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You wrote: > >Table of Contents: > > installation for 17"-21" monitor > computer fine arts <doron@computerfinearts.com> > > LUX THIS WEEK > Ian White <ianwhite@lux.org.uk> > > Indy media center | phenomANON press release > acm acm <artofficial2@yahoo.com> > > Call for participation: Poetry in Action Venice Biennial Vernissage > "ART ELECTRONICS" <clprezi@tin.it> > > Collective Bodies, Schaubuehne, Berlin, 8-10 June 2001 > Inke Arns <inke@snafu.de> > > Two Weeks to Go for the Rogue States > MC Reader <mc-reader@antimedia.net> > > richard stallman speaks out > tarikh <tk@angel.net> > > HYPE > "ben moretti" <bmoretti@chariot.net.au> > > CALL FOR ENTRIES (from MCMOGATK) > you minowa <mcmogatk@po.sphere.ne.jp> > > > >------------------------------ > >Date: Tue, 29 May 2001 16:59:47 -0500 >From: computer fine arts <doron@computerfinearts.com> >Subject: installation for 17"-21" monitor > > >~~ >http://www.computerfinearts.com/contort/ > >contort.mov >duration: loop, 40 sec. >quicktime streaming media > >~~ >Fast Connection, IE 5+, download patience, recommended > > >------------------------------ > >Date: 30 May 01 15:59:26 +0100 >From: Ian White <ianwhite@lux.org.uk> >Subject: LUX THIS WEEK > >WEDNESDAY 30th MAY > >THE ELECTRONIC STRUMMING OF HAWAIIN-SHIRT-CLAD MAESTRO > >MIKE COOPER > >presenting > >PLANET PACIFIC - PIECES OF HEAVEN >a rare London appearance sees Cooper play electronics and steel guitar to a tachnicolour Tahitian dream of a movie, Fulco Quilici's THE LAST PARADISE. >The "silent" film is accompanied by Cooper's live music and spoken text - a special summer treat. > > >FRIDAY 1st JUNE >ROLL YOUR OWN - KINGSIZE >open screening forum that can't be beat... > >SATURDAY 2nd JUNE >7pm >LONDON - curated & introduced by Peter Todd > >BACK DUE TO POPULAR DEMAND & co-inciding with the opening of the Lux Gallery's major Gilbert & George exhibition: >The rich diversity of environments and people have made the city of London a fruitful subject for both British and European filmmakers since the '20's: >EVERYDAY (1929), DIARY (1998), HOUSING PROBLEMS (1935), NORWOOD (1983), BUSMAN'S HOLIDAY (1937), NICE TIME (1957), MILE END PURGATORIO & THE ELEPHANT WILL NEVER FORGET. >+ >9pm >THE WORLD OF GILBERT & GEORGE >69mins >a rare showing of this film print: >"The artists express their aims and beliefs, drawing on images of religion, beauty and masculinity to advocate an ideal of male fulfillment based on a realisation of beauty and art" (editions a voir) > > >SUNDAY 3rd JUNE >2pm >LONDON - curated and introduced by Peter Todd >+ >4pm >THE ELEPHANT MAN >David Lynch, 1980, 124mins > >7pm >LEV MANOVICH PRESENTS: >EVERYTHING YOU WANTED TO KNOW ABOUT FILM BUT WERE AFRAID TO ASK DZIGA VERTOV >What are the new possibilities for film language opened up by digital media? Lev Manovich will screen and discuss a number of short films and film segments, includig Vertov, Whitney, art+com, Walitzky and Boustani. > >LUX CINEMA 2-4 HOXTON SQUARE, LONDON N1 6NU >Old St tube > >BOX OFFICE: 020 7684 0201 > > > > > >------------------------------ > >Date: Wed, 30 May 2001 21:09:23 -0700 (PDT) >From: acm acm <artofficial2@yahoo.com> >Subject: Indy media center | phenomANON press release > >PRESS RELEASE > >The Independent Media Center >1415 3rd Ave >Seattle, WA 98101 >t: 206.262,0721 >f: 206.262.9905 >http://seattle.indymedia.org > > >For more information, please contact: >Lauren Holloway >Independent Media Center Gallery Curator >206.328.9361 >206.262.0721 >n30mural@speakeasy.net > >For immediate release: > >May 25, 2001. > >PhenomANON: Two Decades of Ephemeral Urban Guerrilla >Artfare >Art opening and multi-media arts festival, Saturday >June 9, 2001 > >After an extensive international call to artists, the >Independent Media >Center >Gallery presents an exhibit of anonymous guerrilla >street art >submissions from >around the world. The exhibit will span two decades of >guerrilla street >art, >from 1980-present. Mediums of expression include: >stickers, tag ups, >agitprop >posters, graffiti stencil templates, billboard >liberation >documentation, >subvertisements, zines, and unauthorized street sign >implants. The show >also >promises a banquet table stocked with thousands of >free stickers for >the >public produced by the artists who are exhibited in >the show. A "free >wall" >for stenciling invites any guests of the show to >spontaneously interact >with >the exhibit by making a stencil and spray painting >directly onto the >wall. > >>From world famous to artists nobody has ever heard of, >the following is >a >sample list of anonymous artists exhibited in the >show: > >PARS...... SEATTLE , WA > >A.F.W.F.A. (ARTISTS FOR A WORK FREE >AMERICA).....SEATTLE, WA > >RESIST ™..... SEATTLE, WA > >HELVeND..... SEATTLE, WA > >ARTOFFICIAL CONSTRUCTION MEDIA..... PORTLAND, OR > >SHY GIRL..... SF, CA > >JACKIE PEREZ GRATZ....... SF, CA > >HEART 101..... SF , CA > >OLD STRAY DOGS CRUE (MASEO, MUSH, OSDC)..... SF, CA > >BLK MRKT..... SAN DIEGO, CA > >GUERRILLA GIRLS...... LA. CA > >STICKER GUY..... RENO NEVADA, NV > >TOOFLY.... NYC, NY > >ELF...... NYC, NY > >ALIFE..... NYC, NY > >THE FLOWER GUY....... NYC, NY > >S.P.A.W.N...... NYC, NY > >CRIME THINC.... ATLANTA, GA > >AKAYISM...... STOCKHOLM, SWEDEN > >7U?...... AUSTRALIA > >PROLETARIAN ART THREAT..... ELSEWHERE > >METROPOLITAN BILLBOARD LIBERATION..... ELSEWHERE > > >The opening day of the show will be day long >multi-media festival of >music, >film, performance art, and hip-hop poetry. Musical >guests include DJ >Trademark™, Kronstudios, The Anathema Project, >N.A.P.S., and special >guests. >Doors open at 2pm and close at 10pm. A suggested >donation of $5-10 will >raise >funds for phase two of this grassroots exhibit: to >tour other cities >around >the world, beginning with New York City. > >In the words of the creators of phenomANON: >"Art of warfare or war of artfare? Destruction, >creation, or both? You >call >the shots. The streets are our galleries!" Bear >witness the artists' >responses >to these questions and more June 9 - July 31 at the >Independent Media >Center. > >Gallery hours: >Monday, Wednesday, Friday, and Saturday 12-3pm >Tuesday an > >===== >artofficial construction media >A collaborative effort to screw in a lightbulb. >visit us on-line at >http://www.artofficial-online.com > >__________________________________________________ >Do You Yahoo!? >Get personalized email addresses from Yahoo! Mail - only $35 >a year! http://personal.mail.yahoo.com/ > > >------------------------------ > >Date: Thu, 31 May 2001 18:33:53 +0200 >From: "ART ELECTRONICS" <clprezi@tin.it> >Subject: Call for participation: Poetry in Action Venice Biennial Vernissage > >Call for participation: >Poetry in Action - A Net of Voices - VIRTUAL HAPPENING >During the 49th Venice Biennial Vernissage >in net connection with the web site Karenina.it > >JUNE 7th / 11.00 AM until 18.30 PM > >send to Karenina.it Redaction clprezi@tin.it your poem or your intervention >about "poetry and/against power", "intellectuals and power", "poetry as >defence of mankind", "freedom of thinking". Write in your language or in >English. >Write in the subject: AZIONE PARALLELA - BUNKER > >Say what you think about this important topic. Your piece will be published >in a space under construction in the site Karenina.it. > >This is an invitation from: >Marco Nereo Rotelli (visual artist, curator of the "Bunker Poetico" at the >49th Venice Biennial) >and >Caterina Davinio (computer&net-poet, co-operator with the "Bunker Poetico" >of the 49th Biennial, Karenina.it web project curator) > >Come and take friends (poets, artists, critics, writers) with you. >_________________________ >Speciale Biennale di Venezia >iTALIAN /eNGLISH >http://www.geocities.com/kareninarivista/ > >- -- > KARENINA.IT (poetry in "fàtica" function) >A web project by Caterina Davinio on line since 1998 >By Jakobson, 'fatico' is the use of the language which has the finality to >maintain open and operative the communication channel among the >interlocutors. On the confine between art and critic, happening and net >performance, Karenina.it is a virtual meeting place around the theme of the >writing and the new technologies, in which experiences of international >artists, curators, theoreticians converge, in a net that counts thousands of >contacts in the world. >Index: http://www.geocities.com/Paris/Lights/7323/kareninarivista.html >Art Electronics and Other Writings - Archives / Videotheque > > > > > > >------------------------------ > >Date: Thu, 31 May 2001 19:03:46 +0200 >From: Inke Arns <inke@snafu.de> >Subject: Collective Bodies, Schaubuehne, Berlin, 8-10 June 2001 > > >[sorry, only in German] > > >http://www.dpklinik.de/kkk > >Kennen Sie Erdrammler oder Formwandler? > >Nein? Beide sind sogenannte Kollektivkörper. Die einen stammen aus dem >phantastischen Universum des russischen Schriftstellers Vladimir Sorokin, >sind eine rein männliche Gesellschaft, die sich mit ihren riesigen >Genitalien im direkten Kontakt zur Erde fortpflanzt, die anderen sind >Bewohner des Star-Trek Universums und eigentlich nur immaterielle Suppe. > >Die Konferenz "Kollektiv-Körper. Theorie und Performance", die vom 8.-10. >Juni 2001 an der Schaubühne am Lehniner Platz stattfindet, beschäftigt sich >mit Kollektiventwürfen und ihrer kulturellen und symbolischen Inszenierung. > >Theoretiker und Performer fragen, ob und wie sich die Idee des Kollektivs, >der Masse, Menge oder Meute historisch gewandelt und welche Gestalt sie >jeweils angenommen hat. Aus heutiger Perspektive wollen wir vor allem >wissen, ob in unserer hyperindindividualistischen Gesellschaft nicht doch >heimlich das Kollektiv regiert. Ist die Love Parade nicht gerade der >Ausdruck eines kollektiven Individualismus? Wird mit der globalen, totalen >Vernetzung auch eine kollektive Intelligenz geschaffen? > >http://www.dpklinik.de/kkk > > > >------------------------------ > >Date: Fri, 01 Jun 2001 15:51:41 +1000 (EST) >From: MC Reader <mc-reader@antimedia.net> >Subject: Two Weeks to Go for the Rogue States > >Hello > >This is the SECOND call for content for the Rogue Sates Reader and a reminder >for peoples already working on content that the deadline is 2 weeks away - on >the 15th June 2001. > >If you have already been in touch with us - one of our editorial members should >have responded. If you feel there has been an unreasonable delay in response - >please send the email again. (You should get a response within 96 hours). > >Below is the original call-for-content: > > > >Hello > >We are producing a reader titled 'Rogue States' for the Media Circus 2001 >event. > >The Media Circus is a gathering of people who create, consume, critique and >distribute media content that challenges, questions and expresses our culture, >our society and the way we live. The event happens in Melbourne from the 13th >to 15th July, 2001, and will be comprised of screenings, workshops, forums and >exchanges. > >Call for content: > >This is the SECOND call for printable content to be considered for inclusion in >theReader which will aim to present a snapshot of the state of the >international media circus and provide views and ideas on how we can identify >and tackle the sensorial bombardment, establish mental defence shields and >develop our own media to challenge the established and propagate new stories in >our community. > >Here are a list of words and phrases which will provide further guidance as to >the nature of content we are calling for: transnational protests and the >alt.media and alt.art machines; counter-culture-corporations and their tricks; >public relations, think-tanks, robot-artists, automatic journalists and traitor >academics; getting nasty - surveillance and censorship; misrepresentations, >deceptions and lies; new and converged media, hackers, viruses; political arts, >hip-hop, graffiti, and comedy. > >We are especially keen to give space to stories from the invisible - from new >people and people who are outside the outside - from the colonies, the remote >regions and the developing and 3rd worlds. > >So we ask you to go berserk. We do not have much time. Maybe you know of >content in the public-domain compatible with being re-published in our Reader >or maybe you want to write something fresh. Don't forget images. > >Our deadline for content is 15 June 2001. [ less that two weeks to go ] > >Here's how you get involved: > >If you have content which you feel should be considered for inclusion or have >any queries relating to content - please email: > > mc-reader-content@lists.myspinach.org > >All messages sent to the above address will be sent to the editorial collective. > >If you have any other queries or problems, reply to this email - > mc-reader@antimedia.net > >Once printed, Rogue States (working title) will be distributed internationally >to key media activist collectives and cultural organisations. The publication >will be in English however its content will call in to 'copyleft' and we would >welcome repurposing and translations as long as the moral rights of the author >and the publication is respected. It will also be available on da net. > >- ------- ----- ---- -- - > >Who is behind MediaCircus and the Rogue States Reader? > >There is a small collective of volunteers who are organising MediaCircus and >the publication of Reader. We are genuinely interested in fostering a strong >progressive and critical media culture and come from various places but are >currently based in Melbourne. Our past and urrent involvements cover a broad >range of media and cultural practice and activism, including >melbourne.indymedia, S11 protests, National Young Writers Festival, exploring >the sociology of activism, investigating surveillance, organising screenings >and events, facilitating email lists, and making art content. We are students, >academics, media makers, writers and people wanting to create a more >sustainable future. Some of us do stuff with SKA TV, Voiceworks, Radio 3CR, >Friends of the Earth and The Paper. Some of our names are Nik Beuret, Marni >Cordell, Sam de Silva, Aizura Hankin, Alex Kelly, Rachel Maher, Lachlan >Simpson and Karen Eliot. > > > >- -------------------------------- >Media Circus Reader >www.antimedia.net/mediacircus > > >------------------------------ > >Date: Thu, 31 May 2001 13:01:43 -0500 >From: tarikh <tk@angel.net> >Subject: richard stallman speaks out > >if you're interested in free software and the political underpinnings of >what we know today as linux and open source, i'd recommend checking out >this 2 hour talk by Richard Stallman that i recorded on tuesday. his >speech was precipitated and in response to an earlier speech by >microsoft's craig mundie. > >http://clients.loudeye.com/imc/nyc/stallman.mp3 > > >if you'd prefer the oggvorbis version check here: > >http://www.gnu.org/philosophy/audio/audio.html > >- -tarikh > > >------------------------------ > >Date: Wed, 30 May 2001 02:39:23 GMT >From: "ben moretti" <bmoretti@chariot.net.au> >Subject: HYPE > >This is a multi-part message in MIME format. > >- ---=_pandora.chariot.net.au3b145d5b >Content-Type: text/plain; charset="iso-8859-1" >Content-Transfer-Encoding: quoted-printable > >(for the announcements. thanks) > > HYPE > >a =91hypothetical' exploring how youth are culturally represented in media > >Doppio-parallelo has brought together 3 passionate and active artists and artsworkers >who will provide an =91open space=92 for young Australian of diverse cultural origins >to explore and comment on how the above topic affects their work, their art >practice and their life. > >HYPE has been curated by three passionate and active artists; >film maker Shalom Almond, bi-cultural performer Antonino Gorgone and youth activist >Naomi Ebert Smith. > >DATE: Wednesday 6 June from 6pm to 9pm >VENUE: GARAGE Restaurant~Bar~Club, 163 Waymouth Street, Adelaide (near Light >Square) **South Australia - Ed.** >ENTRY: $2 gold coin donation > >HYPE will be launched by the Hon Mark Brindal, South Australian Minister for >Youth. > >HYPE touches on engaging issues that are central to doppio-parallelo=92s commitment >to supporting youth, arts and cultural activism. > >Doppio-parallelo has an extensive history as a performance company committed >to progressive debate, innovative performance and the use of new technologies >as a vehicle to creating new art forms and community dialogue. > >Please find attached a flyer for your viewing pleasure. > >We hope you can join the HYPE! > >Regards > >Naomi, Antonino, Shalom and the doppio-parallelo hub > > >- -- >doppio-parallelo >exploring cultures through research, debate and performance > >supported by the South Australian government through Arts SA >and the Federal government through the Australia Council > >The Hub: >Teresa Crea, Peter Heydrich & Serafina Maria Maiorano > >Site Address: >Lion Arts Centre, Corner North Terrace & Morphett Street, Adelaide > >Postal Address: >PO Box 8077 Station Arcade, South Australia 5000 > >T: +61-8-8231 0070 >F: +61-8-8211 7323 >E: hub@doppio-parallelo.on.net > ><Parallelo is a registered name of Doppio Teatro Inc> > > > >- -- >ben moretti >mailto:bmoretti@chariot.net.au >http://www.chariot.net.au/~bmoretti > >news and events in adelaide: >http://www.active.org.au/adelaide > > __o > _`\<,_ >(*)/ (*) > > > > > >------------------------------ > >Date: Thu, 31 May 2001 16:14:34 +0900 >From: you minowa <mcmogatk@po.sphere.ne.jp> >Subject: CALL FOR ENTRIES (from MCMOGATK) > >Art on the Net 2001 >"Post-Cagian Interactive Sound" >Now Open to Entries > >Since 1995, Machida City Museum of Graphic Arts, Tokyo (MCMOGATK), >has been sponsoring the world's first Internet art and web contents >open competition, "Art on the Net," exploring the potentials of the >Internet as a medium of art. Twenty countries were represented in >the "Art on the Net 2000 -- Parody," and the prizes went to Russian >and German artists. In the past six years since its first show, >"Art on the Net 1995," over 500 entries have been submitted and artists >from 40 countries have participated. Net.art entries in each show >reflected the cutting-edge technology of that time. We believe it >has been presenting a completely new status of art created at the >the crossroads of art history, technology and the society. > >The theme of the 7th "Art on the Net 2001" is "Post-Cagian Interactive >Sounds." We again are open to any entries that are experimental, that >have power to turn around the conventional concepts of art. Acceptance >of the entries, jurying, and exibition are all done on the Internet. >The deadline for the entry is August 30, 2001. Winners are scheduled >to be announced on November 25, the last day of a live event sponsored >by MCMOGATK, "Interactive Sounds" held between November 23 and 25. >For further information and application procedure, please visit our >website: > > http://art.by.arena.ne.jp/ > >We look forward to your entries. > > >- -- >You Minowa, Curator of Media Arts >Machida City Museum of Graphic Arts, Tokyo >http://art.by.arena.ne.jp/ >http://plaza.bunka.go.jp/bunka/museum/kikaku/exhibition01/index.html >http://plaza.bunka.go.jp/bunka/museum/kikaku/exhibition09/index.html >mcmogatk@po.sphere.ne.jp >Tel : +81-42-725-1987(direct) > > >------------------------------ > ># distributed via <nettime>: no commercial use without permission ># <nettime> is a moderated mailing list for net criticism, ># collaborative text filtering and cultural politics of the nets ># more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body ># archive: http://www.nettime.org contact: nettime@bbs.thing.net > _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold