PROTEST=PROFIT on 25 Oct 2000 21:05:52 -0000


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Date: Sat, 21 Oct 2000 15:51:26 +0100
From: matthew fuler matt@axia.demon.co.uk
To: m.gramaglia@comune.roma.it, m.biddau@comune.roma.it, cored@comune.roma.it
Subject: inquiry

Dear Mariella Gramaglia, Mauro Biddau and Claudia De Paolis,


As you will perhaps by now be aware, the contents of your email in-box
also includes material that is significantly different from that of
the usual day to day business of running Rome's civic network. 
Alongside the luxuriant language of bureaucracy and administration,
files appear which appear to be more related to poetry or protest,
signs of life beyond the firewall.

 What is generously being bestowed upon you by your new correspondents
is a particular range of manifestations of the cultural work emerging
on and through the Internet. Over the last few years, artists and
others working in this new and developing context have produced a
significant body of work.

 However, enough of the triviality, I have a business proposition. The
work you are being sent by email is of sufficient cultural value for
it to have a worth within the art market.  For the period that
artist's use of computer mediated communications has occurred, I and
my associates have been keen to acquire such works.

 The current wave of donation of net-art pieces to you is of course a
result of the removal of pages from The Thing and AVANA from Rome's
Civic Network. Whilst the causes of this episode are evidently not
fortunate, there is no reason why we should not profit by it.

First, I must urge you not to delete these works of art as they arrive
in you in-boxes (and of course, to be diligent in making back-up
copies of them by as many means as you have at your disposal).  This
material after all is worth money. 

 Secondly, since your attempted repression of the initial works has of
course achieved greater public attention and hence value for them, I
would like to enquire as to whether your technical staff still possess
the original copies of the works taken off-line. 

 In such a case, I would be interested to know whether it would be
possible to discreetly purchase them from you. The files I am
concerned with would be the original copies of the interview with Doll
Yoko removed from The Thing along with its attendant graphic files and
the text of 'Lasciate che i Bimbi' removed from AVANA. 

 As well as the actual files, I would of course require guarantees of
their provenance, such as evidence of any file creation and
modification dates and the ftp session transcripts of their original
uploading and eventual removal by your technical staff.

 Should you be able to provide a signed statement of authenticity,
this would of course be reflected in the value of my offer.

I trust that you will consider this initial statement of interest with
the thoroughness and confidentiality demanded by the situation and
that you will relish your new positions as custodians and guardians of
the cultural effloresence of the Internet rather than as its censors. 

 I look forward to hearing from you shortly.



Yours sincerely,


Matthew Fuller

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