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You wrote: > >Table of Contents: > > Apparatus for browser&monitor > computer fine arts <doron@computerfinearts.com> > > > "Henry Lee" <dw@dream-warriors.com> > > netzspannung.org/journal/issue0 (english - deutsch) > redaktion@netzspannung.org > > [red]20010606 and space-time mapping > hidenori watanave <derin@lovelink.co.jp> > > artits proposal > Technologies To The People <tttp@irational.org> > > Medi@terra 2001 / athens / Call for projects > "Dimos Dimitriou" <addfield@ath.forthnet.gr> > > Live EWMO au CND > "ewmo" <ewmo@technart.net> > > book announcement--Barrett > Jud Wolfskill <wolfskil@MIT.EDU> > > Apparatus for browser&monitor > computer fine arts <doron@computerfinearts.com> > > THE GREAT VIRTUAL SKYSCRAPER PROJECT > www@trashconnection.com > > 1000+1 Netzkunstprojekte / verybusy.org > mail@spiv.de > > post to nettime list > lordjimpunk <lord@jimpunk.com> > > |_ /\ |) (- |\|: back from riga - resturlaub > "LADEN" <LADEN@lothringer13.de> > > software installation > aurora@easynet.co.uk (Sarah Thompson) > > Opening@MIG Thursday >06.07.01 6-9/ A symposium@ Engine 27: "Post media" >06.08. > Michele <michele@movingimagegallery.com> > > Branding the Campus > "geert lovink" <geert@xs4all.nl> > > > >------------------------------ > >Date: Tue, 05 Jun 2001 09:53:32 -0500 >From: computer fine arts <doron@computerfinearts.com> >Subject: Apparatus for browser&monitor > >june 5, 2001 >. > http://www.computerfinearts.com/contort/ >. > quicktime streaming, fast connection recommended >. > > >------------------------------ > >Date: Mon, 4 Jun 2001 15:17:40 >From: "Henry Lee" <dw@dream-warriors.com> > >Announcement of a new Internet Film Production > >"K-Town Cowboyz" (www.k-towncowboys.com) > >“K-Town Cowboys,” is a trilogy, each episode is 30 minutes each. When all three are completed, it will be made into a 90 minute feature film. > Episode 1: Hyung (Big Brother) – Action: The Brotherhood - Two main Characters Tae and Ed-K meet to form a brotherhood, which is put to the test by harsh elements of K-Town. > Episode 2: Eur-ri (Honor) – Drama: The Trials and Tribulations of Tae and Ed-K's brotherhood. > Episode 3: Sa-rang (Love) – Love Story: The Fulfillment of a Promise – Power and Money is not all for a man. The ultimate gift is Love. > >Purpose: We want to share with the world the unique 1.5-generation (immigrated to America before the age of 10) Korean American's struggle in dealing with the bi-cultural dilemma and their >fight to maintain their cultural heritage in this multiethnic City of Angels. > >Furthermore, we want to represent the power and creativity of the 1.5-generation Korean Americans who are interested in expressing our perspective to the world through the medium of Film. > >We are involved in all aspect of making this Film, from pre-production, production, post-production, and music scoring, to distribution. > >Theme: >“Not Koreans, Not Americans, >we are the K-Town Cowboyz.” > >Korean Americans in Korea-town, Los Angeles, have their own style, culture, and flair, unique to themselves. It is this life style, which will be portrayed through the on-the-edge, hardcore, street >character of Ed-K and contrasted by the strong, grounded, >traditional character of Tae. It is the story of their relationship as they face the harsh realities and disappointments of living in K-Town. > >Casting: We are currently looking for males and females between the ages of 18 and 30, who are interested in being involved with this project. > >For any of the following positions: Female Lead, stunts, martial artists, male and female actors, production assistants, extras > > >------------------------------ > >Date: Tue, 5 Jun 2001 17:00:38 +0200 >From: redaktion@netzspannung.org >Subject: netzspannung.org/journal/issue0 (english - deutsch) > >// die Netzspannung steigt > >Welcome to the first edition of netzspannung.org/ >journal, the magazine for media production and >inter-media research. > >netzspannung.org/journal is an editorial module of >the netzspannung.org Internet platform, which goes >online in September 2001. netzspannung.org is a >project by MARS - Exploratory Media Lab (GMD) and >was initiated by Monika Fleischmann and Wolfgang >Strauss. > >netzspannung.org/journal projects a map of media >activity. Different formats for print and online are >created from a collection of texts and images which >evolve gradually to a digital knowledge landscape. > >Telematically collaborative workspaces offer new >opportunities but also create new areas of conflict >in using electronic space. In this edition, we >reflect on conditions for collaborative workspaces >and touch on related areas relevant to the set-up of >netzspannung.org. The contributions are grouped into >the following clusters: medialaboratories, >awareness, online archives, copyright and >intellectual property, distributed systems, >experimental media spaces, and cultural exchange in >the network. > >Enjoy! >netzspannung.org/journal editors >// Gabriele Blome / Andrea Helbach > >You can find the English version of the e-journal at >http://netzspannung.org/journal/issue0/index_en.html > >- ---------------------------------------------------- >netzspannung.org/journal - magazine for media >production and inter-media research >Contact: redaktion@netzspannung.org >Please subscribe at >http://netzspannung.org/journal/registrieren_en.html >- ---------------------------------------------------- > >***************** >DEUTSCHE VERSION >***************** > >// die Netzspannung steigt > >Willkommen zur ersten Ausgabe von netzspannung.org/ >journal - dem Magazin für mediale Inszenierung und >intermediale Forschung. > >netzspannung.org/journal ist ein redaktionelles >Modul der Internet-Plattform netzspannung.org, die >im September 2001 online geht. netzspannung.org ist >ein Projekt vom MARS - Exploratory Media Lab (GMD) >und wurde von Monika Fleischmann und Wolfgang >Strauss initiiert. > >netzspannung.org/journal zeigt eine Landkarte des >medialen Geschehens. Aus einer Datenbasis werden >unterschiedliche Formate für Print- und Online >generiert, die sich sukzessive zu einer digitalen >Wissenslandschaft ausweiten. > >Telematisch kollaborative Arbeitsumgebungen bieten >neue Chancen, verweisen jedoch zugleich auch auf >neue Konfliktsituationen im Umgang mit dem >elektronischen Raum. Das Journal von >netzspannung.org reflektiert in dieser Ausgabe die >Bedingungen kollaborativer Arbeitsräume und berührt >jene verwandten Diskurse, die beim Aufbau von >netzspannung.org relevant sind. Die Beiträge sind >zusammengefasst in die folgenden Cluster: >Medienlabore, Awareness, Online-Archive, Copyright >und Intellectual Property, Verteilte Systeme, >Experimentelle Medienräume, und Kulturvermittlung >im vernetzten Raum. > >Wir wünschen viel Anregung und Vergnügen beim Lesen! >Redaktion netzspannung.org/journal >// Gabriele Blome, Andrea Helbach > >Die deutsche Version des e-Journals finden Sie unter >http://netzspannung.org/journal/issue0 > >- ---------------------------------------------------- >netzspannung.org/journal - Magazin für mediale >Inszenierung und intermediale Forschung >Kontakt: redaktion@netzspannung.org >Registrieren Sie sich unter: >http://netzspannung.org/journal/registrieren.html >- ---------------------------------------------------- > > >------------------------------ > >Date: Wed, 06 Jun 2001 11:55:32 +0900 >From: hidenori watanave <derin@lovelink.co.jp> >Subject: [red]20010606 and space-time mapping > >Hello everyone, >I made the experimental works. > >one,[red]20010606, >This work is made to transform the 3-dimensional map of Shibuya_TOKYO extremely. >http://member.nifty.ne.jp/derin/qtvr/red/index.html >This is project expressing the appearance which the world transforms by feeling. > >one,[Harajuku space-time mapping/archiving workshop] >This is the common project of Hiroya Tanaka, my friend,and me. >http://www.spacetimedesigns.org/jikuumap/maps.html >(sorry japanese only) > >The participants of a project (workshop) take a photograph of a town >with a digital camera, and submit for the map on the Internet.The map is >programmed so that it may be gradually distorted by the weight of the >contributed photograph. >We exhibit signs that the map changes gradually, on Quicktime movie. >http://www.spacetimedesigns.org/jikuumap/yoyogi_small.mov >http://www.spacetimedesigns.org/jikuumap/omote_small.mov > >please gimme a comment.:) > >yours, >- -- >++ hidenori watanave (26) >A) 3d-graffitist @ Lovelink >B) Kyoto Univ.of Art'n Design >C) Asagaya college of Art'n Design >++ >http://member.nifty.ne.jp/derin/ >09098352695 > > >------------------------------ > >Date: Wed, 6 Jun 2001 11:55:25 +0200 >From: Technologies To The People <tttp@irational.org> >Subject: artits proposal > > >IDENSITY CALAF/BARCELONA 01-02. >Projects of Critical Participation and Social Interaction in the Public Spac= >e. > >IDENSITY becomes the thematic axis of a programme that gathers=20 >projects, promotes participation and proposes debates in the field of=20 >creation linked to the public space. > >Community space, interaction, identity, communication, confrontation,=20 >participation and conflict are elements that, connected to social and=20 >cultural factors, which are characteristic of the place, become=20 >active instruments to project and actively participate in the public=20 >space. > >These activities are developed between two urban areas with different=20 >characteristics: a population of three thousand inhabitants in an=20 >industrial and rural context, namely Calaf, and another of three=20 >million inhabitants in an urban context with more complex=20 >characteristics, that is, Barcelona. > >Taking these two specific contexts a field for projects to happen is=20 >proposed and open to experimentation. It is also addressed to=20 >creators who develop their work by means of representation or action=20 >in urban contexts, working directly in the field of the human=20 >interaction which is normally found to the public space. The working=20 >process is stressed through the project, participation and debate. > >IDENTITAT DENSITAT LLOC COMUNITAT >IDENTIDAD DENSIDAD LUGAR COMUNIDAD >IDENTITY DENSITY SITE COMMUNITY > > > > >Antecedents of the Project IDENSITY.CALAF/BARCELONA 01-02. > >IDENSITY.CALAF/BARCELONA 01-02 maintains the sense and the spirit of=20 >Calaf Public Art 1999-2000, gathering a number of people involved in=20 >creative practices related to the public space, either through=20 >activities of participation and theorisation, or through an open and=20 >critical debate. > >In this new stage of the project the aim is to reaffirm the goals met=20 >in the former convocation and start a renewal in order to widen its=20 >own horizon. This renewal implies the consolidation of the theoretic=20 >potential generated in all the activities, the expansion of the=20 >connection with other cities that organise activities in the field of=20 >creation and contemporary art, and also establishing ties with=20 >education and teaching: artists' collectives, schedules, schools and=20 >faculties, either of art, architecture or design. > >IDENSITY. CALAF/BARCELONA 01-02 is a project that has a=20 >multidisciplinary character focused on new areas of activity in the=20 >public space. It is based on open working processes, participation,=20 >questioning and debate. The different interrelated stages that=20 >constitute this programme are: >- -Public call of projects from other contexts (2001). >- -Carrying out the projects in the contexts of Calaf and Barcelona (2001). >- -Exhibition of the work in progress (2001-2002). >- -Debates. (2002) >- -Publication.(2002) > > > >Activities Promoted by IDENSITAT.CALAF/BARCELONA 01-02. > > >Public Call to Artists Who Relate their Activity to the Public Space > >This is a public and open call addressed to artists who have made=20 >projects and developed activities or performed in different=20 >contextual areas of the public space. Working processes which are=20 >open and applied to other social and cultural areas will also be=20 >considered. > >Stressing the Working Process and Investigation > >A selection committee chooses the artists who will participate and=20 >who will carry out a stay in Calaf and Barcelona with the aim of=20 >making a project related to both specific contexts. In this sense,=20 >the people or the working teams who would like to participate in this=20 >programme must explain which are the basic lines of activity=20 >developed in both contexts. > >Giving Support to the Production of Contemporary Creation. > >Three of the proposed projects will be selected and funded so they=20 >can be carried out. There is a period of approximately a year to make=20 >the proposal. These projects will be publicly presented in the year=20 >2002, together with a programme of debates. > >Stimulating Debate and Communication > > A series of artists and theorists, who develop their work in a=20 >hybrid area, are invited to expose their positions and ideas in order=20 >to establish a theoretical point of discussion. > >Enacting a Divulgating and Pedagogical Function > > An itinerant exhibition and a publication comprising the projects=20 >developed are the elements that makethe explanation of this programme=20 >in other places possible. Other parallel activities can be developed=20 >by means of itinerancy. > > > >Terms of the Call. > >The participation in IDENSITY. CALAF / BARCELONA 01-02 is open and it=20 >has a multidisciplinary character. It is addressed to artists who=20 >work in the field of public space. It is possible to participate with=20 >finished works or with projects. These must have focused their=20 >investigation on specific contexts and must formulate proposals of=20 >critical participation and social interaction in the public space. > >In order to make the work comprehensible it is necessary to attach=20 >all the information that is deemed suitable, as well as the=20 >references to the context. > >It is mandatory to outline the guidelines which the project will be=20 >based upon, just in case it is selected. To elaborate them the=20 >following instructions must be taken into account: > >- - The proposals must follow the general guidelines detailed in this=20 >set of terms. >- - The projects may refer to specific aspects of Calaf and Barcelona,=20 >and to common or contrasting elements of both places. >- - In Calaf a workshop that involves a sector of its population=20 >(associations, groups, collectives, students, among others) must be=20 >held, in such a way that the social fabric of the town is involved in=20 >the working process. > >The final project will be written out after a stay in both places. > >The selection committee of this call will be constituted by: > >Manuel Delgado: Anthropologist and professor of urban anthropology in=20 >the University of Barcelona. >Nuria Enguita: Exhibition manager in the Antoni T=E0pies Foundation of Barce= >lona. >Antoni Muntadas: Artist. >Ramon Parramon: Artist, professor and director of IDENSITY. CALAF /=20 >BARCELONA 01-02. > >Realisation of the Projects in the Context of Calaf and Barcelona. > >Seven authors (or working teams) will be selected among all those who=20 >have presented a work in order to develop a specific project in the=20 >context of Calaf and Barcelona. The seven chosen artists or teams=20 >will be able to realise their proposal in the period comprised=20 >between the 3rd and the 16th of September 2001. The stay will be=20 >split in two weeks, one spent in Calaf and another in Barcelona. > >This stay may be considered as a field work that will last fifteen=20 >days, so that during this period the participants can concentrate all=20 >their efforts in the making of their own projects. Therefore, there=20 >will be the possibility to work on ideas related to the specific=20 >contexts of Calaf and Barcelona. Afterwards, three out of these seven=20 >projects will be selected for a later materialisation, construction=20 >and realisation of the workshop. > >In Calaf, the Town Council will facilitate the basic materials and=20 >the required information for these three selected participants to=20 >elaborate their own specific projects. In Barcelona, the Centre of=20 >Contemporary Culture of Barcelona and Hangar will allow access to a=20 >working place and to some of their facilities: computers, video=20 >edition and working areas, among others. > > >In Barcelona, the working area does not need to be restricted to a=20 >specific zone, although the selection of areas where agglutinative=20 >processes of the urban fabric take place will be considered. There=20 >will be free access to the Documentation Centre of the Centre of=20 >Contemporary Culture of Barcelona, so that any information needed=20 >while outlining the project may be obtained. > >=46ood and lodging expenses for the three final participants will be=20 >covered by the organisation. They will also have access to a working=20 >place, to basic equipment and to any required information needed to=20 >write out the project. > >If a collective presents the project, the organisation will cover the=20 >food and lodging costs of only two members of the group. > >Exhibition of the Process > >Apart from this stay in Calaf and Barcelona (September 2001),=20 >simultaneously, some activities will be realised centred in allowing=20 >communication between participants and groups who take part in and=20 >develop the social processes affecting the city itself. Through this=20 >mechanism, the formal device that becomes the exhibition will be=20 >constructed. This exhibition will be itinerant throughout the year=20 >2002. > >The exhibition of all this process will have a documentary and an=20 >audio-visual character (slides, photographs, videos, CD-ROM, etc). > >Production > >Three out of the seven specific projects realised in the context of=20 >Calaf and Barcelona will be selected and publicly presented=20 >afterwards by mid 2002. >These projects will be funded with 5000 euros each as payment for=20 >wages and material expenses. > >The selected projects will appear in different forms: an exhibition,=20 >a publication in paper and an electronic one in the IDENSITY website.=20 >The exhibition will be held in Barcelona, Calaf and Madrid. It will=20 >also be part of the Itinerant Exhibition Programme of the Artistic=20 >Diffusion Bureau belonging to the Cultural Area of the Diputaci=F3 of=20 >Barcelona. > >Submission of the Proposals > >- - Submit a dossier (photographs, slides, videos, magnetic medium or=20 >other means of reproduction) showing other projects or works already=20 >done. >- - Attach a written document defining the basic guidelines adapted to=20 >the characteristics of this call. >- - Include a curriculum and a photocopy of each participant's identity=20 >card or passport. > >The projects should be sent from the 1st April to the 30th June of 2001 to: > >Ajuntament >Calaf Art Public >Pla=E7a Gran, 2 >E-08280 Calaf > >Phone number: 93 869 85 12 >=46ax: 93 868 04 62 >(Consultation timetable: Tuesdays and Thursdays, from 9 AM to 1 PM) > >Or through the following electronic address: idensitat@cccb.org >http://idensitat.cccb.org > >The mailing and collection of the projects will be the sole=20 >responsibility of the participants. It will be possible to collect=20 >the unwanted projects from the 1st of September to the 1st of October=20 >2001. > >Regarding the Ownership of the Works > >- - The selected works and the related projects will remain their=20 >authors' property. Their reproduction will be allowed to appear in a=20 >published form and/or to be distributed through the Internet (during=20 >a period of two years after the date of its publication), and also in=20 >all those instances related to the promotion of the IDENSITY. CALAF /=20 >BARCELONA 01-02 event. >- - The association Calaf Public art and the Town Council of Calaf will=20 >include in all their documentary files and public archive all the=20 >documentation generated by the IDENSITY. CALAF / BARCELONA 01-02=20 >event. > >The participation in this call implies the acceptance of its terms. > >Organisation > > >IDENSIDAD. CALAF / BARCELONA 01-02 >Organised by: >Associaci=F3 Calaf Art P=FAblic > >With special support: >Ayuntamiento de Calaf >Centre de Cultura Contempor=E0nia de Barcelona >Ajuntament de Barcelona. Institut de Cultura > > >Support: >Diputaci=F3 de Barcelona >Generalitat de Catalunya. Departament de Cultura. >Hangar. Centre de Producci=F3 d'Arts Visuals i Multim=E8dia >INJUVE. Ministerio de Trabajo y Asuntos Sociales > > > >General Guidelines > >Projects of critical participation and social interaction in the public spac= >e. > >The creation that is developed in a hybrid territory: a place of=20 >contagion with other fields of knowledge. > >Creation linked to other fields: anthropology, urbanism, history,=20 >sociology, pedagogy, and contact with specific cultural communities.=20 >In short, creative works approached from a perspective based on=20 >multidisciplinary roots. > >Creation as a working process linked to a place or to a specific=20 >context and proposing mechanisms of involvement in the social field. > >Creation as an activity in process able to transform either space,=20 >the relationship with the place and memory. > >Interference with social and cultural contexts. Works that act as an=20 >entrance into specific aspects of the cultural context, so that=20 >particular fragments may be analysed, debated, questioned and/or=20 >reinterpreted. > >Critical analysis of the social and contextual realities to which the=20 >work refers to. Alignments and alternative proposals opposed to=20 >consensual approaches. > >A creative practice that establishes a communication with individuals=20 >or social areas traditionally kept away from the artistic channels. > >Propose new strategies and new means of presentation in order to=20 >reach new audiences. Works that simultaneously use several=20 >technologies and final formalisations: actions in the urban public=20 >space, works for television channels or in the web, etc. > >The creative practice that proposes a working methodology based on=20 >investigation and a discourse that is coherent with this=20 >investigation. > >Approach the working process as a creative practice that requires an=20 >analysis of the situation and a later speculative proposal. A=20 >previous field of work and a proposal determined by this=20 >investigation. > > >Organisation > >IDENSITY. CALAF / BARCELONA 01-02 is a public call organised by: >Calaf Public Art Association > >With special support from: >Town Council of Calaf >Centre of Contemporary Culture of Barcelona. CCCB >Diputaci=F3 de Barcelona (provincial government) > >With the support of: >Generalitat de Catalunya (Catalan autonomous government). Department=20 >of Culture, >Ministry of Education and Culture. General Direction of Fine Arts and=20 >Cultural Patrimony > >With the collaboration of: >Hangar, Centre of Production of Visual Arts and Multimedia >INJUVE, Ministry of Work and Social Affairs > > > > > > > >------------------------------ > >Date: Wed, 6 Jun 2001 18:02:00 +0300 >From: "Dimos Dimitriou" <addfield@ath.forthnet.gr> >Subject: Medi@terra 2001 / athens / Call for projects > >Medi@terra 2001 > >International Art and Technology Festival >http://www.mediaterra.org > >De-Globalizing / Re-Globalizing Culture > >14 September - 15 October 2001 > >Lavrion-Athens >> Sofia - Plovdiv >> Maribor >> Frankfurt > >call: http://www.mediaterra.org/mediaterra2001/files/calleng.html >entry form: http://www.mediaterra.org/mediaterra2001/files/form.html > > > >The Medi@terra Festival is among the cultural events which are organised in >the context of the Olympic Games of 2004 in Athens. > > > > >CALL FOR PROJECTS > >The annual Medi@terra Festival is changing form. Under the title >De-Globalizing / Re-Globalizing, the Festival is travelling from the South >to the North in the form of a microMuseum. > >Medi@terra, having developed an intense activity around the questions posed >by digital culture, has been included among the events which are organised >on the opportunity of the Olympic Games of 2004 in Athens. Its inclusion in >the Cultural Olympiad for the years 2001 - 2004 has recently been announced. > >Medi@terra supports and puts into practice the view of a continuously >evolving festival, both in terms of its form and ideas. As such, it invites >all those with an interest in research and experimentation around the new >conditions that are now being shaped to take part in its new effort: a >moving Festival that will start off from Greece, travel through the Balkans >and end up in Germany. >This movement will be made through a microMuseum: a small, adaptable >structure which, making use of new technology, can contain a large number of >works of art, views, proposals and presentations, as well as systems and >friendly areas for communication and meetings. The works that will travel >with the microMuseum are ones which experiment with the new platforms for >the production and exhibition of the modern art work through different >creative media. The microMuseum is based on the logic of the kiosk that one >finds mainly in Greece (peripteron), with a reference at the same time to >the concept of the 'small museum,' an idea which began in the 16th century >and continues among today's artists. > >In each host city, the events of Medi@terra will be set up within and around >the microMuseum: CD-ROM art, net art, computer art, digital photography, >interactive objects and "hand luggage-sized" installations, sound >environments and electronic music, screenings, an archive with printed >matter, texts in digital form, audio-visual propositions and presentations >as well as cultural events organised by the artists and art centres of each >city. A debate on the subject of the other side of globalisation will round >off the activities of the Festival. > >An art centre in each city-stop will undertake the setting up and >realisation of the microMuseum in collaboration with its various associates, >and will participate as a co-organiser in the preparations and making of >decisions. In addition, each centre will be able to take part in >Medi@terra's journey as a member of the "Observing Cities' Net" via the >Internet. Through the Internet it will be possible to follow the path of the >microMuseum and participate in its events from a distance, from every point >on the globe. The "Observing Cities' Net" is initiated by the network of >centres which co-organise the festival, while all the members of the network >can observe, guide, disseminate information and participate with work and >activities in the unfolding events of the journey. > >The microMuseum will start from the city of Lavrion, famous from the >antiquity for its silver-mines that have supported the Hellenic Democracy of >the Golden Age, whilst in the 19th century the first industrial unit was >created there. Today, this unit has been turned into a technological park >and the Municipality is participating in a programme for the "smart city." > >Medi@terra will continue its journey through the cities of Sofia & Plovdiv >(Bulgaria), Maribor (Slovenia), ending up at the International Book Fair in >Frankfurt where the honoured country this year is Greece. Here, the >microMuseum will present, along with all the things experienced on the >journey, material with information (videos, photographs, texts, etc.) which >artists will have produced throughout the duration of the journey. > > >Important Dates > >Submission of: > >VIDEO ART & COMPUTER ANIMATION >NET ART & CD ROM >DIGITAL SOUND ART & ELECTRONIC MUSIC >COMPUTER ART & DIGITAL PHOTOGRAPHY >Material for the ARCHIVE & E-BOOKs >20 July > >Submission of proposals for INTERACTIVE OBJECTS / INTERACTIVE INSTALLATIONS >31 June > > > > >VIDEO ART & COMPUTER ANIMATION > >Conditions of participation: > >The work should be in mini DV or VHS format, PAL system > >It can be in any language. English sub-titles essential. >Submission Deadline: 20/07/2001 > > >INTERACTIVE OBJECT / INSTALLATION > >Conditions of participation: > >The work, when packed, should have maximum dimensions those of an item of >hand luggage so as to be transportable (61 x 25 x 41 cm) >It should be interactive >It should be packed in a wooden or metal case or container "hand >luggage-sized" (it should not require extra packing) >It should be technologically autonomous >It should be easy to set up by someone without specialised knowledge >It should weigh up to 20 kilos >It should be accompanied by guidelines for its use/exhibition >Submission Deadline for Proposal/Design: 31/06/2001 > >In the case that the proposal is selected, the work must be completed by 25 >August 2001. > > >INTERACTIVE DIGITAL MEDIA > >INTERNET >CD-ROM >Submission Deadline: 20/07/2001 > > >DIGITAL SOUND ART AND ELECTRONIC MUSIC > >Conditions of participation: > >The work should be in wav audio format (stereo, 44.1 kHz, 16bit) AND in mp3 >format (96 or 128 kBits, 44.1 kHz, stereo), on CD-ROM >It should have a maximum duration of 8 minutes >It should have been created within the last two years >Submission Deadline: 20/07/2001 > > >COMPUTER ART & DIGITAL PHOTOGRAPHY > >Conditions of Participation: > >The work should have maximum dimensions 10 x 15 cm >It can be printed on all kinds of paper >It should be unframed >Submission Deadline: 20/07/2001 > > >ARCHIVE of the microMuseum > >- - This can include electronic books, proposals, biographies, portraits, >testimonies, etc. in digital, internet or printed form (video, CD-ROM, >internet, printed matter). The content can be: a message from the creator, a >presentation by an artist, a demo, a documentary or a proposal. More >specifically: > >For VIDEO >- - The work should be in mini DV format >- - It should have a maximum duration of 5 minutes > >For CD-ROM, INTERNET: >- - The work should be PC compatible > >For PRINTED MATTER: >- - The printed matter can be in any language, so long as it is accompanied by >a summary of the contents in English. > >For e-BOOKS >- - The texts must should be on one of the following themes: a) journey from >the South to the North, b) from the other side of globalization, c) from the >small to the large, d) from the single to the multiple >- - It can be scientific, literary, an essay, personal, a diary, thoughts, >suggestions, even a comic, in digital form >- - It should be forwarded in English >- - It can be from 500 to 10,000 words > > >For DIGITAL MUSIC >- - The work should have a maximum duration of 8 minutes >- - It should be designed to function adequately if reproduced by the >multimedia hardware available on an average computer (medium sized desktop >stereo speakers and sound blaster class audio / mini card). > >Submission Deadline: 20/07/2001 > > >HOW TO DECLARE YOUR PARTICIPATION > >Fill in the Entry Form that you will find at www.mediaterra.org and send it >along with the material required for each category, as described above, to >the Fournos Centre for Art and New Technologies > >by post: 168 Mavromichali Street, 114 72, Athens >by fax: +301 6470 069 >by e-mail: info@fournos-culture.gr >For more information, contact Daphne Dragona, In Charge of Communication and >Co-ordination of the Festival by telephone on +301 6460 748 or +301 6420 451 >or Email daphne@fournos-culture.gr > > >Medi@terra 2001 International Art and Technology Festival >Is organized by: > >Fournos Center for Art and New Technologies >Hellenic Ministry of Culture >Hellenic Cultural Heritage SA, Cultural Olympiad 2001 - 2004 >Lavrion Municipal Development Enterprise >Is co-organized by: > >ArtToday Foundation [Bulgaria] >Student Computer Art Society [Bulgaria] >Multimedia Lab KIBLA [Slovenia] >Intima Virtual Base [Slovenia] >European Media Art Festival [Germany] >CICV Pierre Schaeffer / next-movies [France] > > > > >MEDI@TERRA 2001 - STEERING COMMITTEE > >Manthos Santorineos, Artistic Director of Medi@terra & Director of Fournos >Dodo Santorineou, Co-Director of Fournos and Medi@terra >Maria X, Co-Director of Fournos and Medi@terra >Maria Roussou, Head of the Virtual Reality Department, Foundation of the >Hellenic World >Dimos Dimitriou, Artist >Dimitris Kamarotos, Composer-Musicologist >Zoe Kazazaki, Head of the International Organizations Department, Hellenic >Ministry of Culture >Maria Theodorou, Adviser of the Hellenic Cultural Heritage SA, Cultural >Olympiad 2001 - 2004 >Andreas Nefeloudis, President of the Lavrion Municipal Development >Enterprise > > >MEDI@TERRA 2001 - PROGRAMMING COMMITTEE > >Manthos Santorineos, Artistic Director of Medi@terra & Director of Fournos >Maria X, Co-Director of Fournos and Medi@terra >Maria Roussou, Head of the Virtual Reality Department, Foundation of the >Hellenic World >Dimos Dimitriou, Artist >Dimitris Kamarotos, Composer-Musicologist >Pierre Bongiovanni, Director of the CICV Pierre Schaeffer, France >Peter Tomaz Dobrila, Director of the KIBLA Multimedia Lab, Slovenia >Alfred Rotert, Co-Director of the European Media Art Festival of Osnabruck, >Germany >Dimitrina Sevova, Curator of the Communication Front Festival & Member of >the ArtToday Foundation, Bulgaria >Rosen Petkov, President of Student Computer Art Society & Director of the >ComputerSpace Festival, Bulgaria > > > > > > > > > >------------------------------ > >Date: Wed, 6 Jun 2001 19:52:35 +0200 >From: "ewmo" <ewmo@technart.net> >Subject: Live EWMO au CND > >- ---------------------------- >LE 9 JUIN 2001 CND >- ---------------------------- > >EWMO play PHEX >EXTRA-ORDINAIRE - >carte blanche au TNT- >Centre National de la Danse - >9 Juin 2001 - 20h30 >15, rue Geoffroy-l'Asnier >75004 Paris > >- --------------------------------------------------------------------- >- ----------- Live minimal & film expérimental ewmo ---- >- --------------------------------------------------------------------- > >w i t h > >Beffroi >Live minimal électronique bruitiste basé sur l'accumulation et le >détournement. >Sons brisés, transformés, reconstruits. >*Références -> Fennesz, vague électronica, Jim O'Rourke, label Mego. > >Rekelsit >Univers live minimal dansable se structurant sur des bases rock. >Rythmiques, fréquences, mélodies. >*Références -> Schneider TM, Fennesz, Mouse on Mars > >E-di >Mix électronic bruitiste proche de la musique contemporaine écrite. >Abstrait, minimal, ambiant. >*Références -> Pansonic, Oval, label Mego, Boulez, Despentes > >Tek >Films séquentiels originaux ou détournés montés en systèmes complexes. >Corps, images, hasard. >*Références -> Tscherkassky, O'Neill, Drummond, Sharit > >- --------------------------------------------------------------------- > >http://www.technart.net/ewmo (interface à coller) > >renseignements ewmo: > >cécile 06 74 68 49 17 >Edi 06 87 66 55 44 > >Information / réservation / vente >16, rue Geoffroy-l'Asnier >T 01 42 74 06 44 >mcs@cnd.fr > >- --- > >Studio CND >15, rue Geoffroy-l'Asnier >75004 Paris >Métro : Saint-Paul, Pont-Marie > >EXTRA ORDINAIRE du 5 au 9 juin >Information / réservation / vente >16, rue Geoffroy-l'Asnier >T 01 42 74 06 44 >mcs@cnd.fr > >Passe abonnés CND >50 F (7,62 euros), TR 40 F (6,10 euros) >Passe non-abonnés >70 F (10,67 euros), TR 60 F (9,15 euros) >www.cnd.fr > >Tarif réduit : >moins de 26 ans, demandeurs d'emploi, groupe 10 personnes >http://www.cnd.fr/pages/TNT/extraordinaire.html > >- --------------------------------------------------------------- > >- - Ewmo est produit et Luna prod - >don't forget technart.net > > > > > >------------------------------ > >Date: Wed, 6 Jun 2001 16:33:17 -0400 >From: Jud Wolfskill <wolfskil@MIT.EDU> >Subject: book announcement--Barrett > > >I thought readers of NetTime-L might be interested in this book. For more >information please visit http://mitpress.mit.edu/promotions/books/BARJHS01 > >The MIT Guide to Teaching Web Site Design >Edward Barrett, Deborah A. Levinson, and Suzana Lisanti > >Most books on Web design focus on the appearance of the finished product >and pay little attention to the ideas and processes involved in intelligent >interactive design. This book is based on the premise that the principles >that have defined good communication design in the past apply equally well >to the Web. The basic process is one of defining the purpose, audience, and >style appropriate to one's objectives. Another premise is that effective >Web site design is an inherently collaborative process requiring not only >technical skills but more traditional written and oral communication >skills. Hence, this book stresses a social, process-oriented approach both >to design and to classroom instruction. > >The book covers all aspects of teaching Web design, from optimal class size >and classroom configuration to peer review of completed projects. It is >written in an accessible style and uses many examples from the Web design >course taught by the authors at MIT. > >Edward Barrett is Senior Lecturer in the Program in Writing and Humanistic >Studies; Deborah A. Levinson is Electronic Publishing Consultant, Web >Communication Services; and Suzana Lisanti is Director, Web Publishing >Services, all at the Massachusetts Institute of Technology. > >6 x 9, 123 pp., 36 illus., cloth ISBN 0-262-02500-0 > >Technical Communication, Multimedia, and Information Systems series >- -------------------------------------------------------------------------------- >Jud Wolfskill 617.253.2079 phone >Associate Publicist 617.253.1709 fax >MIT Press wolfskil@mit.edu >5 Cambridge Center http://mitpress.mit.edu >Fourth Floor >Cambridge, MA 02142 > > >------------------------------ > >Date: Wed, 06 Jun 2001 12:07:33 -0500 >From: computer fine arts <doron@computerfinearts.com> >Subject: Apparatus for browser&monitor > >june 5, 2001 >. > http://www.computerfinearts.com/contort/ >. > quicktime streaming, fast connection recommended >. > > >------------------------------ > >Date: 6 Jun 2001 17:30:19 -0700 >From: www@trashconnection.com >Subject: THE GREAT VIRTUAL SKYSCRAPER PROJECT > >SUBMIT YOUR VIRTUAL SPACE NOW! SUBMIT YOUR VIRTUAL SPACE NOW! SUBMIT YOUR VIRTUAL SPACE NOW! > >http://www.trashconnection.com > >0----00----00----00----00----00----00----00----00----00----00----00----0 > _ _ _ _ _ _ _ _ _ * _ _ _ > | |_) |_| |_ |_| | | | | | | | |_ | | | | | | | | | | | | > | | \ | | __| | | |_ |_| |\| |\| |_ |_ | | |_| |\| * |_ |_| |\/| > >0----00----00----00----00----00----00----00----00----00----00----00----0 > > >__________________________________________ >Get your free domain name and domain-based >e-mail from Namezero.com >New! Namezero Plus domains now available. >Find out more at: http://www.namezero.com > > >------------------------------ > >Date: Thu, 07 Jun 2001 04:13:47 +0200 >From: =?iso-8859-1?Q?=22Stephan_=28Spiv=29_Schr=F6der=22?= <mail@spiv.de> >Subject: 1000+1 Netzkunstprojekte / verybusy.org > > >*** Netzkunstsuchmaschine seit 98 www.verybusy.org > > >Hallo Liste, > >nach etwas weniger als 2 Jahren verzeichnet die autonome Suchmaschine für >Netz und Medienkunst www.verybusy.org fast 1000 durch User eingetragene >Netz/medienkunstr-Projekte (935) und eine immense Anzahl von Instutitionen, >E-zines, Festivals etc. > >Alle Listenneulinge möchte ich einladen, ihre Netzkunstprojekte bei >www.verybusy.org kostenlos zu registrieren und Anbieter von "per Hand" >gepfelgten Netzkunst Listen zur kooperation bzw. Datenabgleich bitten. > >Die verybusy.org Suchmaschine kann sehr einfach über: >- -- copy & paste ------------------------------8>< - - - -- ----- ><form action="http://www.verybusy.org/cgi-bin/search.pl" name="Formular" >target="_blank"> >SEARCH AT www.verybusy.org ><input type="text" name="searchkeys" size="20"> ><input type="hidden" name="parameter" value="all"> ><input type="hidden" name="target" value="_blank"> ><input type="submit" name="Submit" value="go"> ><input type="button" name="add" value="add project" >onClick="document.location.href = 'http://www.verybusy.org/add_remote.htm'"> ></form> >- -- copy & paste ------------------------------8>< - - - -- ----- > >direkt in eure Websites integriert werden. Geplant ist ausserdem die >Suchmaschine demnächst mit einigen Neuerungen auf Version 4.0 zu trimmen. >Der Einsender des 1000sten Netzkunstprojektes gewinnt Ausserdem einen >Preis. (email kontakt erfoderlich) > >spiv. >verybusy.org > > > > > >------------------------------ > >Date: Wed, 06 Jun 2001 16:00:35 +0200 >From: lordjimpunk <lord@jimpunk.com> >Subject: post to nettime list > >hello > > > >can you post this for the nettime list > > > >http://www.jimpunk.com/ >http://connection11111111111111111111111111111111111.jimpunk.com/ >http://www.jimpunk.com/project/star/ > > > > > >screen resolution of 1024 X 768 >Flash Player >Netscape >= 4.04 or I.E. >= 4.01 > >thanx > >cyril > > >------------------------------ > >Date: Wed, 6 Jun 2001 17:21:05 +0200 >From: "LADEN" <LADEN@lothringer13.de> >Subject: |_ /\ |) (- |\|: back from riga - resturlaub > >program angels projects proudly present > >BACK FROM RIGA+BACK FROM RIGA+BACK FROM RIGA+BACK FROM RIGA > >Resturlaub - der etwas andere Reisebericht > >auf der Terrasse des "Hotel President" >lothringer13/LADEN >Sa, 09.Juni 2001, 20 Uhr > >mit Hannes Gamper, Karl-Heinz Einberger, Valentin Goderbauer >und Rainer Haas (www.netzhal.de/riga) > >Was geschah auf dem Hausboot der Kuenstlergruppe "noass"??? >Kampf dem "Dilemma der Ortlosigkeit"! Hier! Jetzt! :-) >************************************************************ >LADENgefluester: >..:)++ Aufgrund unseres Aufrufes vor einem Monat meldete sich der >Finder der vermissten Polizistenbrille. >Nur: wie finden wir jetzt den Polizisten? >Wer kennt ihn? Braucht er die Brille bei dem Wetter ueberhaupt? >Sachdienliche Hinweise erneut an die Program Angels...:-)**++$$ > >...**++&&..und wie kann man beim Spiel FC-Bayern gegen Valencia vor der >zweiten >Halbzeit einschlafen, noch dazu wenn man unweit der Leopoldstrasse >wohnt?...##**:) >************************************************************ >lothringer13/LADEN >Eine Einrichtung des Kulturreferates der Landeshauptstadt Muenchen >Lothringerstr. 13 >D - 81667 Muenchen >Tel/Fax: 089/ 45911905 >http://www.lothringer13.de/LADEN >LADEN@lothringer13.de >Oeffnungszeiten Do - So 16 - 20 Uhr > >We apologize for crosspostings - to subscribe/unsubscribe contact: >LADEN@lothringer13.de >************************************************************ > > > >------------------------------ > >Date: Wed, 6 Jun 2001 21:11:31 -0400 >From: aurora@easynet.co.uk (Sarah Thompson) >Subject: software installation > > >"Software Installation" > >A new article by Sarah Thompson on the announcement of the exhibition: > Absolute One >the surrounding net context and selected historical relations___ > >referencing: Volker Grassmuck, Concept for Wizards of OS (nettime 1998), >Eating Disorder: The Story of a Shape (Matthew Fuller/ C-Theory 1997 ), and >current related texts by Aurora Fonda, Marina Grzinic, and Sarah Cook > >published at: http://www.content-type.org.uk > > > > > > >------------------------------ > >Date: Wed, 06 Jun 2001 17:20:09 -0700 >From: Michele <michele@movingimagegallery.com> >Subject: Opening@MIG Thursday >06.07.01 6-9/ A symposium@ Engine 27: "Post media" >06.08.01 7-9/ 21st Century Wildstyle 06.09.01 > > >- ---------------------------------------------------------------------------------------------------------- > >ARTIST RECEPTION >[ Thursday June 7 (6pm - 9pm) ] > > >Yael Kanarek @ >Moving Image Gallery >414 Broadway 3rd Floor >NY, NY 1001 > > >World of Awe > Silicon Canyon > >June 7, 2001-June 28, 2001 >http://www.worldofawe.net/thejournal/navigation/Silicon_Canyon.pdf >Gallery hours: >Mon, Tue & Fri 10:00-2:00 >Wed & Thu: 10:00-2:00, 4:00-7:00 > >Artist reception: June 7, 2001 6:00-9:00 > >WOA > Silicon Canyon as a physical installation will included computer >objects and a new series of digital "Sunset/Sunrise" renderings. > >The exhibition focuses on one area in the Sunset/Sunrise called Silicon >Canyon, which is a graveyard for old hardware and software from the silicon >based computer chips era. In the Love Letter 87/9.3 the traveler wrote >about Silicon Canyon: > >"And if I wasn't sure I was alive, I would surely think I was in heaven." > >World of Awe is an ongoing cross-media project since 1995. A fantastical >environment that magnifies the formation of a personal world-view. Its >landscape is the Sunset/Sunrise, a desert terrain trapped in the mind frame >between night and day. Through this landscape, roams a traveler in search >of a lost treasure, http://www.worldofawe.net. > >Special thanks to: Harvestworks, Luis Perez, John Klima, Mike Saarf, Yoav >Gal, Jim Ford and the Kernel. > > >- ---------------------------------------------------------------------------------------------------------- > > >[ Friday June 8th (7 - 9pm) ] > > >A symposium: "Post media", the medium as a hero: using appropriation as an >historical reference to create a evolving body of work. > >Engine 27 >173 Franklin St. (btw. Greenwich and Hudson) >Admission is free. > > > >Michele Thursz introduces: > > >Post Media is a presentation exploring the use of various media and issues >pertaining to a collective of "new media" artists. > >This presentation focuses on the artist as the medium and references the >inner process of the project juxtaposed the outer projection of >technology as a heroic medium. > >In refocusing on the Artist and the integral use of appropriation, Post >Media demonstrates the exchange of global and theoretical >histories and the broadening of the vocabulary of the artist, and of the >artist's and viewer's perception of time, identity, and space. > > >// Presenters // > >*8 bit construction Perry Mahone aka Cory Arcangel, Rick Stryker aka Paul >Davis, Dyawn Delario aka Joseph >Bonn http://beigerecords.com/ >*Natoarts Frank Ruy,and Miska Draskocy http://www.natoarts.com/ >*World of Awe Yael Kanarek, , Luis Perez http://www.worldofawe.net >*DJ Spooky Paul D. Miller http://www.djspooky.com >*Soundlab Howard Goldkrand http://www.soundlab.org >*Mandiberg shop Michael Maniberg http://www.mandiberg.com > > >- ---------------------------------------------------------------------------------------------------------- > >- ---------------------------------------------------------------------------------------------------------- > > >[ Saturday June 9 (10pm - ) ] > >Sound lab Cultural Alchemy / Madame Chao Production presents: > >An evening of live arcade sounds and battles > >553 Broadway $15 at door $12 presale (available at Kim's and Other Music) >353 Broadway Infomix: 212.726.1724 > >Live Cybercast http://wwwmotherbrain.org , http://www.soundlab.org > >DJ SPOOKY, CANNIBAL OX, ANTI POP, SINGE&VERB, PROZAC, MUTAMASSIK, INFANT >READER LESSONS 1&5, KAIJU and 8 - BIT CONSTRUCTION > >VJ : BLIP, Pan Optic, How2 Luke, Madame Choa and Fondue > > > > > > > >------------------------------ > >Date: Thu, 7 Jun 2001 08:57:05 +1000 >From: "geert lovink" <geert@xs4all.nl> >Subject: Branding the Campus > >From: "Kunstraum der Universität Lüneburg" <kunstraum@uni-lueneburg.de> >Sent: Wednesday, June 06, 2001 1:49 AM > >BRANDING THE CAMPUS. >KUNST > ARCHITEKTUR > DESIGN > IDENTITÄTSPOLITIK > >Herausgegeben von Beatrice von Bismarck, Diethelm Stoller, Astrid Wege, Ulf >Wuggenig > >Die Publikation erscheint in einer deutschen und einer englischen Version >144 Seiten s/w und Farbe >Richter Verlag Düsseldorf 2001 >ISBN 3-933807-39-5 > >Branding the Campus is an extraordinary record of an equally extraordinary >art project by Christian Philipp Müller, and a valuable critical primer on >the history, aesthetics, and politics of university campus design. Through a >collaborative investigation involving students at University of Lüenberg, >the artist unpacks the complex philosophical and architectural heritage of >the campus form and outlines the profound social, economic, and political >pressures confronting its identity today. This is a must-have book for >anyone interested in the best of contemporary project-based art - smart and >beautiful. As such, others in the fields of architecture, urban studies, >cultural studies, and critical theory will all benefit from the book's >insights. --Miwon Kwon Assistant Professor of Art History University of >California Los Angeles > >Christian Philipp Müllers exemplary project for the campus of the university >in Lüneburg happens at a moment where we see an increasing urgency and >necessity to think about non brand oriented exchange and interconnectedness >.As Indian economist Amaryta Sen points out there is a necessity for >"emipiral connections that link freedom of different kind," a mutually >beneficial exchange is what is to be triggered. Mueller's project shows a >necessity for collaboration between different models which enhances >differences and allows disparated conditions to emerge through exposure and >protection. Müller opposes multitude versus the homogenization of >universitarian branding. The way how he succeeds in constructing new >temporalities is evoking Toni Negri's and Michael Hardt's brilliant >interpretation of globalization where multitude "designates new spaces as >its journyes establish new residencies. Autonomous movement is what defines >the place proper to multitude."--Hans Ulrich Obrist, Kurator am Musée d'Art >Moderne de la Ville de Paris und Chefredakteur von Point d'Ironie. >________________ > >Kunstraum der Universität Lüneburg > >Künstlerisch-wissenschaftliche Projektleitung: >Beatrice von Bismarck, Diethelm Stoller, Ulf Wuggenig > >Postanschrift: Kunstraum der Universität Lüneburg >Projektbüro >D-21332 Lüneburg > >Phon: +49.4131.78-1210 >Phax: +49.4131.78-1246 >Web: http://kunstraum.uni-lueneburg.de > > > > >------------------------------ > ># distributed via <nettime>: no commercial use without permission ># <nettime> is a moderated mailing list for net criticism, ># collaborative text filtering and cultural politics of the nets ># more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body ># archive: http://www.nettime.org contact: nettime@bbs.thing.net > _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold