit with art world commodity circulation. Its=3D20 not a media event so its mass entertainment=3D20 appeal is rather limited. =3D20 An essay I wrote several years ago approaches=3D20 your subject from a slightly different angle. It's=3D20 called, "Notes on Immersion" ,=3D20 <http://www.artnetweb.com/gh/imm1.html>=3D20 I have another essay coming out in Leonardo this=3D20 Fall for the Digital Salon catalog that also=3D20 approaches this issue. It's called *art in the Age of=3D20 Spirutual Machines (with apologies to Ray=3D20 Kurzweil). Here's the Abstract; Abstract: Humanity is evolving towards a * Post Human*=3D20 society that may include enhanced human=3D20 beings, hybrid humans and artificial intelligences. =3D20 As an artist working in digital media and network=3D20 culture, I believe that the crucial issue of the time=3D20 is to clear the path for networked art and to create=3D20 the foundations for a new aesthetic discourse that=3D20 issues from networked culture. In order to do this,=3D20 one has to be willing to create art that may not be=3D20 readily recognized as art work. In Art in the Age of=3D20 Spiritual Machines I trace the common roots of=3D20 structuralist philosophy, developmental=3D20 psychology, reductivist art discourse, structural=3D20 linguistics and neural nets in attempt to create a=3D20 basis for this new aesthetic discourse. =3D20 G.H. Hovagimyan <http://www.artnetweb.com/gh> --=3D20 _______________________________________________ FREE Personalized E-mail at Mail.com=3D20 http://www.mail.com/?sr=3D3Dsignup=3D20 Talk More, Pay Less with Net2Phone Direct(R), up to 1500 minutes free!=3D= 20 http://www.net2phone.com/cgi-bin/link.cgi?143=3D20 -- __--__-- =20 Message: 9 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 16:14:22 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ Reply-To: nettime-bold@nettime.org >Hello, > >How are you?This is .We met in Belfort last year. quuuuuuooo!!!! +? no. you may not order me by fone. >I`ll show my piece, , for SIGGRAPH2001 Art Show=3D20 where 1 shops says a lot about one. >and I just n* *n n* >want to ask you if you have a plan to come to SIGGRAPH2001. no thing + no thing is less appealing than a bouquet of happy humans. >Raivo Kelomees=3D20 >Interview with Steina Vasulka what a tousled tasteless toad. >???????????????????????????when is the dinner >where is ?????????????the dinner????????????????????????? >????????????what ????????????????is the ????????????????dinner??????????= =3D ?????????? >who is n.n.??????????????????? i am not tarkovski. I AM THE OCEAN !!!!! nn - playing with my brain cells. it's a ___... thrill. > >Bye, <Prefectural University of Desire i am dze ingenious unit entitled you. 1001 ventuze.nn pre.konssept!*n meeTz ver!f1kat!*n. =3D20 =3D20 =3D20 - =3D20 Netochka Nezvanova - eksplod!ng galax!ez + !nflaz!onar! un!versez =3D10f=3D10=3D10=3D103.MASCHIN3NKUNST @www.eusocial.org 17.hzV.tRL.478 e | | +---------- | | < \\----------------+ | n2t^P | =3D20 e -- __--__-- =20 Message: 10 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 15:45:02 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ The Next Phase of Business Ethi= =3D cs Reply-To: nettime-bold@nettime.org >Dear Netochka Nezvanova, > >Here is the Program Committee's report for your submission to cast01 - >"NN - The Next Phase of Business Ethics" - which has been accepted for p= =3D ublication as a >full paper in the conference proceedings. > altzo. ! uant 2 rent a body!!!! ecdysone@eusocial.com nn u uant 01 teazpoon ov zea green. zuzp!z!ouz !et v.appeal!ng l!ku!= =3D d +? order hier. experiment elsewhere. automation + purifikation - just.1.!blink /_/ / \ \/ i should like to be a human plant \/ __ __/ i will shed leaves in the shade \_\ because i like stepping on bugs *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*-- Netochka Nezvanova nezvanova@eusocial.com http://www.eusocial.com http://www.biohakc.com http://www.ggttctttat.com/! I am not Greta Garbo!!! http://steim.nl/leaves/petalz *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*-- -- __--__-- =20 Message: 11 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 16:36:49 +0200 (CEST) To: lostandfoundbodies@lostboys.nl Subject: [Nettime-bold] [ot] [!nt] \n2+0\ lostandfoundbodies Reply-To: nettime-bold@nettime.org >02. 08 6. 19101 @ 10.50.13=3D20 >eusocial.com=3D20 >ip95-142.lostboys.nl=3D20 lostgirls.nl=3D20 ok.nl? ciao.nl nn.nl /_/ / \ \/ i should like to be a human plant \/ __ __/ i will shed leaves in the shade \_\ because i like stepping on bugs *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*-- Netochka Nezvanova nezvanova@eusocial.com http://www.eusocial.com curbing the appetites of xy sinners since o.1978=3D20 [without resorting to pain. damnation + kapital punishment] though often called an illusion - i am true *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*-- http:art http://www.tzzt.com/ http:art part of 242.microsoft - simply.SUPERIOR m9nd.fzzp http://www.eusocial.com/242.microsoft -- __--__-- =20 Message: 12 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 16:50:44 +0200 (CEST) To: syndicate@eg-r.isp-eg.de Subject: [Nettime-bold] [ot] [!nt] \n2+0\ Reply-To: nettime-bold@nettime.org >i hope that you are so > >'rich.bored + edukated' > >to invite me ++ wear Ljubljana body hou 2 !dent!f! nn bod!ez - ljubljana body. berlin body. amsterdam body +? nn. - new york. milan. paris. londra. tokyo=3D20 01 ov dze mozt prestigious luxury brands [ops. bodies] /_/ / \ \/ i should like to be a human plant \/ __ __/ i will shed leaves in the shade \_\ because i like stepping on bugs *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*-- Netochka Nezvanova nezvanova@eusocial.com http://www.eusocial.com http://www.biohakc.com http://www.ggttctttat.com/! n r . 5 !!! http://steim.nl/leaves/petalz *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*-- -- __--__-- =20 Message: 13 From: "Nomay Inchas" <nomayinchas@hotmail.com> To: nettime-bold@nettime.org Cc: nettime-l@bbs.thing.net Date: Mon, 06 Aug 2001 11:17:55 -0400 Subject: [Nettime-bold] (no subject) Reply-To: nettime-bold@nettime.org <html><div style=3D3D'background-color:'><DIV> <DIV> <DIV>Dear Mr.. Hovagimyan,<BR> <BR>You are a fool and your work is e= =3D ven worse. Please go away and stop promoting your idiocy in public!= =3D You have no idea how much you embarrass yourself!<BR> <BR>"G.= =3D H. Hovagimyan" wrote:<BR> <BR>>GH Comments:<BR>...<BR>>An essa= =3D y I wrote several years ago approaches <BR>>your subject from a slight= =3D ly different angle. It's <BR>>called, "Notes on Immersion" , <BR>...<B= =3D R> <BR>>I have another essay coming out in Leonardo this <BR>>= =3D Fall for the Digital Salon catalog that also <BR>>approaches this issu= =3D e. It's called *art in the Age of <BR>>Spirutual Machines (with apolog= =3D ies to Ray <BR>>Kurzweil). Here's the Abstract;<BR>>Abs= =3D tract:<BR>>Humanity is evolving towards a * Post Human* <BR>>societ= =3D y that may include enhanced human <BR>>beings, hybrid humans and artif= =3D icial intelligences. <BR>>As an artist working in digital media = =3D and network <BR>>culture, I believe tha! t the crucial issue of the time <BR>>is to clear the path for networke= =3D d art and to create <BR>>the foundations for a new aesthetic discourse= =3D that <BR>>issues from networked culture. In order to do this, <BR>>= =3D ;one has to be willing to create art that may not be <BR>>readily reco= =3D gnized as art work. In Art in the Age of <BR>>Spiritual Machines= =3D I trace the common roots of <BR>>structuralist philosophy, developmen= =3D tal <BR>>psychology, reductivist art discourse, structural <BR>&= =3D gt;linguistics and neural nets in attempt to create a <BR>>basis for t= =3D his new aesthetic discourse. <BR>>G.H. Hovagimyan</DIV></DIV></D= =3D IV></div><br clear=3D3Dall><hr>Get your FREE download of MSN Explorer at = <a=3D href=3D3D'http://go.msn.com/bql/hmtag_itl_EN.asp'>http://explorer.msn.co= m<=3D /a><br></html> -- __--__-- =20 Message: 14 From: "Nomay Inchas" <nomayinchas@hotmail.com> To: nettime-bold@nettime.org Cc: nettime-l@bbs.thing.net Date: Mon, 06 Aug 2001 11:17:55 -0400 Subject: [Nettime-bold] (no subject) Reply-To: nettime-bold@nettime.org <html><div style=3D3D'background-color:'><DIV> <DIV> <DIV>Dear Mr.. Hovagimyan,<BR> <BR>You are a fool and your work is e= =3D ven worse. Please go away and stop promoting your idiocy in public!= =3D You have no idea how much you embarrass yourself!<BR> <BR>"G.= =3D H. Hovagimyan" wrote:<BR> <BR>>GH Comments:<BR>...<BR>>An essa= =3D y I wrote several years ago approaches <BR>>your subject from a slight= =3D ly different angle. It's <BR>>called, "Notes on Immersion" , <BR>...<B= =3D R> <BR>>I have another essay coming out in Leonardo this <BR>>= =3D Fall for the Digital Salon catalog that also <BR>>approaches this issu= =3D e. It's called *art in the Age of <BR>>Spirutual Machines (with apolog= =3D ies to Ray <BR>>Kurzweil). Here's the Abstract;<BR>>Abs= =3D tract:<BR>>Humanity is evolving towards a * Post Human* <BR>>societ= =3D y that may include enhanced human <BR>>beings, hybrid humans and artif= =3D icial intelligences. <BR>>As an artist working in digital media = =3D and network <BR>>culture, I believe that the crucial issue of the time= =3D <BR>>is to clear the path for networked art and to create <BR>>the= =3D foundations for a new aesthetic discourse that <BR>>issues from netwo= =3D rked culture. In order to do this, <BR>>one has to be willing to creat= =3D e art that may not be <BR>>readily recognized as art work. In Ar= =3D t in the Age of <BR>>Spiritual Machines I trace the common roots of <B= =3D R>>structuralist philosophy, developmental <BR>>psychology, reducti= =3D vist art discourse, structural <BR>>linguistics and neural nets = =3D in attempt to create a <BR>>basis for this new aesthetic discourse.&nb= =3D sp; <BR>>G.H. Hovagimyan</DIV></DIV></DIV></div><br clear=3D3Dall><hr>= Ge=3D t your FREE download of MSN Explorer at <a href=3D3D'http://go.msn.com/bq= l/=3D hmtag_itl_EN.asp'>http://explorer.msn.com</a><br></html> -- __--__-- =20 Message: 15 Date: Mon, 6 Aug 2001 19:36:16 +0200 To: gunafa@well.com From: Station Rose <gunafa@well.com> Subject: [Nettime-bold] Station Rose Webcast 147 "TV Rex" Reply-To: nettime-bold@nettime.org dear Gunafa Netizen, here is the new Fahrplan : 1.0 NetSTReam - Webcast 147 with topic "TV Rex" Tuesday, 07/08/01 9 p.m. CET http://www.stationrose.com ---------------------------------------------------------- 2.0 Multimedia artists still in prison - please sign the petition to free the participants of the Publix Theatre Caravan. Go to http://www.noborder.org/noprison stay with us & don=3DB4t go away! "Cyberspace is Our Land!" ;-) station rose 08-2001 -- __--__-- =20 Message: 16 Reply-To: "ricardo dominguez" <rdom@thing.net> From: "ricardo dominguez" <rdom@thing.net> To: <nettime-l@bbs.thing.net> Date: Mon, 6 Aug 2001 14:54:48 -0400 Organization: The Thing charset=3D3D"iso-8859-1" Subject: [Nettime-bold] Stop the G8: Online Demonstration Scheduled Reply-To: nettime-bold@nettime.org Stop the G8: Online Demonstration Scheduled Contact: Isaac Keyes, isaac_keyes@hushmail.com >>> Stop the G8 >>> www.cipherwar.com >>> Press release #001 Online Demonstration: 31 August, 2001 -------------------------------------------------------------- Stop the G8 - a new activist site -------------------------------------------------------------- Stop the G8 is a new website dedicated to the international struggle agai= =3D nst the G8, WTO and all other major neo-liberal, capitalist institutions arou= =3D nd the world. This is truly an international struggle. We have seen the effects after neo-liberalism across the globe; unemployment, global poverty, reduced global public health and public safety. We have seen protesters from ever= =3D y corner of this planet join the demonstrations in Seattle, Gothenburg, Gen= =3D oa and Prague. And now we=3DB4ve taken this struggle to the internet in the = sh=3D ape of this website as a part of what will be the longest online protest campaign ever. We will bring you news, demonstration information from the streets and tools and information for a successful online campaign. We will not only host online actions and demonstrations against the G8 in Canada 2002 (we=3DB4re planning to organize actions every second month ag= ai=3D nst that meeting until it=3DB4s over), but also organize actions against ever= y =3D major summit until then. //Isaac Keyes Project Coordinator isaac_keyes@hushmail.com -------------------------------------------------------------- Online Demonstration: 31 August, 2001 -------------------------------------------------------------- The first online demonstration will be held on 31 August at @791-916 agai= =3D nst the official Canadian G8 site: (http://www.g8.gc.ca, 198.103.104.34). What is an online demonstration? The goal is to flood the website with requests until the server goes down= =3D , this will not cause any permanent damage to the target, but it will serve= =3D as a symbolic action, and that is enough to make the collective presence of activists felt beyond the electronic networks. How do I join? On 31 August we=3DB4ll add a link to the front page of this website, and = yo=3D u just have to click on that link in order to get some basic information. T= =3D he only thing you need to participate is a browser that supports frames. What is @XXX? @XXX is called Internet Time and is a universal timezone. The time is the same all around the world, simplifying planning and coordination. On our website there is a program to help you convert to and from Internet Time. - EOF - www.cipherwar.com/g8 -- __--__-- =20 Message: 17 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 21:06:01 +0200 (CEST) To: nettime-l@bbs.thing.net, spornitz@mts.net Subject: [Nettime-bold] (no subject) Reply-To: nettime-bold@nettime.org >Our first clue: the FAQ for this organization is only available as a=3D2= 0 >Microsoft Word file... ;-> Microsoft =3D3D dze komputr operat!ng z!ztm ov maj. ov nett!me kr!!!ketz = + =3D moderatorz. first clue: Bill Spornitz' ztereozkop!k obzervaz!on =3D3D uas not `modera= te=3D d` nn -- __--__-- =20 Message: 18 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 21:38:38 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ Reply-To: nettime-bold@nettime.org >Station Rose <gunafa@well.com> > >> dear Gunafa Netizen, >> >>here is the new Fahrplan : > > >=3D3D man! hav b!n dze dreamerz d!zor!entd b! akurat mapz. > > > >>---------------------------------------------------------- >> >>2.0 Multimedia artists still in prison - please sign the petition >>to free the participants of the Publix Theatre Caravan. Go to >>http://www.noborder.org/noprison apropoz. parafraz!ng !nt!m@.z=3D20 - free your mind and the rest shall follow [mozt ost.europa l!f 4rmz =3D3= D =3D hav 01 problm detekt!ng k!tsch \ korn! data] free your cells and the rest shall follow - ie. http://www.nobody.org/= =3D noborder wto =3D3D juuuuuzt konztrukt!ng 01 lrgr bod! [juzt l!ke m!]=3D20 dont u l!ke 2 kooperate +? uh! prakt!kl! aver! neo.pozer presz releasz =3D= 3D=3D s!ngz dze refra!n. alorz - uat part ov dze wto bod! ud u l!ke 2 b +? [zlkt bod! zekz!onz =3D3D mor dez!rabl +?] nn -- __--__-- =20 Message: 19 Date: Mon, 06 Aug 2001 21:29:24 +0200 To: "HAL press <press@hal2001.org>":; From: Maurice Wessling <maurice@xs4all.nl> Subject: [Nettime-bold] International Conference 'Hackers at Large' in th= =3D e Netherlands Reply-To: nettime-bold@nettime.org Press release 6 August 2001 International Conference 'Hackers at Large' in the Netherlands The building of the network of HAL2001, the international hacker event on the campus of the University of Twente in the Netherlands, has begun. HAL2001 will be the biggest open-air hacker event in the world with 2500 visitors who will sleep, work and collaborate in tents. The conference program consists of 100 speakers from 15 countries. The conference and festival will start officially at Friday 10th august and will end on Sunday 12th august. The network that is being built starting Monday 6th August has a 1 Gb uplink to the internet and a glass fibre backbone. Every private tent on the campsite will be connected to this network. The huge amount of computers is powered by generators with a total capacity of 1,5 megawatts, enough for 25,000 light bulbs. Main topics of the conference will be security, privacy, intellectual property issues and various political issues related to computer networking. Some of the highlights of the conference are: Hacker Ethics 1984 - 2001, a panel discussion with Emmanuel Goldstein (2600), Rop Gonggrijp (Hack-Tic) and Andy Mueller-Maguhn (CCC). Phil Zimmermann, creator of PGP, will speak about voice encryption. A panel of security experts discusses Distributed Denial of Service (DDoS) attacks. John Gilmore will address copy prevention versus freedom of speech. Drive-by-hacking, a demonstration of the poor security of wireless networking. Presentation by 'Mixter' of automated exploit tools. The full program can be found at: http://www.hal2001.org/ Hackers at Large is the sequel to the Galactic Hacker Party (1989), Hacking at the End of the Universe (1993) en Hacking in Progress (1997) which all took place in the Netherlands. ---- Note for the editor: contact information press@hal2001.org telephone: +31 53 4892425 mobile: +31 6 29018922 -- __--__-- =20 Message: 20 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 21:45:39 +0200 (CEST) To: gh@popstar.com, nettime-l@bbs.thing.net Subject: [Nettime-bold] (no subject) Reply-To: nettime-bold@nettime.org >I have another essay coming out in Leonardo this=3D20 >Fall for the Digital Salon catalog=3D20 furdzr ev!densz leonardo =3D3D refuze nn -- __--__-- =20 Message: 21 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 22:13:15 +0200 (CEST) To: syndicate@eg-r.isp-eg.de Subject: [Nettime-bold] \/\ Reply-To: nettime-bold@nettime.org Dear Netochka Nezvanova, CONGRATULATION i adore delicate discrimination Your paper/poster was comprehensively reviewed by at least 3 members of an international committee of experts in the field, i am an expert in everyology audience. Of the more than 400 submissions, the Program Committee accepted 30 for publication. more exigence++ It should not have an advertisemnet character. you do not like youth +? nn - it is not my fault. i am a book about dreams. ... and hier 01 bridge= =3D appears.=3D20 cccare 2 cccros it +? -- __--__-- =20 Message: 22 Date: Mon, 6 Aug 2001 21:11:53 +0000 To: www@virose.pt From: Fernando =3D3D?iso-8859-1?Q?Jos=3D3DE9?=3D3D Pereira <fjp@virose.pt= > Subject: [Nettime-bold] Links Prize A joint venture betwwen VIROSE (Porto= =3D ) and V2_Organisation (Rotterdam) Reply-To: nettime-bold@nettime.org =3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D= 3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D LINKS PRIZE>Call for Submissions =3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D= 3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D=3D3D ***A joint venture betwwen VIROSE (Porto) and V2_Organisation (Rotterdam ) On Liga=3DE7=3DF5es/Links/Liaisons In 2001, the city of Porto (Portugal) and the city of Rotterdam (Netherlands), are the chosen European Capitals of Culture. In the context of Porto 2001, the Program on =3DABThought, Science and Interdisciplinary Projects=3DBB is promoting an International Conference = on cyberculture, entitled =3DABLiga=3DE7=3DF5es/Links/Liaisons=3DBB, which i= s curate=3D d by Jos=3DE9 Bragan=3DE7a de Miranda e Maria Teresa Cruz. The event will take= pla=3D ce in Serralves Museum (Porto) from the 29th October to the 2nd November. Researchers and artists will be invited to react to the theme of the conference and all collaborations will be gather in the website and in a book to be published on the date of the conference. Each one will react to these questions, in five specific sessions: free links; strange or uncanny links; dangerous links; entangled links; on-off links. In conjunction with this event, Virose and V_2 Organisation have put together a contest consisting of the development of web.art projects. The contest is intended to promote projects of an experimental nature, as should any kind of initiative of this sort. As such, multiple and varied responses are expected, but these should not drift away from the proposed Links themes. However, there shall not be any limitations to the creative conception of Links, which should be developed in a conceptually expansive form or manner. The competition is open to any art project designed and developed specifically for the Web and produced after the 1st of January 2001. The deadline for submission is the 5th of October 2001, along with the submissions form properly filled out. The Juries final decision will announce the winner. The decision will be communicated to the winning participants on the 31st of October 2001. The US $2500 prize money will go to the best project in competition. Runner ups shall receive a written statement for their participation indicating the outstanding quality of their projects as well as an invitation for future developments within VIROSE's activities. More info and Submission Form at http://links.virose.pt **** If in need of support or for general questions concerning this prize, you may contact Paul Coutinho through paulc@virose.pt **** >>>>>>>>> -- __--__-- =20 Message: 23 From: "teddy bytown" <bytown@dragonsurf.com> Reply-to: bytown@dragonsurf.com To: nettime-l@bbs.thing.net Date: Mon, 6 Aug 2001 17:19:44 -0400 Subject: [Nettime-bold] Re: <nettime> FW: someding zu read (I) Reply-To: nettime-bold@nettime.org > Have we been castrated, made inept, because we > can no longer celebrate that what we are? yes you know how much the technic will be so nano and thus so completely= =3D disappearing that us the king will be completely naked soon, ha yes sure, but not only= =3D the fascist male, cause the queens will be naked too mon prince, consolons no= =3D us ! Happily our sexual attribute would be our last civilian cloth ! I know = =3D it=3D92s idiot but anyway it=3D92s kind to you to confusedly see our hairy shame a= s =3D our=3D20 last human royal ermine of the futur > A 'Chartres > II' is simply not needed hmm I love chartres and its blaue glass etc. but permit I suggest you hav= =3D e a too much ideal idea of the cathedrals, of course it exist complete charte= =3D rs II and III etc. gothic was a so expensive promoted catho standard you kno= =3D w > but we do need a 'Terminator II and III and IV > etc.' to keep the interest for my part I see a bit the connection, that would fit for us..except you= =3D could say =3D91the commensurability=3D92 and to not consider the commensurabili= ty c=3D ould be somezing very impolite, especially in our panz etc..and there I completel= =3D y agree with you mon prince, the humanz have made bloody wars for less than that = =3D etc. > I prefer the silent > space of a cathedral than the the wallpaper slaughter houses of twentie= =3D th > century fox. Silence !? haa excuse me but is it for dreaming in peacefull of the time = =3D when they were also the den of the cutthroat, pimp and whores ? (etc?) ? > if we look > beyond the technical, we can recognize human values that are are inhere= =3D nt > in the action and not tacked in to text to be politically correct so as= =3D not > to offend its backers. you are right ! and how much ! so I already hear the advertisment of the = =3D crook who will dress us of just 2D nightwear in NYC as =3D91naked perhaps but = ki=3D ng!=3D92 =3D91that fit also for the obeses king=3D92 etc. what an horror (it was a= sim=3D ple SAS teddy comment, you can smoke now) http://www.dragonsurf.com -- __--__-- =20 Message: 24 From: "teddy bytown" <bytown@dragonsurf.com> Reply-to: bytown@dragonsurf.com To: nettime-l@bbs.thing.net Date: Mon, 6 Aug 2001 17:26:25 -0400 Subject: [Nettime-bold] Re: <nettime> FW: someding zu read (II) Reply-To: nettime-bold@nettime.org > It can therefore be said that the human mind possesses more cinematic > quality than film itself. I don't think any one is even arguing this > point, but then why go through all the trouble and expense to get somet= =3D hing > of less quality? By using the concepts of cinema it is possible to deve= =3D lop > ideas of multi-dimensional space, which unlike their cinema counterpart= =3D s > are easily within the reach of a modern artist possibilities. except the 1950 manifesto echo have you simply think or =3D91dream=3D92 t= o po=3D rn movie ? and their incredible point of view ? just for saying hombre that the =3D= 91=3D composition=3D92 is sometimes the main part of the show and not a so natural born one > beyond it by the employment of the imaginative skills of the artists an= =3D d > viewers. yeah you discribe what I would call the =3D91artefact of the orgy=3D92 in= a d=3D ream it=3D92s a wonderfull ubiquitous composition, but not an euclidian one, in practic= =3D e and 3D it=3D92s a boring amount=3D85or perhaps with a whip and great talent f= or m=3D aking a fellinian composition but=3D85only in a certain point of view then...that= w=3D hy the muslim have right to imagine them as some paradisiac space, the perfect p= =3D aradoxe of the spiritual truth is may be to forbid here their representation : ye= =3D s we are naked but all great petroleum sheik in an other space, yes we have al= =3D l an huge naked harem, it=3D92s just we have no good eyes or not enuf faith fo= r =3D seeing that. it=3D92s our poor human condition (if i speak in II time it's cause this bull of mail base is an ascii prol= =3D etarian limited one, and not in a castro mode..& you can smoke cigars now) http://www.dragonsurf.com -- __--__-- =20 Message: 25 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 23:42:05 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ Reply-To: nettime-bold@nettime.org Netochka Nezvanova was once asked how she came to life Netochka Nezvanova that shuddering depiktion of evolutionary forces of sex + sakrifice that = =3D forever altered 21st century's perception of the silkworm. In her own inimitable way and = =3D through heavily=3D20 accented English she replied happily: `I am the vessel through which Neto= =3D chka Nezvanova passed` This reply was the height of disingenuousness and brilliance. Of course N= =3D etochka Nezvanova adored her creation - at a stroke she has so stepped out of the accepted = =3D bounds of society's=3D20 conventions that she prepared to disown it and let it merge with the elem= =3D ental forces of nature. [lest you travel ahead of your cells - you aren t Netochka Nezvanova da] + Now je sper you shall indulge the desire for corresponding with 01 part= =3D icular one entitled Fyodor Mikhailovi=3DE7 Dostoyevski sch sch sch /_/ / \ \/ i should like to be a human plant \/ __ __/ i will shed leaves in the shade \_\ because i like stepping on bugs *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*-- Netochka Nezvanova nezvanova@eusocial.com http://www.eusocial.com http://www.biohakc.com http://www.ggttctttat.com/! http://steim.nl/leaves/ the world ov plants is beautiful + imaginativ + thus .... my professional interest =3D3D me.=3D20 *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*-- -- __--__-- =20 Message: 26 From: integer@www.god-emil.dk Date: Mon, 6 Aug 2001 23:49:48 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ zoft uear Reply-To: nettime-bold@nettime.org allo schhhhhh would you care to guess what nn.s klassikal [hence modern]=3D20 soft wear environment has been named +? nn -- __--__-- =20 Message: 27 Date: Mon, 06 Aug 2001 18:17:22 -0400 From: Ken Jordan <ken@kenjordan.tv> To: <nettime-l@bbs.thing.net> boundary=3D3D"MS_Mac_OE_3079966642_4660495_MIME_Part" Subject: [Nettime-bold] Multimedia: From Wagner to Virtual Reality Reply-To: nettime-bold@nettime.org > This message is in MIME format. Since your mail reader does not underst= =3D and this format, some or all of this message may not be legible. --MS_Mac_OE_3079966642_4660495_MIME_Part Content-type: text/plain; charset=3D3D"ISO-8859-1" Content-transfer-encoding: quoted-printable MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY edited by Randall Packer and Ken Jordan foreword by William Gibson published by W.W. Norton, 400 pp., $27.95 publication date: July 23, 2001 (US); Sept. 19, 2001 (UK) "This book is one start toward a different sort of history.... I recommen= =3D d this book to you with an earnestness that I have seldom felt for any collection of historic texts. This is, in large part, where the bodies a= =3D re buried. Assembled in this way, in such close proximity, these visions gi= =3D ve off strange sparks." - from the foreword by William Gibson MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY presents the untold history behind the interfaces, links, and interactivity we all take for granted today. This groundbreaking work traces a fertile and fascinating series o= =3D f collaborations between the arts and the sciences, going back to the years just after World War II -- and even further, to composer Richard Wagner, whose ideas about the immersive nature of music theater foreshadowed the experience of virtual reality. Among the essential articles gathered in the book are the Futurists' 1916 manifesto on cinema, which declared that the new medium would unite all media and replace the book; Vannevar Bush's 1945 Atlantic Monthly essay t= =3D ha=3D3D t leads directly to the hyperlinks in today's multimedia; J.C.R. Licklider'= =3D s groundbreaking idea in 1960 that people and computers could collaborate i= =3D n creative work; Nam June Paik's 1984 essay proposing that satellite technology would encourage a global information art; Tim Berners-Lee's 19= =3D 89 proposal for a document-sharing network, which became the basis of the Wo= =3D rl=3D3D d Wide Web; and William Gibson's discussion of how he came up with the word "cyberspace." With an insightful introduction to the volume and critical commentaries on each article, editors Randall Packer and Ken Jordan lead = =3D us through the groundbreaking developments of the multimedia story. The book publication completes a unique hybrid publication project that joins W.W. Norton with Intel Corporation's ArtMuseum.net, to present an untold history of multimedia. The book and the Web site, which was launc= =3D he=3D3D d in June, 2000, are meant to work in tandem. On-line, MULTIMEDIA: FROM WAG= =3D NE=3D3D R TO VIRTUAL REALITY is a dynamic, growing resource featuring hyperlinked texts and a wealth of multimedia documentation. Please visit the site at http://www.artmuseum.net. >From the early reviews: "The best guide yet on a subject of central importance to anyone interest= =3D ed in the future of media, and the growing marriage between art and science....The collection is historically significant, given that nobody = =3D ha=3D3D s ever woven together the different threads, thoughts and impulses that bec= =3D om=3D3D e multimedia, a new form both of media and culture.... The book flows skillfully from one idea to the next, each section building on the one th= =3D at preceded it." - Jon Katz, Slashdot "In the Norton Anthology tradition, Packer and Jordan bring together semi= =3D na=3D3D l contributions that artists and scientists have made to the field of computer-human interaction... An evocative whirlwind tour through 100 yea= =3D rs of work... Excellent..." - S. Joy Mountford, Wired "[MULTIMEDIA is] a key source book in the field of art, science and technology. This book is excellent in all respects." - Annick Bureaud, Leonardo Digital Reviews "Readers interested in the history of multimedia should be enthralled by this collection of hard-to-find essays.... A remarkable blending of past = =3D an=3D3D d present, these essays remind us that today's wondrous inventions didn't j= =3D us=3D3D t spring into existence out of nothingness." - Booklist MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY Table of Contents Foreword by William Gibson Overture by Randall Packer and Ken Jordan I. Integration 1. Richard Wagner, "Outlines of the Artwork of the Future" 2. F. T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacom= =3D o Balla, Remo Chiti, =3D3DB3The Futurist Cinema=3D3DB2 3. L=3D3DE1szl=3D3DF3 Moholy-Nagy, =3D3DB3Theater, Circus, Variety=3D3DB2 4. Richard Higgins, =3D3DB3Intermedia=3D3DB2 5. Billy Kl=3D3DFCver, =3D3DB3The Great Northeastern Power Failure=3D3DB2 6. Nam June Paik, =3D3DB3Cybernated Art=3D3DB2 and =3D3DB3Art and Satelli= te=3D3DB=3D 2 II. Interactivity 7. Norbert Wiener, =3D3DB3Cybernetics in History=3D3DB2 8. J.C.R. Licklider, =3D3DB3Man-Computer Symbiosis=3D3DB2 9. Douglas Engelbart, =3D3DB3Augmenting Human Intellect: A Conceptual Fra= me=3D work=3D3DB2 10. John Cage, =3D3DB3Diary: Audience 1966=3D3DB2 11. Roy Ascott, =3D3DB3Behaviourist Art and the Cybernetic Vision=3D3DB2 12. Myron Krueger, =3D3DB3Responsive Environments=3D3DB2 13. Alan Kay, =3D3DB3User Interface: A Personal View=3D3DB2 III. Hypermedia 14. Vannevar Bush, =3D3DB3As We May Think=3D3DB2 15. Ted Nelson, excerpt from Computer Lib/Dream Machines 16. Alan Kay and Adele Goldberg, =3D3DB3Personal Dynamic Media=3D3DB2 17. Marc Canter, =3D3DB3The New Workstation: CD ROM Authoring Systems=3D3= DB2 18. Tim Berners-Lee, =3D3DB3Information Management: A Proposal=3D3DB2 19. George Landow and Paul Delany, =3D3DB3Hypertext, Hypermedia and Liter= ar=3D y Studies: The State of the Art=3D3DB2 IV. Immersion 20. Morton Heilig, =3D3DB3The Cinema of the Future=3D3DB2 21. Ivan Sutherland, =3D3DB3The Ultimate Display=3D3DB2 22. Scott Fisher, =3D3DB3Virtual Interface Environments=3D3DB2 23. William Gibson, =3D3DB3Academy Leader=3D3DB2 24. Marcos Novak, =3D3DB3Liquid Architectures in Cyberspace=3D3DB2 25. Daniel Sandin, Thomas DeFanti, and Carolina Cruz-Neira, =3D3DB3A Room= w=3D ith a View=3D3DB2 V. Narrativity 26. William Burroughs, =3D3DB3The Future of the Novel=3D3DB2 27. Allan Kaprow, =3D3DB3Untitled Guidelines for Happenings=3D3DB2 28. Bill Viola, =3D3DB3Will There Be Condominiums in Data Space?=3D3DB2 29. Lynn Hershman, =3D3DB3The Fantasy Beyond Control=3D3DB2 30. Roy Ascott, =3D3DB3Is There Love in the Telematic Embrace?" 31. Pavel Curtis, =3D3DB3Mudding: Social Phenomena in Text-Based Virtual Realities=3D3DB2 32. Pierre L=3D3DE9vy, =3D3DB3The Art and Architecture of Cyberspace=3D3D= B2 --MS_Mac_OE_3079966642_4660495_MIME_Part Content-type: text/html; charset=3D3D"ISO-8859-1" Content-transfer-encoding: quoted-printable <HTML> <HEAD> <TITLE>Multimedia: From Wagner to Virtual Reality</TITLE> </HEAD> <BODY> <BR> <B>MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY </B> <BR> edited by Randall Packer and Ken Jordan<BR> foreword by William Gibson<BR> published by W.W. Norton, 400 pp., $27.95<BR> publication date: July 23, 2001 (US); Sept. 19, 2001 (UK)<BR> <BR> <BR> "This book is one start toward a different sort of history.... I rec= =3D om=3D3D mend this book to you with an earnestness that I have seldom felt for any= =3D co=3D3D llection of historic texts. This is, in large part, where the bodie= =3D s a=3D3D re buried. Assembled in this way, in such close proximity, these vi= =3D sio=3D3D ns give off strange sparks." - from the foreword by William Gibson<B= =3D R> <BR> MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY presents the untold history be= =3D hi=3D3D nd the interfaces, links, and interactivity we all take for granted today= =3D . T=3D3D his groundbreaking work traces a fertile and fascinating series of collab= =3D ora=3D3D tions between the arts and the sciences, going back to the years just aft= =3D er =3D3D World War II -- and even further, to composer Richard Wagner, whose ideas= =3D ab=3D3D out the immersive nature of music theater foreshadowed the experience of = =3D vir=3D3D tual reality.<BR> <BR> Among the essential articles gathered in the book are the Futurists' 1916= =3D m=3D3D anifesto on cinema, which declared that the new medium would unite all me= =3D dia=3D3D and replace the book; Vannevar Bush's 1945 <I>Atlantic Monthly</I> essay= =3D th=3D3D at leads directly to the hyperlinks in today's multimedia; J.C.R. Licklid= =3D er'=3D3D s groundbreaking idea in 1960 that people and computers could collaborate= =3D in=3D3D creative work; Nam June Paik's 1984 essay proposing that satellite techn= =3D olo=3D3D gy would encourage a global information art; Tim Berners-Lee's 1989 propo= =3D sal=3D3D for a document-sharing network, which became the basis of the World Wide= =3D We=3D3D b; and William Gibson's discussion of how he came up with the word "= =3D cyb=3D3D erspace." With an insightful introduction to the volume and critical= =3D co=3D3D mmentaries on each article, editors Randall Packer and Ken Jordan lead us= =3D th=3D3D rough the groundbreaking developments of the multimedia story.<BR> <BR> The book publication completes a unique hybrid publication project that j= =3D oi=3D3D ns W.W. Norton with Intel Corporation's ArtMuseum.net, to present an unto= =3D ld =3D3D history of multimedia. The book and the Web site, which was launche= =3D d i=3D3D n June, 2000, are meant to work in tandem. On-line, MULTIMEDIA: FROM WAGN= =3D ER =3D3D TO VIRTUAL REALITY is a dynamic, growing resource featuring hyperlinked t= =3D ext=3D3D s and a wealth of multimedia documentation. Please visit the site at <FON= =3D T C=3D3D OLOR=3D3D3D"#0000FF"><U>http://www.artmuseum.net</U></FONT>.<BR> <BR> <BR> <B>From the early reviews:<BR> </B><BR> "The best guide yet on a subject of central importance to anyone int= =3D er=3D3D ested in the future of media, and the growing marriage between art and sc= =3D ien=3D3D ce....The collection is historically significant, given that nobody has e= =3D ver=3D3D woven together the different threads, thoughts and impulses that become = =3D mul=3D3D timedia, a new form both of media and culture.... The book flows skillful= =3D ly =3D3D from one idea to the next, each section building on the one that preceded= =3D it=3D3D ." - Jon Katz, Slashdot<BR> <BR> "In the Norton Anthology tradition, Packer and Jordan bring together= =3D s=3D3D eminal contributions that artists and scientists have made to the field o= =3D f c=3D3D omputer-human interaction... An evocative whirlwind tour through 100 year= =3D s o=3D3D f work... Excellent..." - S. Joy Mountford, Wired<BR> <BR> "[MULTIMEDIA is] a key source book in the field of art, science and = =3D te=3D3D chnology. This book is excellent in all respects." - Annick Bureaud,= =3D Le=3D3D onardo Digital Reviews<BR> <BR> "Readers interested in the history of multimedia should be enthralle= =3D d =3D3D by this collection of hard-to-find essays.... A remarkable blending of pa= =3D st =3D3D and present, these essays remind us that today's wondrous inventions didn= =3D 't =3D3D just spring into existence out of nothingness." - Booklist<BR> <BR> <BR> <BR> <BR> <B>MULTIMEDIA: FROM WAGNER TO VIRTUAL REALITY<BR> Table of Contents<BR> </B><BR> <B>Foreword by William Gibson<BR> </B><BR> <B>Overture by Randall Packer and Ken Jordan <BR> </B><BR> <BR> <B>I. Integration<BR> </B>1. Richard Wagner, "Outlines of the Artwork of the Future"<= =3D BR=3D3D > <BR> 2. F. T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacom= =3D o =3D3D Balla, Remo Chiti, =3D3DB3The Futurist Cinema=3D3DB2<BR> <BR> 3. L=3D3DE1szl=3D3DF3 Moholy-Nagy, =3D3DB3Theater, Circus, Variety=3D3DB2= <BR> <BR> 4. Richard Higgins, =3D3DB3Intermedia=3D3DB2<BR> <BR> 5. Billy Kl=3D3DFCver, =3D3DB3The Great Northeastern Power Failure=3D3DB2= <BR> <BR> 6. Nam June Paik, =3D3DB3Cybernated Art=3D3DB2 and =3D3DB3Art and Satelli= te=3D3DB=3D 2<BR> <BR> <BR> <B>II. Interactivity<BR> </B>7. Norbert Wiener, =3D3DB3Cybernetics in History=3D3DB2<BR> <BR> 8. J.C.R. Licklider, =3D3DB3Man-Computer Symbiosis=3D3DB2<BR> <BR> 9. Douglas Engelbart, =3D3DB3Augmenting Human Intellect: A Conceptual Fra= me=3D work=3D3DB2<=3D3D BR> <BR> 10. John Cage, =3D3DB3Diary: Audience 1966=3D3DB2<BR> <BR> 11. Roy Ascott, =3D3DB3Behaviourist Art and the Cybernetic Vision=3D3DB2<= BR> <BR> 12. Myron Krueger, =3D3DB3Responsive Environments=3D3DB2<BR> <BR> 13. Alan Kay, =3D3DB3User Interface: A Personal View=3D3DB2<BR> <BR> <BR> <B>III. Hypermedia<BR> </B>14. Vannevar Bush, =3D3DB3As We May Think=3D3DB2<BR> <BR> 15. Ted Nelson, excerpt from <I>Computer Lib/Dream Machines<BR> </I><BR> 16. Alan Kay and Adele Goldberg, =3D3DB3Personal Dynamic Media=3D3DB2<BR> <BR> 17. Marc Canter, =3D3DB3The New Workstation: CD ROM Authoring Systems=3D3= DB2<=3D BR> <BR> 18. Tim Berners-Lee, =3D3DB3Information Management: A Proposal=3D3DB2<BR> <BR> 19. George Landow and Paul Delany, =3D3DB3Hypertext, Hypermedia and Liter= ar=3D y Stud=3D3D ies: The State of the Art=3D3DB2<BR> <BR> <BR> <B>IV. Immersion<BR> </B>20. Morton Heilig, =3D3DB3The Cinema of the Future=3D3DB2<BR> <BR> 21. Ivan Sutherland, =3D3DB3The Ultimate Display=3D3DB2<BR> <BR> 22. Scott Fisher, =3D3DB3Virtual Interface Environments=3D3DB2<BR> <BR> 23. William Gibson, =3D3DB3Academy Leader=3D3DB2<BR> <BR> 24. Marcos Novak, =3D3DB3Liquid Architectures in Cyberspace=3D3DB2<BR> <BR> 25. Daniel Sandin, Thomas DeFanti, and Carolina Cruz-Neira, =3D3DB3A Room= w=3D ith a =3D3D View=3D3DB2<BR> <BR> <BR> <B>V. Narrativity<BR> </B>26. William Burroughs, =3D3DB3The Future of the Novel=3D3DB2<BR> <BR> 27. Allan Kaprow, =3D3DB3Untitled Guidelines for Happenings=3D3DB2<BR> <BR> 28. Bill Viola, =3D3DB3Will There Be Condominiums in Data Space?=3D3DB2<B= R> <BR> 29. Lynn Hershman, =3D3DB3The Fantasy Beyond Control=3D3DB2<BR> <BR> 30. Roy Ascott, =3D3DB3Is There Love in the Telematic Embrace?"<BR> <BR> 31. Pavel Curtis, =3D3DB3Mudding: Social Phenomena in Text-Based Virtual = Re=3D alitie=3D3D s=3D3DB2<BR> <BR> 32. Pierre L=3D3DE9vy, =3D3DB3The Art and Architecture of Cyberspace=3D3D= B2<BR> <BR> <BR> </BODY> </HTML> --MS_Mac_OE_3079966642_4660495_MIME_Part-- -- __--__-- =20 Message: 28 Date: Mon, 6 Aug 2001 15:28:19 -0700 (PDT) From: N S <ns92002@yahoo.com> To: nettime-bold@nettime.org Subject: [Nettime-bold] Best #1 Money on the Internet Reply-To: nettime-bold@nettime.org Dear Friends & Future Millionaire: YOU REALLY OWE IT TO YOURSELF TO LOOK AT THIS!! AS SEEN ON NATIONAL TV: ''Making over half million dollars every 4 to 5 m= =3D onths from your home for an investment of only $25 U.S. Dollars expense one tim= =3D e'' THANKS TO THE COMPUTER AGE AND THE INTERNET! BE A MILLIONAIRE LIKE OTHERS WITHIN A YEAR !! Before you say ''Bull'' , please read the following. This is the letter y= =3D ou have been hearing about on the news lately. Due to the popularity of this lett= =3D er on the Internet, a national weekly news program recently devoted an entire s= =3D how to the investigation of this program described below , to see if it really c= =3D an make people money. The show also investigated whether or not the program was legal. Their fi= =3D ndings proved once and for all that there are ''absolutely NO. Laws prohibiting = =3D the participation in the program and if people can follow the simple instruct= =3D ions, they are bound to make some mega bucks with only $25 out of pocket cost''. DUE TO THE RECENT INCREASE OF POPULARITY & RESPECT THIS PROGRAM HAS ATTAI= =3D NED, IT IS CURRENTLY WORKING BETTER THAN EVER. This is what one had to say: ''Thanks to this profitable opportunity. I was approached many times befo= =3D re but each time I passed on it. I am so glad I finally joined just to see what = =3D one could expect in return for the minimal effort and money required. To my astonishment, I received total $610,470.00 in 21 weeks, with money still = =3D coming in''. Pam Hedland, Fort Lee, New Jersey. -------------------------------------------------------------------------= =3D ------- Here is another testimonial: ''This program has been around for a long time but I never believed in it= =3D . But one day when I received this again in the mail I decided to gamble my $25= =3D on it. I followed the simple instructions and walaa ..... 3 weeks later the = =3D money started to come in. First month I only made $240.00 but the next 2 months= =3D after that I made a total of $290,000.00. So far, in the past 8 months by re-en= =3D tering the program, I have made over $710,000.00 and I am playing it again. The = =3D key to success in this program is to follow the simple steps and NOT change anyt= =3D hing .'' More testimonials later but first, *** PRINT THIS NOW FOR YOUR FUTURE REFERENCE *** $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$=3D20 If you would like to make at least $500,000 every 4 to 5 months easily an= =3D d comfortably, please read the following...THEN READ IT AGAIN and AGAIN !!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ FOLLOW THE SIMPLE INSTRUCTION BELOW AND YOUR=3D20 FINANCIAL DREAMS WILL COME TRUE, GUARANTEED! INSTRUCTIONS: **** Order all 5 reports shown on the list below. **** For each report, send $5.00 U.S CASH, THE NAME & NUMBER OF THE REPOR= =3D T YOU ARE ORDERING and YOUR E-MAIL ADDRESS to the person whose name appears= =3D ON THAT LIST next to the report. MAKE SURE YOUR RETURN ADDRESS IS ON YOUR EN= =3D VELOPE TOP LEFT CORNER in case of any mail problems. **** When you place your order, make sure you order each of the 5 reports= =3D from the person whose name is next to the REPORT. You will need all 5 reports = =3D so that you can save them on your computer and resell them. YOUR TOTAL COST = =3D $5X 5 =3D3D $25.00. **** Within a few days you will receive, vie e-mail, each of the 5 report= =3D s from these 5 different individuals. Save them on your computer so they will be accessible for you to send to the 1,000's of people who will order them f= =3D rom you. Also make a floppy of these reports and keep it on your desk in case something happen to your computer. ****.IMPORTANT -DO NOT alter the names of the people who are listed next = =3D to each report, or their sequence on the list, in any way other than what is inst= =3D ructed below in step '' 1 through 6 '' or you will loose out on majority of your profits. Once you understand the way this works, you will also see how it= =3D does not work if you change it. Remember, this method has been tested, and if you alter, it will NOT work= =3D !!! People have tried to put their friends/relatives names on all five thinki= =3D ng they could get all the money. But it does not work this way. Believe us, = =3D we all have tried to be greedy and then nothing happened. So Do Not try to chang= =3D e anything other than what is instructed. Because if you do, it will not wo= =3D rk for you. Remember, honesty reaps the reward!!! After you have ordered all 5 reports, take this advertisement and REMOVE = =3D the name & address of the person in REPORT # 5. This person has made it throu= =3D gh the cycle and is no doubt counting their fortune. Move the name & address in REPORT #4 down TO REPORT #5. Move the name & address in REPORT #3 down TO REPORT #4. Move the name & address in REPORT #2 down TO REPORT #3. Move the name & address in REPORT #1 down TO REPORT #2 Insert YOUR name & address in the REPORT #1 Position. PLEASE MAKE SURE you copy every name & address ACCURATELY! -------------------------------------------------------------------------= =3D ------- Take this entire letter, with the modified list of names (with your name = =3D now in position #1, and save it on your computer. DO NOT MAKE ANY OTHER CHANGES.= =3D Save this on a disk as well just in case if you loose any data. To assist you with marketing your business on the Internet, the 5 REPORTS= =3D you purchase will provide you with invaluable marketing information which inc= =3D ludes how to send bulk e-mails legally, where to find thousands of free classif= =3D ied ads and much more. There are 2 Primary methods to get this venture going: METHOD # 1 : BY SENDING TARGETED BULK E-MAIL LEGALLY let's say that you decide to start small, just to see how it goes, and we= =3D will assume You and those involved send out only targeted 5,000 e-mails each. Targeted email is to persons interested in business opportunities. Let's = =3D also assume that the mailing receive only a 0.2% response (the response could = =3D be much better but lets just say it is only 0.2%. Also many people will send= =3D out hundreds of thousands e-mails instead of only 5,000 each). Continuing with this example, you send out only 5,000 e-mails. With a 0.2= =3D % response, that is only 10 orders for REPORT #1. Those 10 people responded= =3D by sending out 5,000 e-mail each for a total of 50,000. Out of those 50,000 e-mails only 0.2% responded with orders. That's =3D3D 100 people responde= d =3D and ordered REPORT #2. Those 100 people mail out 5,000 e-mails each for a tot= =3D al of 500,000 e-mails. The 0.2% response to that is 1000 orders for REPORT #3. = =3D Those 1000 people send out 5,000 e-mails each for a total of 5 million e-mails sent out. The 0.2% response to that is 10,000 orders for REPORT #4. Those 10,000 people send out 5,000 e-mails each for a total of 50,000,000 (50 million)e-mails. The 0.2% response to that is 100,000 orders for REPORT #= =3D 5. THAT'S 100,000 ORDERS TIMES $5 EACH =3D3D $500,000.00 (half million). Your total income in this example is: $50+ $500+ $5,000 + $50,000+ $500,000.........Grand Total =3D3D $555,550.00 NUMBERS DO NOT LIE. GET A PENCIL & PAPER AND FIGURE OUT THE WORST POSSIBL= =3D E RESPONSES AND NO MATTER HOW YOU CALCULATE IT, YOU WILL STILL MAKE A LOT O= =3D F MONEY! -------------------------------------------------------------------------= =3D ------- REMEMBER FRIEND, THIS IS ASSUMING ONLY 10 PEOPLE ORDERING OUT OF 5,000 YO= =3D U MAILED TO. Dare to think for a moment what would happen if everyone, or h= =3D alf or even one 4th of those people mailed 100,000 e-mails each or more? There are over 150 million people on the Internet worldwide and counting. Believe me, many people will do just that, and more! METHOD #2 : BY PLACING FREE ADS ON THE INTERNET Advertising on the net is very very inexpensive and there are hundreds of= =3D FREE places to advertise. Placing a lot of free ads on the Internet will easil= =3D y get a larger response. We strongly suggest you start with Method # 1 and add = =3D METHOD #2 as you go along. Study the REPORTS (#1-5) to help with your marketing. For every $5 you receive, all you must do is e-mail them the Report they ordered. That's it . Always provide same day service on all orders. This = =3D will guarantee that the e-mail they send out, with your name and address on it= =3D , will be prompt because they can not advertise until they receive the report. _______________ AVAILABLE REPORTS__________________ ORDER EACH REPORT BY ITS NUMBER & NAME ONLY. Notes Always send $5 cash (U.S. CURRENCY) for each Report. Checks NOT acc= =3D epted. Make sure the cash is concealed by wrapping it in at least 2 sheets of pa= =3D per. On one of those sheets of paper, Write the NUMBER & the NAME of the Repor= =3D t you are ordering, YOUR E-MAIL ADDRESS and your name and postal address. PLACE YOUR ORDER FOR THESE REPORTS NOW: -------------------------------------------------------------------------= =3D ------ REPORT #1:"The Bulk Email Survival Guide" Order REPORT #1 from: NYS P.O.Box 607 Dunn Loring, VA 22027 U.S.A -------------------------------------------------------------------------= =3D ------- REPORT #2: "Inside Secrets To Wealth On The Web" Order REPORT #2 from: JD P.O.Box 1114 Des Plaines, IL 60017 U.S.A -------------------------------------------------------------------------= =3D ------- REPORT #3:"The Secret to Multilevel marketing on the Net" Order REPORT #3= =3D from: JZ 1006 Lynn St. SW Vienna, VA 22180 USA -------------------------------------------------------------------------= =3D ------- REPORT #4:"How to become a millionaire utilizing MLM & the Net" Order REP= =3D ORT #4 from: J Santi 833 Walter Ave Des Plaines, IL 60016 USA -------------------------------------------------------------------------= =3D ------- REPORT #5:"HOW TO SEND 1 MILLION E-MAILS FOR FREE" Order REPORT #5 from: Aaron Croft 1037 Charlela Lane #206 Elk Grove village, IL 60007 USA $$$$$$$$$ YOUR SUCCESS GUIDELINES $$$$$$$$$$$ (A note on mailing to Canada. 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IF YOU WA= =3D NT TO GENERATE MORE INCOME SEND ANOTHER BATCH OF E-MAIL SAND START THE WHOLE PR= =3D OCESS AGAIN. There is NO LIMIT to the income you can generate from this busines= =3D s!!! FOLLOWING IS A NOTE FROM THE ORIGINATOR OF THIS PROGRAM: "You have just received information that can give you financial freedom f= =3D or the rest of your life, with NO RISK and JUST A LITTLE BIT OF EFFORT. You can = =3D make more money in the next few weeks and months than you have ever imagined. Follow the program EXACTLY AS INSTRUCTED. Do Not change it in any way. It= =3D works exceedingly well as it is now. Remember to e-mail a copy of this exciting report after you have put your name and address in Report #1 and moved ot= =3D hers to #2...........#5 as instructed above. One of the people you send this to may send out 100,000 or more e-mails a= =3D nd your name will be on everyone of them. Remember though, the more you send out = =3D the more potential customers you will reach. 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Messenger http://phonecard.yahoo.com/ -- __--__-- =20 Message: 29 From: "Nomay Inchas" <nomayinchas@hotmail.com> To: nettime-bold@nettime.org Date: Mon, 06 Aug 2001 18:21:08 -0400 Subject: [Nettime-bold] nn =3D3D=3D3D lev Reply-To: nettime-bold@nettime.org <html><div style=3D3D'background-color:'><DIV>Q: Why does Netochka Nezvan= ov=3D a write to Lev Manovich on nettime?</DIV> <DIV>A: Easy! To disguise the fact that nn is the same as Lev= =3D Manovich!</DIV> <DIV> </DIV> <DIV>yrs,</DIV> <DIV>nomay</DIV></div><br clear=3D3Dall><hr>Get your FREE download of MSN= E=3D xplorer at <a href=3D3D'http://go.msn.com/bql/hmtag_itl_EN.asp'>http://ex= pl=3D orer.msn.com</a><br></html> -- __--__-- =20 Message: 30 From: sebastian@rolux.org Date: Tue, 07 Aug 2001 01:15:37 +0200 To: nettime-l@bbs.thing.net Subject: [Nettime-bold] What is @XXX? [Re: Stop the G8: Online Demonstrat= =3D ion Scheduled] Reply-To: nettime-bold@nettime.org > What is @XXX? > @XXX is called Internet Time and is a universal timezone. The time is = =3D the > same all around the world, simplifying planning and coordination. On o= =3D ur > website there is a program to help you convert to and from Internet Ti= =3D me. if i'm not completely wrong here, @XXX is *swatch* internet time, introdu= =3D ced by the swiss multinational in 1998, setting up a new global meridian in biel= =3D (the location of their headquarters), and attempting to unify and monopolize t= =3D he variety of existing time zones. there has been a long thread on nettime back then. as geert lovink put it= =3D : "the ideology of 'global time' is the terror logic of the corporate world stat= =3D e. it stands for the worst aspect of globalism: the 24-hour economy, in which w= =3D orkers' rights have been abolished all together. an impoverished, 'flexible' free= =3D -lance labour force can be employed day and night, thereby disrupting biological rhythms and social time in general." or, to quote swatch's promotional pr= =3D ose: "there is a revolution taking place eliminating time-zones and geographic= =3D al borders" -- which i'd say is corporate propaganda as cynical as it can ge= =3D t. want to read more? "biel meantime (bmt) is the universal reference for in= =3D ternet time. a day in internet time begins at midnight bmt (@000 swatch .beats) (central european wintertime). the meridian is marked for all to see on t= =3D he fa=3DE7ade of the swatch international headquarters on jakob-staempfli st= re=3D et, biel, switzerland. so, it is the same time all over the world, be it night or d= =3D ay, the era of time zones has disappeared. the bmt meridian was inaugurated on 23 october 1998 in the presence of nicholas negroponte, founder and director= =3D of the massachusetts institute of technology's media laboratory." i think @791-916 is not a good time for an online demonstration against t= =3D he g8. -- __--__-- =20 Message: 31 Date: Tue, 07 Aug 2001 09:22:03 +1000 To: nettime-l@bbs.thing.net From: "][M.ollient][" <netwurker@hotkey.net.au> Subject: [Nettime-bold] BeeHive Microtitles Series 1 [for announcer] Reply-To: nettime-bold@nettime.org BeeHive Hypertext/Hypermedia Literary Journal introduces Microtitles Series 1. Take a little BeeHive wherever you go! Three new Microtitles are now available for download. http://microtitles.com BeeHive Microtitles Series 1 is a collection of short titles in Adobe PDF= =3D , formatted for your PDA. These titles can be read on the Palm Pilot using the new Adobe Acrobat Reader for the Palm OS. Special attention has been paid to typographical issues of the Palm Pilot= =3D , and in an effort to reduce memory use on your PDA images have been scaled and compressed with the PDA in mind. None of the first three titles excee= =3D ds 200k. Though formatted formatted for maximum readability on the Palm Pilot, the= =3D se titles can be read on your desktop using either Adobe Acrobat Reader 5.0 = =3D or the Adobe ebook Reader. __________ Titles available today _What the Hell is That?_ Thomas Zummer's rigorous and entertaining essay on cinematic creature mutations. Case studies include such film classics as "Swarm" and "Them". The work includes an extensive bibliography and taxonomic-cinematic index. ** _Issue's in Phenomenology_ Ryan Whyte's collection of poetical observations consists of 10 Palm Pilo= =3D t screens -- 10 vignettes that variously take up language, music, suicide, graduate school, "prozac and Adorno!" ** _Vehicular Datatraffic_ A collection of four new signature works from Mez. Texts include N.][di][visible Rawswarming(c).* and Sig.N.ature ][licking the signature static]. __________ In the coming months BeeHive will release five more Series 1 Microtitles. September will mark the release of two works including _Toward Electracy_= =3D , a conversation between theorist Gregory Ulmer and Talan Memmott, and _Reali= =3D ty Dreams_ by Joel Weishaus. Three more Microtitles will be released later in the year. In the future BeeHive Microtitles will be offering work in a variety of downloadable formats, as well as BOD (Burn On Demand) Hypermedia on CD. __________ Download a Microtitle today! It's FREE! http://microtitles.com __________ Send questions and comments to beehive@percepticon.com BeeHive Hypertext Hypermedia Literary Journal http://beehive.temporalimage.com __________ BeeHive Microtitles is a product of the Percepticon Corporation __________ PERCEPTICON CORP. PO Box 590820 San Francisco CA 94159 USA t. 415.749.2900 f. 415.749.2901 http://www.percepticon.com __________ =3D20 . . .... ..... net.wurker][M.ollient][ pro.ject.ile x.blooms.x .go.here.=3D20 xXXx =3D20 ./. =3D20 www.hotkey.net.au/~netwurker .... . .??? ....... -- __--__-- =20 Message: 32 From: integer@www.god-emil.dk Date: Tue, 7 Aug 2001 03:02:38 +0200 (CEST) To: lev@shoko.calarts.edu Subject: [Nettime-bold] [ot] [!nt] \n2+0\ n r . 5 !!!!! Reply-To: nettime-bold@nettime.org >+ Now je sper you shall indulge the desire for corresponding with 01 par= =3D ticular one >entitled Fyodor Mikhailovi=3DE7 Dostoyevski > > > > > > > sch > > sch > > > sch > > > > http://membank.org/datase= =3D t/n/222222222.mp3 > My Dear Netochka, I am so glad that you have expended the energy to write to me. It is one of the saddest aspects of our existence that, as soon as one is translated, it is generally assumed that the translated hasn't further= =3D interest=3D20 in what she or he has spent a great part of life investigating - life.=3D= 20 >From that you have told of the industry of scholars in your day, busy see= =3D king=3D20 out every nuance of my (your) life and thoughts, I conclude that there is= =3D indeed life after death. Being human, I am pleased with the accolades that have arriv= =3D ed my way over the years, although I am disturbed to hear that my ways (or more accurately your ways) aren't= =3D accepted in some quarters. We had indeed the same problem in my day, but we could at least hide behi= =3D nd the excuse=3D20 that we were hampered down by the `underground`. I am looking forward to receiving more of your letters, which you promise will provide detailed evidence that I (you) are alive a= =3D nd well.=3D20 Please don't skimp on the details, for I sense from your letter that your= =3D view of me (you) is close to my own; life isn't anything but details. Dare I say it: the Devil is in the detai= =3D ls. Or is the Germans? Dress sensibly Netochka, Ever your most truly Fyodor Mikhailovi=3DE7 Dostoyevski nn. - new york. milan. paris. londra. tokyo=3D20 01 ov dze mozt prestigious luxury brands [ops. bodies] /_/ / \ \/ i should like to be a human plant \/ __ __/ i will shed leaves in the shade \_\ because i like stepping on bugs *--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*-- Netochka Nezvanova nezvanova@eusocial.com http://www.eusocial.com http://www.biohakc.com http://www.ggttctttat.com/! n r . 5 !!! http://steim.nl/leaves/petalz *--*--*--*--*--*--*--*--*--*--*--*--*-- --*--*--*--*--*--*-- =3D20 -- __--__-- =20 Message: 33 Date: Mon, 6 Aug 2001 20:51:45 -0400 From: "market@shanghai-industry.com"<market@shanghai-industry.com> To: vivien yu<nettime-l@bbs.thing.net> Subject: [Nettime-bold] "Shanghai WTO Import Commodities Exhibition Hall = =3D (Preparing)" Cooperator-Seeking Inquiry Reply-To: nettime-bold@nettime.org ----jinfengemailhtml---- Content-Type: text/html; charset=3D3Dgb2312 Content-Transfer-Encoding: 8bit Dear Sir or Madam:<p> First I would like to show the highest respect for your good company. Th= =3D is is a message from Shanghai Small and Medium Enterprises Service Center= =3D . We are hereby making inquiry about a new exhibition project and we hop= =3D e you are interested in it.<p> Chinese people have been waiting fourteen years for China's Joining into = =3D World Trade Organization (WTO). For the year 2001 when the world economy= =3D is faced with the most severe challenges ever since the Asian Financial = =3D Crisis during 1997 and 1998, China turns out to be the most promising lan= =3D d for entrepreneurs all over the world. With the coming OLYMPIC Games 20= =3D 08, the approaching entry into WTO, and the fully unfolded exploration of= =3D Western China, people in the world market are now looking at the perform= =3D ance of China with new eyes. Assuming an outward looking posture, China'= =3D s great potential is highly evaluated by thousands of small and medium fo= =3D reign companies.<p> To further the transnational cooperation between Chinese enterprises and = =3D their overseas counterparts, Shanghai SME Service Center is planning to l= =3D aunch "Foreign Advanced Technology and Products Exhibition Hall". The es= =3D tablishment of the Hall will provide a complete set of intermediary servi= =3D ces to assist overseas companies in getting into Chinese market, incorpor= =3D ating exhibition advertisement, promotion, agency and distribution.<p> We are currently seeking foreign exhibition agents to make perfect cooper= =3D ative network. We would like to make strategic alliance with you to prov= =3D ide quality service to small and medium enterprises all over the world an= =3D d to share the benefits together. We hope you would be interested in wor= =3D king as our agent in your country.<p> We will appreciate your interests in the Exhibition Hall. Under the co-e= =3D ffect with you, the Exhibition Hall will exert great influence in the com= =3D modity exchange between your country and ours. Those small and medium en= =3D terprises that attend the exhibition will gain tremendous benefits from f= =3D inding proper counterparts in Chinese markets.<p> Please refer to the detailed illustration stated hereafter or refer to th= =3D e article "Concerning the Exhibition Hall" on our web page www.515j.com. = =3D We hope this article could make the whole thing more clear. We apprecia= =3D te any ideas you will propose. All points are open for discussion We hop= =3D e to make solid partnership with you in organizing the Exhibition Hall. = =3D If there are something wrong with the server that host our website, pleas= =3D e take the trouble to try later because recently some hacks have attacked= =3D our server supplier. Thank you!<p> You may supply us with more contact information for our further communica= =3D tion:<p> Contact:<p> Title:<p> Company:<p> Address:<p> Tel:<p> Fax:<p> Post Code:<p> E-mail:<p> URL:<p> Await your earliest reply!<p> Best regards,<p> Ms. Vivien Yu<p> Shanghai SME Service Center<p> Tel: 86-21-65985378<p> =3D20 Fax: 86-21-35014214<p> E-mail: <a href=3D3Dmailto:exhibition@shanghai-industry.com>exhibition@sh= an=3D ghai-industry</a><p>=3D20 URL: <a href=3D3Dhttp//www.515j.com>www.515j.com</a><p> Address: Shanghai SME Mansion Rm 515, No. 108, Damuqiao Rd., Shanghai 200= =3D 032 China Concerning the Exhibition Hall<p> Mission<p> Our permanent exhibition hall is aimed to introduce advanced foreign tech= =3D nology and products into China through exhibiting as well as finding loca= =3D l agencies and distributors for the exhibits from foreign companies. Wit= =3D h computerized searching system, swift internet communication and well-de= =3D signed virtual exhibition, the ever- modernized exhibition hall will grad= =3D ually growing into the most popular resource of foreign commodities, attr= =3D acting domestic enterprises, agents, distributors and final consumers.<p> For the year 2001, the world economy is faced with the most severe challe= =3D nges ever since the Asian Financial Crisis during 1997 and 1998. However= =3D , China turns out to be the most promising land for entrepreneurs all ove= =3D r the world. With the coming OLYMPIC Games 2008, the approaching entry i= =3D nto WTO, and the fully unfolded exploration of Western China, people in t= =3D he world market are now looking at the performance of China with new eyes= =3D . Assuming an outward looking posture, China's great potential is highly= =3D evaluated by thousands of small and medium foreign companies.<p> With the purpose to provide information & intermediary service to domesti= =3D c small and medium enterprises and their overseas counterparts, Shanghai = =3D Small and Medium Enterprises (Trade Development) Service Center has succe= =3D ssfully carried out "Shanghai-industry-Oriental Dragon International Busi= =3D ness Development Project". To further the transnational cooperation in = =3D a more direct and effective way, the Center is planning to launch "Foreig= =3D n Advanced Technology and Products Exhibition Hall". The establishment o= =3D f the Hall will provide complete intermediary services to assist overseas= =3D companies, incorporating exhibition advertisement, promotion, agency and= =3D distribution.<p> Introduction<p> =3DA1=3DF1 The exhibition hall will be the first permanent one opening to= sma=3D ll and medium enterprises, exhibiting foreign advanced technology and pro= =3D ducts throughout the year, employing professional management. It occupies 450 square meters. The years long exhibition plays just one = =3D theme------foreign advanced technology and products. The exhibition is o= =3D pen to the public all the year round free of charge. A seeries of activi= =3D ties will be organized to establish the rapport. =3D20 The Hall exhibits products in two ways complementary to each other: objec= =3D ts exhibition and virtual exhibition. Exhibits Zone: The Arrangement Committee planned large space as specially= =3D decorated exhibition zone. Interested foreign companies may select and = =3D design their own exhibit area to maximize the influence of their company = =3D and products. Computerized Searching System: In the center of the exhibition hall, 40 c= =3D omputers will be installed. With well-built searching system, visitors c= =3D an instantly search the product information and company profile of the ex= =3D hibits they want to know.=3D20 Corresponding Virtual Exhibition: Establish the web page www.515j.com to = =3D maintain online exhibition, showing refined pictures of the products and = =3D companies with descriptions online, and publicize the up-to-date informat= =3D ion about products wanted and offered. User friendly online searching sy= =3D stem will be applied.<p> =3D20 =3D20 l We will invite official and non-official affluent persons to cut the ri= =3D bbon at the opening ceremony and take part in the series of activities.<p= =3D > - Leaders from the state government and senior official from relative min= =3D istries and commissions<p> - Leaders from All-China Federation of Industry & Commerce and Shanghai M= =3D unicipal Government.<p> =3DA1=3DF1 As one of the important steps in the progress of "Shanghai Sma= ll a=3D nd Medium Enterprises Information Project", the Hall and the exhibits ins= =3D ide will be greatly publicized by Shanghai official media via TV and radi= =3D o broadcasting, newspaper and internet, simultaneously reported with the = =3D ceremonious activities of China's entry into WTO. Meanwhile, a variety o= =3D f WTO related seminars and news conferences concerning Shanghai SMEs will= =3D be hold inside the Hall. Reports will be followed up and delivered though mass media conveying the= =3D active functions of the Hall.<p> =3DA1=3DF1 Overseas enterprises of all industries possessing advanced tec= hnol=3D ogy and products ( including machinery, equipment and instrument) are to = =3D be invited to exhibit in the Hall.<p>=3D20 We will issue and deliver opening notices to all the domestic intermediar= =3D y institutions and SMEs via chambers of commerce, SME service institution= =3D s, and industrial associations. We will organize certain numbers of Shan= =3D ghai companies to visit the Exhibition Hall regularly, together with a va= =3D riety of programs. Online exhibition festivals will also be held to cope= =3D the programs.<p> Delegations of SMEs from other provinces outside Shanghai will also be in= =3D vited to participate in our exhibition festivals.<p> =3DA1=3DF1 The arrangement committee will entrust a foreign exhibition co= mpan=3D y to organize foreign companies to participate the exhibition once and fo= =3D r all.<p> The Hall will also have monthly publication Exhibition Express, publicizi= =3D ng the company and product literature of the participating companies.<p> Exhibits Exhibiting and promoting the advanced technology and products foreign com= =3D panies want to introduce into China in various ways without the limitatio= =3D n of regions or industries.<p> =3DA1=3DF1 Advanced technology from all industries Objective: introduce advanced technology into China through technology tr= =3D ansfer, share holding, joint ventures, and other ways.<p> =3DA1=3DF1 Advanced products from all industries Objective: introduce advanced products into China through proper agents a= =3D nd distributors, product licensing, share holding, joint ventures and oth= =3D er ways.<p> Arrangements<p> The Hall has mainly four functional areas: General Information Query abou= =3D t exhibiting companies, Computerized Searching System for detailed compan= =3D y and products information, Classified Exhibition Areas for product sampl= =3D es, Picture and Literature Display for visual advertisement. <p> 1. General Information Query<p> As guide to the Hall, staff, literature and computer queries are availabl= =3D e to deliver information about how to find certain exhibits, how to use c= =3D omputerized searching system. The list of the exhibiting companies and p= =3D roduct catalogue can also be helpful to make a fruitful visit.<p> 2. Computerized Searching System<p> The searching system will provide detailed bilingual information (in Chin= =3D ese and English; in Picture and Literature) about the exhibiting companie= =3D s and their products. All the information could be downloaded & reprint.= =3D <p> 1) Searches could be operated both by industry and country Searching<p> 2) Searches could be operated both by technology and product<p> 3) Key words could also be used.<p> 3. Classified Exhibition Areas<p> After professional design, the product samples and detailed illustration = =3D will be exhibited in the designated area. Meanwhile the information can = =3D also be sought out quickly through computer searching system and download= =3D ed.<p> 4. Picture and Literature Display<p> Exquisite billboard (bilingual literatures and pictures) about the partic= =3D ipating companies will be positioned on the wall around the exhibition ha= =3D ll for the attention of visitors. <p> Exhibition Booths<p> 1. Booth A<p> 1) All the materials from the exhibiting company will be interpreted into= =3D Chinese, the bilingual pictures and literatures of the exhibiting compan= =3D ies and their products will be kept in the computer database awaiting sea= =3D rch.<p> 2) The above processed material will also be publicized on the virtual ex= =3D hibition site <a href=3D3Dhttp://www.515j.com>www.515j.com</a> during the= s=3D ame period of the services.<p> 3) The brief account of the exhibiting <p>companies and the products will= =3D be published on the monthly publication Exhibition Express.<p> 4) The contact information of the exhibition companies will be completely= =3D released.<p> 2. Booth B<p> 1) All the services of Booth A included.<p> 2) 2-square-meter areas for billboard on the wall inside the hall.<p> 3) The pictures and literatures will be prepared and exhibited according = =3D to the design stated in the executed agreement.<p> 3. Booth C<p> 1) All the services of Booth B included.<p> 2) The Hall will accept and see to sample products provided by exhibiting= =3D companies throughout the service term specified by the executed agreemen= =3D t.<p> 3) Exhibition area ranging from a half to two square meters for sample pr= =3D oducts.<p> 4) The sample products, together with the pictures and literatures will b= =3D e prepared and exhibited according to the design stated in the executed a= =3D greement.<p> Charge<p> 1. Booth A<p> Price: $2200USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words) 2. Booth B<p> Price: $2800USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words)<p> 3. Booth C<p> Price: $3600USD (Interpretation of company and product information limite= =3D d to 25,000 words, extra literature $20USD/1000 words, Basic exhibition = =3D space of 0.5 m2) Other Value Added Services<p> 1. Advertisement<p>=3D20 Exhibiting companies may reach agreement with the appointed exhibition ag= =3D ents in their countries. The executed agreement will be effected by the= =3D Exhibition Hall Advertising Department.<p> 1) Inside the exhibition hall<p> 2) Web page banner or logo on <a href=3D3Dhttp://www.515j.com>www.515j.co= m<=3D /a><p> 3) Monthly publication Exhibition Express<p> 4) Affiliated to the Advertisement of the Hall<p> 5) The exhibition advertisement<p> Front Cover: $2200USD<p> Back Cover: $1500USD<p> Inside Front Cover: $1500USD<p> Inside Back Cover: $1000USD<p> Title Page: $1000USD<p> Complete Color Page: $500USD<p> Half Color Page: $300USD <p> =3D20 Complete Black and White Page: $300USD<p> Half Black and White Page: $200USD<p> Advertisement on Invitation Letter: <p>$3000USD/thousand<p> 6) Other Advertisement<p> On Tickets (50,000 Copies): $380USD (size: 60*30 cm)<p> On Present Packages (1,000): $500USD<p> Balloon (with vertical-hung scroll): $380USD/individual<p> Decorated gateway: $680USD/individual Gaily Decorated Basket: $80USD/individual Ceremonial Lady: $20USD/person/day<p> 2. Online Communication Service $100USD =3D20 Upon the visitors' interests, our English-speaking staff will make on-the= =3D -spot contacts with the provided contact information. The overseas entre= =3D preneurs will directly make acquaintance with their Chinese counterparts.= =3D <p> 3. Organize Special Product Introduction Conference=3DA3=3DBAto Be Negoti= ated The Hall can specially arrange news conference & seminar for foreign manu= =3D facturers to display their advanced technology and products, with the con= =3D cerned industrial association as the organizer. Technical experts from r= =3D esearch institutes of colleges and universities, domestic agents, distrib= =3D utors, Chinese corporations or companies of related industries, finial us= =3D ers could all be present at the conference. <p> 4. Deliver catalogues or descriptive materials to Chinese companies and c= =3D ollect the feedback in the form of report with statistical analysis=3DA3=3D= BA=3D to Be Negotiated<p> 5. Assign special interpreters and technical personnel to effect the expl= =3D anation and promotion of the products=3DA3=3DBA$1000USD<p> =3D20 6. Airline ticket booking and hotel reservation=3DA3=3DBA$100USD<p> 8. Make unified lintel and exhibit walls=3DA3=3DBAFree<p> 9. Provide technological consultation and commercial intelligence=3DA3=3D= BAFr=3D ee<p> Attend the Exhibition<p> The execution of exhibition contracts with attendees will be effected by = =3D authorized foreign exhibition agents. Special demands from clients may r= =3D each us via the appointed agents. The attendees may follow the procedure= =3D below:<p> =3DA1=3DF1 Preliminary Consultation<p> =3DA1=3DF1 Exhibition Plan<p> =3DA1=3DF1 Contract Execution<p> =3DA1=3DF1 Transportation of sample items for display<p> =3DA1=3DF1 Special Request on Exhibition<p> =3DA1=3DF1 Follow-up Report on the Exhibition<p> Seek Foreign Exhibition Agents Worldwide<p> =3DA1=3DF1 Why to have foreign exhibition agents?v To take advantage of the abundant client resource and advanced exhibition= =3D management of foreign exhibition companies.<p> To work out the best solution for small and medium enterprises in reachin= =3D g transnational cooperation.<p> =3DA1=3DF1 How to make perfect cooperative network?<p> We will work with foreign exhibition companies together in marketing the = =3D exhibition booths and services according to the signed agreement.<p> =3D2= 0 We will select excellent exhibition companies or institutions in defined = =3D regions or countries as our solely agents there. Please note we will only select one agent among all the candidates in a d= =3D efined region or country.<p> For Our Foreign Agents:<p> =3DA1=3DF1 Qualification:<p> Project to penetrate into Chinese exhibition market.<p> Hold high expectation for the performance of small and medium enterprises. Be well renowned in the capacity for successfully organizing exhibition.<= =3D p> =3DA1=3DF1 Rights:<p> 2-year solely dealership in the defined country/region<p> =3DA1=3DF1 Responsibilities:<p> Promote the Exhibition Hall=3D20 Organize companies to attend the exhibition Execute exhibition contract Interpret all the details to attendees or interested counterparts as our = =3D consultant there <p> =3DA1=3DF1 Profits:<p> Share 40% and above of the contract value<p> =3DA1=3DF1 Agency Fees<p> We will charge 10000 to 50000 dollars as agency fees varied with the area= =3D covered. <p> Duration of the Exhibition The Hall is planned to open from the day that China enters WTO (approxima= =3D tely Nov. 2001). <p> The duration of the Hall plans to be 5 years.<p> 365 days open to the public (except national holidays)<p> Location of the Exhibition Hall <p> The luxuriously decorated Shanghai WTO SME Import Commodities Exhibition = =3D Hall takes the first floor of Shanghai SME Service Mansion (No. 108, Damu= =3D qiao Rd., Shanghai, 200032, P. R. C.)<p> Please contact us to make further inquiry Address: the Exhibition Hall, the first Floor of Shanghai SME Mansi= =3D on, Rm. 515, No. 108, Damuqiao Rd., Shanghai, 200032, P. R. C.<p> Post Code: 200032<p> Tel: 021-64036622-5151=3DA1=3DA25152=3DA1=3DA22082 021-64330821<p> Fax: 021-64220926<p> E-mail: <a href=3D3Dmailto:exhibition@shanghai-industry.com>exhibit= io=3D n@shanghai-industry</a><p> Our Registered Office<p> The Exhibition Hall, the first Floor of Shanghai Small Enterprise Mansion= =3D , Rm. 515, No. 108, Damuqiao Rd., 200032, Shanghai, P. R. C.<p> Agent Information Form<p> Contact:<p> Title:<p> Company:<p> Address:<p> Tel:<p> Fax:<p> Post Code:<p> E-mail:<p> URL:<p> Procedure:<p> 1. Fill out the application form immediately and we accept it now. We wi= =3D ll keep you informed with your Chinese exhibition market.<p> 2. The selected candidate will have our unified contract (draft) and pric= =3D e list.<p> 3. Through friendly negotiation, the agency agreement will be executed an= =3D d mailed through registered letter or fax to us.<p> 4. You will remit the agency fees specified in the contract to our accoun= =3D t number. <p>Invoice will be mailed back as soon as the remittance has be= =3D en received.<p> 5. Upon the remittance, we will immediately deliver the Exhibition Hall c= =3D atalogue, CD-Rom, Attendance Guide, Unified Attendee Registration Form, S= =3D ample Exhibition Plan and Unified Exhibition Contract. <p> 6. The allocation of exhibition booths: according to the time of payment = =3D with the priority for assistants.<p> 7. Agency fees will not be refunded unless the violation of the contract = =3D in our part.<p> 8. Remittance.<p> =3D20 -- __--__-- =20 Message: 34 From: plgzone1@hotmail.kg To: <Undisclosed.Recipients@bbs.thing.net> Date: Mon, 06 Aug 2001 22:56:28 -0400 charset=3D3D"iso-8859-1" Subject: [Nettime-bold] Home Loans-Made Easy & Fast Reply-To: nettime-bold@nettime.org <HTML><HEAD><TITLE>We are Loan Specialists</TITLE> <META http-equiv=3D3D3DContent-Type content=3D3D3D"text/html; charset=3D3= D3Dwin=3D dows-12=3D3D 52"> <META content=3D3D3D"Microsoft FrontPage 4.0" name=3D3D3DGENERATOR> <META content=3D3D3DFrontPage.Editor.Document name=3D3D3DProgId></HEAD> <BODY> <P align=3D3D3Dcenter><b><font color=3D3D3D"#0000FF" size=3D3D3D"5">Expre= ss Loa=3D n Appro=3D3D val Center</font></b></P> <P align=3D3D3Dcenter><font color=3D3D3D"#D6321B" face=3D3D3D"Arial" size= =3D3D3D"=3D 4"><b>All=3D3D Homeowners Qualify!</b></font></P> <P align=3D3D3Dcenter><b><font color=3D3D3D"#D6321B" face=3D3D3D"Arial" s= ize=3D3D=3D 3D"3"><i>=3D3D <u>Poor Credit? 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I.D. # 023154</font></I></P></BODY></HTML> -- __--__-- =20 _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold End of Nettime-bold Digest --=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D_ _=3D 8222045(1412)997159137-- -- __--__-- Message: 2 From: jamesjones@terra.com.mx To: nettime-l@bbs.thing.net Date: Wed, 20 Jun 2001 11:50:32 Subject: [Nettime-bold] Urgent Investor Info Reply-To: nettime-bold@nettime.org Diversified Product Inspections, Inc. (OTCBB:DPRI) MAJOR CONTRACT ANNOUNCEMENTS AND HUGE NEWSLETTER COVERAGE THIS WEEK FOR D= PRI!!! This Wednesday DPRI will be profiled by some major newsletters along with= the release of significant news regarding explosive sales for the Compan= y. There will be huge volume and a strong increase in price for several = days. The same newsletters that profiled MADGF last week will begin cove= rage on DPRI. They brought MADGF from $ .24 to $1.45 in 4 days!! We kno= w for certain that the same groups are going to profile DPRI starting on = Wednesday. We are very proud that we can share this information with you so that you= can make a profit out of it. It is highly advisable to take a position = in DPRI as soon as possible, today before the market closes, or tomorrow. Revenues for DPRI, a 10-year old, fully-reporting company, have skyrocket= ed 600% higher this year to over $8 Million on substantial US Government = and Insurance Industry contracts. DPRI's client list includes over 50 ma= jor insurance companies including Allstate, Fireman's Fund, Travelers, Li= berty Mutual, Prudential, Hartford, and Nationwide. The stock is trading near its 52-week low and will start moving up immedi= ately. We believe the stock could easily reach $2 in less than a month. Good luck and watch DPRI fly this week!! -- __--__-- Message: 3 Date: Tue, 7 Aug 2001 00:24:52 -0700 (added by postmaster@mypad.MYPAD.COM= ) From: Friendly Email Support <postinifilter@mypad.com> To: activist@londonoffice.com Subject: [Nettime-bold] Friendly Email Detected Potential Junk Mail Reply-To: nettime-bold@nettime.org Dear activist@londonoffice.com, Friendly Email's junk mail protection service has detected 2 suspicious email messages since your last visit and directed them to your Friendly Email Message Center. You can inspect your suspicious email at: http://login.postini.com/exec/login?email=3Dactivist@londonoffice.com Suspicious email is kept for 14 days, after which it will be automatically deleted. Please visit your Friendly Email Message Center to delete unwanted messages and check for valid email. For help accessing and configuring your Friendly Email Message Center: http://www.postini.com/services/help.html Thank You! Friendly Email -- __--__-- Message: 4 Date: Tue, 7 Aug 2001 18:08:15 +1000 From: scotartt <scot@systemx.autonomous.org> To: sebastian@rolux.org Cc: nettime-l@bbs.thing.net Subject: [Nettime-bold] Re: <nettime> What is @XXX? [Re: Stop the G8: Onl= ine Demonstration Scheduled] Reply-To: nettime-bold@nettime.org On Tue, Aug 07, 2001 at 01:15:37AM +0200, sebastian@rolux.org wrote: > want to read more? "biel meantime (bmt) is the universal reference for > internet time. a day in internet time begins at midnight bmt (@000 swat= ch > .beats) (central european wintertime). the meridian is marked for all t= o > see on the fa=E7ade of the swatch international headquarters on > jakob-staempfli street, biel, switzerland. so, it is the same time all > over the world, be it night or day, the era of time zones has disappear= ed. > the bmt meridian was inaugurated on 23 october 1998 in the presence of > nicholas negroponte, founder and director of the massachusetts institut= e > of technology's media laboratory." what i like especially about 'swatch time' is that it seems to appeal to idiots who haven't heard of GMT. so, we swap the greenwich meridian for one in switzerland, and invent some hopeless metricized time to go with it. naturally 360 is a good number for time; it dives by 2, 3, 6, 9, 12 etc. 365 days in a year, 360 degrees in a circle, 24 hours, an accidental but nonetheless excellent match. who needs base 10 for everything? anothe= r micro-fascism to add to the pile. of course, the world time standard (now called Universal Coordinated Time= , there are several variants based on solar and sidereal measurements, but for human purposes it's all essentiall stil GMT) is based on a meridian drawn in Greenwich simply because it was the Royal Navy that finally solved the 'problem of longtitude' -- by having a clock that accurately kept the time as it was at the Greenwich Observatory. if you want a constant time worldwide for some reason, what's the problem with UCT? But the internet is without history, we can reinvent and reinvent over an= d over and it's still ALL NEW. This is it's truly revolutionary invention, the final ahistoricism, a return to cyclical time. Time to abolish time a= s if it never existed? regs scot. --=20 F [[ From: scot@autonomous.org ]] | +--[[ NERVE AGENT AUDIO SYSTEMS ]]--+--(CH3)2CH-O-P=3DO--+ [[ http://mp3.com/nerveagent ]] | CH3 -- __--__-- Message: 5 Date: Tue, 07 Aug 2001 10:13:51 +0200 From: florian schneider <fls@kein.org> To: "nettime-l@bbs.thing.net" <nettime-l@bbs.thing.net> Subject: [Nettime-bold] Casarini's Interview with Il Manifesto Reply-To: nettime-bold@nettime.org --- from list aut-op-sy@lists.village.virginia.edu --- Von: Thomas Seay <entheogens@yahoo.com> Below is my translation of Casarini's (spokesperson for Italian Tute bianche White Overalls) interview with the Italian Independent Left Newspaper "Il Manifesto" No More White Overalls Anymore Interview with Luca Casarini, one of the spokespeople of the "disobedient". "When you see an armoured police vehicle coming your way, you run or react in the same way you react when you see a gun pointed at you. We, in Genova, in Via Tolemaide, built a barricade to safeguard our well-being. For three hours we reacted against police attacks. We along with lots of others. Carlo died while defending himself against attacks by the paramilitary carabinieri.. At the same time, he was there along with thousands of men and women to affirm that "another world is possible". Luca Casarini, spokesperson for the group of social centers [centri-sociali] in the northeast of Italy, charismatic member of the Tute bianche, one of the driving forces of the Genoa Social Forum, does not have tempered words about the days in Genoa. " There is a huge difference between=20 those who construct a barricade to defend themselves and those who decide to militarily supress a large scale movement, such as the one against economic globalization. The former affirms the right to change a reality that produces misery and exploitation. the latter defends the G8 which is an illegitimate organization that wants to decide the destiny of the world ignoring the desires and hopes of those who inhabit it." In Genoa we have seen the end of political mediation between movements and institutions. I am thinking of the month in which the Genoa Social Forum (GSF)=20 carried out direct negotiations with the government, during which time the oppositional, center-left members of parliament said nothing of significance. Or the implosion of a party like the DS... To speak of death is sad after what happened to Carlo. Yes, in Genoa the institutional left died. Try to imagine the embarassment of the center-left which helped prepare for the G8 summit and then finds itself face to face with the images of brutal beatings and Carlo laying dead on the asphalt. They stammer and are speechless. And yet, preparation for the G8 was their thing. We have attempted to analyze the global government. We talked about Empire or better yet the imperial logic of the global government. This means erosion of national sovereignty. Not an end but erosion and reshaping itself into a global, imperial system. In Genoa we saw the warlike way in which this manifested itself. How to oppose this imperial system is a burning question which we were ill-prepared to answer. Il Manifesto: It seems to me that the Tute Bianche are also finished. Ended. That's a bit too strong. Exhausted perhaps, the conclusion of a phase, certainly. The tute bianche was an experiment which attempted to make the idea of conflict legitimate again. Try to picture the Genoa Social Forum. There are Catholics and us, the Arci, the Cobas, the Lilliput Network, Drop the Debt and Fiom. A powerful mixture. We acted as the main driving force without trying to gain hegemony. As tute bianche we have covered a lot of ground and questioned ourselves as to what we were doing. A positive experience but one which now seems inadequate to deal with the imperial system that faces us, where politics is the continuation of war and not vice-versa, as Karl von Clausewitz has written. Think about the Balkans, Palestine, Africa. Many people forecast that that this autumn we will enter a delicate phase of social struggle. =20 Workers who have seen the Cisl and the Uil sign a humiliating contract and the Fiom who has called for a general strike. Then schools that have become businesses, hospitals that treat health like=20 merchandise... It's these last factors that bring me to say that the phase of civil disobedience has been exhausted. Now that needs to change into social disobedience. It needs to be noted that all aspects of the Genoa Social Forum are in a state of crisis. But this does not mean paralysis so much as a recognition of the limits of its analysis, perspective and political agenda. That social forums are created in every city is positive, that they form alliances is fundamental. Even if I prefer to think not about alliances but a social process in which the movement becomes a magnet that exercises its influence on social forms and realities through a distance. Think about what happened in Genova with attorneys and volunteer healthworkers.=20 Lawyers who were certainly democrats but certainly not close to the Genoa Social Forum, who after having discussed the matter, decided to wear shirts with " Union of Democratic Lawyers" inscribed on them and to come to the demonstration; these same lawyers argue with genovese lawyers after the police beatings grew into the hundreds and had them write a harsh document about the workings of the government to the Department on Criminal Matters. Or look at the experience of the nurses and doctors who looked after those who had been beaten and then got beaten themselves by the police forces. Two positive examples of networks that developed as a result of being drawn to the theme of the movement. This doesn't mean that all is going so smoothly. We find ourselves faced with a tough difficult reality which must be understood and analyzed anew. It's not fascism but a change of state form which lends itself to a profound transformation in the means of producing wealth and subjectivity. And that is on a global level. Think about what happened on the streets of Genoa. It seemed like a riot not a street demonstration. This needs to be understood, analyzed. I am not talking about the "Black Block" obviously but about those that fought back. The so-called "Black Block" should not be incriminated though. They are people who believe that to attack capitalism it suffices to break windows. That's their "Smash Capitalism". We think otherwise. We think in terms of a process of social transformation where "the network of several networks" becomes a=20 magnet which grows in strength and favors the birth of other social networks. Il Manifesto: I think that it's right to posit that after Genoa "nothing is the same as before". But for you, what has changed? I ask that you revisit the days of Friday the 20th and Saturday the 21st. Or better the photo that the weekly "Carta" and then you, "Il Manifesto" published. It was done by Tano D'amico and shows how already in Via Tolemaide, well before Carlo was killed, the police [carabinieri] had pulled out their pistols from the holsters against us. This shows the militaristic position of the government toward the=20 anti-G8 demonstration. The police charged violently. We fought back and I stand behind our response as a political fact. Nonetheless, for us to also take up militaristic tactics would b crazy and political suicide. At Genoa there were all the forces of order, the army, the Secret Services of the eight most powerful - both economically and militarily-nations on the planet. Our movement cant measure up with that type of military power. We would be crushed within three months. Therefore we have to find a third way between those who reject economic globalization and those who opt for a symbolic gesture, like demolishing a bank. Il Manifesto: There are those who argue that Via Tolemanide was a trap into which you fell... Was there naivite on our part? Maybe. But I see it in another way. As Tute Bianche, we signed a pact with the Genoa Social Forum and we respected it. In the preparatory meeting for the day of "disobedience (Friday, 20th) we never hid our intention to violate the Red Zone. We were even clear about what instruments we would use. We didn't carry clubs or attack weapons. We didn't even wear white overalls, a decison discussed at length among ourselves at Carlini Stadium.. I think that it was right to do so because when you immerse yourself in a networked reality such as this movement, the important ingredient is not the demands of one group as much as the "contamination" between different groups who nonetheless share a common goal. If in Genoa we were naive, then this is how we were naive: remaining faithful to the pact, respecting those who thought differently from us but who like us wanted to achieve an objective. Was it a trap? Yes, set there to ensnare the entire movement. In the past, it has been written that the Tute bianche were faking it. That confronting the police was a gag. There were those who went to the point of saying that we had some kind of agreement with the police forces.=20 It has never been so. Two, three years ago we thought at length about how to act in a conflict without it becoming destructive. Our technique was different: we stated publicly what we wanted to do, letting it be known that if the police attacked us, we would defend ourselves only with shields and padding. It was our rule because it was essential that we create conflict and consensus about the objectives that we set-up for ourselves. In Genoa we expected that more or less the same thing as usual would happen. They deceived us.=20 Try and remember the meetings of the Genoa Social Forum with Scajola and Ruggiero: none of the guidelines agreed upon were respected by them. The police forces used firearms, even though they had assured us that they would not be. The right to demonstrate which Ruggiero agreed was an inalienable right was run over under the wheels of the armored police cars. Il Manifesto: And now? For me it is essential to start from what has been called "The Carlini Laboratory". Intense experience. It taught me a lot. For example, how to build a public space where "multitude" was not just a word but a shared political constuction by the "disobedient". -- __--__-- Message: 6 Date: Tue, 07 Aug 2001 10:18:59 +0200 From: Wander Eikelboom <wander.eikelboom@tyger.let.uu.nl> Reply-To: wander.s.eikelboom@let.uu.nl To: "nettime-l@bbs.thing.net" <nettime-l@bbs.thing.net> Subject: [Nettime-bold] son of star wars Reply-To: nettime-bold@nettime.org - pressrelease- STOP STAR WARS STOP THE AMERICAN MISSILE SHIELD Wednesday 22 August At the American Consulate in Amsterdam, Museumplein 19, 3 o'clock. Organized by the Jungle Association of Autonomous Astronauts The National Missile Defence system (NMD), which the American government is planning to built in order to defend themselves against miniature 'rogue-states' like North-Korea proves once again the high amount of slapstick present in the rhetoric of George W. Bush. He may be evil but he is still a lousy Darth Vader. Darth Vader, for all his sins, expressed himself in an intelligible manner, looked a great deal better and even posessed of a more coherent ideology. The missile system, however, is nothing more than sentimental machismo from frustrated cowboys: Bush bragging to Vladimir Putin he has got the largest (rocket). The expensive refuelling of the Cold War this missile shield is promising to offer, left aside (Greenpeace has taken upon this issue fairly decent), the Jungle Association of Autonomous Astronauts is organising this demonstration to protest the reality that every nation with the power to do so can use space for military uses without consulting the 'people'. Even though space aviation has always been part of military policies, secretely forcing the political processes at the background, this NMD plan is a slap in the face of everybody who believes in the possibility of a peaceful, democratic and creative space aviation. It all started so gloriously. Assuring to fulfil all promises made by science fiction, the official space travel agencies have become black holes. Boring scientist who have to battle with military and commerce for room and financial back-up, all proposing their own mediocre short termed projects. There can be no doubt that if we have to wait for them, it will take at least another century before the first civilian astronauts will get their chance to travel among the stars. This demonstration is targeted not solemnly to this Missile Defence System but also against the political processes which are at the background of it: the conspiracy of nameless technocrats who are operating within the shadows of their back offices without bothering about the consequences or moral problems which are connected to the abuse of space in the interest of an elite. Demonstrate with us in favour of a democratic independent space aviation. Demonstrate with us Against the National Missile Defence system. Bring your own sound system to this Demonstration For more information we refer you to the Jungle Association of Autonomous Astronauts website: www.socialfiction.org/jungleaaa or contact us by e-mail: jungleaaa@socialfiction.org The Jungle Association of Autonomous Astronauts takes part in a worldwide network of groups dedicated by building their own spaceships. Space travel should be available to all. =3D=3D=3D=3D=3D Social Fiction Agenda ** Wednesday 22 August>> JUNGLESTRATION by the the Jungle Association of Autonomous Astronauts @ the American Consulate in Amsterdam against the NMD or 'son of Star Wars'projects. more info: http://www.socialfiction.org/jungleaaa ** Sunday 26 August>> THE CITY SPACE CUT-UP Psychogeographical session In utrecht more info: http://www.socialfiction.org/psychogeography -- __--__-- Message: 7 Date: Tue, 7 Aug 2001 01:09:17 -0800 To: <nettime-l@bbs.thing.net>, pen-l@openflows.org, ~e-list <electronetwork-l@openflows.org> From: brian carroll <human@electronetwork.org> Subject: [Nettime-bold] Automadness: Terrors of EM Research Reply-To: nettime-bold@nettime.org [the following is written out of necessity to force change upon the situation that presents itself. it is not a piece about a private view of a private subject, a private conversation. although it has been this for many years, as one tries to do whatever they can not to complain. but when there is absolutely no possibility to go forward, then it seems time to restrategize and change the rules. the people named in this article, and the organizations, are being critiqued in a way they never have been. it has been years of trying to avoid writing this story, but it is the last thing that can be done. and it is not bothersome to see these people whom, bit by bit, have taken away the possibility of change, to have to account for their actions, as others like myself have had to change, dramatically, always for the worse. to concede, in order to survive. so too, will those who are guiding the ship now have to listen to the winds else they may find themselves shipwrecked with sharks all around. any collaborations are appreciated. time to make some change. here is my contribution to dissenting the loss of human freedoms]... A U T O B I O G R A P H Y O F M A D N E S S TERRORS OF ELECTROMAGNETIC RESEARCH public story. public facts. public individual. public domain. no copyright. 2001. no permissions necessary. please redistribute. brian thomas carroll. electromagnetic researcher. a work in progress. version 8.7.2001 http://www.electronetwork.org/works/automadness/ ------------------------------------------------------------------------ 0-- THE MYTHIC SCHIZOPHRENIC ------------------------------------------------------------------------ 1-- HYPOCRISY OF BUREAUCRATIC DEMOCRACY ------------------------------------------------------------------------ 2-- INDEPENDENT ARCHITECTURAL RESEARCH ------------------------------------------------------------------------ 3-- ASCII ARCHITECTURE ------------------------------------------------------------------------ 4-- NO IDEOLOGICAL EXIT ------------------------------------------------------------------------ 5-- CRUEL AND UNUSUAL PUNISHMENT ------------------------------------------------------------------------ 6-- THE ELECTROMAGNETIC LOBOTOMY ------------------------------------------------------------------------ 7-- MULTIMEDIATED ARCHITECTURE ------------------------------------------------------------------------ 8-- ARCHITECTURAL DEBATE (SIC) ------------------------------------------------------------------------ 9-- SOCIALIZED INSECURITY ------------------------------------------------------------------------ 10- ARCHITEXTUALIZING ELECTRICITY ------------------------------------------------------------------------ 11- PUBLIC DISINFORMATION ZONE ------------------------------------------------------------------------ 12- ELECTROMAGNETIC INTERNETWORKING ------------------------------------------------------------------------ 13- THE PURGING OF PUBLIC DISSENT ------------------------------------------------------------------------ 14- SEEING NO CHANGE ------------------------------------------------------------------------ 15- THE LAST OF THE FREE RADICALS ------------------------------------------------------------------------ 16- GOALS FOR TODAY / contact information ------------------------------------------------------------------------ This website documents the path of an individual human being in their=20 attempt to understand the cultural role of electromagnetism in the=20 field of architecture. Seemingly fictive, it publicly documents the=20 travails of an 'undisciplined' student on their public journey in=20 search of architecture, into madness and beyond. The purpose of this=20 individual's research work is to assist ordinary citizens in=20 understanding complex electromagnetic phenomena within the everyday=20 environment. And yet this work has been censored in the University; the person=20 deemed insane for 'thinking differently'; administered electroshock=20 treatments so as to fit back into 'normal' society; institutionalized=20 inside bureaucracies of economic, social, and political bondage;=20 discriminated against for challenging the status quo; surveilled by=20 ideological opponents whom have read private e-mail, shut down two=20 public e-mail lists, hacked their web server, defaced their website,=20 damaged their personal computer, destroyed the computer hardware, and=20 corrupted the software used to continue this unique electromagnetic=20 research endeavor. As a direct result, this researcher has been unable to function, to=20 stay employed, and has had their physical health deteriorate to the=20 point of collapse, in order to be 'renormalized'. They can no longer=20 continue their research of electromagnetism until help from the=20 public arrives. This human being is now seeking to live outside the=20 USA so as to be able to continue their work which pursues public=20 goals without fear of oppression, something impossible to imagine=20 from where they exist today. All of these events have led to life-threatening health and welfare=20 problems for this individual, and they have no other option but to=20 tell their story of the last ten years in hopes that other people=20 will recognize this individual continues to be actively denied their=20 basic human rights as a citizen of the world, and will legally argue,=20 if necessary, that they have been tortured as it is defined by the=20 United Nations Convention Against Torture (1984), Article 1(1). This=20 claim is not idle, nor against any one individual, but against an=20 entire cultural system as it is accumulated in the separate actions=20 of many in positions of authority and power over time. This injustice=20 must be recognized by others in order to change its predetermined=20 outcome. This biography is not personal in nature, a private grievance unique=20 to one person. Instead it publicly documents a system of Automated=20 Madness which is working against all of humanity and is actively=20 destroying the democratic rights and freedoms of individuals in this=20 human republic. This researcher is in dire need of public support from fellow=20 citizens of the world, and this is their last stand. They have tried=20 everything to avoid this confrontation. but given no other choice,=20 they are not ashamed to speak truth to the total authority of power=20 over that of truth that exists in the world today. Please suspend=20 judgment, read this story, and consider for yourself what these facts=20 present. If you then choose to support the work of this individual=20 human being, please send your support as soon as is possible, as a=20 public opportunity needs to open up fast within these storied ruins,=20 as time, energy, and resources have long run out. Contact information=20 is below for those who want to help keep this public research effort=20 alive. ------------------------------------------------------------------------ 0-- THE MYTHIC SCHIZOPHRENIC ------------------------------------------------------------------------ SPACETIME: 1970-1990, Minneapolis, Minnesota, USA EVENTs & ANALYSIS: grow up in conservative and insular environment. go to the University=20 of Minnesota while living in parents home. stress from clashing=20 worldviews of upbringing and that of the larger world. question=20 theological upbringing, in order to think independently. Thus, two=20 worlds collide in daily life, one of the traditional past and a new=20 cultural order. An impossible situation to resolve in the present=20 moment, and harder yet to rationalize without any distance inbetween=20 the oppositions. Paradox reigned supreme, in gray matter, and age-old=20 unanswerable questions were flowing... some later digital work directly relates to what was learned from=20 this early experience: * identity: philosophy, metaphysics, alchemy http://www.architexturez.com/site/identity/ HEALTH: diagnosed with bi-polar depression and actively administered=20 anti-depressant drugs while attending college as a preventative=20 measure, so as to remain within the irrational and counter-productive=20 educational system. ------------------------------------------------------------------------ 1-- HYPOCRISY OF BUREAUCRATIC DEMOCRACY ------------------------------------------------------------------------ SPACETIME: 1990-1994, on and off, University of Minnesota, Minneapolis, USA College of Architecture & Landscape Architecture (CALA) EVENTs & ANALYSIS: attempt to fit into architecture school 3 times with no success.=20 ideas did not fit well within the corporatized studio-driven=20 educational model, which does not allow for basic research.=20 imagination, while good for design, was a negative in that i 'did the=20 opposite of everyone else' and was called 'schizophrenic' for work i=20 pursued. never did anything 'right', in an esoteric type of=20 moral-architectural truth. for example, in a course on environmental=20 systems, by including noise from airplanes and cars, and pollution=20 from the busy streets next to a famous architect's library, my work=20 was chided by the teacher as i was disrespecting authority by=20 bringing up these issues in my homework, well within the range of=20 reasoning... . during one of my three times leaving architectural school an=20 architectural teacher whom i once admired, Andrzej Piotrowski , told=20 me in no uncertain terms that i could never study, understand, nor=20 know 'Architecture' outside of the University. i disagreed, may have=20 called it 'dogma' as he liked to say to me, and proceeded to leave=20 school, considered a failure. wrote to this teacher later regarding=20 my work but was never responded to, as i was no longer a part of the=20 institution, even though i was doing public architectural work. this=20 professor has just published a book from the University Press on=20 Architectural Discipline and Authority. This is highly disturbing in=20 that while he may understand power, he lacks a broader truth. This is=20 amongst the gravest insults i have encountered in my journeys, the=20 betrayal of truth by power, and the takeover of public education by a=20 privatized despotism. . well-known urban planner William Morrish met with me during his after=20 class hours. Morris had a class similar to the book Defining=20 Community: A Neighborhood Perspective which "... identifies and=20 synthesizes the ideas, strategies, and partnerships that Minneapolis=20 residents are generating through a wide variety of neighborhood=20 planning processes, particularly the Neighborhood Revitalization=20 Program (NRP)." at that time i was working for the University of Minnesota's Center=20 for Urban and Regional Affairs (CURA) for the NRP in Minneapolis'=20 Phillips neighborhood as a housing researcher and was actually doing=20 the work the class was about. the class project i presented expanded=20 the local media infrastructure to empower the community, such as with=20 freenets, bulletin board systems (BBS), and community radio. my work=20 was considered 'confusing' to the Teaching Assistant, as they did not=20 understand it (or what a computer network was), and i received a poor=20 grade. When i went to talk with the professor about this, he confided=20 something to the effect that school was not the time for working on=20 your own ideas. that it would take fifteen years, and if i wanted to=20 work on my own ideas it may be better to leave school. i was ready to=20 do my thesis at the end of grade1 and had 3 years to wait before i=20 could, and even then i would not be able to pursue `basic research'=20 dealing the role of electrification within the built environment, but=20 instead would be 'designing' a building for a fictional client. thus, i was told in so many words by Morris that my personal (public)=20 architectural ideas did not belong in a University college of=20 architecture, and that i'd have to leave to work on these ideas. he=20 said this with compassion and pragmatism, and i appreciated his=20 honesty. yet, for me this was a cultural death sentence, being a=20 student without a degree, with no hope of working in the profession,=20 student loan debts, and in waiting arms of the psychiatric arm of the=20 state. . met with studio professor Lance Lavine and tried conveying my ideas=20 on electricity's role in architecture by showing brochures for=20 American Electric streetlights and comparing theme to the Classical=20 orders of Greco-Roman architecture. I was told 'this is not=20 architecture, this is engineering' in absolute terms. meaning that it=20 had no cultural dimension. ironically, this same teacher publishes a book on Mechanics and=20 Meaning in Architecture from the University Press in 2000, which=20 explores '...technology's role in architecture and, in turn,=20 humanity's understanding of nature." and his work focusses on=20 electrical HVAC systems which would not exist today without=20 electricity and such absolute statements were and are absurd but=20 cannot be challenged, as they are status quo answers beyond=20 questioning, even to this day, as truth is secondary to power in=20 architectural discourse. . during a class presentation, studio professor B. Aaron Parker=20 censored me when saying i could not discuss the electrical=20 distribution 'poles' on my map for my studio project, as they were=20 not architecture. i said they were architecture, and he declared i=20 could not talk about them. This is the map i worked on to show how=20 the electrical distribution grid is an architectural order in the=20 built environment but it was the 'wrong' idea, again... * contextual site map displaying electrical order http://www.electronetwork.org/works/automadness/icons/map.html i left the architectural program after appealing to the Dean that i=20 was being censored, and even had my work ruined when a vandal threw=20 water all over the map. . i went to the office of the Dean of CALA at that time, Harrison=20 Fraker, Jr. and tried to convey my intentions that i was being held=20 back by the educational system. He was unable to help find a way for=20 me to continue my work at the university, and i was handed down to=20 three professors who were also unable to relate to anything i was=20 saying about the electrical infrastructure, computer networks, the=20 Internet, etceteras. Ironically when i asked for Dean Fraker's help, he ended up saying,=20 in effect: there is nothing i can do. i was referred to go to the=20 Independent Study program at the University. It is quite ironic to me=20 that this architectural administrator is now the Dean of the College=20 of Environmental Design at the University of California, Berkeley. it=20 shows how the spirit of freedom of thought of the 1960s student=20 movement in the University has been rolled-back when a helpless Dean=20 now leads a supposedly emancipated school. It is indicative of how=20 radically conservative the architectural profession remains today. HEALTH: frustrated, was told to see a University psychiatrist, which i did to=20 stay in school. i was given medicines such as tranquilizers and=20 anti-psychotics while telling the psychiatrist that what i was=20 attempting to say in architectural school was being censored and=20 unfair. That i was sane, that the teachers would not accept facts=20 into debates, etc. productive period of ascii architecture, where my ideas were not=20 accepted in school, so i put them online, specifically in the=20 design-lit forum from Pennsylvania State University, a list founded=20 by Howard Ray Lawrence and now run by John Young of cryptome.org. My posts on the design-list range from the architectural=20 establishment to my specific ideas on the implicit role of=20 electricity in understanding the built environment and architecture=20 of the present day, including the early Internet. anxiety attack when professor said i could not present my own work in=20 front of the 100 or so classmates. another student presented my work as i had to stand by listening.=20 they didn't even know what my work was about. as i heard them=20 improvise an architectural presentation about it which had nothing to=20 do with what i created, but with what the 'educators' wanted students=20 to hear, see, and believe. i started to hyperventilate and my chest and arms tightened and i ran=20 to the hospital, as i began getting extremely ill from the absurdity=20 of this situation. It was apparent i was the one who did not belong in this system, and=20 could not be made to fit either, as i was too wild, or 'not=20 disciplined' enough. i contacted the Legal Aid society and tried to bring a lawsuit=20 against the University for limiting my ability to speak about my=20 ideas in school. but they said they could not take the case, as it=20 was not clear cut enough. ------------------------------------------------------------------------ 2-- INDEPENDENT ARCHITECTURAL RESEARCH ------------------------------------------------------------------------ SPACETIME: 1993, University of Minnesota, Minneapolis, USA Program for Individualized Learning (PIL) EVENTs & ANALYSIS: apply for an Independent Study at the Program for Individualized=20 Learning (PIL) at the University of Minnesota. After three failed=20 attempts to fit my public educational pursuits into the College of=20 Architecture (CALA) `training' environment, it was my last hope to=20 continue my work. As I remember the application was turned down on its own merits. I=20 also was unable to find an academic advisor in the architecture=20 department whom I could work with. Thus, my application was not=20 accepted. * rejected P.I.L. Independent Study application http://www.electronetwork.org/works/automadness/pil/ this meant I had no architectural future in the University and would=20 have to leave it to pursue public research. By doing so, I would be=20 considered crazy, as I was not making 'rational' decisions by=20 continuing this pursuit to my own personal detriment. The atmosphere=20 was one of being perceived by others as not knowing what is 'good for=20 me' and needing bureaucracies to decide what is reasonable for me to=20 be doing, such as working in a Coca-Cola factory. . start researching online, in lieu of being able to pursue my ideas in=20 the local environment, in hopes that somehow i can find a way to=20 continue my education... * first 'Architecture and Electricity' post online http://www.electronetwork.org/works/automadness/texts/alphae.html HEALTH: Without institutional support in an official independent study=20 program, the individual student was prescribed psychiatric=20 medications so to explain 'irrational' behavior in a suitable way to=20 others, i.e., the person is mentally ill for pursuing ideas that the=20 institutions are not ready to accept or allow as legitimate decisions. Thus, the individual learner is cast out of the educational=20 environment, and is on their own. The free pursuit of truth and=20 knowledge in educational disciplines is limited by institutional=20 power and its rote bureaucracy. ~~~ SPACETIME: 1993-1994, University of Minnesota, Minneapolis. enroll in various=20 multidisciplinary classes outside of any formal degree tract, just to=20 learn. EVENTs & ANALYSIS: study Science and the State with professor Donald Geesaman at the=20 Hubert H. Humphrey Institute for Public Affairs, a genuine public=20 philosopher. some essays and ideas that bubbled to the surface of the=20 mind during that influential time include: * Window (1993) http://www.electronetwork.org/works/automadness/dg/window.html * The Spectrum from Truth to Power and Constitutional Relativity http://www.electronetwork.org/works/automadness/dg/spectrum.html * Text to Self (1994) http://www.electronetwork.org/works/automadness/dg/text2self.html * The Architect of Policy http://www.electronetwork.org/works/automadness/dg/policy.html * Being a Student in the Transition http://www.electronetwork.org/works/automadness/dg/dg.html ... some evidence that i was conducting computer searches of public=20 libraries in an effort to find books related to the cultural aspects=20 of technology during this specific period of time, in order to work=20 my way out of the predicament i was inside: * computer search for 'technology' (1993) http://www.electronetwork.org/works/automadness/dg/library.html ... simultaneously take a class on the United Nations with professor=20 Knutson and submit the following paper for a final project which=20 received a nearly failing grade at the time. The paper explored the=20 realm of telecommunications and energy systems in relation to=20 international governance and public representation. * The Architecture of the United Nations (1993) http://www.electronetwork.org/works/automadness/AUN/main.html most of this paper was written to try to explain 'why' one would=20 write such a paper, yet it still was not good enough. ... about this same time i attend a metal sculpture class and design and=20 build two symbolic electrical artifacts: * Electrical Crucifixion (1993) http://www.electronetwork.org/works/automadness/icons/crucifixion.html * Automatic Streetlight (1993) http://www.electronetwork.org/works/automadness/icons/light.html these become foundational for me, by putting the ideas and experience=20 in a tangible form, in relation to the world around me and the world=20 inside me, in conflict. HEALTH: Donald Geesaman was the best teacher i have ever had. a true=20 philosopher. As the question was never answered in advance, and=20 always contemplated again and again. His work influenced me greatly and aided in my 'mental-health' in=20 that he did not treat me as crazy but as someone who was questioning=20 the world around them, the goal of education. This helped me to=20 continue on, despite a threshold that would be with me for years=20 which i could never break through. But the ideas, and the freedom of=20 thinking that Geesaman shared was truly inspirational and i will=20 always admire his humanity and graciousness and daring to think while=20 in the University. his work helped me ground my mind, in the realm of=20 science in relation to art, and thus a good foundation for=20 architectural research. while making sculptures i was given medicines which made me so=20 unstable i would temporarily be unable to see. It was not due to=20 welding, either. i began to feel psychotic and the medicines, for the=20 first time in my life, made me feel suicidal, as they made me feel=20 crazed. ------------------------------------------------------------------------ 3-- ASCII ARCHITECTURE ------------------------------------------------------------------------ SPACETIME: online the Internet Design-List, 1993-present EVENTs & ANALYSIS: go online the internet and write about my architectural ideas on the=20 design-list. find others whom are willing to listen and debate the=20 ideas: here are a few posts which reflect the attempt to break down=20 the issues faced when trying to enact institutional change (language,=20 identity, logic, and power): * sample of ASCII architecture online http://www.electronetwork.org/works/automadness/ascii-arch/ write about the experience at the University of Minnesota College of=20 Architecture and Landscape Architecture (CALA) online the design-list: * private public service (1995) http://www.electronetwork.org/works/automadness/texts/service.html receive feedback from professors, students, and professionals that=20 others are experiencing similar limitations, and meet several good=20 friends through this public dialogue. HEALTH: Some ASCII architecture from this time period was kindly published in=20 the book Being On-line, edited by Alan Sondheim, Lusitania press. The academic saga unfolded online and as a result i was in many=20 public debates about architecture, my research, the educational=20 system, and beyond... ------------------------------------------------------------------------ 4-- NO IDEOLOGICAL EXIT ------------------------------------------------------------------------ SPACETIME: 1994~1995, Western Europe and back in less than 30 days Amsterdam, Paris, Venice upon returning to the USA i attend a grant-writing workshop and apply=20 for a research grant with the Charles Lindbergh foundation for=20 cultural research on technology. My proposal is declined without=20 comment. EVENTs & ANALYSIS: fly to Europe in search of architecture, and for opportunities to=20 work on architectural research. It is here that i realize the=20 electrical infrastructure is a common, international aesthetic. For=20 example, in Venice, Italy, all the rooftops of buildings hundreds of=20 years old have television antennas atop them. * cover of hand-made book on universal aesthetics (1994) http://www.electronetwork.org/works/automadness/icons/book.html upon returning to the USA i created a handmade book with colored=20 paper and drawings and photographs about the idea of universal=20 aesthetics and its relationship to the electrical infrastructure,=20 which i discovered during my European travels. i used this book as a=20 document to try to logically communicate with my professors, with=20 visual evidence for my public ideas based in fact. again, with no=20 luck. likewise, i realized public utilities and construction sites also=20 shared universal aesthetics via color, material, and form, especially=20 during various stages of a building's construction. This view enables=20 one to relate language with architecture, order, and design. The sum=20 of this work is later exhibited in an online photogallery: * the aesthetics of deconstruction (2000) http://www.architexturez.com/decon/ the common language of construction and demolition across world=20 cultures, which could become the basis for a shared language of=20 design, and of identity. with no money to stay in Europe, and no work for student=20 architectural researchers available, it was necessary to go back=20 'home' and face the inevitable- being institutionalized as a madman.=20 there was and is no way out of this cultural institutional insanity,=20 only ways deeper into its rotten core. i confide in a friend in Italy that i know if i return i will be=20 electroshocked. cannot avoid returning to Minnesota, and thus face=20 the consequences for not 'obeying the rules' of the authorities of=20 the reigning architectural establishment. HEALTH: absolutely crazed. The complexity of my situation, and seeing no=20 probable way out other than death made me try to escape to Europe, in=20 hopes that i could find something to stop what i foresaw inevitably=20 happening if i should have to return, being labeled crazy, on more=20 and more drugs, and inevitably becoming more and more=20 institutionalized, more and more crazy as i pursue this public work,=20 as there was and is no other possible outcome given the total control=20 over thought in the architectural academy. i could not foresee a life for myself in the USA where i could=20 continue my work and be free, within its system, and within the=20 psychology of culture. becoming confused from being processed in the cultural system for not=20 fitting in, i began to worry i lost control over my limited ability=20 to self-determine my future. instead, i faced the chaos and fury of=20 the status quo, and as a consequence was losing my sense of identity. ------------------------------------------------------------------------ 5-- CRUEL AND UNUSUAL PUNISHMENT ------------------------------------------------------------------------ SPACETIME: 1994-1995, USA severe psychiatric breakdowns due to complications with prescribed=20 medications, requiring me to hospitalize myself twice to stay alive,=20 as i lose my ability to think rationally due to the enormous=20 pressure, and the hopelessness that nothing can be done to live life=20 outside of the total authority of cultural bondage. EVENTs & ANALYSIS: returning to the USA and i had no other choice but to stop=20 fighting the system and passively accept the label of being 'chronic=20 mentally ill' so as to survive, and have my student debt reduced, and=20 to obtain food, clothing, and shelter by the State of Minnesota. ultimately, i had no other choice than to accept i was 'insane' in=20 order to stay alive, a forced confession so to speak, under duress. Instead, my ideas did not belong 'in the real world' and i was=20 institutionalized in the mental health sector and shunned by former=20 teachers and students as being an aberration as i had failed to=20 change anything, and thus was not fit enough to survive the=20 psychological hazing of architectural 'training'. During this time, US Senator Newt Gingrich publicly declared=20 something to the effect that 'if you are perceived as being mentally=20 ill or disabled, then you are'. so, ethically and morally i used this as my guideline for knowingly=20 choosing to accept this paradoxical label in order to survive, as the=20 reason for my mental illness was others who were labeling me as such,=20 while denying all logic, rationality, reason, facts, and the truth i=20 tried presenting at every possible moment in an attempt to fit into=20 the current system, to help change it for the better, in the public=20 interest. This was a completely coerced confession, else i would=20 never get out of the hospital unless i agreed that i was mentally ill. to stay alive i joined a Mental Health Day Treatment program for=20 roughly one year as a certified schizophrenic while reading Deleuze &=20 Guattari's Anti-Oedipus, Schizophrenia and Capitalism. It became a=20 useful tool, and this psychiatric philosophy, or 'schizo-philosophy',=20 offered a type of liberation-in-waiting from the United Statesian=20 worldview. After several months in Day Treatment it was clear that=20 the only way out of the hospital is through total submission, and=20 fully adopting the identity of being mentally ill, and being process=20 through the mental health system, hopefully to come out on the other=20 side. This involved the death of the ego, and also the conceptual=20 death of the individual as bearer of meaning. The future would bring the altogether unexpected, onward... HEALTH: given pills to control my behavior, and continue trying to work=20 within the system to move the ideas forward. given anti-psychotic=20 medications, i start to feel suicidal beyond my own will. working in Minneapolis in landscaping. have to quit because of=20 side-effects of the psychiatric drugs which try to adapt me into the=20 system. So too, my ability to work is ended when taking psychiatric pills and=20 building boulder walls, as i collapse into a fetal position on the=20 ground while outside working in the sun. i am now totally physically=20 and mentally reliant upon the drugs to determine what i can and=20 cannot do, to the point of complete submission, else there is only=20 suicide. unable to work, have to enter the hospital as a way to stay alive,=20 and ultimately the only choice, in order to continue working on my=20 ideas in the system, becomes ECT... ------------------------------------------------------------------------ 6-- THE ELECTROMAGNETIC LOBOTOMY ------------------------------------------------------------------------ SPACETIME: 1993-present, the Internet Design-List reading Sartre's work Being and Nothingness while going into the=20 hospital for ECT. related to ideas of non-being and of an existential=20 process of becoming a self without an identity. post-ECT, it takes 6 years of failure trying to fit back into society=20 that necessitates looking back into these files, in the summer of=20 2001, to accept the consequences and acknowledge the anger and=20 resentment i have for having to undergo such an event in 'the land of=20 the free'. EVENTs & ANALYSIS: i break down and volunteer for Electroshock therapy, as it is the=20 last thing i can do to try to change my situation. i was not coerced=20 in any way to do this by any individual, but by an entire=20 bureaucratic system which makes the individual conform to its needs,=20 and never adapts to the needs of unique individuals. electroshock therapy is and was *torture* in the sense that it became=20 the only choice for me to survive with my public architectural ideas=20 in a despotic system with a remnant of my self intact, so i was=20 hoping. And a future where i might have a different perspective, due=20 to a mental rebooting which, one must trust, i would rather avoid at=20 any cost besides that of death without ever having lived. During hospitalization i decided to create an e-mail discussion list=20 called e-shock for keeping the ordeal public while institutionalized=20 to undergo electroshock therapy during a two week period. i have=20 hardly any memory of this event, but do remember getting my computer=20 out of a locked area in the nurses quarters (where they kept the=20 medicines and dangerous items) and then unplugging the phone in the=20 hallway and putting my 386sx laptop on a small table or chair and=20 dialing up the Internet to send out semi-weekly messages updating the=20 ongoing events via a 2400 baud modem. * E-Shock mailing list posts (1995) http://www.electronetwork.org/works/automadness/e-shock/ yet, it was not the ECT itself which was the problem, as it did help=20 in some ways to keep the ideas alive. The problem is that electroshock was the ONLY option to continue=20 working on public ideas, that they are considered mentally ill and in=20 need of reform, or, the literal erasure, and rebooting of the brain,=20 so one has to reformulate their whole universe again. Thus, this=20 event finally made me truly insane, as it was pure torture, and i=20 will never recover what was lost in this destructive attempt to heal=20 me of my 'irrational thoughts', judged so as they did not fit into=20 the University system, and i hold the architectural establishment=20 significantly responsible for denying the public pursuit of=20 architectural knowledge, in order to hold onto the truth as they see=20 it, in a privatized authoritarian worldview. HEALTH: frequently nightmares, the memory of electroshock is so disturbing.=20 many nights when falling into sleep, i remember being prepared for=20 ECT when the shock-doc said- 'Let's Turn it (electrical voltage) up=20 this time..."- which filled me with terror as i fell into=20 unconsciousness in the operating room. post-ECT effects include language troubles, damaged memory, social=20 stigma, illegitimacy, prejudice, psychological issues, etc. After shock it becomes impossible to read. often have short=20 seizure-like events with a brain twitch, a miniature seizure where=20 the brain reboots, similar to that which Virilio describes in 'the=20 Aesthetics of Disappearance.' ------------------------------------------------------------------------ 7-- MULTIMEDIATED ARCHITECTURE ------------------------------------------------------------------------ SPACETIME: 1996-1998, move from Minneapolis, Minnesota to San Francisco Bay Area, Northern California, USA EVENTs & ANALYSIS: attend school for multimedia studies and continue to independently=20 research the relationship between architecture and electricity. apply for a grant from Weblab.org for the Architecture of Electricity=20 project run by the former head of the P.O.V. film series in the USA.=20 my work is again turned down for not being what they are looking for=20 in web content, while they promote their service as something to=20 challenge status quo views of things. Apply for a 2 year scholarship to the SFSU Multimedia Studies=20 Program, then directed by Randall Packer. Move to California to=20 attend school and work independently on public ideas i was unable to=20 pursue in architectural school. in my scholarship application i=20 attempted to explain my paradoxical situation: * Multimedia Studies scholarship application (1995) http://www.electronetwork.org/works/automadness/mm/form.html i was grateful to learn many new skills such as digital audio, video,=20 and imaging in a CD-rom based curriculum. later on, i taught myself=20 web skills, and applied all of these newfound skills in producing=20 works online. . As a result of a having time to research, it became possible to=20 develop various aspects of the future Architecture of Electricity=20 thesis for my graduation project. John Young at cryptome.org kindly=20 scanned and posted a document online that i sent out in paper form to=20 dozens of Architectural academics and administrators regarding the=20 research i was developing, and asking for support. i received no=20 replies: * the AE blueprint @ cryptome.org (1997-1998) http://www.electronetwork.org/works/automadness/cryptae/AE.htm The result of this blueprint was an online prototype of an=20 educationally-oriented map of electricity and an electrical cosmology=20 to help explain why one would want to rationally define a direct=20 lineage from the Big Bang to the Internet: * Mapping the Electrical Assemblage (1998) http://www.architexturez.com/mea/mea_m.htm * The Story of Electricity (1998) http://www.architexturez.com/mea/story1/2main.htm my work included 3D computer model of a chess set that i described in=20 the Program for Individualized Learning (PIL) application years=20 before... * Electrical Power System chess set (1998) http://www.electronetwork.org/works/automadness/chess/1.htm upon graduating from school, receive the Robert Bell outstanding=20 achievement award and share my work online the Internet, but still no=20 one in the field of architecture relates to it, and so i accept that=20 i will need to find work in the field of multimedia, and pursue my=20 architectural research on the side. My main goals were to stay healthy and work my way off of public=20 assistance. both of which prove impossible. HEALTH: went dentist, dr. vu, who asked why i had disability insurance. i=20 said i was mentally disabled. all people in the office were screaming or moaning in pain. young and old. i began questioning the work she was doing on my teeth, as she would=20 just start drilling until she hit a nerve, and then i would demand to=20 know what she was doing and i was assured i had severe problems with=20 my teeth. when i told others about my suspicions, i was considered=20 paranoid. So i was silent and accepted that i must be 'crazy' to=20 question this dentist. In the end, i was given 4 unnecessary root canals, none of which the=20 state would pay to cap, so i had teeth without tops, which were=20 severely infected by unhygienic tools and overdoses and subsequent=20 reactions to antibiotics. In an emergency a relative helped pay for=20 me to visit another dentist as i was in so much pain i could not=20 think. today my teeth are still infected and my health never=20 recovered from having the dentist drill on open nerves and misuse of=20 antibiotics. dr. vu left town without a trace after 'mining' my teeth and many=20 other people using the public health system. ~~~ SPACETIME: 1998-1999 EVENTs & ANALYSIS: although displaying skills often much more diverse than most employed=20 in the multimedia industry in San Francisco, i am unable to even get=20 interviews based on my resume and portfolio. So too, my architectural=20 work and research are of no help in obtaining a way out of total=20 dependency and subservience to the statistical ideal of the reigning=20 bureaucratic worldview. develop a portfolio of my digital media skills for showcasing my work=20 skills for potential employers, in an attempt to work my way off of=20 Social Security. My unique generalist skills are not valued in the=20 specialist marketplace. * SITE (going offline) http://www.architexturez.com/site/ as a public service, develop and maintain an online portal and=20 archive of freely available architectural research and theory texts=20 online the Internet in my spare time, while working on my=20 architectural research. It becomes an established site, on the main=20 page of Yahoo, and has 30,000 plus visitors a year. Yet still cannot=20 find work in the profession. * architexturez.com (being transferred) http://www.architexturez.com/ also create an architectural glossary in an attempt to deal with the=20 pervasive architectural issue regarding discourse and language, in an=20 attempt to find a shared meaning. * The glossalalia project (being transferred) http://www.architexturez.com/glossalalia/ both the architexturez and glossalalia projects are being transferred=20 to a team of online collaborators whom will continue to develop the=20 projects for the public domain. HEALTH: a computer grant was facilitated through the Center for=20 Independent Living (CIL) in Berkeley, California, where the=20 disability rights movement began in the USA, including originating=20 the drive for the American with Disabilities Act and advocacy for=20 disabled rights to work. The goal of the computer grant is to work my way off the Social=20 Security system. The mac-clone enables many things, including=20 reentering the workforce as an independent contractor at SFSU's MM=20 and IT Corporate Training program, helping develop their website and=20 strategy part-time, while also continuing my architectural research,=20 which i desperately need to do to keep my sanity. ------------------------------------------------------------------------ 8-- ARCHITECTURAL DEBATE (SIC) ------------------------------------------------------------------------ SPACETIME: 1998, the Internet Design-List EVENTs & ANALYSIS: architecture exists online in a way it cannot offline. That is, all=20 of its paradoxes and difficulties cannot be contained in a clean-room=20 environment and philosophical architectures are beginning to form=20 through debates in public forums. There is no 'public' architectural debate, outside the University.=20 But sometimes there is, in some regards, a fish out of water... debated Columbia University's architectural theorist Stephen Perrella=20 in a public forum, the design-list, regarding a Lingua Franca article=20 and the ideas presented therein centering around the idea of=20 'schizo-philosophy' as employed as a radical politic inside the=20 insular circles of architectural theorists inside the University. i=20 called this an absurd theoretical bluff, in so many words. The result was an exchange in the design-list archives... * debate with spN of Columbia University (1998) http://www.electronetwork.org/works/automadness/debate/ the debate ended, as if it never happened. spN privately said he=20 would send me a copy of his hypersurface book and then offered me a=20 chance to write in his next book. neither of which happened. And both=20 of which seemed like an opportunistic buyout at the time, as he owns=20 access to the press. For me all of this it was an indication that=20 architectural thought today is highly privatized and controlled=20 inside the University, to the point where it is impossible to have an=20 open, public debate, as those in positions of power with total=20 authority over the interpretation of architectural ideology may risk=20 being wrong or having their ideas proven basically unsound. HEALTH: besides the prevailing prejudice about being labeled schizophrenic=20 and thus, all my work being boiled down to firstly being that of a=20 mad person, dangerous even, and most certainly irrational, no matter=20 how logical or rational or reasonable one may be. They are still=20 nuts, then there is 'certainty' of where they fit into the ruling=20 system of order and control over independent thought. these documents=20 are presented to give the reader an opportunity to review=20 architectural discourse outside the institutional walls which confine=20 architectural truth and knowledge. ------------------------------------------------------------------------ 9-- SOCIALIZED INSECURITY ------------------------------------------------------------------------ SPACETIME: 1998-2001 Oakland California Social Security Office is rife with clerical=20 errors, lost data, lost files, do not answer phones or return calls,=20 and are chronically overpay, underpay, and at times totally stop=20 payments, canceling my medical insurance, while i try to work my way=20 off of the 'support' system. My PASS Plan for staying employed as a disabled worker was denied by=20 the San Francisco office of Social Security in the heart of the=20 dot-com economy, as they could not comprehend why one would needs a=20 computer at home to work as a web developer and content designer. The representative went hysterical when i tried to describe how the=20 multimedia industry is different from the industrial model of work.=20 To develop content online one needs equipment to do so, and without=20 it, one cannot keep up their skills, stay competitive, and employed. Another example of the frustration with the Social Security=20 bureaucracy is that when i wanted to take on more hours at my job, i=20 was given the name of a contact to call to find out how much i could=20 earn, without losing my insurance, and they never returned my calls=20 after one month of trying to contact them to find out. EVENTs & ANALYSIS: Upon reentering the workforce I contact several Social Security=20 Administration representatives to make the necessary changes in my=20 governmental support. From this point onward, it became impossible to=20 work and maintain my health on Social Security, as i would be=20 underpaid and overpaid and would be in constant crisis while working,=20 and trying to figure out what went wrong with the bureaucracy became=20 my part-time job, as public money was being wasted. Everytime i found the source of the errors, which were entirely=20 caused by Social Security, i would be charged for the mistakes and=20 have been submitting paperwork and resubmitting it for 3 years (they=20 lose it and do not have a central filing system) just to stay=20 employed. This damaged my health, as working became destabilized by=20 trying to get off the system and it became obvious that unless i=20 could work full-time i would end up not able to work at all. which=20 eventually is what has occurred. i have contacted the head of the local Social Security branch, my=20 Senator two times, and others to try to figure what has been wrong.=20 In the end, i was blamed for all of the errors and now am unable to=20 even talk with a representative as i am considered a troublemaker for=20 trying to fix the problem. because i am labeled with a psychiatric=20 disability any challenge to their logic is seen as my illness and i=20 have been retaliated against and discriminated against, so the=20 bureaucratic system can work the way it does without changing, a=20 familiar theme. i was both denied the opportunity to work my way off of the system=20 because of the constant errors in my checks, never knowing if i would=20 be able to pay rent or not while working, as there was an error in my=20 file. And also, after working for one year searching for a computer=20 upgrade with no success, i applied for a savings program but was=20 denied the right to save money for computer equipment to stay=20 independently employed because of systemic ignorance of today's=20 high-tech working world. The Social Security PASS Plan application forms did not relate to the=20 digital media industry i work in, and thus i would have had to lie to=20 get the grant. The bureaucratic representative could not believe that=20 one needs a computer to work as a web developer. Thus, when my only=20 computer was recently hacked and corrupted for good, i was unable to=20 continue working and now am in dire need of a new system to keep=20 working, continue my research, and remain paradoxically sane in an=20 utterly insane environment. i am more disabled since working and being on the Social Security=20 system than i would be otherwise. It has become a trap cannot escape,=20 as everytime i try to get out a problem it takes all my energy to=20 fix, and months pass by... * first public statement on Taking Pills (2000) http://www.electronetwork.org/works/automadness/nettime/pills.html Social Security denies Waiver for overpayment from a mistake 3 years=20 ago that I have worked for 3 years to correct. They review no=20 paperwork, and then tell me i did not provide the data. I believe i=20 am being targeted for speaking up to their system and calling for a=20 review of their procedures to fix the problem, as the public is=20 losing money to a broken system. Have to quit work because computer was hacked and destroyed and=20 health is deteriorating with stress and no future. When recently=20 reporting about my loss of work income, i receive no response after 5=20 attempts to notify the Administration, but a check for $1.00 US=20 instead of the regular amount arrives, threatening my ability to pay=20 rent. Again, for the 2nd time, Social Security has started the=20 process of taking back money without denying my claim for a waiver or=20 appeal from a problem generated by their system 3 years ago. It is too much for me to handle alone now and i have to ask relatives=20 from out of state to represent me as i can no longer write or talk to=20 them, or write letters, as it is now totally out of control and=20 impossible to keep up with, healthy or severely unwell, as i am now. HEALTH: Develop severe anxiety and panic attacks. Start becoming allergic to all medicines i am put on, where i develop=20 hives and welts under my skin. i am put on different drugs and the=20 same things happen, over and over. As i get sicker and sicker as the=20 stress gets more and more. The oddest coincidence is that every time i was ready to work more=20 hours in an attempt to become self-sufficient something with Social=20 Security would go wrong that would take 3 months to deal with, at=20 which point my health would be worse off, and make it impossible to=20 take on more work as fixing all the problems were a part-time job. The only choices were to remaining living on Social Security with 500=20 month or so income from working, per month. else, full-time=20 employment. anything inbetween these would mean i would likely lose=20 my housing assistance, health insurance, and supplemental income=20 should i not be able to pay rent. All or nothing. after half a dozen serious efforts to get off of the system, i came=20 to realize this would not happen for me. So i began to restrategize=20 and focus on my research work as my way out of this situation, even=20 though all my work is considered illegitimate. To do this i needed a=20 computer system to both stay employed as an independent contractor=20 and also to do research work online. After a one year search for public grants, it is clear i will not be=20 able to find another computer to stay employed and work on my ideas,=20 and thus stay sane. i apply for a grant from Social Security to save=20 for work equipment but i am refused, as i am employed, and cannot=20 prove i need a computer to do my work online. ------------------------------------------------------------------------ 10- ARCHITEXTUALIZING ELECTRICITY ------------------------------------------------------------------------ SPACETIME: Y2K, December 31st 1999 and January 1st 2000 EVENTs & ANALYSIS: finish and publish roughly ten years of independent architectural=20 research on the AE thesis website on Y2K. It consists of roughly 100=20 screens of information detailing the cultural significance of the=20 electrical infrastructure in architectural terms, for the layperson. * AE public launch announcement (Y2K) http://www.electronetwork.org/works/automadness/texts/aeY2K.html * the Architecture of Electricity (Y2K) http://www.architexturez.com/ae/ A study of the electrical infrastructure compared in relation to=20 classical notions of architecture. at this point it becomes clear that the feedback from JYA of design-l=20 and cryptome.org about addressing the larger issue of=20 electromagnetism and not only electricity is where the future of the=20 architectural research work lies. HEALTH: The only critical feedback on the project received was regarding the=20 lack of a religious perspective on the ideas being presented. upon=20 replying to an e-mail request for why this is so, my work becomes the=20 focus of a well-known religious warrior whom damns my work as that=20 for not addressing this issue. subsequently, i receive e-mail=20 threats, strange phonecalls, and other visitors requiring security=20 measures. ------------------------------------------------------------------------ 11- PUBLIC DISINFORMATION ZONE ------------------------------------------------------------------------ SPACETIME: 2000, online the Internet printed in a Hong Kong-based international design magazine. EVENTs & ANALYSIS: no one in the field of architecture or cultural research in the USA=20 will publish nor even read my work, including old student friends,=20 likely for fear of losing expertise over their version of=20 architectural reality, by insulating themselves from uncertainty.=20 Thus, the audience i focus on is everywhere but in the closed system=20 that is today's USA, unable to adapt to the present. The specific circumstances which led up to the AE thesis, that is to=20 say, the story behind the thesis, was left out for the most part, as=20 the reviewers of family and friends did not like the ending. So it=20 was rewritten so as to not mention E-Shock. Yet, without that=20 dimension, it appears just like any other boring work of research,=20 and just another thing, when it has been so highly controversial as=20 to be censored and actively dismissed. Thus, it seems appropriate to=20 put the work in its original context, after having learned that the=20 process of the work is as important as the work itself, in=20 understanding it: * original unedited AE Epilogue (Nov.1999) http://www.electronetwork.org/works/automadness/AE/aftershock.html the 'red' texts were left out of the final version in addition to the=20 images of the electroshock experience because people were so=20 disturbed by how i connected the experiences as a product of the work=20 itself, a connection which i maintain is relevant to this day. After posting the Architecture of Electricity, i wrote a synopsis of=20 the thesis in an essay which is published by Hinge Magazine in Hong=20 Kong in the summer of 2000. * Electromagnetic Architecture (2000) http://www.electronetwork.org/features/essays/ema.htm this gives me great hope in that it is the first time anyone has=20 accepted my work. The article was made to be very palatable to a=20 general audience and yet still is written for architects. This helped=20 me greatly to believe that someday my work may be seen by others,=20 outside the total control over information by architectural=20 institutions in the USA. also write a poem about the end of the public Internet * death of the internetwork (2000) http://www.electronetwork.org/works/automadness/nettime/deathnet.html HEALTH: getting sicker yet, having nightmares often and also panic attacks so=20 badly i cannot go outside at times. suspected of being complications=20 from psychiatric pills i was still able to go to a specialist doctor,=20 whom after months of tests concluded i do have nerve damage which is=20 highly unusual for a 30 year old person, and then said it will only=20 get worse with age. My ability to speak, write, and think rapidly deteriorates, i am=20 dizzy often, off balance like i may fall over, and am now even more=20 fatigued to the point of needing to close my eyes during the daytime,=20 yawning all day, and developing various nervous ticks which appear=20 during times of stress. My request to see a neurologist is denied, as=20 there is not enough evidence i may have some more severe problems. i am told all of my symptoms are that of post traumatic stress=20 syndrome, previously known as 'shell shock.' ------------------------------------------------------------------------ 12- ELECTROMAGNETIC INTERNETWORKING ------------------------------------------------------------------------ SPACETIME: 2000-2001, online the Internet. interest and support for my research work from European and Indian architects EVENTs & ANALYSIS: i am contacted by a Swiss architect and asked to write a proposal for=20 an article in an upcoming special issue of 2G magazine on=20 Architecture and Energy, published in both Spanish and English. This=20 opportunity lets me write thoughts about the larger issues related to=20 the electrical infrastructure as a cultural assemblage and my=20 proposal is accepted. Because of my situation, i am unable to accept payment due to the=20 inevitable loss of housing and healthcare and i am also denied by the=20 Social Security PASS plan the right to save the money i could have=20 made to help buy the computer equipment necessary to stay employed in=20 the multimedia industry, and to continue my work. i rewrite the essay and make it into a website with graphics and=20 animations, non-copyright, and instead have to ask for donations of=20 computer equipment as I cannot risk losing my benefits as i could end=20 up further institutionalized and even homeless due to the many rules=20 that conflict with one another and the bureaucrats that decide the=20 fate of the individual by an illogical economics of institutionalized=20 subservience. During the period prior to launching the project online, my computer=20 comes under attack, and i need to send out the maps i was working on=20 for the project and an essay to make my work public, as i fear that=20 my work may be destroyed before i could get it online. With some luck, and a public presence, i am able to launch the Seeing=20 Cyberspace project online to a few e-mail discussion lists: * Seeing Cyberspace project launched (7/2001) http://www.electronetwork.org/works/seeing/ after publishing the full-text essay on a three e-mail discussion=20 lists, there is a large response from the .mil, .edu, .com, .eu,=20 .org, and .int domains. It is again ironic that so many people "on=20 the job" from high-profile domains are visiting a mentally insane,=20 college dropout's work, and makes one wonder why they are visiting.=20 As i am not getting any better, and weird things are now happening=20 with my computer and website... * interesting visitors during June-July 2001 http://www.electronetwork.org/works/automadness/energy/visitors.html it then becomes clear i am under cultural attack, not by any one=20 person, but by a United Statesian cultural ideology that cannot deal=20 with ideas it does not condone... it seems i am becoming a terrorist=20 for 'thinking differently' in my own country, and being terrorized=20 for using my rights as a public citizen... HEALTH: within hours of posting to the 50 person electronetwork-list at=20 openflows.org, the USAF central command and LLNL.gov is at the site. Cryptome.org is the first website to publicly publish the url online. 2G magazine (Spain) publishing in print an earlier essay from late=20 2000 in a special issue on Architecture and Energy. paranoia in the extreme sets in. not that it is delusional. But that=20 the stress makes everything suspect, and it is hard to trust anything. memory starts to blank out and nerves fire repeatedly as i hang on=20 during major storms in the mental atmosphere, which have not subsided=20 for months now. a type of global warming of the brain, it is. ------------------------------------------------------------------------ 13- THE PURGING OF PUBLIC DISSENT ------------------------------------------------------------------------ SPACETIME: 1999-2000, california & online the Internet openflows.org volunteers to host the electronetwork-list and so it continues today thanks to their collaborative support ab-a.net takes over managing the architexturez-list and keeps it online, which is greatly appreciated EVENTs & ANALYSIS: post ideas critical of US Administration' s Energy Policy online and=20 have several ongoing problems, which completely destroy my ability to=20 continue working and i feel unable to do anything more to try to=20 change what is happening... * TV Ads on Election Night (11/2000) http://www.electronetwork.org/works/automadness/energy/adverts.html * US Tax Cut =3D Energy Bailout (2/2001) http://www.electronetwork.org/works/automadness/energy/bailout.html * US Energy Policy (6/2001) http://www.electronetwork.org/works/automadness/energy/policy.html two Topica.com discussion lists i manage, the electricity-list and=20 architexturez-list, totaling about 120 listmembers, shut down 'for=20 spamming'. every time i try to send e-mail to the two lists, my=20 e-mail client, Microsoft Outlook Express, swears at me with an error=20 message, saying "Stop Fucking Spamming", or something similar, and=20 stops my posts from being sent off my machine, to the lists. My=20 dial-up IP address is then blackholed so that i cannot even send=20 e-mail to topica.com to let them know what has happened to try to fix=20 the situations. next, one definite act of physical surveillance is noted, where a=20 private website with logfile monitoring is visited by a company whose=20 business sign i was looking at while outside having a cigarette late=20 at night. i wake from sleep the next morning to find this company has=20 visited my private website, an event so statistically improbable that=20 i can only assume that i am under some kind of surveillance from=20 across the city street. computer is then hacked into and the soon to be launched=20 electronetwork.org website defaced. web server e-mail being=20 monitored, as accounts which post with at random have long download=20 times (several minutes) while non-accounts on same ISP have no delay. It is evident e-mail is being read as weird e-mails arrive on mailing=20 lists and in the guise of spam referring to private conversations and=20 data from both work and home, on the telephone and online the=20 Internet. Computer is being remotely manipulated with icons moving=20 and screen resolution changed, etc. 200mb of information on disks is=20 lost as a direct result of the attack, including all hyperlinks to=20 online resources for electromagnetism related to the launching the=20 electronetwork project. All passwords are corrupted. even my PDA=20 repeatedly breaks during these very strange events. In sum, this hack attack stopped all work on the larger=20 electronetwork.org project, dead on arrival, as it never launched,=20 when it was planned to, in Spring 2001. * The welcome hack (6/2001) http://www.electronetwork.org/works/automadness/energy/welcomehack.html * system corrupted (7/2001) http://www.electronetwork.org/works/automadness/energy/corrupted.html * use caution pursuing EM (7/2001) http://www.electronetwork.org/works/automadness/energy/caution.html * the welcome mat (7/2001) http://www.electronetwork.org/works/automadness/energy/welcomemat.html my computer is now ruined. The hard drive is corrupted , even after=20 reformatting and zeroing all data. All programs are corrupted even=20 after reinstalling. All programs crash, as if they are being shut=20 down from afar at the most inopportune times... i tried for 1 year to=20 get grants for a new computer and was unable to. So now i am without=20 the tools i need to work. something very fishy is going on, and it seems that the privatized=20 bureaucratic democracy is breeding fascist elements that are shutting=20 down any dissenting opinion in order to establish total control...=20 regardless of democratic law or individual human rights, `even in=20 (the United States of ) America'. HEALTH: Under attack, fearing censorship and loss of project data, decide to=20 circulate the maps being developed for the Seeing Cyberspace project,=20 to go public with the ideas, as i fear my work will be deleted by=20 online vandals. Send 4 maps about creating a Public Energy Policy to=20 100 news organizations and government officials and receive no=20 response whatsoever. initially no one in the local believes what is going on until i show=20 them the cumulative evidence of weirdness with my computer, website,=20 logfiles, and e-mails. ------------------------------------------------------------------------ 14- SEEING NO CHANGE ------------------------------------------------------------------------ SPACETIME: 1999-2000, San Francisco, California due to the chaos experienced, and having tried everything within my=20 abilities to survive, it has become necessary to 'go public' with=20 this story, as a public autobiography of facts and events related to=20 working on public ideas which challenge the status quo, and do not=20 receive any support, but also, now, which are under active attacks=20 which are trying to shut me down by ruining my equipment, my health,=20 and my ability to continue on like this... EVENTs & ANALYSIS: i try one last time to fit into the system. There was a position for=20 a content developer at Sea-Change, a George Soros funded organization=20 for social entrepreneurs. It is based on the concept of using private=20 capital and resources to serve the public good. highly-qualified, i=20 was passionate about working with them as a content developer, and=20 also applying for a grant as a social entrepreneur. i never got interviewed for the job. nor an e-mail after twice=20 querying the status of my application. It was as if i never sent in=20 my application, essays, urls, and ideas they requested. It was as if=20 i did not even exist, although i knew i was the one for the job. It=20 is what i believe in. instead, looking on their website two months=20 later i find that an editor from a well-known non-profit is selected=20 whose skillset seems to match only 10% of the job description,=20 whereas my skillset matched more like 90% of the qualifications. That=20 was my job, and i didn't even have a chance of getting it, for=20 reasons i have tried to not accept as true. The result is writing=20 this story as an alternative. i tried to fit in, and, well, it didn't=20 work. So i'm changing strategies now. The wealthy and powerful executives of many a corporation lead this=20 effort to enact social change, to change things for the better.=20 private industry in service of the public. a great but very=20 troublesome idea that could work, if its paradoxes were acknowledged=20 and dealt with openly. That is to say, that the social goals are=20 public goals, not those of private industry. This is an essay i wrote for their writing sample on the idea of=20 philanthropists funding public social entrepreneurs: * social venture capital (3/2001) http://www.electronetwork.org/works/automadness/change/ at the same time i applied for a grant as a social entrepreneur. My=20 computer being recently hacked and barely operable, i decided it was=20 time for me to tell the truth, or my side of the story, that of a=20 public citizen who was working on public ideas on their own, without=20 any resources, and who would be able to make significant progress=20 with these goals if given a chance, and some support. i was ready to=20 make things happen. The fighting spirit was still alive, even though=20 i was under attack for my ideas online and off. After one month of filling out and then revising the online=20 application, the answer to my initial question as to whether or not=20 one has to be a legal nonprofit is answered contrary to a previous=20 answer e-mailed to me, and my application was instantly null and=20 void. i need to be a business, they now said with an apology, to be a=20 social entrepreneur. In addition to this 'my story' was critiqued as=20 not being relevant to being a social entrepreneur. As it was my=20 personal experience. not about the social entrepreneurial ideas, but=20 about me as a specific and discrete individual. i wrote back to=20 SeaChange stating that i am my ideas, and these are public ideas.=20 They are human ideas, and not just private aberrations. It is so odd to know that others can dismiss as irrelevant the lived=20 experience. what is a social entrepreneur if not first an authentic=20 individual human being? my answers to both 'obstacles encountered'=20 and 'major risks' were viewed as `out of bounds,' it seems. This act=20 of turning away from the truth, from seeing a human being who is=20 dying for their beliefs, for the pursuit of the public good, to be=20 simply dismissed away, even while this life form is in such a=20 precarious position as to be on the verge of extinction, and to do=20 nothing but turn away-- it is unconscionable and a horror that our=20 hypocritical societies of bureaucratic democracies look the other=20 way, as a holocaust of human rights is now underway reenacted by the=20 machinery of the world estate. * feedback on SeaChange application (7/2001) http://www.electronetwork.org/works/automadness/nochange/ request to be taken off of San Francisco based Creative Disturbance=20 website project for funding artists. having received no responses for=20 the year my work was on the site, and seeing conservative,=20 institutional projects get profiled, I asked for removal. vetted as=20 to why by the director Mark Beam, i respond that i do not want my=20 work affiliated with an institution that does not serve me. i do not=20 believe in that the work of creative disturbance is funding is=20 anything that is challenging to the status quo, but only what the=20 reigning marketplace wants to legitimate. HEALTH: Need to cancel my work contract because my health has declined. Not=20 having an operational computer, and no upgrade path, all work has=20 ceased. can no longer work on the Electronetwork.org project until getting=20 new, non-corrupted, working equipment. health plummets as stress level goes higher and higher, to the point=20 where i cannot even function, such as writing or talking. And a=20 rational paranoia sets in, as disparate coincidence becomes concerted=20 probability. between being sick and having my computer broken, i am no longer able=20 to work, as an employed disabled worker nor on my own research. This=20 inability to communicate online has been my last hope to move these=20 public ideas forward. And now i can no longer even do graphics on my=20 machine, only the most basic e-mail, and even that is now barely=20 operable. ------------------------------------------------------------------------ 15- THE LAST OF THE FREE RADICALS ------------------------------------------------------------------------ SPACETIME: 2001- leaving Alameda, Calfornia, USA on a journey to Montr=E9al, Qu=E9bec, Canada when an individual can no longer act with reason, with common sense=20 logic, with truth of intersubjective facts, with generalist knowledge=20 of several crucial subjects, and be denied the right to even exist,=20 then, something is wrong, as one cannot be free if they are only=20 considered insane because a bureaucracy has labeled them as such.=20 freedom is replaced by bondage, and as the cancer of a closed and=20 arch-conservative cultural order, all they can do is disappear, die.=20 And if they refuse, they are punished, until they submit. And give=20 away the last remnants of their mind, of their body, to a machinic=20 desire to destroy all difference by denying any similarity between=20 human beings, and our shared public endeavor. The public health system in the USA has actively helped to kill me.=20 And ignored all evidence that it has done more harm than good. The=20 teachers in architecture school made sure i was seeing a psychiatrist=20 when they abused their power by denying all truth which refuted their=20 subjective beliefs. i got pills and they got their paychecks and=20 tenure. This too will change. i am no longer going to accept that=20 individuals who are in positions of power are not responsible for=20 their actions. i hope they will change, or leave the University and give someone=20 else the chance they have denied others. EVENTs & ANALYSIS: a free-radical is a highly-reactive atom with an unpaired electron=20 which is associated with causing cancer, as it can disrupt the way=20 things ought to work when they are healthy. So too, in a political sense, a free radical could be someone=20 operating within a conservative environment where the traditional=20 order rules, so much so that it may refuse to change, adapt, and=20 evolve so that it can stay 'healthy'. To survive, it needs to make=20 sure the potential causes of its cancer go away, permanently, if at=20 all possible. * architecturalizing fascism (2000) http://www.electronetwork.org/works/automadness/texts/theo_arch.html * American Ruins (2001) http://www.electronetwork.org/works/automadness/texts/ruins.html taken to the extreme, traditional ideas can hold back the new, and=20 create a tension that will eventually be released, through war, art,=20 and ideas. Whenartists and thinkers and their ideas become 'the=20 enemy' and terrorize the status quo, then it is an age-old sign that=20 freedom is in jeopardy, and the ancient and repeating battle is once=20 again going to be played out on a grand scale. The most dangerous thing in this environment is not that of an=20 ideological 'opinions' demanding change, for every ideology can and=20 will eventually be controlled. Instead, it is ideas, the freedom to=20 think and interpret which becomes the greatest danger, as Victor Hugo=20 shared. It is in our ability to think freely, to question, and to=20 rethink our positions that enables us to change. When we cannot,=20 then, the predictable will happen again and again, looping back on=20 itself... * ~~~ fascist network rising ~~~ (June 2001) http://www.electronetwork.org/works/automadness/texts/fascistnet.html it is this dangerous fact which is being denied in the current=20 cultural order of United Statesism and its world picture. one of the=20 most disturbing events of my life was watching this years Fourth of=20 July parade outside my apartment on the main street of the small=20 island city where i live. When i saw everyone participating in the parade, which each year gets=20 more and more surreal in the commercial sense, i realized this was no=20 longer my country, nor were the rights nor independence celebrated=20 mine, as they were not only actively denied me, but that in a very=20 specific sense, my ideas are considered a threat, an enemy of the=20 status quo that celebrates the country in its current form. And it made me fear, not the powerful, for they are truly weak. It=20 made me fear the masses in the bureaucracy whom have to follow the=20 rules to survive, as they are the first to uphold the skewed ideology=20 of a broken system. i no longer feel safe living in the USA, as it is=20 now but a remnant of an idea, now only an ideology that could instead=20 be called the United States of Apathy or Amnesia or Armageddon.=20 whatever one calls 'US' one thing is clear, this land is not my land,=20 and this land is not free. And the blood of our ancestors which=20 fought to rescue this same idea, this same dream, from its somatic=20 incarceration from an unimaginative, totally manipulative, and=20 undemocratic bureaucratic machine of the industrial mindset. With=20 this sensation in my heart, i wrote the following e-mail to the=20 nettime-list... * declaration of Interdependence (July 2001) http://www.electronetwork.org/works/automadness/texts/interdependence.htm= l as an individual human being, and as a part of the human community, i=20 demand to see radical change in my life. i will serve no institution=20 which does not serve me, as a human being. i will not worship 'false=20 profits' in the guise of doing good, being right, decent, and fair.=20 The rules have changed my friends. The logic has changed. And now,=20 those who oppress yet deny, and continue to hold back change, the=20 ideas and actions which are needed to change the world for the=20 survival of our human republic, will have hell to pay... let loose the dragons, and the world will be in flames. credit, whether private money, stature, or status, is no good in a=20 human economy which values public deeds and actions more than selfish=20 greed, and world class ego building through cultural pyramid schemes. those who sentence those who dissent this insane system to absolute=20 cultural death will now face the same bureaucratic machinery as it=20 strips away the power of the despots whose individual power holds=20 back the rights of the human public. you, the Inquisitor, will need to conform to a reality not of your=20 own making, nor under your own control or authority. You will be=20 humbled at the power of freedom, of imagination, and love, which=20 rebels against you and your ignorance. You have chosen to fight a war=20 over ideas, which you can win only by destroying democracy. And we=20 will not allow this to happen, for just as our ancestors fell to=20 their knees, bloody and full of holes, in a pain greater than any=20 individual can bear alone, so too, in this our first Civilian World=20 War (CWW) you should now prepare yourself to meet your fate, which=20 you have chosen for yourself, apart from the rest of the human=20 community. This land, the Earth, is our land, this land, the Earth, is free.=20 This land is sacred, and you defame it. And you defame those who want=20 to protect it, and ourselves. You will be brought to your knees,=20 until you kiss the ground and join us. . In the moments before my trip to Canada, to look for work, i am=20 captivated by an artist's painting at a streetfair outside my=20 apartment, during the weekend i am writing these last words of this=20 autobiography of madness. The painting i saw sums up every complex=20 emotion i feel, every thought i have but cannot convey. It is a=20 painting by Cherokee artist and Vietnam veteran John Balloue of an=20 Indian warrior with their flag, standing infront of the American flag, * * * Home of the Brave * * * http://www.finecraftgalleries.com/shell&stone/brave.htm this painting conjures deep emotional pains of being an individual=20 human being living within a United Statesist worldview. The ideas i=20 love and honor are not those of a specific nation, but of a land of=20 freedom, of the body and the mind. Yet the world remains blatantly=20 unjust, as people continue to be processed into cultural extinction,=20 the wilderness within us all paved over with an ideology of fear not=20 freedom, hypocrisy not democracy, and murder not love. The United States i will always cherish, honor, and be a part of is=20 the United States of Humanity. It is an idea about a world that is=20 free, which cherishes memory, and fights for the liberation of the=20 unique qualities of all people equally. we are not machines alone. We are beings, with infinite desires. But=20 today, we are nothing but tools of an Automated State of Madness. a=20 place where thinking freely, and being different, is to risk becoming=20 a terrorist and an enemy of the fascist bureaucratic world estate. fellow humans. i need your help. let's work together with our unique=20 skills, and fight for our human right to be free... --first we take Montr=E9al... HEALTH: physical health is deteriorating from stress and ability to=20 communicate has become severely limited, as more stress agitates=20 symptoms of illness, including hives, exhaustion, not being able to=20 stay awake, confusion, dizziness, etc. Have welts and hives and=20 antibiotics. making me sicker. Mental Health medicines are making me=20 sicker. am on the verge of institutionalization and cannot accept=20 this as a valid option. I cannot go through this scenario again, and=20 survive. I am losing my ability to act, and my mental capacity by the=20 day. No computer, I cannot work, on my ideas, to keep me sane, nor=20 for employment to work my way off the system, which has proven=20 impossible. Have an ear infection and am given an antibiotic. due to earlier=20 medical malpractice, my immune system cannot accept the drug and i go=20 into severe shock, an almost autistic state of not being able to=20 communicate. i am nauseous for one month. sick feeling day and night. cold sweats. collapse in the middle of the night. Have blood in my system. total fatig= ue. Can no longer work. Can no longer speak. Can no longer write. Can not write a check or an e-mail. Unable to understand anything. Can no longer read. Unable to comprehend the idea of cooking food. Unable to get bread to eat. Not able to bicycle to the grocery, as my eyes cannot look straight=20 ahead. They are blitzing all over the place. Unable to stand up, so dizzy. No longer able to do regular chores such as washing dishes and cleaning. overwhelming stress. massive fatigue. Paranoia Unable to concentrate. extreme toxicity lasts the full month of July, an event i have never=20 experienced nor could i imagine such symptoms possible in one bought=20 of illness. My immune system is damaged and i am ill all of the time=20 now. That much is evident. The public health system says i am not ill=20 as my blood tests do not have all factors wrongs, to be classified as=20 an illness. So this must just be in my head. But i can no longer go=20 along with this charade. As i am dying, my heart is dying in this=20 fascist state of turning away from the truth and instead towards the=20 certainty of self-deceit. i am insane, of course, so i don't know any better. But, i know this.=20 if i continue to stay in this bureaucratic system i will soon die, as=20 my body and my mind have already been crushed beyond any hope of=20 recovery. But my spirit cannot be destroyed by this insane=20 bureaucratic democracy, by the false-freedom of conforming or being=20 punished, one in the same thing. No. freedom rings. hear the bells, they are calling us to gather... we must meet soon as time has already run out, and thus we need to=20 utilize a human psycho-logic to wormhole our way back into our shared=20 nonexistent future... ------------------------------------------------------------------------ 16- GOALS FOR TODAY ------------------------------------------------------------------------ SPACETIME: 2001, Alameda, Calfornia, USA to Montr=E9al, Qu=E9bec, Canada 30,000 feet, 500 mph, with nowhere to land EVENTs & ANALYSIS: i am visiting Montreal, Quebec, Canada, looking for work as a public=20 researcher, and support for my work through grants, or government or=20 educational research positions. Goal: Livable income Goal: part-time employment Goal: Quiet workspace Goal: Sufficient health care Goal: Dual-citizenship Goal: Telecommuting to work Goal: Relocate to Montreal Canada Goal: Computer equipment for work Goal: Tools and equipment for research Goal: Grants for public works projects Goal: Financing for Electronetwork.org contact me via e-mail if you are willing and able to contribute to=20 this public research effort so as to freely educate the citizenry=20 with ideas that can help facilitate peaceful and rapid change through=20 our abilities to work together on shared goals. brian thomas carroll human@electronetwork.org independent researcher, content designer, strategist please support the electronetwork.org project http://www.electronetwork.org/support/ . please send help as soon as possible. We need to organize the public=20 to avoid the catastrophe looming on the horizon. people do not have=20 to die. We can change the system peacefully. We must. We have no=20 other choice, as wars cannot solve this problem. And the real war=20 will be on democracy, and our freedom to dissent and to work together=20 for change... there can be large-scale cultural change for a sustainable and=20 democratic human future. And your contributions and collaborations=20 are critically needed to make this possible. looking forward to=20 working with fellow humans in serving the needs of the public. into=20 the future... where we meet again. HEALTH: To be determined... currently very ill. i believe this can change but not in the current circumstances, which=20 is what has made me write this story out, as it is the first time,=20 and the last time, i will be able to tell this story. Because i no=20 longer accept that i am the one who is insane and who needs to=20 change. i defy this label. i am a human being who is unique. As is=20 everyone. And it is the system of power and control over ideas that=20 has to change. i will not serve any institutions which do not serve=20 me back, as a human being. In frankenstein, the monster is a result of a doctor and machinery of=20 the state which made the madness manifest within the individual. It=20 is time to treat the causes of our cultural ailments, not just the=20 symptoms of our cultural dis-ease. ------------------------------------------------------------------------ return to Electromagnetic Internetwork http://www.electronetwork.org/ no copyright. public domain. 2001 -- __--__-- Message: 8 Date: Tue, 07 Aug 2001 15:37:43 +0200 From: jmm <www.vivendi@free.fr> To: Nettime-bold@nettime.org boundary=3D"------------080602040503050107020407" Subject: [Nettime-bold] Fw: freely Reply-To: nettime-bold@nettime.org --------------080602040503050107020407 Content-Type: text/plain; charset=3DISO-8859-1; format=3Dflowed Content-Transfer-Encoding: 8bit jeanbaptiste bayle wrote: > =20 > > ----- Original Message ----- > * From:*||||||||||||| free ratp <mailto:www.ratp@free.fr> > > *To:* janba@hotmail.com <mailto:janba@hotmail.com> > > *Sent:* Monday, August 06, 2001 8:12 PM > > *Subject:* freely > > > Monsieur, > > =20 > > Nous vous informons avoir re=E7u une mise en demeure, en date du 31=20 > juillet 2001, de la RATP et concernant le site www.ratp.free.fr=20 > <http://www.ratp.free.fr> que vous avez enregistr=E9 aupr=E8s de nos se= rvices. > > Selon la RATP, ce site reproduit plusieurs =E9l=E9ments sur lesquels la= =20 > RATP dispose de droits de propri=E9t=E9 intellectuelle, notamment la pa= ge=20 > d'accueil du site www.ratp.fr <http://www.ratp.fr> et sa charte=20 > graphique, des cr=E9ations pour lesquelles la RATP est titulaire des=20 > droits d'exploitation, notamment une entr=E9e de m=E9tro cr=E9=E9e par = Hector=20 > Guimard dont la RATP est cessionnaire de l'int=E9gralit=E9 des droits,=20 > ainsi que plusieurs marques enregistr=E9es au nom de la RATP. > > De plus, la RATP a remarqu=E9 que lorsque l'on d=E9place le curseur sur= la=20 > page d'acceuil de votre site, plusieurs modifications apparaissent =E0=20 > l'=E9cran. Cette nouvelle page =E9voque "L'ordre du Nouvel Ordre",=20 > pr=E9sent=E9 comme une secte. > > L'existence et le contenu du site accessible =E0 l'URL=20 > http://www.ratp.free.fr portent indiscutablement atteinte, aux droits=20 > de de la RATP ainsi qu'=E0 son image et sa r=E9putation et lui cause un= =20 > pr=E9judice dont elle est en droit de demander r=E9paration. > > Copie de cette mise en demeure vous a donc =E9t=E9 adress=E9e par LRAR,= le=20 > 02 ao=FBt 2001. > > Nous vous indiquions qu'=E9tant la personne qui =E9dite le site Web=20 > www.ratp.free.fr <http://www.ratp.free.fr> au sens de la loi n=B0=20 > 2000-719 du 1er ao=FBt 2001, il vous appartenait de donner les suites=20 > utiles =E0 cette mise en demeure *dans les plus brefs d=E9lais*. > > =20 > > Nous =E9mettons, en effet, les plus expresses r=E9serves quant aux suit= es=20 > de cette affaire. > > =20 > > Nous vous prions d'agr=E9er, Monsieur, l'expression de nos salutations=20 > les plus distingu=E9s. > > =20 > > Soci=E9t=E9 FREE > > Service Juridique > --------------080602040503050107020407 Content-Type: text/html; charset=3Dus-ascii Content-Transfer-Encoding: 7bit <html> <head> </head> <body> jeanbaptiste bayle wrote:<br> <blockquote type=3D"cite" cite=3D"mid:OE58cMzfoV1qdiixjnz00007588@hotmail= .com"> <meta content=3D"MSHTML 5.50.4522.1800" name=3D"GENERATOR"> <style></style> <div> </div> <div style=3D"font-family: arial; font-style: normal; font-variant: nor= mal; font-weight: normal; font-size: 10pt; line-height: normal; font-stre= tch: normal; font-size-adjust: none; "> ----- Original Message ----- =20 <div style=3D"background-color: rgb(228,228,228); background-image: non= e; background-repeat: repeat; background-attachment: scroll; -x-backgroun= d-x-position: 0%; -x-background-y-position: 0%; "><b> From:</b><a title=3D"www.ratp@free.fr" href=3D"mailto:www.ratp@free.fr";>|= |||||||||||| free ratp</a> </div> <div><b>To:</b><a title=3D"janba@hotmail.com" href=3D"mailto:janba@hotm= ail.com"> janba@hotmail.com</a> </div> <div><b>Sent:</b> Monday, August 06, 2001 8:12 PM</div> <div><b>Subject:</b> freely</div> </div> <div><br> </div> <div><font face=3D"Arial" size=3D"2"> <div> <div><font face=3D"Arial" size=3D"2">Monsieur, </font></div> <div> </div> <div><font face=3D"Arial" size=3D"2">Nous vous informons avoir re&ccedi= l;u une mise en demeure, en date du 31 juillet 2001, de la RATP et concernant le= site <a href=3D"http://www.ratp.free.fr";>www.ratp.free.fr</a> que vous avez enregistré auprès de nos services.</font></= div> <div><font face=3D"Arial" size=3D"2">Selon la RATP, ce site reproduit p= lusieurs éléments sur lesquels la RATP dispose de droits de propri&= eacute;té intellectuelle, notamment la page d'accueil du site <a href=3D"http://www.ratp.fr";>www.r= atp.fr</a> </font>et sa charte graphique, des créations pour lesquelles la= RATP est titulaire des droits d'exploitation, notamment une entrée de m&ea= cute;tro créée par Hector Guimard dont la RATP est cessionnaire de l'intégralit&= eacute; des droits, ainsi que plusieurs marques enregistrées au nom de la RATP.</div> <div>De plus, la RATP a remarqué que lorsque l'on déplace= le curseur sur la page d'acceuil de votre site, plusieurs modifications apparaissent &a= grave; l'écran. Cette nouvelle page évoque "L'ordre du Nouvel Ord= re", présenté comme une secte.</div> <div>L'existence et le contenu du site accessible à l'URL <a hre= f=3D"http://www.ratp.free.fr";> http://www.ratp.free.fr</a> portent indiscutablement atteinte, aux droits de de la RATP ainsi qu'&a= grave; son image et sa réputation et lui cause un préjudice dont = elle est en droit de demander réparation.</div> <div>Copie de cette mise en demeure vous a donc été adres= sée par LRAR, le 02 août 2001.</div> <div><font face=3D"Arial" size=3D"2">Nous vous indiquions qu'éta= nt la personne qui édite le site Web <a href=3D"http://www.ratp.free.fr";>www.rat= p.free.fr</a> au sens de la loi n° 2000-719 du 1er août 2001, il vous appar= tenait de donner les suites utiles à cette mise en demeure <strong>dans les= plus brefs délais</strong>.</font></div> <div> </div> <div><font face=3D"Arial" size=3D"2">Nous émettons, en effet, le= s plus expresses réserves quant aux suites de cette affaire.</font></div> <div> </div> <div><font face=3D"Arial" size=3D"2">Nous vous prions d'agréer, = Monsieur, l'expression de nos salutations les plus distingués.</font></div> <div> </div> <div><font face=3D"Arial" size=3D"2">Société FREE</font><= /div> <div><font face=3D"Arial" size=3D"2">Service Juridique</font></div> </div> </font></div> </blockquote> <br> <br> </body> </html> --------------080602040503050107020407-- -- __--__-- Message: 9 Date: Tue, 7 Aug 2001 10:11:49 -0400 (EDT) From: Alan Sondheim <sondheim@panix.com> To: <nettime-l@bbs.thing.net> Subject: [Nettime-bold] of the book Reply-To: nettime-bold@nettime.org +++ of the book i cannot write the book i desire; i think constantly - this text is an introduction. there is nothing beyond the introduction. the introduction is fecund, replete, with the details of the world between heat birth and cold death; the introduction inhales universal annihilation. there is no proper way to express this. the books i would write break down upon their enunciation. the announcement of the book is the book; the announcement effaces itself in the exhaustion of continuous production. i hold therapeutically, psychoanalytically, to this production; it becomes a life-form, prehensile; it reaches towards the book; its tentacles begin to wrap themselves around each and every trope; metaphors becomes obstacles and worlds; the production exhales in its own denouement. only in fear do i look forward to this production which spells my failure,this inability to continue, this waywardness, contrariness. it reaches through me, comes through me; how could i not believe in ghosts, avatars, cyborgs, prostheses, emananations? i write as if their very existence depended on it. repeatedly: i write myself into existence; i write myself out of it. but the existence is tinged with labor throughout - it is the laboring of an existence fragile and wavering literally beyond belief. if i could only make a statement and hold to it; if i could only connect a series of statements, almost as if they were axioms "as if to say." it is my strength and weakness that such connections are governed by laughter, and the statements themselves, by misery. i am one of the few who constantly see through myself. i know about failure from within, the rapidity of existence, the inability to seize time for an instant. the darkness is overwhelming: it is the darkness of the first and last, and only in the midst of chaotic neutrality is the semblance of being manifest. holding to the book: holding memory in place throughout the vicissitudes of life. a continuous series of failed projects tends asymptotically towards truths that otherwise remain submerged; as it is, they are external to symbolic foreclosure, forms of meanderings more at one with dark matter than luminous and momentary gravity. i could never tell you where the statement might be; what might be the equivalence of the book; what might be its destination or distribution; who might read what could be interpreted as a tropology of illness. i could never tell you the statement, or "make it" in any sense, nor is there a concept which holds fast, the "one good idea" that each of us is supposedly destined to express. it is the "nor" that grips me, the "neither this nor that," the "not both this and that," the dissuasions of propositional logics and their fundamental modes - the superimpositions of gestural logics and their organic gestures towards the frisson and trembling of being in relation. if only i could write of the rush of letters, the stream of meanings, shape-riding semantics in the depths of the night! if only utterance were at home within me, if there were set themes ready to be expressed, clouds and darkened flows "just" about to turn or return to the symbolic. instead the dance is always around - and it is a dance - a fire elsewhere,beings i could almost see in the dim light, theoretical constructs about to emerge out of a communality i witness, but never partake in. even the play of the world escapes me; i search for books within it; i search for the finality of the word, deconstructing at a rush, fevered with disbelief, exhausted with being. what is "out there" is never a "what," never "out there"; what is out there is insufficient. biography, autobiography, flattens and disenchant, transforming theory and abstraction to the incidental. scaffolding becomes anecdote and complexity is reduced to the despair of a sleepless night. the book that calls me forth is otherwise, effacing in the midst of the call, denying in its insistency. it asserts the "it" "itself," creating presence in absence, ontology in the midst of chaos. it is the engine or process born of desire; it has no otherwise existence. i fight constantly to ensure that its contents and index reflect something beyond that, that desire does not become circumstance, that circumstance does not turn thought of the world into diary. no life is "worth living" and not in the book which calls me. the book is an addiction. the book is an inescapable addiction, raging, regulated, in the absence of drugs, called forth in clarity, self-inscribing. not worth living, but a medium of the world, circumstantial mediation or re/mediation in denial. this denial, rhetoric, flight, are characteristic of that philosophy of dedication inhabiting me like an illness; they are symptoms of the book; they fumble within me; they lock themselves within me; they hold my mind in its insufficiency. they are my promise of redemption. i deconstruct the possessive, calling on methodologies i recognize as already used, carrying their own stain, their own historic shame. thinking must always cast aside the stigma; thinking must never replace it with the taint of purity. this is what i have been promised, speaking to others through myself: these are the words of the book. never written, this too a cauterization of a wound refusing to heal. i cannot write the book "i desire" - that is my failure, not that of the book. even the sentence is a sentencing; what is left to say falls to pieces. indeed, there is nothing beyond the introductions. like any other illness, a compulsion to write, to rectify, to bring down the house, to absolve rectification, to slant. to comprehend illness as a symptom, the momentary apparition of being. "i desire," "my desire." the writing of submergence. the writing of the remnant, remains. the writing of being-submerged, submerged writing. the book, my book, the book. =3D=3D=3D -- __--__-- Message: 10 From: "LADEN" <LADEN@lothringer13.de> To: <LADEN@lothringer13.de> Date: Tue, 7 Aug 2001 16:18:49 +0200 charset=3D"iso-8859-1" Subject: [Nettime-bold] |_ /\ |) (- |\|: SUN SET 11.8.-9.9.01 Reply-To: nettime-bold@nettime.org program angels proudly present *|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*| Petra Gerschner SUN-SET 11. August bis 9. September 2001 Do - So 16 - 20 Uhr Eroeffnung: Freitag, 10. August, 19.00 Uhr Sun-Set-Bar mit DJ=B4s Jens Kornacker, David Suess, Wolfgang Woehl Kamingespraech, Sonntag, 12. August 2001, 20.00 Uhr "Zur Ikonografie des Sonnenuntergangs" mit Angela Koch (Kulturwissenschaftlerin) und Michael Backmund (Journalist) *|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*| Der Sonnenuntergang ist eines der meistfotografierten Bildmotive und fast immer mit der Erinnerung an einen besonderen Augenblick verbunden. Mit dem Ausstellungsprojekt Sun-Set setzt die Muenchner Kuenstlerin Petra Gerschner den Anfang fuer eine fotografische Sammlung zur "Ikonografie de= s Sonnenuntergangs". Als kollektiver Prozess setzt sich diese Sammlung aus vielen einzelnen Momenten, Wuenschen und Ereignissen zusammen, die von de= n Beteiligten erlebt und im Bild festgehalten wurden. *|*|**|*|**|*|**|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*|*| LADENGEFLUESTER:..**:-).."codewort: schnickelschnackel oeffnet tueren der muenchner kulturszene.."..**++.."entwarnung: nur geringe strahlenbelastun= g durch ausstellung "sun-set"..**++:-).. Program Angels Space: lothringer13/LADEN eine Einrichtung des Kulturreferates der Landeshauptstadt Muenchen www.lothringer13.de/LADEN, Lothringerstr. 13, D - 81667 Muenchen tel/fax: 089 / 45 91 19 05, mail: alle@programangels.org presse: tina@programangels.org, 0177 / 7 87 16 46 We apologize for crosspostings - to subscribe/unsubscribe contact: LADEN@lothringer13.de --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.265 / Virus Database: 137 - Release Date: 18.07.2001 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.265 / Virus Database: 137 - Release Date: 18.07.2001 -- __--__-- Message: 11 Date: Tue, 7 Aug 2001 16:42:12 +0000 To: nettime-l@bbs.thing.net From: Fernando =3D?iso-8859-1?Q?Jos=3DE9?=3D Pereira <fjp@virose.pt> Subject: [Nettime-bold] Links Prize A joint venture between VIROSE (Porto= ) and V2_Organisation (Rotterdam) Reply-To: nettime-bold@nettime.org =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D LINKS PRIZE>Call for Submissions =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D ***A joint venture betwwen VIROSE (Porto) and V2_Organisation (Rotterdam ) On Liga=E7=F5es/Links/Liaisons In 2001, the city of Porto (Portugal) and the city of Rotterdam (Netherlands), are the chosen European Capitals of Culture. In the context of Porto 2001, the Program on =ABThought, Science and Interdisciplinary Projects=BB is promoting an International Conference on cyberculture, entitled =ABLiga=E7=F5es/Links/Liaisons=BB, which is curate= d by Jos=E9 Bragan=E7a de Miranda e Maria Teresa Cruz. The event will take pla= ce in Serralves Museum (Porto) from the 29th October to the 2nd November. Researchers and artists will be invited to react to the theme of the conference and all collaborations will be gather in the website and in a book to be published on the date of the conference. Each one will react to these questions, in five specific sessions: free links; strange or uncanny links; dangerous links; entangled links; on-off links. In conjunction with this event, Virose and V_2 Organisation have put together a contest consisting of the development of web.art projects. The contest is intended to promote projects of an experimental nature, as should any kind of initiative of this sort. As such, multiple and varied responses are expected, but these should not drift away from the proposed Links themes. However, there shall not be any limitations to the creative conception of Links, which should be developed in a conceptually expansive form or manner. The competition is open to any art project designed and developed specifically for the Web and produced after the 1st of January 2001. The deadline for submission is the 5th of October 2001, along with the submissions form properly filled out. The Juries final decision will announce the winner. The decision will be communicated to the winning participants on the 31st of October 2001. The US $2500 prize money will go to the best project in competition. Runner ups shall receive a written statement for their participation indicating the outstanding quality of their projects as well as an invitation for future developments within VIROSE's activities. More info and Submission Form at http://links.virose.pt **** If in need of support or for general questions concerning this prize, you may contact Paul Coutinho through paulc@virose.pt **** >>>>>>>>> -- __--__-- Message: 12 From: josephptrota@yahoo.com Date: Tue, 07 Aug 01 11:12:26 EST To: nettime-l@bbs.thing.net Reply-To: DoNotReplyByEmail@yahoo.com Subject: [Nettime-bold] >>>11,000,000 EMAIL ADDRESSES FREE! Reply-To: nettime-bold@nettime.org Dear nettime-l@bbs.thing.net, Would you like to send an Email Advertisement to 11,000,000 PEOPLE DAILY for FREE? =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D 1) Let's say you... Sell a $24.95 PRODUCT or SERVICE. 2) Let's say you... Broadcast Email to 500,000 PEOPLE DAILY. 3) Let's say you... Receive JUST 1 ORDER for EVERY 2,500 EMAILS. CALCULATION OF YOUR EARNINGS BASED ON THE ABOVE STATISTICS: [Day 1]: $4,990 [Week 1]: $34,930 [Month 1]: $139,720 NOTE: (If you do not already have a product or service to sell, we can=20 supply you with one) =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D To find out more information, Do not respond by email or you will be=20 permanantly removed from any future emails from us. Instead, please visit our web site at: http://www.moneyinyourhands.com/package1.htm List Removal Instructions: We hope you enjoyed receiving this message. However, if you'd rather=20 not receive future e-mails of this sort from Internet Specialists, please= reply=20 to this email and type "remove" in the "subject" line. -- __--__-- Message: 13 From: "Wayne" <dabestsoft89@yahoo.com> To: <NETTIME-L@bbs.thing.net> Date: Tue, 7 Aug 2001 10:47:28 Subject: [Nettime-bold] Manuf. Production/Cntrol Software For $1,495.00! Reply-To: nettime-bold@nettime.org (ES87)Job Master, a complete, user friendly Windows based software packag= e, can manage and control your operation from sales quote to=20 shipment. =20 For one week only, Job Master, normally $2,495.00, is on sale for a total= price of $1,495.00. In order for you to receive this $1,000.00 savings=20 we must have your order by August 15th. (To reply by E Mail to this message or be removed from our list, Please g= o to the bottom of this message for an E Mail link. Please do not=20 respond to us by hitting the "Reply" button. Our phone number is also loc= ated at the bottom of this message.) =20 Job Master is designed specifically for small to medium sized manufacture= rs, and costs many thousands of dollars less than any other even=20 remotely comparable software package. Following is a list of features. If you have any questions, would like to= discuss the package further, or if you would like to obtain our Web site= =20 address for a total walk through of the program, please call me directly = at (661) 286-0041.=20 By way of background, we are a software company, which for some years has= specialized in the development of custom software, primarily for=20 small to medium sized manufacturers. Job Master is a distillation of ove= r a million and a half dollars of software we have developed to control=20 and manage the production of our manufacturing clients. Job Master contains the following features: 1. QUOTATION MODULE. In this module, quotes are developed, modified, and= produced for sending to your client. A history is kept of all=20 quotes for future reference, or modification for other clients. All quot= ations and revisions are "auto numbered," including versions. The quotes= =20 section allows for the entry of parts/processes, and costing of each, inc= luding materials, labor, markup, and taxes. Inventory status can be=20 accessed from this section for reference. 2. SALES ORDER. Once a quotation is accepted, the final quotation inform= ation can be transformed into a Sales Order for your client's=20 signature on a "point and click" basis. The Sales Order can be modified = and re issued if necessary. A history if kept of all Sales Orders for=20 future reference, or modification for other clients. All sales orders an= d revisions are "auto numbered," including versions. Inventory status ca= n=20 be accessed from this section for reference. 3. CUSTOMER LETTERS can be created from the Quotation and Sales Order sec= tions. 4. SHOP TRAVELER/WORK ORDER. Once a Sales Order is accepted, the sales o= rder information can be transformed into a shop=20 traveler/work order on a "point and click" basis. Each item on the Sales= Order becomes a shop traveler/work order, with each step of=20 production of the item then listed on the traveler/work order. Each such= traveler/work order is tied back into the Sales Order. The shop=20 traveler/work order allows for the entry of line items, and notes on each= line item. The shop traveler/work order contains a "notes" section. =20 The Shop traveler/work order allows for the storing or attachment of draw= ings to the traveler/work order. The shop traveler/work order also=20 contains a "drop down," from which standard processes can be selected for= inclusion on the shop traveler/work order. The shop=20 traveler/work order numbers progress in order of production sequence, and= re numbers them if new steps are added. The shop traveler/work=20 order allows for change orders or revisions, and numbers changes in seque= nce of the original shop traveler/work order number; i.e., 100, 100-1,=20 100-2, etc. All shop traveler/work orders and related revisions are reta= ined in memory for future reference. The shop traveler/work order is bar= =20 coded for tracking of production step by step, and production of ongoing = client status reports. Bar coding includes the ability for an employee=20 to "swipe" their own ID bar code for recording in the system as to who up= graded what step. The shop traveler/work order function also allows=20 for manual update of production status. The shop traveler/work order all= ows for quality control sign off, and the final production of=20 certifications, either from a "canned" list, or hand typed in on a case b= y case basis. 5. INVENTORY. The application includes an inventory section, which allow= s operations to check materials inventory in and out. The=20 inventory section allows for the comparison of inventory received against= a P.O., and produces an "overage/underage" report of inventory=20 received as compared against the P.O. The inventory section allows for t= he setting of minimum (re-order now!) and maximum inventory=20 amounts, and produces reports showing what inventory needs to be ordered,= as well as inventory that is at or above the maximum set to have=20 in house. The inventory section also tracks "partially shipped" orders,= which are tied in to the shipping function. This section shows how=20 much completed product under a particular order has been actually shipped= to a client, and how much remains to be shipped. The balance is=20 adjusted as shipments are made. 6. REQUEST FOR PURCHASE. The application allows operators to produce a R= equest For Purchase for accounting for any inventory items,=20 which need to be ordered. Inventory items have a drop down of approved v= endors for each item. 7. REQUEST FOR BID. The application allows operators to produce a Reque= st For Bid for accounting to send to Vendors for any inventory=20 items, which need to be ordered. Inventory items have a drop down of app= roved vendors for each item to which Requests For Bid can be=20 sent. 8. INVOICE. The application produces an invoice/invoice detail for all c= ompleted items ready to be billed/shipped to clients. 9. PRODUCTION OUTPUT STATUS. The application produces a date range selec= table report on how much product, and the value of the=20 product, which was completed during a selected date range. The applicati= on also produces a report on how many orders, and the value of=20 those orders, which remain to be completed during a selected date range. 10. The application produces SHIPPING DOCUMENTS as per selected shippers,= and produces a PACKING SLIP. 11. The application has a "FIND" FUNCTION in selected sections, allowing = for searches by customer name, work order number, etc. 12. The application has "AUTO FILL;" i.e., when an operator starts to typ= e in a name, number, etc. all related information auto fills after the fi= rst=20 few letters or numbers are typed in. Job Master is currently being sold in the marketplace for $2,495.00 per p= ackage. However, if we receive your order by August 15th, your total=20 price will be $1,495.00 Again, if you have any questions at all, or would like to place your orde= r, please call me on my direct line, (661) 286-0041. Thank you! Wayne D. McFarland Application Sales, Inc. -------------------------------------------------------------------------= ----------------- This message is sent in compliance of the new e-mail bill: SECTION 301. P= er Section 301, Paragraph (a)(2)(C) of S. 1618,=20 To REPLY, if you have questions about our services and wish to respond by= E Mail, please click on the E Mail address following and enter=20 "Inquiry" in the subject line. REPLYS please click here: dabestsoft89@ya= hoo.com To be REMOVED from our mailing list, please click on the E Mail address f= ollowing and enter "Remove" in the subject line. REMOVES please=20 click here: manufsoft14@yahoo.com -------------------------------------------------------------------------= ------------------ -- __--__-- Message: 14 Date: Tue, 07 Aug 2001 19:28:50 +0000 From: Nils =3D?iso-8859-1?Q?R=3DF6ller?=3D <nils@khm.de> Reply-To: nils@khm.de Organization: Kunsthochschule =3D?iso-8859-1?Q?f=3DFCr?=3D Medien =3D?iso= -8859-1?Q?K=3DF6ln?=3D To: nettime-l@bbs.thing.net boundary=3D"------------48B51B946EC3055D9B88E4DB" Subject: [Nettime-bold] Adequatio Artis et Torturae =3D?iso-8859-1?Q?=3D9= 6?=3D Towards Marcello Mercados Capital Reply-To: nettime-bold@nettime.org Dies ist eine mehrteilige Nachricht im MIME-Format. --------------48B51B946EC3055D9B88E4DB Content-Type: text/plain; charset=3Diso-8859-1 Content-Transfer-Encoding: 8bit Adequatio Artis et Torturae =96 Towards Marcello Mercados Capital Primo Levi spoke once about the shame to be a human being. The shame to be a human being did grow within him after having survived the holocaust. Levi wrote that the shame to have been tortured, to have been treated in a way that cannot be seen in parallels to other treatments, did grow in himself after the liberation of the concentration camps. This is one factor that helps to see Marcello Mercados work =93The Capital=94. The videofilm is a work in progress since years, it is findin= g now its shape. The actual state is 70 minutes long. Most time the capital is formed by moving abstract colours and an overhelming soundscape. The film is not all the time abstract. This has to do with the second factor: Of colourmaking and of abstraction. The color Fra Angelico became famous for - the Fra Angelico blue =96 goes back to lapizlazuli stones. Very expensive stones and a very long and precious way were necessary to produce colour from these stones. Marcello Mercados colours go back to Super 8 films: films of tortured persons in Argentina. It is found footage material that someone gave to him. Mercados colour productions starts from these images. He shows this basic images at the end of the film. At the end of the film one starts to feel shame, shame to have liked colours and forms that have been abstracted from yellow, blue, deformated, burned bones and organs. Marcellos work challenges an old definition of what is true or not. True is when mental concepts are adequate to the things they represent. Three questions do arise immediatley: What is a mental concept? What is an adequate representation? And what are things? Stefan Zweig discusses aspects of this questions in the context of the theory of novel. Zweig argues that Dostojewskis novels are beautiful because they are truly lived through: The writer Dostojewski did live through all the cruelties and tortures he is writing about. This enabeld him in the interpetation of Zweig to represent Russia in a true that is adequat form. Zweig argumentation assumes that art is overhelming when an adequation between the representing artists and the represented reality is taking place. This is highly problematic. At minimum in two regards: First because Dostojewski did need a central idea (in his case: the idea of the becoming moral superiority of russia) in order to maintain and persue the construction of his novels, second because the adeqution is a relativ criterion. At the same time, but in a different geophilosphical context the definition of adequatio is not connected with an action of the soul, but to well working technology (see for example the biologist Ernst Haeckel). How an adeqution is performed can be discussed in terms of geophilosophical and epistemic conditions. Marcellos Mercados The capital reflects this. Like Dostojewski he has survived extreme situations, but in difference to Dostojewski Marcello does not construct a central idea in order to organize his expressions. Marcello uses distinctly technology in order to question what he has seen and suffered. Flint- and Paintbox =96 Techniques are used as optical devices who do shape another view on the phenomena to express. This enables him to step beside his powerstation of sensations and to discuss them from a different angle. Colour options and geometric constructions are such angles. They are laid out in the programm of the machines. But this angels are not focussed by a fleeing point, but by an open horizont formed by a critique on capitalism. The Capital of Marx serves in the Capital of Mercado as an open horizont of questions (not as stock for clear ideas that may order actions and events) and as an invitation to discuss the fact of torture and cruelity in a post-colonial time. Please check also note on Cusco www.tuxamoon.de/text/Kerzenhaendler/vorwort.html And on Toti in South America (in english) www.tuxamoon.de/text/Toti.html Nils R=F6ller --------------48B51B946EC3055D9B88E4DB Content-Type: text/x-vcard; charset=3Dus-ascii; name=3D"nils.vcf" Content-Transfer-Encoding: 7bit Content-Description: Visitenkarte f=FCr Nils R=F6ller Content-Disposition: attachment; filename=3D"nils.vcf" begin:vcard=20 n:R=F6ller;Nils tel;fax:0049 221 20189 230 x-mozilla-html:FALSE adr:;;;;;; version:2.1 email;internet:nils@khm.de fn:Nils R=F6ller end:vcard --------------48B51B946EC3055D9B88E4DB-- -- __--__-- _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold End of Nettime-bold Digest --===========================_ _= 4583740(1412)997209316-- --__--__-- _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold End of Nettime-bold Digest