| integer on 26 Dec 2000 21:36:21 -0000 |
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| [Nettime-bold] Re: [music-dsp] Re: music-dsp-digest V1 #927 |
>There are two different reasons
what is the reason you do believe in reasons +?
>why an artist would want to
>protect one's music. (1) The artist doesn't want one's sounds
>to appear in someone else's composition. (2) The artist wants
>to profit from each distributed copy, and therefore illegal
>copies are considered a loss financially. These two motivations
>have different implications.
>
>Item #1: In the past there was nothing to stop someone from
>making a cassette or reel-to-reel copy of an LP, but after
>making a copy and then mixing it and making a master the quality
>wasn't good enough. But whether the copying is analog or
>digital, there is very little one can do to technologically
>prevent copying. The main enforcement arises from spotting
>your sounds in some else's piece and then making a complaint.
kompla!nt: ur bod! = haz ztoln 90 proznt ov _m! dna.
>Item #2: In this case the copying doesn't have to be as high
>quality. The enforcement does not arise from spotting your
>sounds in comeone else's piece.
>
>It seems that the technological solutions should be different
>for these two cases. Although to some degree I am not sure
>that copying in the digital age is any more difficult than
>it was in the analog age. In analog days no one expected to
>have the ability to prevent all copying.
>
>
>Linda Seltzer
1nz bod! = dze cp.
gene eksprez!on.
m! handz = u!tr dzn urz. ! ut!l!sz ultralux.
nn. simply SUPERIOR
-
as per exhibit 242. all goddesses are modular.
to extend
to suppress
to emerge
to colonize
to understand
to komfort
to destroy
to emerge
to colonize
to understand
-O 43 /
| | \ | /
netochka nezvanova - volume 4 number 7
[c]ccp 0+00 irena sabine czubera. memes pre:served
- kop!eren verboten : http://www.membank.org
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