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| nettime-l on Fri, 1 Jun 2001 14:20:17 +0200 (CEST) |
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| [Nettime-bold] Re: <nettime> Announcements [9] |
You wrote:
>
>Table of Contents:
>
> installation for 17"-21" monitor
> computer fine arts <doron {AT} computerfinearts.com>
>
> LUX THIS WEEK
> Ian White <ianwhite {AT} lux.org.uk>
>
> Indy media center | phenomANON press release
> acm acm <artofficial2 {AT} yahoo.com>
>
> Call for participation: Poetry in Action Venice Biennial Vernissage
> "ART ELECTRONICS" <clprezi {AT} tin.it>
>
> Collective Bodies, Schaubuehne, Berlin, 8-10 June 2001
> Inke Arns <inke {AT} snafu.de>
>
> Two Weeks to Go for the Rogue States
> MC Reader <mc-reader {AT} antimedia.net>
>
> richard stallman speaks out
> tarikh <tk {AT} angel.net>
>
> HYPE
> "ben moretti" <bmoretti {AT} chariot.net.au>
>
> CALL FOR ENTRIES (from MCMOGATK)
> you minowa <mcmogatk {AT} po.sphere.ne.jp>
>
>
>
>------------------------------
>
>Date: Tue, 29 May 2001 16:59:47 -0500
>From: computer fine arts <doron {AT} computerfinearts.com>
>Subject: installation for 17"-21" monitor
>
>
>~~
>http://www.computerfinearts.com/contort/
>
>contort.mov
>duration: loop, 40 sec.
>quicktime streaming media
>
>~~
>Fast Connection, IE 5+, download patience, recommended
>
>
>------------------------------
>
>Date: 30 May 01 15:59:26 +0100
>From: Ian White <ianwhite {AT} lux.org.uk>
>Subject: LUX THIS WEEK
>
>WEDNESDAY 30th MAY
>
>THE ELECTRONIC STRUMMING OF HAWAIIN-SHIRT-CLAD MAESTRO
>
>MIKE COOPER
>
>presenting
>
>PLANET PACIFIC - PIECES OF HEAVEN
>a rare London appearance sees Cooper play electronics and steel guitar to a tachnicolour Tahitian dream of a movie, Fulco Quilici's THE LAST PARADISE.
>The "silent" film is accompanied by Cooper's live music and spoken text - a special summer treat.
>
>
>FRIDAY 1st JUNE
>ROLL YOUR OWN - KINGSIZE
>open screening forum that can't be beat...
>
>SATURDAY 2nd JUNE
>7pm
>LONDON - curated & introduced by Peter Todd
>
>BACK DUE TO POPULAR DEMAND & co-inciding with the opening of the Lux Gallery's major Gilbert & George exhibition:
>The rich diversity of environments and people have made the city of London a fruitful subject for both British and European filmmakers since the '20's:
>EVERYDAY (1929), DIARY (1998), HOUSING PROBLEMS (1935), NORWOOD (1983), BUSMAN'S HOLIDAY (1937), NICE TIME (1957), MILE END PURGATORIO & THE ELEPHANT WILL NEVER FORGET.
>+
>9pm
>THE WORLD OF GILBERT & GEORGE
>69mins
>a rare showing of this film print:
>"The artists express their aims and beliefs, drawing on images of religion, beauty and masculinity to advocate an ideal of male fulfillment based on a realisation of beauty and art" (editions a voir)
>
>
>SUNDAY 3rd JUNE
>2pm
>LONDON - curated and introduced by Peter Todd
>+
>4pm
>THE ELEPHANT MAN
>David Lynch, 1980, 124mins
>
>7pm
>LEV MANOVICH PRESENTS:
>EVERYTHING YOU WANTED TO KNOW ABOUT FILM BUT WERE AFRAID TO ASK DZIGA VERTOV
>What are the new possibilities for film language opened up by digital media? Lev Manovich will screen and discuss a number of short films and film segments, includig Vertov, Whitney, art+com, Walitzky and Boustani.
>
>LUX CINEMA 2-4 HOXTON SQUARE, LONDON N1 6NU
>Old St tube
>
>BOX OFFICE: 020 7684 0201
>
>
>
>
>
>------------------------------
>
>Date: Wed, 30 May 2001 21:09:23 -0700 (PDT)
>From: acm acm <artofficial2 {AT} yahoo.com>
>Subject: Indy media center | phenomANON press release
>
>PRESS RELEASE
>
>The Independent Media Center
>1415 3rd Ave
>Seattle, WA 98101
>t: 206.262,0721
>f: 206.262.9905
>http://seattle.indymedia.org
>
>
>For more information, please contact:
>Lauren Holloway
>Independent Media Center Gallery Curator
>206.328.9361
>206.262.0721
>n30mural {AT} speakeasy.net
>
>For immediate release:
>
>May 25, 2001.
>
>PhenomANON: Two Decades of Ephemeral Urban Guerrilla
>Artfare
>Art opening and multi-media arts festival, Saturday
>June 9, 2001
>
>After an extensive international call to artists, the
>Independent Media
>Center
>Gallery presents an exhibit of anonymous guerrilla
>street art
>submissions from
>around the world. The exhibit will span two decades of
>guerrilla street
>art,
>from 1980-present. Mediums of expression include:
>stickers, tag ups,
>agitprop
>posters, graffiti stencil templates, billboard
>liberation
>documentation,
>subvertisements, zines, and unauthorized street sign
>implants. The show
>also
>promises a banquet table stocked with thousands of
>free stickers for
>the
>public produced by the artists who are exhibited in
>the show. A "free
>wall"
>for stenciling invites any guests of the show to
>spontaneously interact
>with
>the exhibit by making a stencil and spray painting
>directly onto the
>wall.
>
>>From world famous to artists nobody has ever heard of,
>the following is
>a
>sample list of anonymous artists exhibited in the
>show:
>
>PARS...... SEATTLE , WA
>
>A.F.W.F.A. (ARTISTS FOR A WORK FREE
>AMERICA).....SEATTLE, WA
>
>RESIST ™..... SEATTLE, WA
>
>HELVeND..... SEATTLE, WA
>
>ARTOFFICIAL CONSTRUCTION MEDIA..... PORTLAND, OR
>
>SHY GIRL..... SF, CA
>
>JACKIE PEREZ GRATZ....... SF, CA
>
>HEART 101..... SF , CA
>
>OLD STRAY DOGS CRUE (MASEO, MUSH, OSDC)..... SF, CA
>
>BLK MRKT..... SAN DIEGO, CA
>
>GUERRILLA GIRLS...... LA. CA
>
>STICKER GUY..... RENO NEVADA, NV
>
>TOOFLY.... NYC, NY
>
>ELF...... NYC, NY
>
>ALIFE..... NYC, NY
>
>THE FLOWER GUY....... NYC, NY
>
>S.P.A.W.N...... NYC, NY
>
>CRIME THINC.... ATLANTA, GA
>
>AKAYISM...... STOCKHOLM, SWEDEN
>
>7U?...... AUSTRALIA
>
>PROLETARIAN ART THREAT..... ELSEWHERE
>
>METROPOLITAN BILLBOARD LIBERATION..... ELSEWHERE
>
>
>The opening day of the show will be day long
>multi-media festival of
>music,
>film, performance art, and hip-hop poetry. Musical
>guests include DJ
>Trademark™, Kronstudios, The Anathema Project,
>N.A.P.S., and special
>guests.
>Doors open at 2pm and close at 10pm. A suggested
>donation of $5-10 will
>raise
>funds for phase two of this grassroots exhibit: to
>tour other cities
>around
>the world, beginning with New York City.
>
>In the words of the creators of phenomANON:
>"Art of warfare or war of artfare? Destruction,
>creation, or both? You
>call
>the shots. The streets are our galleries!" Bear
>witness the artists'
>responses
>to these questions and more June 9 - July 31 at the
>Independent Media
>Center.
>
>Gallery hours:
>Monday, Wednesday, Friday, and Saturday 12-3pm
>Tuesday an
>
>=====
>artofficial construction media
>A collaborative effort to screw in a lightbulb.
>visit us on-line at
>http://www.artofficial-online.com
>
>__________________________________________________
>Do You Yahoo!?
>Get personalized email addresses from Yahoo! Mail - only $35
>a year! http://personal.mail.yahoo.com/
>
>
>------------------------------
>
>Date: Thu, 31 May 2001 18:33:53 +0200
>From: "ART ELECTRONICS" <clprezi {AT} tin.it>
>Subject: Call for participation: Poetry in Action Venice Biennial Vernissage
>
>Call for participation:
>Poetry in Action - A Net of Voices - VIRTUAL HAPPENING
>During the 49th Venice Biennial Vernissage
>in net connection with the web site Karenina.it
>
>JUNE 7th / 11.00 AM until 18.30 PM
>
>send to Karenina.it Redaction clprezi {AT} tin.it your poem or your intervention
>about "poetry and/against power", "intellectuals and power", "poetry as
>defence of mankind", "freedom of thinking". Write in your language or in
>English.
>Write in the subject: AZIONE PARALLELA - BUNKER
>
>Say what you think about this important topic. Your piece will be published
>in a space under construction in the site Karenina.it.
>
>This is an invitation from:
>Marco Nereo Rotelli (visual artist, curator of the "Bunker Poetico" at the
>49th Venice Biennial)
>and
>Caterina Davinio (computer&net-poet, co-operator with the "Bunker Poetico"
>of the 49th Biennial, Karenina.it web project curator)
>
>Come and take friends (poets, artists, critics, writers) with you.
>_________________________
>Speciale Biennale di Venezia
>iTALIAN /eNGLISH
>http://www.geocities.com/kareninarivista/
>
>- --
> KARENINA.IT (poetry in "fàtica" function)
>A web project by Caterina Davinio on line since 1998
>By Jakobson, 'fatico' is the use of the language which has the finality to
>maintain open and operative the communication channel among the
>interlocutors. On the confine between art and critic, happening and net
>performance, Karenina.it is a virtual meeting place around the theme of the
>writing and the new technologies, in which experiences of international
>artists, curators, theoreticians converge, in a net that counts thousands of
>contacts in the world.
>Index: http://www.geocities.com/Paris/Lights/7323/kareninarivista.html
>Art Electronics and Other Writings - Archives / Videotheque
>
>
>
>
>
>
>------------------------------
>
>Date: Thu, 31 May 2001 19:03:46 +0200
>From: Inke Arns <inke {AT} snafu.de>
>Subject: Collective Bodies, Schaubuehne, Berlin, 8-10 June 2001
>
>
>[sorry, only in German]
>
>
>http://www.dpklinik.de/kkk
>
>Kennen Sie Erdrammler oder Formwandler?
>
>Nein? Beide sind sogenannte Kollektivkörper. Die einen stammen aus dem
>phantastischen Universum des russischen Schriftstellers Vladimir Sorokin,
>sind eine rein männliche Gesellschaft, die sich mit ihren riesigen
>Genitalien im direkten Kontakt zur Erde fortpflanzt, die anderen sind
>Bewohner des Star-Trek Universums und eigentlich nur immaterielle Suppe.
>
>Die Konferenz "Kollektiv-Körper. Theorie und Performance", die vom 8.-10.
>Juni 2001 an der Schaubühne am Lehniner Platz stattfindet, beschäftigt sich
>mit Kollektiventwürfen und ihrer kulturellen und symbolischen Inszenierung.
>
>Theoretiker und Performer fragen, ob und wie sich die Idee des Kollektivs,
>der Masse, Menge oder Meute historisch gewandelt und welche Gestalt sie
>jeweils angenommen hat. Aus heutiger Perspektive wollen wir vor allem
>wissen, ob in unserer hyperindindividualistischen Gesellschaft nicht doch
>heimlich das Kollektiv regiert. Ist die Love Parade nicht gerade der
>Ausdruck eines kollektiven Individualismus? Wird mit der globalen, totalen
>Vernetzung auch eine kollektive Intelligenz geschaffen?
>
>http://www.dpklinik.de/kkk
>
>
>
>------------------------------
>
>Date: Fri, 01 Jun 2001 15:51:41 +1000 (EST)
>From: MC Reader <mc-reader {AT} antimedia.net>
>Subject: Two Weeks to Go for the Rogue States
>
>Hello
>
>This is the SECOND call for content for the Rogue Sates Reader and a reminder
>for peoples already working on content that the deadline is 2 weeks away - on
>the 15th June 2001.
>
>If you have already been in touch with us - one of our editorial members should
>have responded. If you feel there has been an unreasonable delay in response -
>please send the email again. (You should get a response within 96 hours).
>
>Below is the original call-for-content:
>
>
>
>Hello
>
>We are producing a reader titled 'Rogue States' for the Media Circus 2001
>event.
>
>The Media Circus is a gathering of people who create, consume, critique and
>distribute media content that challenges, questions and expresses our culture,
>our society and the way we live. The event happens in Melbourne from the 13th
>to 15th July, 2001, and will be comprised of screenings, workshops, forums and
>exchanges.
>
>Call for content:
>
>This is the SECOND call for printable content to be considered for inclusion in
>theReader which will aim to present a snapshot of the state of the
>international media circus and provide views and ideas on how we can identify
>and tackle the sensorial bombardment, establish mental defence shields and
>develop our own media to challenge the established and propagate new stories in
>our community.
>
>Here are a list of words and phrases which will provide further guidance as to
>the nature of content we are calling for: transnational protests and the
>alt.media and alt.art machines; counter-culture-corporations and their tricks;
>public relations, think-tanks, robot-artists, automatic journalists and traitor
>academics; getting nasty - surveillance and censorship; misrepresentations,
>deceptions and lies; new and converged media, hackers, viruses; political arts,
>hip-hop, graffiti, and comedy.
>
>We are especially keen to give space to stories from the invisible - from new
>people and people who are outside the outside - from the colonies, the remote
>regions and the developing and 3rd worlds.
>
>So we ask you to go berserk. We do not have much time. Maybe you know of
>content in the public-domain compatible with being re-published in our Reader
>or maybe you want to write something fresh. Don't forget images.
>
>Our deadline for content is 15 June 2001. [ less that two weeks to go ]
>
>Here's how you get involved:
>
>If you have content which you feel should be considered for inclusion or have
>any queries relating to content - please email:
>
> mc-reader-content {AT} lists.myspinach.org
>
>All messages sent to the above address will be sent to the editorial collective.
>
>If you have any other queries or problems, reply to this email -
> mc-reader {AT} antimedia.net
>
>Once printed, Rogue States (working title) will be distributed internationally
>to key media activist collectives and cultural organisations. The publication
>will be in English however its content will call in to 'copyleft' and we would
>welcome repurposing and translations as long as the moral rights of the author
>and the publication is respected. It will also be available on da net.
>
>- ------- ----- ---- -- -
>
>Who is behind MediaCircus and the Rogue States Reader?
>
>There is a small collective of volunteers who are organising MediaCircus and
>the publication of Reader. We are genuinely interested in fostering a strong
>progressive and critical media culture and come from various places but are
>currently based in Melbourne. Our past and urrent involvements cover a broad
>range of media and cultural practice and activism, including
>melbourne.indymedia, S11 protests, National Young Writers Festival, exploring
>the sociology of activism, investigating surveillance, organising screenings
>and events, facilitating email lists, and making art content. We are students,
>academics, media makers, writers and people wanting to create a more
>sustainable future. Some of us do stuff with SKA TV, Voiceworks, Radio 3CR,
>Friends of the Earth and The Paper. Some of our names are Nik Beuret, Marni
>Cordell, Sam de Silva, Aizura Hankin, Alex Kelly, Rachel Maher, Lachlan
>Simpson and Karen Eliot.
>
>
>
>- --------------------------------
>Media Circus Reader
>www.antimedia.net/mediacircus
>
>
>------------------------------
>
>Date: Thu, 31 May 2001 13:01:43 -0500
>From: tarikh <tk {AT} angel.net>
>Subject: richard stallman speaks out
>
>if you're interested in free software and the political underpinnings of
>what we know today as linux and open source, i'd recommend checking out
>this 2 hour talk by Richard Stallman that i recorded on tuesday. his
>speech was precipitated and in response to an earlier speech by
>microsoft's craig mundie.
>
>http://clients.loudeye.com/imc/nyc/stallman.mp3
>
>
>if you'd prefer the oggvorbis version check here:
>
>http://www.gnu.org/philosophy/audio/audio.html
>
>- -tarikh
>
>
>------------------------------
>
>Date: Wed, 30 May 2001 02:39:23 GMT
>From: "ben moretti" <bmoretti {AT} chariot.net.au>
>Subject: HYPE
>
>This is a multi-part message in MIME format.
>
>- ---=_pandora.chariot.net.au3b145d5b
>Content-Type: text/plain; charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>(for the announcements. thanks)
>
> HYPE
>
>a =91hypothetical' exploring how youth are culturally represented in media
>
>Doppio-parallelo has brought together 3 passionate and active artists and artsworkers
>who will provide an =91open space=92 for young Australian of diverse cultural origins
>to explore and comment on how the above topic affects their work, their art
>practice and their life.
>
>HYPE has been curated by three passionate and active artists;
>film maker Shalom Almond, bi-cultural performer Antonino Gorgone and youth activist
>Naomi Ebert Smith.
>
>DATE: Wednesday 6 June from 6pm to 9pm
>VENUE: GARAGE Restaurant~Bar~Club, 163 Waymouth Street, Adelaide (near Light
>Square) **South Australia - Ed.**
>ENTRY: $2 gold coin donation
>
>HYPE will be launched by the Hon Mark Brindal, South Australian Minister for
>Youth.
>
>HYPE touches on engaging issues that are central to doppio-parallelo=92s commitment
>to supporting youth, arts and cultural activism.
>
>Doppio-parallelo has an extensive history as a performance company committed
>to progressive debate, innovative performance and the use of new technologies
>as a vehicle to creating new art forms and community dialogue.
>
>Please find attached a flyer for your viewing pleasure.
>
>We hope you can join the HYPE!
>
>Regards
>
>Naomi, Antonino, Shalom and the doppio-parallelo hub
>
>
>- --
>doppio-parallelo
>exploring cultures through research, debate and performance
>
>supported by the South Australian government through Arts SA
>and the Federal government through the Australia Council
>
>The Hub:
>Teresa Crea, Peter Heydrich & Serafina Maria Maiorano
>
>Site Address:
>Lion Arts Centre, Corner North Terrace & Morphett Street, Adelaide
>
>Postal Address:
>PO Box 8077 Station Arcade, South Australia 5000
>
>T: +61-8-8231 0070
>F: +61-8-8211 7323
>E: hub {AT} doppio-parallelo.on.net
>
><Parallelo is a registered name of Doppio Teatro Inc>
>
>
>
>- --
>ben moretti
>mailto:bmoretti {AT} chariot.net.au
>http://www.chariot.net.au/~bmoretti
>
>news and events in adelaide:
>http://www.active.org.au/adelaide
>
> __o
> _`\<,_
>(*)/ (*)
>
>
>
>
>
>------------------------------
>
>Date: Thu, 31 May 2001 16:14:34 +0900
>From: you minowa <mcmogatk {AT} po.sphere.ne.jp>
>Subject: CALL FOR ENTRIES (from MCMOGATK)
>
>Art on the Net 2001
>"Post-Cagian Interactive Sound"
>Now Open to Entries
>
>Since 1995, Machida City Museum of Graphic Arts, Tokyo (MCMOGATK),
>has been sponsoring the world's first Internet art and web contents
>open competition, "Art on the Net," exploring the potentials of the
>Internet as a medium of art. Twenty countries were represented in
>the "Art on the Net 2000 -- Parody," and the prizes went to Russian
>and German artists. In the past six years since its first show,
>"Art on the Net 1995," over 500 entries have been submitted and artists
>from 40 countries have participated. Net.art entries in each show
>reflected the cutting-edge technology of that time. We believe it
>has been presenting a completely new status of art created at the
>the crossroads of art history, technology and the society.
>
>The theme of the 7th "Art on the Net 2001" is "Post-Cagian Interactive
>Sounds." We again are open to any entries that are experimental, that
>have power to turn around the conventional concepts of art. Acceptance
>of the entries, jurying, and exibition are all done on the Internet.
>The deadline for the entry is August 30, 2001. Winners are scheduled
>to be announced on November 25, the last day of a live event sponsored
>by MCMOGATK, "Interactive Sounds" held between November 23 and 25.
>For further information and application procedure, please visit our
>website:
>
> http://art.by.arena.ne.jp/
>
>We look forward to your entries.
>
>
>- --
>You Minowa, Curator of Media Arts
>Machida City Museum of Graphic Arts, Tokyo
>http://art.by.arena.ne.jp/
>http://plaza.bunka.go.jp/bunka/museum/kikaku/exhibition01/index.html
>http://plaza.bunka.go.jp/bunka/museum/kikaku/exhibition09/index.html
>mcmogatk {AT} po.sphere.ne.jp
>Tel : +81-42-725-1987(direct)
>
>
>------------------------------
>
># distributed via <nettime>: no commercial use without permission
># <nettime> is a moderated mailing list for net criticism,
># collaborative text filtering and cultural politics of the nets
># more info: majordomo {AT} bbs.thing.net and "info nettime-l" in the msg body
># archive: http://www.nettime.org contact: nettime {AT} bbs.thing.net
>
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