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| <nettime-ann> DANCECULT 2.1 : Journal of Electronic Dance Music Culture |
. DANCECULT | Journal of Electronic Dance Music Culture ================== Volume 2 * Number 1 * 2011 ================== http://dj.dancecult.net/ Dancecult returns with two themes: the dystopian and remix aesthetics of Detroit and a special From the Floor section on the Love Parade. CONTENTS - DANCECULT 2(1) ## Feature Articles ## Disco's Revenge: House Music's Nomadic Memory -- Hillegonda C. Rietveld Hooked on an Affect: Detroit Techno and Dystopian Digital Culture -- Richard Pope Maintaining "Synk" in Detroit: Two Case Studies in the Remix Aesthetic -- Carleton S. Gholz Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney's Commercial Electronic Dance Music Scene -- Ed Montano ## From the Floor ## Nomads in Sound vol. 1 -- Anna Gavanas # Special Section on the Love Parade # Where is Duisburg? An LP Postscript HTML -- Sean Nye, Ronald Hitzler Party, Love and Profit: The Rhythms of the Love Parade (Interview with Wolfgang Sterneck) -- Graham St John Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg -- Luis-Manuel Garcia ## Reviews ## Hip Hop Underground: The Integrity and Ethics of Racial Identification (Anthony Kwame Harrison) PDF -- Rebecca Bodenheimer The Local Scenes and Global Culture of Psytrance (Graham St John) -- Rupert Till Pink Noises: Women on Electronic Music and Sound (Tara Rodgers) -- Anna Gavanas Technomad: Global Raving Countercultures (Graham St John) -- Philip Ronald Kirby Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman) -- tobias c. van Veen Music World: Donk (Dir. Andy Capper) -- Philip Ronald Kirby Speaking in Code (Dir. Amy Grill) -- tobias c. van Veen Edition 2.1 is not only a new edition of Dancecult, but a redesigned look. Congratulations to all the volunteers in our new editorial and production team (along with our authors and reviewers) for getting this over the line. Special mention to tobias c. van Veen as our new Managing Editor who is to be congratulated for his dedication to managing this edition, overseeing the redesign of the PDF articles and the transition to our new server. Further accolades to Reviews Editor Karenza Moore; Art Director Cato Pulleyblank who designed our great new logo and transformed our look in Indesign; our Copyeditors Catherine Baker and Katrina Loughrey who poured over the Old Testament; Production Director Gary Powell and Production Assistants Ed Montano, Luis-Manuel Garcia and Botond Vitos; and not least OJS wrestler and Operations Assistant Neal Thomas. Extra thank you to Luis-Manuel Garcia for the German to English translation. For the full list of our new team see: http://dj.dancecult.net/index.php/journal/about/editorialTeam Please note that we have a new Dancecult Style Guide (DSG) now available for download. Tobias and myself have worked hard on producing the new DSG. It is a major improvement on our former style guide (the Old Testament) which now includes coverage of our cross platform requirements. For those submitting material, you must download and read the DSG thoroughly before submitting any material. http://www.dancecult.net/i/dancecult_styleguide.pdf From the sweet spot, Graham St John Executive Editor tobias c. van Veen Managing Editor ============ DANCECULT 2 (1) 2011 http://dj.dancecult.net ============ _______________________________________________ nettime-ann mailing list nettime-ann@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-ann