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| [Nettime-bold] CIRCUS 2001 |
+ + CONFERENCE ANNOUNCEMENT + + CALL FOR PAPERS + +
CIRCUS 2001: NEW SYNERGIES IN DIGITAL CREATIVITY
THE 1ST INTERNATIONAL CONFERENCE FOR
CONTENT INTEGRATED RESEARCH IN CREATIVE USER SYSTEMS
Glasgow, 20TH -22ND SEPTEMBER 2001
Supported by the European Commission's Esprit programme
under the CIRCUS project.
Further details of the conference:
http://www.music.arts.gla.ac.uk/events/CircusConference2001/
Further details of the CIRCUS project:
http://www.circusweb.org/
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W e l c o m e t o t h e C I R C U S C o n f e r e n c e
The circus conference will bring
together artists, designers, performers, theorists and computer scientists to
debate the research issues posed by the next generation of advanced information
technology for the creative and performing arts, media and the electronic
publishing industry (in its broadest sense).
The circus conference will bring together previously distinct disciplines and
encourages the replacement of 'technology push' by 'creative pull' for
multiple-media research that integrates advanced technologies with new media
types and modes of creation. The circus conference will relate technological
applications research to content issues in a theoretical understanding of
vision, sound and movement.
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C O N F E R E N C E T H E M E S
INTERACTIVITY AND THE FUTURE OF THE CREATIVE PRACTICE
Technology Push - Creative Pull Applications
User interfaces and interfaces extensions to support creative processes
Creative empowerment - applications supporting style development and style
flexibility
Best practice in education for creative users
Experimental interactive creative environments
Taxonomies of interactivity
INSTITUTIONAL SUPPORTS FOR INNOVATION OR CREATIVE PULL
Implications for Education and Training
Production methodologies for the creative industries
Vertical Markets in the Creative Industries
Business Models supporting creative processes
Methodology for reflexivity within interdisciplinary practice
DESCRIPTION OF CULTURE: ARCHITECTURES OF INFORMATION
Metadata for creative use contexts
Cultural and Connectionist Metadata
Standards supporting creativity
Open standards in creative use contexts
Data Structures for digital creative production systems
Style, Manner, Expression and processes in digital creative productions
THEORY AND METHODOLOGY OF DIGITAL CREATIVE PRODUCTION CONTEXTS
Theory relevant to practice
Best Practice examples
Strategic Citing of experimental work
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I M P O R T A N T D A T E S
7th June 2001 Paper/Presentation Deadline
15th Aug. 2001 last early registration possible
20th Aug. 2001 Conference in Glasgow
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C A L L F O R P A P E R S
Papers and presentations are invited from the topics coming out of the
conference themes. Submission of papers will be done only in electronic form
via pdf and ps. Proceedings will be on CD-ROM handed out at the conference. A
selection of papers will be published in bookform.
Submission includes information in the body of an email in text form, and an
attachment of the full paper in pdf (Adobe) or postscript format. Any other
formats of media or performance data will need to be discussed on a individual
basis. (See contacts on website)
--
------------------------------------------------------------------
"Is this just a clockwork of fabulous design,
or does it actually tell time" (Virgil Thomson)
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Carola Boehm http://www.pads.ahds.ac.uk/carola
Centre for Music Technology
Department of Music Tel: +44 (0) 141 330 4903
University of Glasgow Fax: +44 (0) 141 330 3518
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