<nettime-ann> [site] Hz #7

["sachiko hayashi" <sachiko.hayashi@telia.com>]

.

Hz: http://www.hz-journal.org

Hz #7 presents:

[articles]

Exploding, Plastic and Inevitable: the Rise of Video Art by Jeremy Welsh
Jeremy Welsh, a video artist and professor at the Bergen National=20
Academy of the Arts, Department of Fine Art, Norway, presents a=20
condense history of the medium which came to be known as "Video Art."
=A0
Directory.Linking 2:/The Immersive State of Reality[Game]Play. by MEZ
Experimental cyber poet MEZ observes today's game play and asks us "=20
Should artists learn from ARGs [Alternative Reality Games'] ability
to=20=

push genre-dimensionalities beyond the emptiness of forced sterile=20
institutionalised [sanctioned] interactivity?"
=A0
The Old and the New and the New Old: A Conceptual Approach Towards=20
Performing The Changing Body by Franziska Schroeder
Franziska Schroeder examines two modes of performance in relation to=20
the body and technology and goes on to search for the third - "the
new=20=

old."
=A0
Synchronised Swamp: Uncanny Expressive Mathematics by Pierre Proske
Pierre Proske explains his "Synchronised Swamp," a computer generated=20
simulation of a mathematical model of a natural phenomenon.
=A0
Listening to the Earch by Andrea Polli
"Heat and the Heartbeat of the City" and "N." are two projects by=20
Andrea Polli, a digital media artist who works in collaboration with=20
meteorological scientists for better understanding of our climate=20
through data sonification.
=A0
ORAMA Project by David Boardman
David Boardman's ORAMA "wants to offer a new social tool able to=20
support the need for new collaborative imaginaries and narrations=20
necessary for a redefinition of the cities, the urban spaces and
their=20=

identities. "

[Net Art]

Mapa by Influenza
Triangles by Compound Pilot
Stand by Your Guns  by Jillian McDonald
Mire Cruft  by Robert Sphar
Flying Puppet  by Nicolas Clauss


Hz is published by Fylkingen, Stockholm.  Established in 1933
Fylkingen=20=

has been promoting unestablished art forms throughout its long
history.=20=

  For more information on our activities, please visit=20
http://www.fylkingen.se

Sachiko Hayashi/Hz
<color><param>0000,0000,0000</param>Hz: http://www.hz-journal.org


Hz #7 presents:


[articles]


<bold>Exploding, Plastic and Inevitable: the Rise of Video Art</bold>
by Jeremy Welsh

Jeremy Welsh, a video artist and professor at the Bergen National
Academy of the Arts, Department of Fine Art, Norway, presents a
condense history of the medium which came to be known as "Video Art."

=A0

<bold>Directory.Linking 2:/The Immersive State of
Reality[Game]Play.</bold> by MEZ

Experimental cyber poet MEZ observes today's game play and asks us "
Should artists learn from ARGs [Alternative Reality Games'] ability to
push genre-dimensionalities beyond the emptiness of forced sterile
institutionalised [sanctioned] interactivity?"

=A0

<bold>The Old and the New and the New Old: A Conceptual Approach
Towards Performing The Changing Body</bold> by Franziska Schroeder

Franziska Schroeder examines two modes of performance in relation to
the body and technology and goes on to search for the third - "the new
old."

=A0

<bold>Synchronised Swamp: Uncanny Expressive Mathematics</bold> by
Pierre Proske

Pierre Proske explains his "Synchronised Swamp," a computer generated
simulation of a mathematical model of a natural phenomenon.

=A0

<bold>Listening to the Earch</bold> by Andrea Polli

"Heat and the Heartbeat of the City" and "N." are two projects by
Andrea Polli, a digital media artist who works in collaboration with
meteorological scientists for better understanding of our climate
through data sonification.

=A0

<bold>ORAMA Project</bold> by David Boardman

David Boardman's ORAMA "wants to offer a new social tool able to
support the need for new collaborative imaginaries and narrations
necessary for a redefinition of the cities, the urban spaces and their
identities. "


[Net Art]


</color><bold>Mapa</bold> by Influenza

<bold>Triangles</bold> by Compound Pilot

<bold>Stand by Your Guns</bold>  by Jillian McDonald

<bold>Mire Cruft</bold>  by Robert 
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